|
|
6 modes égaux de tonalité :
|
| 1 5 |
Diton vietnamien |
| 5 1 |
Warao ditonique : Amérique du Sud |
| 1 2 1 2 |
Messiaen mode tronqué 6 |
| 2 1 2 1 |
Messiaen mode tronqué 6 inverse |
| 1 1 1 1 1 1 |
Ton entier, Messiaen mode 1, Raga Gopriya, Anhemitonic Hexatonic |
7 modes de tonalité :
|
| 1 1 2 1 2 |
Mode thaïlandais 1 |
| 1 2 1 2 1 |
Mode thaïlandais 2 |
| 2 1 2 1 1 |
Mode thaïlandais 3 |
| 1 2 1 1 2 |
Mode thaïlandais 5 |
| 2 1 1 2 1 |
Mode thaïlandais 6 |
7 modes de tonalité de pelog :
|
| Pelog n’est pas un tempérament égal à 7 tons. Une échelle pelog typique est |
| 0, 122, 271, 571, 677, 785, 947 centimes. |
|
|
| 1 1 2 1 2 |
Patet Lima, Patet Nem, Jawar, Selisir |
| [1] 1 2 1 1 2 |
Patet Barang |
| 1 2 1 1 2 |
Patet Lima, Nem avec Pelog |
| [1] 1 1 2 1 2 |
Patet Barang avec Pelog, Manangis, Pengenter 2 |
| [2] 1 1 2 1 2 |
Liwung, Pengenter 1, Baro |
| [3] 1 1 2 1 2 |
Tembung |
| [4] 1 1 2 1 2 |
Nyorog, Sunaren |
| [5] 1 1 2 1 2 |
Nyorog Handap, Pengenter Alit |
| [5] 1 2 1 1 2 |
Slendro Gédé |
| [6] 1 1 2 1 2 |
Pengenter Gédé |
| 2 1 1 2 1 |
Pélog |
| 1 3 1 1 1 |
Dangsoé |
| 1 2 1 2 1 |
Bem, Pengenter |
| 2 1 2 1 1 |
Miring, Slendro 2 |
| 1 1 1 3 1 |
Manyura |
| 1 1 1 1 1 1 1 |
Lebeng |
| [1] 1 2 2 2 |
Jegog |
| [4] 2 1 2 1 1 |
Slendro 1 |
| [1] 2 1 2 1 1 |
Slendro 3 |
| [3] 2 1 2 1 1 |
Slendro 4 |
| [6] 3 1 1 2 |
Slendro Alit |
8 modes égaux de tonalité :
|
| 2 1 2 2 1 |
Agmon Diatonique DS1 |
| 2 2 1 2 1 |
Père-5 |
9 modes égaux de tonalité :
|
| 1 3 1 3 1 |
Pentatonique symétrique |
| 3 1 1 3 1 |
Pelog Pancanada : Coupe glacée |
| 3 1 3 1 1 |
« Sorog » à neuf tons : Sunda |
| 1 2 1 1 2 1 1 |
Pelog Saptanada : Sonde |
| 1 1 1 1 1 1 1 1 1 |
Pelog Nawanada : Sonde |
| 2 1 2 1 2 1 |
Août-6 |
| 1 1 3 1 3 |
Pélogic-5 |
| 1 1 2 1 1 1 2 |
Pseudo Pelog, Pelogic-7, Antiionien |
| 2 1 2 2 2 |
Noll Pseudo-diatonique |
10 modes égaux de tonalité :
|
| 3 1 2 3 1 |
Pelog Degung : Sonde |
| 3 1 3 2 1 |
Sorog Madenda : Sundae |
| 2 1 1 2 2 1 1 |
Pseudo rast |
| 2 1 1 2 1 2 1 |
Sethares Neutre, Beatles-7, Dichotique-7 |
| 1 2 2 1 2 2 |
Décibel-6 |
| 2 1 2 2 1 2 |
Lemba-6 |
| 1 1 2 1 1 1 2 1 |
Supersharp-8 |
| 1 1 1 1 2 1 1 1 1 |
Yoyo et Latrizo-9 |
11 modes égaux de tonalité :
|
| 3 1 1 3 1 1 1 |
Jeanne-7 |
| 2 1 1 1 2 1 1 1 1 |
Jeanne-9 |
| 2 3 2 2 2 |
Machine-5 |
| 2 2 1 2 2 2 |
Machine-6 |
| 1 2 2 1 2 1 2 |
Orgone-7 |
| 1 3 1 3 3 |
Sentinelle-5 |
| 1 1 2 1 1 2 1 2 |
Sentry-8, Antidylathien |
| 2 1 2 1 2 1 2 |
Superkleismique-7 |
| 2 2 2 2 1 2 |
Schulter Hexatonic |
| 2 3 1 3 2 |
Swooning Rushes |
| 1 1 4 1 4 |
Quadriolic Diatonic |
12 tone modes:
|
| 2 10 |
Vietnamese ditonic |
| 5 7 |
Honchoshi: Japan |
| 7 5 |
Niagari: Japan |
| 10 2 |
Warao ditonic: South America |
| 3 2 7 |
Vietnamese tritonic |
| 3 4 5 |
Ute tritonic, Peruvian tritonic 2 |
| 4 3 5 |
Raga Malasri, Peruvian tritonic 1 |
| 4 5 3 |
Raga Bilwadala |
| 5 2 5 |
Raga Sarvasri, Warao tritonic: South America |
| 5 5 2 |
Sansagari: Japan |
| 6 1 5 |
Raga Ongkari |
| 1 5 1 5 |
Messiaen truncated mode 5 |
| 5 1 5 1 |
Messiaen truncated mode 5 inverse |
| 2 4 2 4 |
Messiaen truncated mode 6 |
| 4 2 4 2 |
Messiaen truncated mode 6 inverse |
| 1 4 3 4 |
Raga Lavangi, Gowleeswari |
| 2 1 7 2 |
Warao tetratonic: South America |
| 2 2 3 5 |
Eskimo tetratonic (Alaska: Bethel) |
| 3 2 2 5 |
Vietnamese tetratonic |
| 2 3 2 5 |
Genus primum |
| 2 3 3 4 |
Raga Haripriya |
| 2 3 4 3 |
Raga Bhavani |
| 2 4 5 1 |
Raga Sumukam |
| 4 2 5 1 |
Raga Nigamagamini |
| 4 3 3 2 |
Raga Mahathi, Antara Kaishiaki |
| 3 4 3 2 |
Bi Yu: China |
| 5 2 3 2 |
Genus primum inverse |
| 2 3 2 1 4 |
Han-kumoi: Japan, Raga Shobhavari, Sutradhari |
| 2 1 4 1 4 |
Aeolian Pentatonic, Hira-joshi, Kata-kumoi, Yona Nuki Minor: Japan, Tizita Minor (Half tizita): Ethiopia |
| 1 4 2 1 4 |
Hon-kumoi-joshi, Sakura, Akebono II: Japan, Olympos Enharmonic, Raga Gunakri (Gunakali), Latantapriya, Salanganata, Saveri, Ambassel: Ethiopia |
| 1 4 2 3 2 |
Kokin-joshi, Miyakobushi, Han-Iwato, In Sen: Japan, Raga Bairagi, Lasaki, Vibhavari (Revati) |
| 1 4 1 4 2 |
Iwato: Japan |
| 2 3 2 2 3 |
Scottish Pentatonic, Blues Major, Ritusen, Ritsu (Gagaku): Japan, Zhi, Zheng: China, Ujo, P’yongjo: Korea, Bac: Vietnam, Lai Soutsanaen, Lai Po Sai, Lai Soi: Laos, Raga Arabhi, Devakriya, Durga, Jaldhar Kedar, Suddha Saveri, Major complement |
| 2 2 3 2 3 |
Major Pentatonic, Ryosen, Yona Nuki Major: Japan, Man Jue, Gong: China, Raga Bhopali (Bhup), Bilahari, Deskar, Kokila, Jait Kalyan, Mohanam, Peruvian Pentatonic 1, Ghana Pentatonic 2, Tizita Major: Ethiopia |
| 2 3 2 3 2 |
Suspended Pentatonic, Raga Madhyamavati, Madhmat Sarang, Megh, Egyptian, Shang, Rui Bin, Jin Yu, Qing Yu: China, Yo: Japan, Ngu Cung Dao: Vietnam, Yematebela wofe: Ethiopia |
| 2 3 3 2 2 |
Chaio: China |
| 2 2 2 3 3 |
Kung: China |
| 1 4 2 2 3 |
Altered Pentatonic, Raga Manaranjani II |
| 4 2 1 4 1 |
Lydian Pentatonic, Raga Amritavarshini, Malashri, Shilangi, Batti Lydian: Ethiopia |
| 1 2 4 1 4 |
Phrygian Pentatonic, Balinese Pelog, Madenda Modern, Raga Bhupalam, Bhupala Todi, Bibhas |
| 2 1 2 4 3 |
Raga Abhogi |
| 2 1 2 3 4 |
Raga Audav Tukhari |
| 4 1 4 2 1 |
Raga Bhinna Shadja, Kaushikdhvani, Hindolita |
| 2 2 3 1 4 |
Raga Bhupeshwari, Janasammodini |
| 2 2 1 2 5 |
Raga Budhamanohari |
| 3 2 4 2 1 |
Raga Marga Hindola, Rajeshwari |
| 3 2 3 3 1 |
Raga Chandrakauns (Chandrakosh) (modern, Kiravani) |
| 3 2 4 1 2 |
Raga Audav Bageshri, Chandrakauns (old, Kafi), Surya, Varamu |
| 2 3 3 3 1 |
Raga Chandraprabha, Priyadharshini |
| 1 2 3 2 4 |
Raga Chhaya Todi, Locrian Pentatonic 1 |
| 1 2 2 3 4 |
Raga Chitthakarshini |
| 2 3 2 4 1 |
Raga Desh, Tcherepnin Major Pentatonic, Nam xuan: Vietnam |
| 1 6 1 3 1 |
Raga Deshgaur (Desh Gaud) |
| 5 2 1 3 1 |
Raga Devaranjani (Devaranji) |
| 3 2 2 3 2 |
Minor Pentatonic, Blues Pentatonic, Raga Dhani (Suddha Dhanyasi), Abheri, Udhayaravi Chandrika, Qing Shang, Gu Xian, Jia Zhong, Yu: China, P’yongjo-kyemyonjo: Korea, Minyo: Japan, Lai Yai, Lai Noi: Laos, Nam, Northern Sa mac: Vietnam, Peruvian Pentatonic 2, Batti Minor: Ethiopia |
| 1 3 3 2 3 |
Raga Dhanya Dhaivat, Jait, Rasika Ranjani, Vibhas (Marva), Scriabin |
| 4 2 1 2 3 |
Raga Dhavalashri |
| 4 1 2 4 1 |
Ionian Pentatonic, Raga Gambhiranata, Pelog Degung Modern, Ryukyu: Japan, Vong co: Vietnam, Batti Major: Ethiopia |
| 1 4 2 4 1 |
Raga Gauri |
| 4 1 3 3 1 |
Raga Girija, Bacovia: Romania, Batti Major sharp 5: Ethiopia |
| 2 3 4 1 2 |
Raga Guhamanohari |
| 1 4 3 2 2 |
Raga Gyankali |
| 2 2 3 4 1 |
Raga Hamsadhvani (Hansdhwani, Haunsdhwani) |
| 3 3 2 2 2 |
Raga Harikauns, Chin: China |
| 4 2 3 2 1 |
Raga Hindol (Sunada Vinodini), Sanjh ka Hindol |
| 3 2 1 4 2 |
Raga Jayakauns |
| 4 3 2 1 2 |
Raga Kalawati, Valaji |
| 4 1 4 1 2 |
Raga Khamaji Durga, Rupeshwari |
| 3 2 2 1 4 |
Raga Kokil Pancham |
| 1 4 3 3 1 |
Raga Kshanika |
| 1 1 6 3 1 |
Raga Kumarapriya |
| 2 2 2 5 1 |
Raga Kumurdaki (Kumudaki) |
| 5 2 2 1 2 |
Raga Kuntvarali (Kuntalavarali) |
| 3 2 3 2 2 |
Blues Minor, Raga Malkauns (Malakosh), Raga Hindola, Man Gong, Quan Ming, Yi Ze, Jiao: China, Shegaye: Ethiopia |
| 4 3 2 2 1 |
Raga Mamata |
| 1 3 3 3 2 |
Raga Manaranjani I |
| 2 5 2 1 2 |
Raga Matha Kokila (Matkokil) |
| 1 3 1 3 4 |
Raga Megharanjani, Syrian Pentatonic |
| 1 3 1 6 1 |
Raga Megharanji (Megh Ranjani) |
| 3 1 3 2 3 |
Raga Mohanangi |
| 3 3 1 4 1 |
Raga Multani, Batti Minor sharp 4: Ethiopia |
| 1 1 4 1 5 |
Raga Nabhomani |
| 4 1 2 2 3 |
Raga Nagasvaravali (Naag Saravali), Raga Mand |
| 3 2 2 4 1 |
Raga Nata, Udayaravicandrika, Madhuranjani |
| 2 2 5 2 1 |
Raga Neroshta |
| 2 1 2 2 5 |
Raga Purnalalita, Chad Gadyo: Jewish, Ghana Pentatonic 1, Nando-kyemyonjo: Korea |
| 5 2 2 2 1 |
Raga Puruhutika, Purvaholika |
| 1 1 6 1 3 |
Raga Putrika |
| 2 3 4 2 1 |
Raga Rasranjani |
| 1 3 3 1 4 |
Raga Reva, Revagupti, Ramkali, Vibhas (Bhairava) |
| 1 2 4 3 2 |
Raga Rukmangi |
| 3 3 1 3 2 |
Raga Samudhra Priya, Madhukauns (pentatonic) |
| 1 5 1 1 4 |
Raga Saugandhini, Yashranjani |
| 3 4 1 2 2 |
Raga Shailaja, Varini |
| 2 4 1 2 3 |
Raga Shri Kalyan |
| 2 4 3 2 1 |
Raga Shubravarni |
| 2 4 1 4 1 |
Raga Vaijayanti, Hamsanada |
| 4 1 2 1 4 |
Raga Zilaf |
| 2 2 3 3 2 |
Dominant Pentatonic |
| 2 1 4 2 3 |
Dorian Pentatonic, Raga Sivaranjini (Shivaranjani), Akebono I: Japan |
| 4 1 2 3 2 |
Mixolydian Pentatonic, Nam ai, Oan: Vietnam, Raga Savethri |
| 3 1 2 4 2 |
Locrian Pentatonic 2 |
| 3 2 2 2 3 |
Minor added Sixth Pentatonic, Kyemyonjo: Korea |
| 2 2 2 2 2 2 |
Whole-tone, Messiaen mode 1, Raga Gopriya, Anhemitonic Hexatonic |
| 2 2 3 2 2 1 |
Lydian Hexatonic, Raga Kumud, Sankara (Shankara), Prabhati |
| 2 3 2 2 1 2 |
Mixolydian Hexatonic, P’yongjo: Korea, Yosen: Japan, Raga Darbar, Narayani, Suposhini, Andolika, Gorakh Kalyan, Rakta Hauns |
| 3 2 2 1 2 2 |
Phrygian Hexatonic, Raga Desya Todi, Gopikavasantam (Gopika Basant), Jayantasri |
| 2 2 1 2 2 3 |
Arezzo Major Diatonic Hexachord, Guidonian Hexachord, Scottish Hexatonic, Raga Kambhoji, Devarangini, Hem Kalyan, Sama (Syama) |
| 2 1 2 2 3 2 |
Minor Hexatonic, Raga Manirangu, Nayaki, Palasi, Pushpalithika (Puspalatika), Suha Sughrai, Yo: Japan, Eskimo Hexatonic 1 (Alaska: King Island) |
| 1 2 2 3 2 2 |
Locrian Hexatonic, Ritsu: Japan, Raga Suddha Todi |
| 2 2 2 3 1 2 |
Prometheus (Scriabin), Mystic, Raga Barbara |
| 1 3 2 3 1 2 |
Prometheus Neapolitan |
| 3 2 1 1 3 2 |
Blues scale I, Raga Nileshwari |
| 2 2 2 2 3 1 |
Eskimo Hexatonic 2 (Alaska: Point Hope) |
| 2 1 4 2 2 1 |
Hawaiian |
| 1 2 2 1 4 2 |
Honchoshi plagal form: Japan |
| 2 1 2 1 3 3 |
Pyramid Hexatonic |
| 1 2 1 2 1 5 |
Istrian: Croatia |
| 1 2 2 1 3 3 |
Double-Phrygian Hexatonic |
| 1 1 3 1 3 3 |
Schoenberg Signature Hexachord |
| 2 1 2 2 1 4 |
Raga Adi Bhairavi |
| 2 1 3 1 4 1 |
Raga Amarasenapriya |
| 2 1 2 4 1 2 |
Raga Bagesri, Sriranjani, Kapijingla, Jayamanohari |
| 1 3 1 2 1 4 |
Raga Bangal Bhairav, Geyahejjajji, Kannadabangala, Malahari, Purna Pancama |
| 1 3 3 1 3 1 |
Raga Bauli, Prabhavati, Shreetank, Triveni |
| 3 1 1 2 3 2 |
Raga Bhanumanjari, Jog |
| 1 2 3 2 2 2 |
Raga Bhavani |
| 2 3 2 1 3 1 |
Raga Bhinna Pancama |
| 2 3 2 3 1 1 |
Raga Brindabani Sarang, Megh (Megh Malhar) |
| 2 2 2 1 4 1 |
Raga Caturangini, Ratnakanthi |
| 1 1 4 1 2 3 |
Raga Chandrajyoti |
| 1 5 1 1 3 1 |
Raga Chandra Kalyan |
| 2 3 2 2 2 1 |
Raga Chandrika, Nagagandhari |
| 1 3 2 1 1 4 |
Raga Dhavalangam |
| 2 2 1 1 1 5 |
Raga Dipak |
| 1 2 2 2 3 2 |
Raga Gandharavam, Sabai silt: Ethiopia |
| 1 3 1 2 4 1 |
Raga Gaula |
| 2 1 2 3 3 1 |
Raga Ghantana, Kaushiranjani (Kaishikiranjani) |
| 1 2 3 2 3 1 |
Raga Gurjari Todi |
| 1 3 2 3 2 1 |
Raga Hamsanandi, Marva, Pancama, Puriya, Sohni (Sohoni) |
| 2 2 1 4 2 1 |
Raga Hamsa Vinodini, Uday Ravi Chandrika |
| 4 1 2 2 2 1 |
Raga Hari Nata, Genus secundum |
| 1 3 2 2 1 3 |
Raga Hejjajji |
| 2 4 1 1 2 2 |
Raga Jaganmohanam |
| 1 2 3 1 1 4 |
Raga Jaiwanti |
| 2 2 3 2 1 2 |
Raga Janasamohini |
| 3 2 2 2 1 2 |
Raga Jayant, Malavasri, Manohari, Udan Chandrika |
| 1 4 2 2 2 1 |
Raga Jivantika |
| 3 3 1 3 1 1 |
Raga Jivantini, Gaurikriya |
| 4 2 1 1 2 2 |
Raga Jyoti |
| 1 3 3 1 1 3 |
Raga Kalagada (Kalgada) |
| 1 4 2 1 1 3 |
Raga Kalakanthi |
| 1 3 1 2 2 3 |
Raga Kalavati, Mangal Bhairav, Ragamalini |
| 4 1 2 1 2 2 |
Raga Kamal Manohari |
| 5 2 2 1 1 1 |
Raga Kantal Varari |
| 1 2 4 1 2 2 |
Raga Kashyapi |
| 4 1 2 2 1 2 |
Raga Khamas, Desya Khamas, Bahudari |
| 2 1 4 3 1 1 |
Raga Kohal |
| 2 1 4 2 1 2 |
Raga Kolhaas, Manavi |
| 1 3 1 3 3 1 |
Raga Lalita, Sohini, Hamsanandi, Lalit Bhairav |
| 2 2 3 1 3 1 |
Raga Latika |
| 3 3 1 2 1 2 |
Raga Madhukauns (hexatonic) |
| 2 1 2 2 4 1 |
Raga Madhuranjani, Sindhura Kafi |
| 2 4 1 3 1 1 |
Raga Malarani, Hamsanada |
| 1 3 3 2 1 2 |
Raga Malayamarutam |
| 1 3 3 2 2 1 |
Raga Malin |
| 1 3 2 1 4 1 |
Raga Mandari, Gamakakriya, Hamsanarayani, Haunsnad, Koumari |
| 2 2 2 3 2 1 |
Raga Mruganandana, Raj Kalyan |
| 2 2 1 2 4 1 |
Raga Nalinakanti, Kedaram, Vilasini |
| 2 3 2 1 2 2 |
Raga Navamanohari, Shobhavari |
| 2 1 3 2 1 3 |
Raga Neelangi |
| 2 4 1 2 2 1 |
Raga Nishadi |
| 1 4 2 1 3 1 |
Raga Padi |
| 4 1 2 1 3 1 |
Raga Paraju (Paraz, Pharas), Ramamanohari, Sindhu Ramakriya, Kamalamanohari |
| 1 4 2 1 2 2 |
Raga Phenadyuti, Honchoshi, Insen, Niagari: Japan |
| 2 2 1 4 1 2 |
Raga Rageshri (Rageshwari), Nattaikurinji (Natakuranji) |
| 2 1 3 3 2 1 |
Raga Ranjani, Rangini |
| 2 2 1 1 3 3 |
Raga Ras Chandra |
| 3 1 2 1 4 1 |
Raga Rasamanjari |
| 1 4 2 2 1 2 |
Raga Rasavali |
| 1 3 1 4 1 2 |
Raga Rudra Pancama, Naat Kuranjika |
| 4 2 3 1 1 1 |
Raga Saanjh Ki Hindol |
| 1 2 4 2 1 2 |
Raga Salagavarali (Salag Varari) |
| 2 2 1 3 3 1 |
Raga Sarasanana |
| 2 4 1 2 1 2 |
Raga Sarasvati |
| 4 1 2 1 1 3 |
Raga Saravati (Sharavati) |
| 1 2 3 1 4 1 |
Raga Shreevanti |
| 2 1 3 1 3 2 |
Raga Simharava (Sinharavam), Gopikatilaka |
| 2 2 1 2 3 2 |
Raga Siva Kambhoji, Vivardhini, Andhali |
| 2 1 2 2 2 3 |
Raga Suddha Bangala, Gauri Velavali, Pushp |
| 1 1 3 3 1 3 |
Raga Suddha Mukhari |
| 1 2 2 2 1 4 |
Raga Suddha Simantini, Genus secundum inverse |
| 2 1 3 1 1 4 |
Raga Syamalam |
| 3 2 2 1 3 1 |
Raga Takka |
| 4 1 2 3 1 1 |
Raga Tilang, Savitri, Brindabani Tilang, Hauns Shree |
| 2 1 4 1 2 2 |
Raga Trimurti |
| 1 3 1 1 4 2 |
Raga Udasi Bhairav |
| 1 3 1 4 2 1 |
Raga Vasanta, Chayavati |
| 1 3 1 3 2 2 |
Raga Vasantabhairavi |
| 2 1 3 1 2 3 |
Raga Vijayanagari |
| 1 1 4 1 4 1 |
Raga Vijayasri |
| 4 2 1 3 1 1 |
Raga Vijayavasanta |
| 1 2 2 3 3 1 |
Raga Viyogavarali |
| 4 2 1 2 1 2 |
Raga Vutari |
| 2 2 2 1 2 3 |
Raga Yamuna Kalyani, Kalyani Keseri, Airavati, Ancient Chinese |
| 1 1 4 1 1 4 |
Messiaen mode 5, Two-semitone Tritone scale |
| 4 1 1 4 1 1 |
Messiaen mode 5 inverse |
| 1 3 1 3 1 3 |
Messiaen truncated mode 3, Hexatonic Set, Prometheus (Liszt), Genus tertium inverse |
| 3 1 3 1 3 1 |
Messiaen truncated mode 3 inverse, Major Augmented, Genus tertium, Raga Devamani |
| 1 2 3 1 2 3 |
Messiaen truncated mode 2 |
| 1 3 2 1 3 2 |
Messiaen truncated mode 2, Raga Indupriya, Tritone scale |
| 3 1 2 2 1 3 |
Equal temperaments 3 and 4 mixed |
| 1 2 1 2 4 2 |
Superlocrian Hexamirror |
| 2 1 3 2 3 1 |
Takemitsu Tree Line mode 1 |
| 2 1 3 2 2 2 |
Takemitsu Tree Line mode 2 |
|
G = Greek, M = Medieval (ecclesiastical) |
| 1 2 2 1 2 2 2 |
G.Mixolydian, G.Hyperdorian, M.Hypophrygian, M.Locrian, G.M.Hyperaeolian, Rut biscale descending, Pien chih: China, Makam Lami, Yishtabach: Jewish |
| 2 2 1 2 2 2 1 |
G.Lydian, M.Ionian, M.Hypolydian, Major, Bilaval That, Mela Shankarabharanam, Raga Atana, Ghana Heptatonic, Peruvian Major, Matzore, Rast ascending: Greece, 4th plagal Byzantine, Ararai: Ethiopia, Makam Cargah, Ajam Ashiran, Dastgah-e Mahur, Dastgah-e Rast Panjgah, Xin: China, DS2, Heptatonia prima |
| 2 1 2 2 2 1 2 |
G.Phrygian, M.Dorian, M.Hypomixolydian, G.M.Hypoionian (Hypoiastian), Kafi That, Mela Kharaharapriya, Raga Bageshri, Bhimpalasi, Huseni, Kanara, Kapi, Nayaki Kanada, Ritigaula, Sriraga, Mischung 5, Gregorian nr.8, Eskimo Heptatonic, Yu: China, Hyojo, Oshikicho, Banshikicho: Japan, Nam: Vietnam |
| 1 2 2 2 1 2 2 |
G.Dorian, M.Phrygian, G.M.Hypoaeolian, Bhairavi That, Mela Hanumatodi, Raga Asavari (Asaveri), Bilashkhani Todi, Ghanta, Makam Kurd, Gregorian nr.3, Escala Andaluza, In, Zokuso: Japan, Ousak: Greece, Major inverse |
| 2 2 2 1 2 2 1 |
G.Hypolydian, M.Lydian, G.M.Hypolocrian, Rut biscale ascending, Kalyan That (Yaman), Mela Mecakalyani, Raga Chandrakant, Malarani, Shuddh Kalyan, Ping, Kung, Gu: China |
| 2 2 1 2 2 1 2 |
G.Hypophrygian, G.Ionian (Iastian), M.Mixolydian, G.M.Hypoionian, Hypermixolydian, Mischung 3, Khamaj That, Mela Harikambhoji, Raga Balahamsa, Bhim, Devamanohari, Harini, Janjhuti, Kaamaai, Khambhavati, Surati, Gregorian nr.7, Enharmonic Byzantine Liturgical, Rast descending: Greece, Ching, Shang: China |
| 2 1 2 2 1 2 2 |
G.M.Hypodorian, G.M.Aeolian, G.Hyperphrygian, Natural Minor, Melodic Minor descending, Asavari That, Mela Natabhairavi, Raga Jaunpuri, Adana, Darbari, Dhanyasi, Jingla, Gregorian nr.2, Makam Buselik, Nihavend, Peruvian Minor, Se, Chiao: China, Geez, Ezel: Ethiopia, Kiourdi descending: Greece, Cushak: Armenia |
| 1 1 3 1 1 3 2 |
Chromatic Mixolydian |
| 1 3 1 1 3 2 1 |
Chromatic Lydian, Raga Lalit, Bhankar, Pancham |
| 3 1 1 3 2 1 1 |
Chromatic Phrygian |
| 1 1 3 2 1 1 3 |
Chromatic Dorian, Mela Kanakangi, Raga Kanakambari |
| 1 3 2 1 1 3 1 |
Chromatic Hypolydian, Purvi (Poorvi) That, Mela Kamavardhani, Raga Shri, Basant, Dhipaka, Pantuvarali, Jaitshree, Kasiramakriya, Maligaura, Puriya Dhanashri, Suddharamakriya, Tanki, Pireotikos: Greece |
| 3 2 1 1 3 1 1 |
Chromatic Hypophrygian, Blues scale III |
| 2 1 1 3 1 1 3 |
Chromatic Hypodorian, Relative Blues scale, Raga Dvigandharabushini |
| 2 3 1 1 3 1 1 |
Chromatic Mixolydian inverse |
| 1 1 2 3 1 1 3 |
Chromatic Phrygian inverse |
| 1 1 3 1 1 2 3 |
Chromatic Hypophrygian inverse, Phrygian Hungarian Minor |
| 3 1 1 3 1 1 2 |
Chromatic Hypodorian inverse |
| 2 1 2 2 2 2 1 |
Melodic Minor ascending, Jazz Minor, Minor-Major, Mela Gaurimanohari, Raga Kedar Bahar, Patdip (Patadeep), Velavali, Deshi(2), Mischung 1, Hawaiian |
| 2 1 2 2 1 3 1 |
Harmonic Minor, Mischung 4, Pilu That, Mela Kiravani, Raga Kiranavali, Kirvani (Kirwani), Kalyana Vasantha, Deshi(3), Maqam Bayat-e-Esfahan, Sultani Yakah, Zhalibny Minor, Armoniko minore: Greece |
| 1 3 1 2 2 1 2 |
Harmonic Minor inverse, Mixolydian flat 2, Mela Cakravaka, Raga Ahir Bhairav, Bindumalini, Hevitri, Vegavahini, Makam Hicaz, Zanjaran |
| 2 2 1 2 1 3 1 |
Harmonic Major, Mischung 2, Mela Sarasangi, Raga Anand Leela, Haripriya, Nat Bhairav, Simhavahini, Ethiopian, Tabahaniotikos: Greece |
| 1 2 1 3 1 2 2 |
Makam Huzzam, Maqam Saba Zamzam, Phrygian flat 4 |
| 2 2 1 3 1 2 1 |
Ionian Augmented, Ionian sharp 5 |
| 2 2 2 2 1 2 1 |
Lydian Augmented, Lydian sharp 5 |
| 1 2 2 1 3 1 2 |
Locrian natural 6, Maqam Tarznauyn |
| 2 2 1 1 2 2 2 |
Major Locrian |
| 2 1 2 1 2 2 2 |
Minor Locrian, Half Diminished, Locrian sharp 2, Minor flat 5 |
| 1 2 1 2 2 2 2 |
Superlocrian, Altered Dominant, Diminished Whole-tone, Locrian flat 4, Pomeroy, Ravel |
| 2 1 2 1 2 3 1 |
Locrian nr.2 |
| 1 2 1 2 2 1 3 |
Ultralocrian, Superlocrian Diminished, Mixolydian sharp 1, Altered Diminished 7 |
| 1 2 2 1 2 1 3 |
Locrian double-flat 7 |
| 2 3 1 2 1 2 1 |
Nohkan Flute scale: Japan |
| 2 1 1 3 1 2 2 |
Sabach (Sambah) ascending: Greece |
| 2 1 2 1 3 1 2 |
Dorian flat 5, Blues Heptatonic, Makam Karcigar, Maqam Nahawand Murassah, Kiourdi ascending, Kartzihiar: Greece |
| 3 2 1 1 2 1 2 |
Blues Heptatonic II |
| 2 1 2 1 3 2 1 |
Jeths’ mode |
| 1 1 2 2 1 2 3 |
Triadic Heptatonic 29 |
| 1 1 3 2 1 2 2 |
Mela Ratnangi, Raga Phenadyuti |
| 1 1 3 2 1 3 1 |
Mela Ganamurti, Raga Ganasamavarali |
| 1 1 3 2 2 1 2 |
Mela Vanaspati, Raga Bhanumati |
| 1 1 3 2 2 2 1 |
Mela Manavati, Raga Manoranjani |
| 1 1 3 2 3 1 1 |
Mela Tanarupi, Raga Tanukirti |
| 1 2 2 2 1 1 3 |
Mela Senavati, Raga Senagrani, Malini |
| 1 2 2 2 1 3 1 |
Neapolitan Minor, Mela Dhenuka, Raga Bhinnasadjam, Dhunibinnashadjam, Kirvanti, Takka, Maqam Shahnaz Kurdi, Hungarian Gipsy |
| 1 2 2 2 2 2 1 |
Neapolitan Major, Lydian Major, Mela Kokilapriya, Raga Kokilaravam, Heptatonia tertia |
| 1 2 2 2 2 1 2 |
Mela Natakapriya, Jazz Minor inverse, Phrygian-Mixolydian, Dorian flat 2, Raga Natabharanam, Motaki, Ahiri Todi |
| 1 2 2 2 3 1 1 |
Mela Rupavati |
| 1 3 1 1 2 3 1 |
Raga Lalita, Persian, Chromatic Hypolydian inverse, Raga Suddha Pancama |
| 1 3 1 2 1 1 3 |
Mela Gayakapriya, Raga Kalakanti, Gipsy Hexatonic |
| 1 3 1 2 1 2 2 |
Phrygian Dominant, Phrygian Major, Mela Vakulabharanam, Raga Ahiri, Basant Mukhari, Jogiya, Vativasantabhairavi, Zilof, Ahava Rabba, Freygish: Jewish, Maqam Hijaz-Nahawand, Humayun, Spanish Gipsy, Dorico Flamenco, Frigio Flamenco: Spain, Hitzaz: Greece, Harmonic Major inverse, Mixolydian flat 2 flat 6 |
| 1 3 1 2 1 3 1 |
Double Harmonic Major, Major Gipsy, Bhairav That, Mela Mayamalavagaula, Raga Paraj, Kalingada, Gaulipantu, Lalitapancamam, Gandhakriya, Kalingda, Manjiri, Chromatic 2nd Byzantine Liturgical, Hitzazkiar: Greece, Maqam Zengule, Hijaz Kar, Suzidil |
| 1 3 1 2 2 2 1 |
Mela Suryakanta, Bhairubahar That, Raga Supradhipam, Sowrashtram (Sourashtra), Jaganmohini, Major-Melodic Phrygian, Hungarian Gipsy inverse |
| 1 3 1 2 3 1 1 |
Mela Hatakambari, Raga Jeyasuddhamalavi |
| 2 1 2 1 1 3 2 |
Modified Blues |
| 2 1 2 2 1 1 3 |
Mela Jhankaradhvani, Raga Jhankara Bhramavi |
| 2 1 2 2 3 1 1 |
Mela Varunapriya, Viravasantham, Raga Daulati, Dev Sakh (Deshakya), Nanak Malhar |
| 2 2 1 2 1 1 3 |
Mela Mararanjani, Raga Keseri, Major Bebop Heptatonic |
| 2 2 1 2 1 2 2 |
Major-Minor, Melodic Major, Mischung 6, Mixolydian flat 6, Arabic Minor, Oriental Minor, Mela Carukesi, Raga Charukeshi, Tarangini, Heptatonia secunda |
| 2 2 1 2 3 1 1 |
Mela Naganandini, Raga Nagabharanam, Nupur, Samanta |
| 3 1 1 2 1 1 3 |
Mela Yagapriya, Raga Kalahamsa |
| 3 1 1 2 1 2 2 |
Mela Ragavardhani, Raga Cudamani |
| 3 1 1 2 1 3 1 |
Mela Gangeyabhusani, Raga Gangatarangini, Sengiach (Sengah): Greece, Gipsy Hexatonic inverse |
| 3 1 1 2 2 1 2 |
Mela Vagadhisvari, Raga Bhogachayanata, Nandkauns, Ganavaridhi, Chayanata, Bluesy Rock ‘n Roll |
| 3 1 1 2 2 2 1 |
Mela Sulini, Raga Sailadesakshi, Raga Trishuli, Houzam: Greece |
| 3 1 1 2 3 1 1 |
Mela Calanata, Raga None, Chromatic Dorian inverse |
| 1 1 4 1 1 1 3 |
Mela Salaga |
| 1 1 4 1 1 2 2 |
Mela Jalarnava |
| 1 1 4 1 1 3 1 |
Mela Jhalavarali, Raga Varali, Jinavali |
| 1 1 4 1 2 1 2 |
Mela Navanitam, Raga Nabhomani |
| 1 1 4 1 2 2 1 |
Mela Pavani, Raga Kumbhini |
| 1 1 4 1 3 1 1 |
Mela Raghupriya, Raga Ravikriya, Ghandarva |
| 1 2 3 1 1 1 3 |
Mela Gavambodhi, Raga Girvani |
| 1 2 3 1 1 2 2 |
Mela Bhavapriya, Raga Bhavani, Kalamurti, Neveseri ascending: Greece |
| 1 2 3 1 1 3 1 |
Todi That, Mela Shubhapantuvarali, Raga Gamakasamantam, Hemavanti, Kaam Ranjani, Multani, Harsh Minor, Chromatic Lydian inverse, Maqam Athar Kurd |
| 1 2 3 1 2 1 2 |
Mela Sadvidhamargini, Raga Sthavarajam, Tivravahini |
| 1 2 3 1 2 2 1 |
Mela Suvarnangi, Raga Sauviram |
| 1 2 3 1 3 1 1 |
Mela Divyamani |
| 1 3 2 1 1 1 3 |
Mela Dhavalambari, Foulds’ Mantra of Will scale |
| 1 3 2 1 1 2 2 |
Mela Namanarayani, Raga Narmada, Pratapa, Harsh Major-Minor, Mixolydian flat 2 sharp 4 flat 6 |
| 1 3 2 1 2 1 2 |
Romanian Major, Mela Ramapriya, Raga Basant Bahar, Ramamanohari, Petrushka chord, Mixolydian flat 2 sharp 4 |
| 1 3 2 1 2 2 1 |
Marva That, Mela Gamanasrama, Raga Bairari, Malavi, Partiravam, Puriya, Puriya Kalyan, Purvikalyani, Sohani, Harsh-intense Major, Peiraiotikos: Greece |
| 1 3 2 1 3 1 1 |
Mela Visvambhari, Raga Vamsavathi |
| 1 3 2 2 2 1 1 |
Verdi’s Scala enigmatica ascending |
| 1 3 1 3 2 1 1 |
Verdi’s Scala enigmatica descending |
| 2 1 2 1 2 1 3 |
Moravian Pistalkova, Hungarian Major inverse |
| 2 1 3 1 1 2 2 |
Minor Gipsy, Mela Sanmukhapriya, Raga Camara, Chinthamani |
| 2 1 3 1 1 3 1 |
Double Harmonic Minor, Hungarian Minor, Egyptian Heptatonic, Mela Simhendramadhyama, Raga Madhava Manohari, Shimendra Madyam, Maqam Nawa Athar, Hisar, Flamenco Mode, Niavent: Greece |
| 2 1 3 1 2 1 2 |
Mela Hemavati, Raga Desisimharavam, Maqam Nakriz, Tunisian, Dorian sharp 4, Misheberekh: Jewish, Nigriz, Pimenikos, Souzinak (Peiraiotikos Minor): Greece, Ukrainian Dorian, Ukrainian Minor, Kaffa, Gnossiennes |
| 2 1 3 1 2 2 1 |
Lydian Diminished, Mela Dharmavati, Raga Ambika, Arunajualita, Dumyaraga, Madhuvanti |
| 2 2 1 1 3 1 2 |
Minor Gipsy inverse |
| 2 2 2 1 1 2 2 |
Lydian Minor, Mela Rishabhapriya, Raga Ratipriya, Mixolydian sharp 4 flat 6 |
| 2 2 2 1 1 3 1 |
Harmonic Lydian, Mela Latangi, Raga Gitapriya, Hamsalata |
| 2 2 2 1 2 1 2 |
Lydian Dominant, Mela Vacaspati, Raga Bhusavati, Bhusavali, Vachaspati, Overtone, Lydian-Mixolydian, Bartok |
| 3 1 2 1 2 1 2 |
Hungarian Major, Mela Nasikabhusani, Raga Nasamani |
| 3 1 2 1 2 2 1 |
Aeolian Harmonic, Lydian sharp 2, Mela Kosalam, Raga Kusumakaram, Sampoorna Hindol |
| 3 1 2 2 1 2 1 |
Aeolian flat 1 |
| 2 2 2 1 3 1 1 |
Mela Citrambari, Raga Chaturangini |
| 3 1 2 1 1 3 1 |
Mela Dhatuvardhani, Raga Dhauta Pancama, Devarashtra |
| 3 1 2 1 1 2 2 |
Mela Jyotisvarupini, Raga Jotismatti |
| 2 2 2 1 1 1 3 |
Mela Kantamani, Raga Kuntala, Srutiranjani |
| 2 1 3 1 3 1 1 |
Mela Nitimati, Raga Nisada, Kaikavasi |
| 3 1 2 1 3 1 1 |
Mela Rasikapriya, Raga Rasamanjari, Hamsagiri |
| 3 1 2 1 1 1 3 |
Mela Sucaritra, Raga Santanamanjari |
| 2 1 3 1 1 1 3 |
Mela Syamalangi, Raga Shyamalam, Vijay |
| 2 3 1 1 2 2 1 |
Raga Chandni Kedar, Jairaj |
| 4 1 1 1 2 1 2 |
Raga Hindol Bahar |
| 3 1 3 2 1 1 1 |
Raga Homshikha |
| 4 1 2 2 1 1 1 |
Raga Madhuri, Kaamkesh, Kamal Ranjani |
| 1 3 1 1 1 4 1 |
Raga Pushp Ranjani |
| 2 2 1 4 1 1 1 |
Raga Rageshri |
| 2 1 1 1 4 1 2 |
Raga Ravikosh |
| 2 3 2 2 1 1 1 |
Raga Sorati (Sorath), Badhans Sarang, Samant Sarang, Sawani Kedar, Sur Malhar |
| 1 3 1 1 3 1 2 |
Oriental, Raga Ahira-Lalita, Hungarian Minor inverse, Tsinganikos: Greece |
| 2 2 2 2 2 1 1 |
Leading Whole-tone |
| 1 1 2 2 2 2 2 |
Leading Whole-tone inverse |
| 2 1 1 1 1 3 3 |
Debussy’s Heptatonic |
| 1 3 1 2 2 1 1 1 |
Raga Araj |
| 1 3 1 1 1 1 3 1 |
Raga Basant Pancham, Lalita Gauri, Lalit Pancham, Prabhaat Bhairav, Ramkali (Ramakri) |
| 1 3 1 1 1 2 2 1 |
Raga Bhankar, Bhatiyar, Jaikauns, Manomanjari |
| 2 1 3 1 1 1 1 2 |
Raga Cintamani |
| 1 3 2 1 1 1 2 1 |
Raga Dhavalshree |
| 1 1 1 2 2 1 2 2 |
Raga Gandhari, Komal Desi, Phrygian/Aeolian mixed |
| 2 1 1 1 2 2 2 1 |
Raga Haunskinkini, Patdipaki, Sawan |
| 1 1 2 1 2 1 2 2 |
Raga Hijaj Bhairav, Jogi Asavari |
| 3 1 1 2 1 2 1 1 |
Raga Jogkauns |
| 1 1 2 1 1 3 2 1 |
Raga Lalitavari |
| 2 1 2 2 2 1 1 1 |
Raga Mian Ki Malhar, Charju Ki Malhar, Bahar, Barwa, Lankadahan Sarang, Sindhura |
| 2 1 2 2 1 1 1 2 |
Raga Mukhari, Anandabhairavi, Deshi (Desi), Khat, Manji, Gregorian nr.1, Dorian/Aeolian mixed |
| 1 3 1 2 1 1 2 1 |
Raga Saurashtra |
| 2 3 1 1 2 1 1 1 |
Raga Shyam Kedar |
| 2 1 1 1 1 1 4 1 |
Raga Viranch Mukhi |
| 2 1 1 3 1 2 1 1 |
Sabach (Sambah): Greece |
| 2 1 1 1 2 2 1 2 |
Minor Bebop, Dorian Bebop, Raga Khokhar, Zilla, Mixolydian/Dorian mixed |
| 2 2 1 2 2 1 1 1 |
Genus diatonicum, Dominant Bebop, Raga Khamaj, Alhaiya Bilaval, Bihagara, Desh Malhar (Des), Devagandhari, Jaijaiwante, Lankeshree, Malagunji, Nat Bihag, Nat Malhar, Maqam Shawq Awir, Gregorian nr.6, Chinese Eight-Tone, Rast: Greece, Ionian/Mixolydian mixed |
| 2 2 1 2 1 1 2 1 |
Major Bebop, Altered Mixolydian |
| 2 1 2 1 1 2 1 2 |
Blues scale II |
| 2 1 2 1 1 1 3 1 |
Algerian, Sabiren |
| 1 2 1 1 2 1 2 2 |
Spanish Phrygian |
| 1 2 1 1 2 1 3 1 |
Fokker Six-star A |
| 1 2 1 1 1 2 2 2 |
Espla’s scale, Eight-tone Spanish |
| 1 2 2 1 1 1 3 1 |
Half-diminished Bebop |
| 1 2 1 2 1 1 2 2 |
Locrian Bebop |
| 1 2 2 2 1 1 2 1 |
Neapolitan Major and Minor mixed |
| 1 2 3 1 1 2 1 1 |
Neveseri: Greece |
| 1 2 3 1 1 1 1 2 |
Sideways scale |
| 2 1 2 1 2 1 2 1 |
Diminished, Modus conjunctus, Messiaen mode 2 inverse, Whole-Half step scale |
| 2 2 1 1 1 2 2 1 |
Ishikotsucho: Japan, Raga Yaman Kalyan, Chayanat, Bihag, Hamir Kalyani, Kedar, Gaud Sarang, Genus diatonicum veterum correctum, Gregorian nr.5, Kubilai’s Mongol scale, Ionian/Lydian mixed |
| 1 3 1 1 2 2 1 1 |
Verdi’s Scala enigmatica |
| 2 1 2 2 1 1 2 1 |
Zirafkend: Arabic, Melodic Minor Bebop |
| 1 1 1 2 2 2 1 2 |
Adonai Malakh: Jewish |
| 1 2 1 2 2 1 2 1 |
Magen Abot: Jewish |
| 2 1 2 2 1 2 1 1 |
Maqam Nahawand, Farahfaza, Raga Suha (Suha Kanada), Gregorian nr.4, Utility Minor |
| 1 1 1 2 2 1 3 1 |
Harmonic and Neapolitan Minor mixed |
| 1 3 1 2 1 2 1 1 |
Maqam Hijaz (Hedjaz), Raga Kabir Bhairav |
| 1 2 1 1 1 3 1 2 |
Maqam Shadd’araban |
| 1 2 1 2 1 2 1 2 |
Octatonic, Messiaen mode 2, Dominant Diminished, Diminished Blues, Half-Whole step scale |
| 1 1 1 3 1 1 1 3 |
Messiaen mode 4, Tcherepnin Octatonic mode 3 |
| 3 1 1 1 3 1 1 1 |
Messiaen mode 4 inverse, Tcherepnin Octatonic mode 4 |
| 1 1 2 2 1 1 2 2 |
Messiaen mode 6 |
| 2 2 1 1 2 2 1 1 |
Messiaen mode 6 inverse |
| 1 3 1 1 1 3 1 1 |
Tcherepnin Octatonic mode 1, Duplex genus primum inverse |
| 1 1 3 1 1 1 3 1 |
Tcherepnin Octatonic mode 2, Duplex genus primum |
| 1 2 2 1 1 1 2 2 |
Phrygian/Locrian mixed, Raga Bhairavi |
| 1 2 2 2 1 2 1 1 |
Hamel |
| 1 2 2 1 1 2 2 1 |
Van der Horst Octatonic |
| 1 2 2 1 2 2 1 1 |
Prokofiev |
| 1 2 1 2 1 2 2 1 |
Shostakovich, Raga Marg Hindol |
| 1 2 1 1 2 2 1 2 |
JG Octatonic |
| 2 1 1 2 2 1 1 2 |
Equal temperaments 4 and 6 mixed |
| 1 1 2 1 1 2 1 1 2 |
Messiaen mode 3, Tcherepnin Nonatonic mode 3 |
| 2 1 1 2 1 1 2 1 1 |
Messiaen mode 3 inverse, Tcherepnin Nonatonic mode 2 |
| 2 1 1 1 2 2 1 1 1 |
Blues Enneatonic, Raga Gara, Malgunji, Nilambari, Pat Manjiri, Rageshri Bahar, Ramdasi Malhar, Ionian/Dorian mixed |
| 2 1 1 1 1 1 2 1 2 |
Blues Enneatonic II |
| 2 1 2 2 1 1 1 1 1 |
Full Minor, Raga Jungala, Kanada Bahar, Meera Malhar, Pilu |
| 1 2 1 1 2 1 1 1 2 |
Raga Ahi Mohini |
| 2 1 1 1 2 1 2 1 1 |
Raga Chandranandan |
| 1 1 2 1 1 1 2 2 1 |
Raga Kamod |
| 1 3 1 1 1 1 1 2 1 |
Raga Lalit Mangal, Saajgiri, Sourashtra Bhairav |
| 1 3 1 1 1 1 2 1 1 |
Raga Lalitkali |
| 1 1 2 1 1 1 1 3 1 |
Raga Maru |
| 2 2 1 1 1 1 1 2 1 |
Raga Nat Kedar |
| 2 2 1 2 1 1 1 1 1 |
Raga Pahadi |
| 2 1 2 1 1 1 1 1 2 |
Kiourdi: Greece |
| 2 2 1 1 1 2 1 1 1 |
Taishikicho, Ryo: Japan, Raga Chayanat, Kedar, Kukubh Bilawal, Maluha Kedar, Nat Bilawal, Lydian/Mixolydian mixed |
| 1 1 2 1 2 2 1 1 1 |
Chromatic Bebop, Raga Bhairav Bahar |
| 1 1 1 2 1 1 1 2 2 |
Locrian/Aeolian mixed |
| 1 2 1 1 2 1 1 2 1 |
Genus chromaticum, Tcherepnin Nonatonic mode 1, Augmented-9 |
| 1 2 1 1 2 1 2 1 1 |
Moorish Phrygian, Raga Shivmat Bhairav, Phrygian/Double Harmonic Major mixed |
| 1 1 2 1 1 1 2 1 2 |
Youlan scale: China |
| 1 1 1 2 2 1 1 1 2 |
Chromatic and Diatonic Dorian mixed |
| 1 1 2 1 2 1 1 2 1 |
Chromatic and Permuted Diatonic Dorian mixed |
| 2 1 1 1 2 1 1 1 2 |
Houseini: Greece, Raga Rudra Manjiri, Modes of Major Pentatonic mixed |
| 1 2 1 1 1 1 2 1 1 1 |
Duplex genus secundum |
| 1 1 1 2 1 1 1 1 2 1 |
Duplex genus secundum inverse |
| 1 1 1 1 2 1 1 1 1 2 |
Messiaen mode 7 |
| 2 1 1 1 1 2 1 1 1 1 |
Messiaen mode 7 inverse |
| 2 1 1 1 2 1 1 1 1 1 |
Major/Minor mixed, Supermode |
| 2 1 1 1 1 1 2 1 1 1 |
Minor Pentatonic with leading tones |
| 2 1 1 1 1 1 1 1 2 1 |
Maqam Shawq Afza |
| 1 1 2 1 1 1 1 1 2 1 |
Raga Basanti Kedar |
| 1 1 1 2 1 1 1 1 1 2 |
Raga Gambhir Basant |
| 1 1 2 1 2 1 1 1 1 1 |
Raga Kaushi Bhairav |
| 1 1 1 1 1 2 1 2 1 1 |
Raga Sindhi-Bhairavi |
| 1 2 1 1 1 1 1 1 1 2 |
Maqam Tarzanuyn |
| 1 1 2 1 1 1 1 2 1 1 |
Symmetrical Decatonic |
| 1 2 1 1 1 1 1 1 1 1 1 |
Raga Paraj Bahar |
| 1 1 1 1 1 1 1 1 1 1 1 1 |
Twelve-tone Chromatic (1/11-comma) |
13 tone equal modes:
|
| 3 3 2 3 2 |
Blackwood Pentatonic, Quasi Slendro, Father-5 |
| 3 2 3 2 3 |
A-Team-5 |
| 3 3 3 3 1 |
Lovecraft-5 |
| 2 1 2 1 2 1 2 1 1 |
Lovecraft-9 |
| 4 1 3 1 4 |
Symmetrical Pentatonic |
| 4 2 1 2 4 |
Columns |
| 3 2 2 1 2 3 |
Developmental Ecstacy |
| 2 2 2 3 2 2 |
Glacial-6 |
| 2 2 2 2 2 2 1 |
Ryonian |
| 2 2 2 2 2 1 2 |
Karakalian, Mixoryonian |
| 2 2 2 2 1 2 2 |
Glacial-7, Lobonian |
| 2 2 2 1 2 2 2 |
Horthatian |
| 2 2 1 2 2 2 2 |
Oukranian |
| 2 1 2 2 2 2 2 |
Tamashian |
| 1 2 2 2 2 2 2 |
Zo-Kalarian |
| 2 2 1 3 1 2 2 |
Diatronic |
| 1 3 2 1 2 3 1 |
Polyzontal |
| 1 1 3 1 3 1 3 |
Sephiroth-7, Triolic Diatonic |
| 1 1 1 4 1 1 4 |
Quadriolic Diatonic |
| 1 2 1 2 2 1 2 2 |
Blackwood Subminor, Sarnathian |
| 1 2 2 1 2 1 2 2 |
Chalmers Major, Hlanithian |
| 2 1 2 2 1 2 2 1 |
Chalmers Minor, Celephaisian, A-Team-8 |
| 2 1 2 2 1 2 1 2 |
Chalmers Triadic Minor, Ultharian |
| 2 2 1 2 2 1 2 1 |
Dylathian, False Father |
| 2 2 1 2 1 2 2 1 |
Ilarnekian |
| 2 1 2 1 2 2 1 2 |
Mnarian |
| 1 2 2 1 2 2 1 2 |
Kadathian |
| 1 2 1 1 3 1 1 2 1 |
Symmetrical Nonatonic |
| 1 1 1 2 1 1 2 1 1 2 |
Sephiroth-10 |
| 1 1 2 1 1 2 1 1 1 2 |
Rapoport Minor |
| 2 1 1 1 2 1 1 2 1 1 |
Rapoport Major |
13 tone modes of Bohlen-Pierce scale: octave is 3/1
|
|
|
| 3 3 3 3 1 |
BP Pentatonic |
| 2 1 2 1 1 2 1 2 1 |
Delta, Moll I |
| 1 2 1 2 1 1 2 1 2 |
Dur I, Delta inverse |
| 1 2 1 2 1 1 2 2 1 |
Gamma |
| 1 2 2 1 1 2 1 2 1 |
Gamma inverse |
| 2 1 1 2 1 2 1 1 2 |
Dur II |
| 2 1 1 2 1 2 1 2 1 |
Lambda |
| 2 1 1 2 1 1 2 2 1 |
Blue Lambda |
| 2 2 2 2 2 2 1 |
Krumhansl Heptatonic |
| 1 2 1 2 1 2 1 1 2 |
Harmonic, Lambda inverse |
| 1 2 1 2 1 2 1 2 1 |
Pierce, Moll II |
| 3 1 2 1 3 2 1 |
Prooijen Major |
| 2 1 3 1 2 3 1 |
Prooijen Minor |
| 1 1 2 1 2 1 2 1 2 |
Walker A |
| 1 2 1 1 2 1 2 1 2 |
Walker B |
| 2 1 2 1 2 1 2 1 1 |
Walker I |
| 2 1 2 1 2 1 1 2 1 |
Walker II |
| 2 2 2 1 2 2 2 |
Sirius-7 |
| 1 3 1 3 1 3 1 |
Canopus-7 |
| 1 2 1 1 2 1 1 1 2 1 |
Canopus-10 |
| 1 4 1 1 1 4 1 |
Arcturus-7 |
| 1 1 3 1 1 1 3 1 1 |
Arcturus-10 |
| 2 1 2 1 1 2 2 1 1 |
X1 |
| 1 2 1 1 2 2 1 1 2 |
X2 |
| 2 1 1 2 2 1 1 2 1 |
X3 |
| 1 1 2 2 1 1 2 1 2 |
X4 |
| 1 2 2 1 1 2 1 2 1 |
X5 |
| 2 2 1 1 2 1 2 1 1 |
X6 |
| 1 1 2 1 2 1 1 2 2 |
X7 |
14 tone equal modes:
|
| 2 3 2 2 3 2 |
Quasi-equal Hexatonic |
| 2 1 2 1 2 1 2 2 1 |
Gould Nonatonic |
| 3 3 1 3 3 1 |
Decimal-6 |
| 1 2 1 2 1 1 2 1 2 1 |
Decimal-10 |
| 2 3 3 3 3 |
Godzilla-5 |
| 2 2 1 2 1 2 1 2 1 |
Godzilla-9 |
| 3 3 2 3 3 |
Semaphore-5 |
| 2 1 2 1 2 1 2 1 2 |
Semaphore-9 |
| 1 2 3 2 1 2 3 |
Superpelog-Pelog |
| 1 2 1 2 1 2 1 2 2 |
Superpelog-9 |
| 3 2 2 3 2 2 |
Urchin-6 |
| 1 2 2 2 1 2 2 2 |
Urchin-8 |
| 2 3 1 2 3 1 2 |
Unicycle Gestures |
| 1 1 3 1 1 3 1 3 |
Triolic Diatonic |
14 tone modes of 14-EDT, octave is 3/1
|
|
|
| 1 2 1 2 2 1 2 1 2 |
Antidelta |
| 2 1 2 1 2 2 1 1 2 |
Antigamma |
| 1 2 2 1 2 1 2 1 2 |
Antilambda |
15 tone equal modes:
|
| 1 2 1 2 1 2 1 2 1 2 |
Blackwood Decatonic |
| 4 1 4 1 4 1 |
Blackwood Hexatonic |
| 3 2 1 3 2 3 1 |
Fifteen-tone « Major » |
| 3 1 2 3 1 3 2 |
Fifteen-tone « Minor », Natural Minor |
| 3 1 2 3 2 3 1 |
Fifteen-tone Melodic Minor |
| 3 1 2 3 1 4 1 |
Fifteen-tone Harmonic Minor |
| 3 2 1 3 1 4 1 |
Fifteen-tone Harmonic Major |
| 3 1 1 1 3 1 1 2 1 1 |
Fifteen-tone Major/Minor mixed |
| 3 2 1 3 1 2 3 |
Equal temperaments 3 and 5 mixed |
| 1 2 1 1 1 2 1 1 1 1 2 1 |
Twelve-tone Chromatic |
| 2 3 2 1 2 3 2 |
Horse OrgN |
| 2 1 2 1 2 1 2 1 2 1 |
Archytas Clan-10 |
| 1 1 2 1 1 1 2 1 1 1 2 1 |
Augene-12 |
| 2 3 2 3 2 3 |
Augment-6 |
| 2 1 2 2 1 2 2 1 2 |
Augment-9 |
| 1 1 1 2 1 1 1 2 1 1 1 2 |
Augment-12 |
| 2 2 2 2 2 2 2 1 |
Hemikleismic-8 |
| 2 1 1 1 2 1 1 1 2 1 1 1 |
Inflated-12 |
| 1 3 1 3 1 3 3 |
Kleismic-7, Triolic Diatonic |
| 1 1 2 1 2 1 1 2 1 1 2 |
Kleismic-11 |
| 1 1 1 2 1 1 1 1 1 1 1 1 1 1 |
Nautilus-14 |
| 2 2 2 3 2 2 2 |
Miller’s Porcupine-7 |
| 2 3 2 2 2 2 2 |
Miller’s Porcupine-7 Major |
| 1 3 2 3 1 1 2 2 |
Miller’s Kusiro |
| 2 2 1 2 2 2 2 2 |
Pentadecaphonic « Major », Jones’s Porcupine-8 |
| 3 2 2 2 2 2 2 |
Porky-7 |
| 1 2 1 1 1 1 1 1 2 1 1 1 1 |
Progress-13 |
| 3 1 3 1 3 1 3 |
Superkleismic-7 |
| 1 2 1 2 1 1 2 1 1 2 1 |
Superkleismic-11 |
| 2 1 1 1 1 1 2 1 1 1 1 1 1 |
Thuja-13 |
| 3 2 3 2 3 2 |
Triforce-6 |
| 2 2 1 2 2 1 2 2 1 |
Rempt’s Andal scale, Triforce-9 |
| 1 2 2 1 2 2 1 2 2 |
Rempt’s Andal scale inverse |
16 tone equal modes:
|
| 2 2 3 2 2 2 3 |
Pseudo Pelog, Pelogic-7, Antiionian |
| 3 1 3 2 2 3 2 |
Harmonic Minor |
| 2 3 2 2 3 1 3 |
Harmonic Minor inverse |
| 1 3 1 3 1 3 1 3 |
Octatonic, Neo-Diminished inverse |
| 3 1 3 1 3 1 3 1 |
Neo-Diminished |
| 2 3 2 2 2 3 2 |
Armodue-7, Antidorian |
| 2 2 2 1 2 2 2 2 1 |
Agmon Diatonic DS3, Armodue, Goldsmith, Superionian |
| 1 2 2 2 2 1 2 2 2 |
Noll Pseudo-diatonic, Agmon Diatonic DS3 inverse, Superphrygian |
| 2 1 2 2 1 2 2 2 1 1 |
Iafelice Pseudo-diatonic |
| 3 2 3 3 2 3 |
Astrology-6, Lemba-6 |
| 2 1 2 2 1 2 1 2 2 1 |
Astrology-10 |
| 1 1 1 2 1 1 1 1 1 1 2 1 1 1 |
Bipelog-14 |
| 2 3 3 2 3 3 |
Decibel-6 |
| 1 2 1 2 2 1 2 1 2 2 |
Decibel-10 |
| 3 3 4 3 3 |
Gorgo-5 |
| 3 3 1 3 3 3 |
Gorgo-6 |
| 1 3 3 2 1 3 3 |
Gorgo-Pelog |
| 1 2 1 2 1 2 1 2 1 2 1 |
Gorgo-11 |
| 2 1 2 1 2 2 1 2 1 2 |
Lemba-10 |
| 2 2 1 2 2 2 2 1 2 |
Wilson Supradiatonic, Mabila-9, Supercorinthian |
| 5 2 2 5 2 |
Mavila-5, Patet dang |
| 2 3 2 2 3 2 2 |
Mavila-7, Antiaeolian, Hyperpentatonic |
| 2 1 2 2 2 1 2 2 2 |
Mavila-9, Superaeolian |
| 1 2 1 1 2 1 1 2 1 1 2 1 |
Flavell’s Blues |
| 5 2 5 2 2 |
Patet deng |
| 2 5 2 5 2 |
Patet dong |
| 2 5 2 2 5 |
Patet dung |
| 2 2 5 2 5 |
Patet ding, Pelogic-5 |
| 3 2 2 3 2 2 2 |
Antilocrian |
| 3 2 2 2 3 2 2 |
Antiphrygian |
| 2 2 3 2 2 3 2 |
Antimixolydian |
| 2 2 2 3 2 2 3 |
Antilydian |
| 2 2 2 2 1 2 2 2 1 |
Superlydian |
| 2 2 2 1 2 2 2 1 2 |
Supermixolydian |
| 2 2 1 2 2 2 1 2 2 |
Superolympian |
| 2 1 2 2 2 2 1 2 2 |
Superdorian |
| 1 2 2 2 1 2 2 2 2 |
Superlocrian |
17 tone equal modes:
|
| 2 1 1 2 1 2 1 2 1 1 2 1 |
Twelve-tone Chromatic (2/11-comma positive) |
| 3 3 1 3 3 3 1 |
Seventeen-tone Major |
| 3 1 3 3 1 3 3 |
Seventeen-tone Natural Minor |
| 3 1 3 3 3 3 1 |
Seventeen-tone Melodic Minor |
| 3 1 3 3 1 5 1 |
Seventeen-tone Harmonic Minor |
| 3 3 1 3 1 5 1 |
Seventeen-tone Harmonic Major |
| 3 3 4 3 4 |
Seventeen-tone Major Pentatonic |
| 4 3 3 4 3 |
Seventeen-tone Minor Pentatonic, Supra-5, Salendro Sejati: Sunda |
| 3 4 3 4 3 |
Seventeen-tone Suspended Pentatonic |
| 3 1 3 3 3 2 2 |
Altered Melodic Minor |
| 6 1 3 6 1 |
Pelog Degung Sejati: Sunda |
| 6 1 6 3 1 |
Sorog Madenda Sejati: Sunda |
| 2 5 3 2 5 |
Malaysian Pelog |
| 2 3 2 3 2 3 2 |
Neutral Dorian, Maqamic-7 |
| 1 4 1 4 2 1 4 |
Dante’s Flying Machine |
| 3 2 1 3 2 1 3 2 |
Donut Dose |
| 3 3 2 4 2 3 |
Six Deployments |
| 3 2 3 2 2 2 3 |
Otonal 17 |
| 4 3 1 1 1 4 3 |
Blues Peruvian |
| 3 2 2 3 3 2 2 |
Pseudo Rast |
| 3 2 2 3 1 4 2 |
Turkish Minor |
| 3 2 3 1 3 2 3 |
Scorp |
| 3 3 2 2 3 3 1 |
Screamapillar |
| 3 3 1 1 2 3 2 1 1 |
Hydra |
| 3 2 2 3 2 3 2 |
Beatles-7, Dichotic-7 |
| 1 2 2 2 1 2 2 1 2 2 |
Beatles-10, Dichotic-10 |
| 2 2 2 2 2 2 2 2 1 |
Jerome-9, Progression-9 |
| 2 1 3 1 3 3 1 2 1 |
Hajdu non-octave mode |
| 1 2 2 1 2 2 1 2 2 2 |
Hemififths-10 |
| 3 2 3 2 3 2 2 |
Neutral Hypolydian, Mohajira-7 |
| 1 2 2 1 2 2 2 1 2 2 |
Neutral Hypolydian Decatonic, Mohajira-10 |
| 2 1 2 2 1 2 2 2 1 2 |
Neutral Dorian Decatonic, Maqamic-10 |
| 3 5 3 3 3 |
Machine-5 |
| 3 3 2 3 3 3 |
Machine-6 |
| 2 1 2 1 2 1 2 1 2 2 1 |
Machine-11 |
| 1 1 3 1 3 1 3 1 3 |
Neominor-7, Triolic Diatonic |
| 1 2 1 1 2 1 2 1 1 2 1 2 |
Schism-12 |
| 1 4 1 4 1 1 4 1 |
Sentinel-8 |
| 1 3 1 1 3 1 1 1 3 1 1 |
Secor Sentinel-11 |
| 3 1 3 3 3 1 3 |
Supra-7 |
| 1 2 1 2 1 1 2 1 2 1 2 1 |
Supra-12 |
| 3 1 1 3 1 1 1 3 1 1 1 |
Squares-11 |
| 2 1 1 1 2 1 1 1 1 2 1 1 1 1 |
Squares-14 |
mode of 17 out of 3/1:
|
|
| 2 2 1 2 1 2 1 2 1 2 1 |
Toliman-11 |
17 tone modes of Arabic Pythagorean scale:
|
| 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 |
| 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1 |
|
|
| 3 3 1 3 3 1 3 |
Safi al-Din’s maqam `Ussaq |
| 3 1 3 3 1 3 3 |
Safi al-Din’s maqam Nawa |
| 1 3 3 1 3 3 3 |
Safi al-Din’s maqam Abu Salik |
| 3 2 2 3 2 2 3 |
Safi al-Din’s maqam Rast |
| 2 3 2 2 3 2 2 1 |
Safi al-Din’s maqam `Iraq |
| 3 2 2 3 2 2 2 1 |
Safi al-Din’s maqam Isfahan |
| 2 2 3 2 2 1 3 2 |
Safi al-Din’s maqam Zirafkand |
| 2 3 2 2 1 3 2 2 |
Safi al-Din’s maqam Buzurg |
| 3 2 2 2 3 2 3 |
Safi al-Din’s maqam Zangulah |
| 2 3 2 2 2 3 3 |
Safi al-Din’s maqam Rahawi |
| 2 2 3 2 2 3 3 |
Safi al-Din’s maqam Husaini |
| 2 2 3 2 3 2 3 |
Safi al-Din’s maqam Higazi |
| 1 2 1 1 1 1 1 2 1 1 1 1 1 2 |
al-Kindi’s mode |
| 1 2 1 2 1 1 2 1 2 1 3 |
Ishaq al-Mausili’s mode |
17 tone modes of Persian scale:
|
| 256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 |
| 16/9 729/400 243/128 2/1 |
|
|
| 3 3 1 3 3 3 1 |
Dastgah-e Mahur, Rast Panjgah |
| 2 2 3 3 1 3 3 |
Dastgah-e Shur |
| 2 3 3 1 3 3 2 |
Naghmeh Abuata, Naghmeh Afshari |
| 3 3 1 3 3 2 2 |
Naghmeh Bayat-e Tork, Naghmeh Dashti |
| 2 4 1 3 1 3 3 |
Dastgah-e Homayun |
| 3 1 3 3 2 4 1 |
Naghmeh Esfahan |
| 3 2 2 3 2 2 3 |
Dastgah-e Sehgah |
| 2 3 2 2 3 3 2 |
Dastgah-e Sehgah |
| 3 1 3 3 2 3 2 |
Dastgah-e Mokhalif, Bayat-e Esfahan |
| 2 4 1 3 2 4 1 |
Dastgah-e Chahargah |
| 3 1 3 3 2 2 3 |
Dastgah-e Nava |
18 tone modes:
|
| 4 4 1 4 4 1 |
Bicycle |
| 2 3 3 2 3 2 3 |
Dicot-7 |
| 4 4 3 4 3 |
Father-5 |
| 3 1 3 3 1 3 3 1 |
Father-8 |
| 2 1 2 1 2 1 2 1 2 1 2 1 |
Hexe-12 |
| 2 2 2 3 2 2 2 3 |
Octokaidecal-8 |
| 2 2 2 2 1 2 2 2 2 1 |
Octokaidecal-10 |
| 2 1 2 1 1 2 1 2 1 1 2 1 1 |
Semisept-13 |
| 2 2 3 2 2 2 3 2 |
Supersharp-8 |
| 2 2 2 1 2 2 2 2 1 2 |
Supersharp-10 |
| 1 1 1 3 1 1 1 3 1 1 1 3 |
Louvier Prelude et Fugue 2 |
| 1 2 1 2 1 1 2 1 1 2 1 2 1 |
Wilson Supradiatonic |
19 tone modes:
|
| 1 2 2 1 2 1 2 1 2 2 1 2 |
Meantone Chromatic (1/3-comma) |
| 5 4 5 5 |
Four out of 19 |
| 4 4 4 4 3 |
Five out of 19, Godzilla-5 inverse |
| 3 3 5 3 5 |
Nineteen-tone Major Pentatonic |
| 5 3 3 5 3 |
Nineteen-tone Minor Pentatonic |
| 3 5 3 5 3 |
Nineteen-tone Suspended Pentatonic |
| 4 4 3 4 4 |
Quasi-equal Pentatonic, Semaphore-5 |
| 3 3 3 3 3 4 |
Yasser’s Hexad, Spell-6 |
| 3 3 2 3 3 3 2 |
Nineteen-tone Major, Ionian |
| 3 2 3 3 2 3 3 |
Nineteen-tone Natural Minor, Aeolian |
| 3 2 3 3 3 3 2 |
Nineteen-tone Melodic Minor |
| 3 2 3 3 2 4 2 |
Nineteen-tone Harmonic Minor |
| 3 3 2 3 2 4 2 |
Nineteen-tone Harmonic Major |
| 3 2 3 3 2 1 2 1 2 |
Nineteen-tone Full Minor |
| 3 2 3 3 3 2 3 |
Nineteen-tone Dorian |
| 2 3 3 3 2 3 3 |
Nineteen-tone Phrygian |
| 3 3 3 2 3 3 2 |
Nineteen-tone Lydian |
| 3 3 2 3 3 2 3 |
Nineteen-tone Mixolydian |
| 2 3 3 2 3 3 3 |
Nineteen-tone Locrian |
| 3 3 2 4 1 4 2 |
Harmonic Major sharp 5 |
| 2 1 2 1 2 1 2 2 1 2 1 2 |
Genus diatonico-chromaticum, Yasser’s Supradiatonic inverse |
| 3 1 1 3 1 3 1 1 3 1 1 |
Keenan Eleven out of 19 |
| 2 2 2 2 2 1 2 1 2 2 1 |
Krantz Eleven out of 19 |
| 3 1 1 3 1 1 1 1 3 1 3 |
McLaren Eleven out of 19 |
| 2 2 2 1 2 2 1 2 2 2 1 |
Noll Pseudo-diatonic |
| 2 2 2 2 2 2 2 2 2 1 |
Negri’s Ten Plus Nine, Negri-10 |
| 2 3 1 4 1 4 4 |
Cartunes |
| 4 1 4 1 4 1 4 |
Oljare Diminished |
| 5 1 5 1 1 5 1 |
Oljare Augmented, Magic-7 |
| 2 2 3 2 2 3 2 3 |
Oljare Octatonic, Sensi-8 |
| 1 3 1 3 3 1 3 1 3 |
Oljare Pentaenharmonic |
| 2 2 1 2 2 2 1 2 2 2 1 |
Gould Eleven out of 19 |
| 2 1 2 1 2 2 1 2 1 2 1 2 |
Yasser’s Supradiatonic, Genus diatonico-chromaticum inverse |
| 1 2 5 1 2 5 3 |
Ratio 1:2 Chromatic Mixolydian |
| 2 5 1 2 5 3 1 |
Ratio 1:2 Chromatic Lydian |
| 5 1 2 5 3 1 2 |
Ratio 1:2 Chromatic Phrygian |
| 1 2 5 3 1 2 5 |
Ratio 1:2 Chromatic Dorian |
| 2 5 3 1 2 5 1 |
Ratio 1:2 Chromatic Hypolydian |
| 5 3 1 2 5 1 2 |
Ratio 1:2 Chromatic Hypophrygian |
| 3 1 2 5 1 2 5 |
Ratio 1:2 Chromatic Hypodorian |
| 1 4 1 4 1 4 4 |
Kleismic-7 |
| 1 4 1 4 1 4 1 3 |
Kleismic-8 |
| 1 1 3 1 3 1 1 3 1 1 3 |
Kleismic-11 |
| 1 1 1 2 1 1 1 2 1 1 1 2 1 1 2 |
Kleismic-15 |
| 5 5 2 5 2 |
Father-5 |
| 3 2 3 2 2 3 2 2 |
Father-8 |
| 3 3 3 3 1 3 3 |
Glacial-7 |
| 2 1 2 1 2 1 2 1 1 2 1 2 1 |
Glacial-13 |
| 3 4 4 4 4 |
Godzilla-5 |
| 3 3 1 3 1 3 1 3 1 |
Godzilla-9 |
| 2 1 2 1 1 2 1 1 2 1 1 2 1 1 |
Godzilla-14 |
| 1 8 1 1 8 |
Liese-5 |
| 1 1 7 1 1 1 7 |
Liese-7 |
| 1 1 1 6 1 1 1 1 6 |
Liese-9 |
| 1 1 1 1 5 1 1 1 1 1 5 |
Liese-11 |
| 2 2 2 2 3 2 2 2 2 |
Negri-9 |
| 2 1 2 1 3 3 3 3 1 |
Straub Whole-Tone |
| 4 1 1 1 4 1 1 4 1 1 |
Magic-10 |
| 3 1 1 1 3 1 1 1 3 1 1 1 1 |
Magic-13 |
| 1 1 3 1 1 1 3 1 1 1 1 3 1 |
Muggles-13 |
| 3 1 3 1 3 1 3 1 3 |
Semaphore-9 |
| 1 2 1 1 2 1 2 1 1 2 1 1 2 1 |
Semaphore-14 |
| 2 5 2 5 5 |
Sensi-5 |
| 2 2 2 1 2 2 2 1 2 2 1 |
Sensi-11 |
| 3 3 3 3 3 3 1 |
Spell-7 |
| 1 3 1 1 2 2 1 2 1 2 2 1 |
Starling-12 |
| 1 2 1 2 1 2 1 1 2 1 2 1 2 |
Unsmate-13 |
| 1 2 1 2 1 2 1 3 3 3 |
Tritonic Diatonic, Spell-10 |
| 2 3 2 2 3 2 2 3 |
Mandelbaum Eight out of 19 |
| 2 2 3 2 2 2 2 2 2 |
Mandelbaum Nine out of 19 |
| 2 2 1 2 2 2 2 2 2 2 |
Mandelbaum Ten out of 19 |
| 2 1 2 2 2 1 2 2 2 1 2 |
Mandelbaum Eleven out of 19 |
| 1 2 1 2 2 1 2 1 2 1 2 2 |
Mandelbaum Twelve out of 19 |
| 2 1 2 1 2 1 2 1 2 1 2 1 1 |
Mandelbaum Thirteen out of 19, Spell-13 |
| 1 2 1 1 2 1 1 2 1 1 2 1 2 1 |
Mandelbaum Fourteen out of 19 |
20 tone equal modes:
|
| 2 2 1 2 1 2 2 1 2 2 2 1 |
Twelve-tone Chromatic |
| 4 3 1 4 3 4 1 |
Twenty-tone « Major » |
| 4 1 3 4 1 4 3 |
Twenty-tone « Minor » |
| 3 4 1 4 3 3 2 |
Stearns Major |
| 2 3 2 3 2 3 2 3 |
Octatonic |
| 3 2 3 2 3 2 3 2 |
Diminished |
| 2 3 2 2 2 3 2 2 2 |
Balzano Nine-tone, Hyperpentatonic, Score-9 |
| 2 2 2 2 1 2 2 2 2 2 1 |
Balzano Eleven-tone, Agmon Diatonic DS4, Noll Pseudo-diatonic |
| 2 2 2 3 2 2 2 3 2 |
Balzano Nine-tone inverse |
| 1 2 2 2 2 2 1 2 2 2 2 |
Balzano Eleven-tone inverse, Agmon Diatonic DS4 inverse |
| 3 2 2 2 2 3 2 2 2 |
Rothenberg Generalized Diatonic |
| 2 2 2 2 1 2 2 2 2 1 2 |
Zweifel Major |
| 2 1 2 2 2 2 2 1 2 2 2 |
Zweifel Natural Minor |
| 3 3 3 3 3 3 2 |
Major quasi-equal Heptatonic |
| 3 2 3 3 3 3 3 |
Minor quasi-equal Heptatonic |
| 1 3 1 1 3 1 1 3 1 1 3 1 |
Blackbirds-12 |
| 1 1 1 4 1 1 1 4 1 1 4 |
Bossier-11, Quadriolic Diatonic |
| 1 1 1 3 1 1 1 1 3 1 1 1 3 1 |
Bossier-14 |
| 2 2 5 2 2 2 5 |
Pelogic-7, Antiionian |
| 7 2 7 2 2 |
Score-5 |
| 5 2 2 5 2 2 2 |
Score-7 |
| 1 2 2 2 2 1 2 2 2 2 2 |
Score-11, Diatonicized Chromatic |
| 3 2 2 2 3 2 2 2 2 |
Zinith-9 |
21 tone equal modes:
|
| 2 1 2 2 2 1 2 2 2 1 2 2 |
Twelve-tone Chromatic |
| 4 4 5 4 4 |
Quasi-equal Pentatonic, Gorgo-5 |
| 4 3 4 3 4 3 |
Quasi-equal Hexatonic |
| 2 3 2 2 3 2 2 3 2 |
Quasi-equal Enneatonic, Deflated-9 |
| 3 4 3 4 3 4 |
Augment-6 |
| 3 1 3 3 1 3 3 1 3 |
Augment-9 |
| 1 2 1 2 1 1 2 1 2 1 1 2 1 2 1 |
Augment-15 |
| 5 2 5 2 5 2 |
August-6 |
| 3 2 2 3 2 2 3 2 2 |
August-9 |
| 1 2 2 2 1 2 2 2 1 2 2 2 |
August-12 |
| 5 5 3 5 3 |
Father-5 |
| 3 2 3 3 2 3 3 2 |
Father-8 |
| 4 4 1 4 4 4 |
Gorgo-6 |
| 1 4 4 3 1 4 4 |
Gorgo-Pelog |
| 1 3 1 3 1 3 1 3 1 3 1 |
Gorgo-11 |
| 2 2 2 2 2 2 2 2 2 3 |
Miracle-10 |
| 2 2 2 2 2 2 2 2 2 2 1 |
Miracle-11 |
| 3 3 1 3 3 1 3 3 1 |
Oodako-9 |
| 2 1 2 1 2 1 2 1 2 1 2 1 2 1 |
Septimal-14 |
| 3 1 3 1 3 1 3 1 1 3 1 |
Spartan-11 |
| 1 1 1 3 1 1 3 1 1 3 1 1 3 |
Subklei-13 |
| 3 2 3 2 3 3 2 3 |
Tridec-8 |
22 tone modes:
|
| 3 1 1 3 1 3 1 3 1 1 3 1 |
Twelve-tone Chromatic (1/3-comma positive) |
| 4 4 1 4 4 4 1 |
Twenty-two tone Major |
| 4 1 4 4 1 4 4 |
Twenty-two tone Minor, Superpyth-7 |
| 4 3 2 4 3 4 2 |
Twenty-two tone « Just » Major |
| 4 2 3 4 2 4 3 |
Twenty-two tone Natural Minor |
| 4 2 3 4 3 4 2 |
Twenty-two tone Melodic Minor |
| 4 2 3 4 2 5 2 |
Twenty-two tone Harmonic Minor |
| 4 3 2 4 2 5 2 |
Twenty-two tone Harmonic Major |
| 4 3 3 4 4 4 |
Harmonic Whole-Tone |
| 3 1 3 2 3 1 3 1 3 2 |
Blackdye Ionian |
| 4 3 4 4 3 4 |
Antikythera-6 |
| 3 1 3 3 1 3 1 3 3 1 |
Antikythera-10 |
| 4 3 4 4 3 4 |
« 9-limit » Consonant Whole-Tone, Astrology-6 |
| 3 1 3 3 1 3 1 3 3 1 |
Astrology-10 |
| 1 4 1 4 1 1 4 1 4 1 |
Doublewide-10 |
| 1 1 3 1 1 3 1 1 1 3 1 1 3 1 |
Doublewide-14 |
| 1 1 3 1 1 1 3 1 1 3 1 1 1 3 |
Fleetwood-14 |
| 5 3 3 5 3 3 |
Hedgehog-6 |
| 2 3 3 3 2 3 3 3 |
Hedgehog-8 |
| 2 1 2 2 1 2 1 2 1 2 2 1 2 1 |
Hedgehog-14 |
| 2 2 1 2 2 2 2 2 1 2 2 2 |
Jubilee-12 |
| 6 1 6 1 1 6 1 |
Magic-7 |
| 5 1 1 1 5 1 1 5 1 1 |
Magic-10 |
| 4 1 1 1 4 1 1 1 4 1 1 1 1 |
Magic-13 |
| 5 5 5 5 2 |
Orwell-5 |
| 3 2 3 2 3 2 3 2 2 |
Orwell-9 |
| 1 2 2 1 2 2 1 2 2 1 2 2 2 |
Orwell-13 |
| 2 3 2 3 2 3 2 3 2 |
Rezsutek’s Percussion scale |
| 2 2 2 1 2 2 2 2 2 1 2 2 |
Pajara-12 |
| 1 3 1 1 3 1 3 1 1 3 1 3 |
Superpyth-12 |
| 4 1 4 4 4 1 4 |
Supra-7 |
| 1 3 1 3 1 1 3 1 3 1 3 1 |
Supra-12 |
| 2 2 1 2 1 2 1 2 2 1 2 1 2 1 |
Urchin-14 |
| 3 1 3 1 3 1 1 3 1 3 1 1 |
Wilson Pi-Meantone |
| 5 4 4 5 4 |
Septimal Minor Pentatonic, Supra-5 |
| 2 5 2 4 2 5 2 |
Double Harmonic Major |
| 4 3 3 3 3 3 3 |
Major quasi-equal Heptatonic, Porky-7 |
| 3 3 3 4 3 3 3 |
Minor quasi-equal Heptatonic, Miller’s Porcupine-7 |
| 3 4 3 3 3 3 3 |
Miller’s Porcupine-7 Major |
| 4 3 2 4 3 3 3 |
Ionian Porcupine |
| 4 2 3 4 3 3 3 |
Dorian Porcupine |
| 3 3 3 4 2 3 4 |
Aeolian Porcupine |
| 4 3 3 3 3 4 2 |
Major Porcupine |
| 4 3 3 3 2 4 3 |
Major-Minor Porcupine |
| 4 2 3 4 3 3 3 |
Minor Porcupine |
| 4 3 3 3 4 3 2 |
Chameleon Porcupine |
| 3 3 4 2 4 3 3 |
Symmetric Diminished Porcupine |
| 3 3 1 3 3 3 3 3 |
Jones’s Porcupine-8 |
| 2 1 2 1 1 2 1 2 1 2 1 2 1 2 1 |
Porcupine-15 |
| 3 1 2 3 1 2 1 2 1 2 1 3 |
Freivald-Porcupine |
| 3 1 3 2 2 2 3 2 2 2 |
Alternate Proper Decatonic |
| 2 2 3 1 3 2 2 3 1 3 |
Exotic Symmetrical Decatonic |
| 2 2 2 2 2 2 1 1 2 2 2 2 |
Elevenplus |
| 2 2 2 2 1 2 2 2 2 2 2 1 |
Hexachordal |
| 2 2 1 2 2 2 1 2 2 1 2 2 1 |
Noll Pseudo-diatonic |
| 3 1 6 2 6 1 3 |
Ballooning Rushes |
| 1 3 5 1 3 5 1 3 |
Crushed Oranges |
| 2 1 7 2 1 7 2 |
Kathartic Parts |
| 1 4 1 4 2 1 4 1 4 |
Rivetting Reds |
| 4 1 3 1 4 1 3 1 4 |
Rodentalia |
Paul Erlich’s 22 tone equal modes:
|
| 2 2 3 2 2 2 3 2 2 2 |
Standard Pentachordal Major |
| 2 2 3 2 2 2 2 3 2 2 |
Static Symmetrical Major |
| 2 3 2 2 2 2 2 3 2 2 |
Alternate Pentachordal Major |
| 2 3 2 2 2 2 3 2 2 2 |
Dynamic Symmetrical Major |
| 2 2 2 3 2 2 2 2 2 3 |
Standard Pentachordal Minor |
| 2 2 2 3 2 2 2 2 3 2 |
Static Symmetrical Minor, Pajara-10 |
| 2 2 2 2 3 2 2 2 3 2 |
Alternate Pentachordal Minor |
| 2 2 2 2 3 2 2 2 2 3 |
Dynamic Symmetrical Minor |
| 3 2 2 2 3 2 2 2 2 2 |
Pentachordal Decatonic |
| 6 3 1 3 6 3 |
Twenty-two tone Blues |
22 tone modes of Indian shruti scale:
|
| 256/243 16/15 10/9 9/8 32/27 6/5 5/4 81/64 4/3 27/20 45/32 729/512 (or 64/45) |
| 3/2 128/81 8/5 5/3 27/16 16/9 9/5 15/8 243/128 2/1 |
|
|
|
|
| 4 3 2 4 4 3 2 |
Shadja Grama, Murchhana Uttaramandra, Shuddha Swara Saptaka |
| [20] 2 4 3 2 4 4 3 |
Murchhana Rajani |
| [17] 3 2 4 3 2 4 4 |
Murchhana Uttarayata |
| 4 3 2 4 3 2 4 |
Murchhana Suddhasadja, Raga Harikambhoji, Palaiyazh |
| 4 4 3 2 4 3 2 |
Murchhana Asvakranta |
| 3 2 4 4 3 2 4 |
Murchhana Abhirudgata, Kafi That, Raga Bageshri |
| 4 3 2 4 3 4 2 |
Madhyama Grama, Bilaval That, Murchhana Suddhamadhya |
| [20] 2 4 3 2 4 3 4 |
Murchhana Margavi |
| 3 4 2 4 3 2 4 |
Murchhana Hrishyaka |
| 4 3 4 2 4 3 2 |
Murchhana Sauviri, Kalyan That |
| 2 4 3 4 2 4 3 |
Murchhana Harinasva, Bhairavi That |
| [4] 3 2 4 3 4 2 4 |
Murchhana Kalopanata |
| 3 2 4 3 3 3 4 |
Gandhaara Grama (Sarngadeva der. sa-grama) |
| 3 2 4 3 2 4 4 |
Gandhaara Grama (Sarngadeva der. ma-grama) |
| 4 2 4 3 3 3 3 |
Gandhaara Grama (Narada der. sa-grama) |
| 4 2 4 3 2 4 3 |
Gandhaara Grama (Narada der. ma-grama), Murchhana Pauravi |
| 4 2 3 4 2 4 3 |
Gandhaara Grama (Damodara), Raga Darbari, Darbari Kanada |
| 2 4 3 3 3 4 3 |
Gandhaara Grama (Somanatha) |
| 2 4 4 3 2 4 3 |
Gandhaara Grama (Popley), Murchhana Matsarikrita |
| 4 2 3 4 2 2 2 3 |
Raga Anandabhairavi |
| 1 4 4 4 1 5 3 |
Raga Asavari |
| 4 2 3 4 2 3 4 |
Asavari That |
| 2 5 6 2 5 2 |
Raga Bauli |
| 1 6 2 4 1 7 1 |
Bhairav That |
| 2 5 2 3 1 3 4 2 |
Raga Bhatiyar |
| 4 3 6 4 5 |
Raga Bhupali |
| 4 3 2 3 1 4 4 1 |
Raga Bihag |
| 1 4 4 4 1 4 4 |
Raga Bilashkhani Todi |
| 4 3 2 3 1 3 2 3 1 |
Raga Chayanat |
| 3 4 6 3 6 |
Raga Deskar |
| 4 5 4 4 5 |
Raga Durga |
| 4 3 2 3 1 4 3 2 |
Raga Gaud Sarang |
| 1 4 6 3 7 1 |
Raga Gurjari Todi |
| 4 3 6 7 2 |
Raga Hamsadhvani |
| 4 1 4 4 1 4 4 |
Raga Jaunpuri |
| 3 4 2 4 3 4 2 |
Raga Jogiya |
| 2 3 4 4 2 3 4 |
Raga Kanakangi |
| 4 3 2 4 4 1 4 |
Khamaj That |
| 4 3 2 4 3 2 3 1 |
Raga Khamaj |
| 4 3 2 4 3 6 |
Raga Kambhoji |
| 4 2 3 4 4 2 3 |
Raga Kharaharapriya, Bhimpalasi |
| 1 6 2 2 3 7 1 |
Raga Lalita |
| 4 2 5 2 4 3 2 |
Raga Madhuvanti, Ambika |
| 6 3 6 3 4 |
Raga Malkauns |
| 2 5 4 2 4 3 2 |
Raga Marva |
| 4 2 3 4 4 2 2 1 |
Raga Mian Ki Malhar |
| 3 2 4 4 2 1 2 4 |
Raga Mukhari |
| 2 4 6 1 1 7 1 |
Raga Multani |
| 2 5 5 1 3 4 2 |
Raga Puriya Kalyan |
| 2 5 5 1 2 5 2 |
Purvi That, Raga Shri |
| 4 2 2 1 4 4 2 2 1 |
Raga Ramdasi Malhar |
| 1 6 2 1 3 1 6 2 |
Raga Ramkali |
| 1 4 4 4 1 7 1 |
Raga Rampurmat Pilu |
| 1 6 2 4 1 2 4 2 |
Raga Saurashtra |
| 2 7 4 1 8 |
Raga Saveri |
| 3 6 4 3 6 |
Raga Suddha Malhar |
| 4 3 2 2 2 3 4 2 |
Raga Suddha Kalyan |
| 6 3 4 2 5 2 |
Raga Takka |
| 7 2 4 5 2 2 |
Raga Tilang |
| 1 4 7 1 1 7 1 |
Todi That |
| 1 4 7 1 1 6 2 |
Raga Varali |
| 1 6 6 3 6 |
Raga Vibhas (marva) |
| 4 4 4 1 4 4 1 |
Raga Yaman |
| 4 3 2 3 1 3 5 1 |
Raga Yaman Kalyan |
| 2 2 2 1 2 2 2 2 2 2 1 2 |
Modern Indian gamut |
| 3 2 1 1 2 3 1 3 2 1 1 2 |
Old Indian gamut |
22 tone mode of Tamil matra scale:
|
| 4 4 3 2 4 3 2 |
Seven-tone gamut (saptaka) |
23 tone modes:
|
| 5 5 4 5 4 |
Anti-pentatonic |
| 5 4 5 5 4 |
Oneiro-pentatonic |
| 2 5 2 5 2 5 2 |
Mosh |
| 3 3 3 5 3 3 3 |
Symmetrical Heptatonic |
| 3 4 3 3 3 4 3 |
Armodue-7, Antidorian |
| 3 3 3 1 3 3 3 3 1 |
Armodue-9, Superionian |
| 5 5 5 5 3 |
Beep-5 |
| 3 2 3 2 3 3 2 3 2 |
Beep-9 |
| 2 1 2 2 1 2 2 1 2 2 1 2 2 1 |
Beep-14 |
| 2 3 2 2 2 3 2 2 3 2 |
Dichosis-10 |
| 2 1 2 2 2 2 1 2 2 2 1 2 2 |
Dichosis-13 |
| 2 3 3 3 3 3 3 3 |
Greeley-8 |
| 2 2 1 2 1 2 1 2 1 2 1 2 1 2 1 |
Greeley-15 |
| 4 4 4 4 4 3 |
Machinoid-6 |
| 3 1 3 1 3 1 3 1 3 1 3 |
Machinoid-11 |
| 7 3 3 7 3 |
Mavila-5 |
| 3 4 3 3 4 3 3 |
Mavila-7, Antiaeolian |
| 3 1 3 3 3 1 3 3 3 |
Mavila-9, Superaeolian |
| 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 |
Minoid-15 |
| 3 3 3 4 3 3 4 |
Pelogic-7, Antilydian |
| 4 3 3 4 3 3 3 |
Antilocrian |
| 3 3 4 3 3 3 4 |
Antiionian |
| 4 3 3 3 4 3 3 |
Antiphrygian |
| 3 3 4 3 3 4 3 |
Antimixolydian |
| 3 2 3 1 3 2 3 1 3 2 |
Onyxwood |
| 2 2 2 1 2 2 2 2 2 2 2 2 |
Ripple-12 |
| 5 5 3 5 5 |
Semaphore-5 |
| 1 2 2 1 2 2 1 2 2 1 2 2 1 2 |
Semaphore-14 |
| 5 1 5 1 5 1 5 |
Starlingtet-7 |
| 3 2 3 2 3 2 3 2 3 |
Stearns 9-tone, Semaphore-9 |
| 2 2 2 2 2 3 2 2 2 2 2 |
Stearns 11-tone |
| 2 3 5 3 2 3 5 |
Superpelog-Pelog |
| 2 3 2 3 2 3 2 3 3 |
Superpelog-9 |
| 2 2 1 2 2 1 2 2 1 2 2 1 2 1 |
Superpelog-14 |
| 4 1 4 4 1 4 4 1 |
Oneirotonic |
| 3 3 3 3 3 3 3 2 |
Porcupoid |
| 3 2 2 3 2 2 3 2 2 2 |
Sephiroid |
| 4 1 1 4 1 1 4 1 1 4 1 |
Kleistonic |
| 3 1 1 3 1 3 1 1 3 1 3 1 1 |
Ateamtonic |
| 2 2 1 2 2 1 2 2 1 2 2 1 2 1 |
Brittle Titanium |
| 3 3 1 3 3 3 3 1 3 |
Wilson Supradiatonic, Supercorinthian |
| 2 1 4 2 1 4 2 1 4 2 |
Enshrouded House of Kundalini |
24 tone modes:
|
| 1 1 8 1 1 8 4 |
Enharmonic Mixolydian |
| 1 8 1 1 8 4 1 |
Enharmonic Lydian |
| 8 1 1 8 4 1 1 |
Enharmonic Phrygian |
| 1 1 8 4 1 1 8 |
Enharmonic Dorian |
| 1 8 4 1 1 8 1 |
Enharmonic Hypolydian |
| 8 4 1 1 8 1 1 |
Enharmonic Hypophrygian |
| 4 1 1 8 1 1 8 |
Enharmonic Hypodorian |
| 2 3 5 2 3 5 4 |
Soft Diatonic Mixolydian |
| 3 5 2 3 5 4 2 |
Soft Diatonic Lydian |
| 5 2 3 5 4 2 3 |
Soft Diatonic Phrygian |
| 2 3 5 4 2 3 5 |
Soft Diatonic Dorian |
| 3 5 4 2 3 5 2 |
Soft Diatonic Hypolydian |
| 5 4 2 3 5 2 3 |
Soft Diatonic Hypophrygian |
| 4 2 3 5 2 3 5 |
Soft Diatonic Hypodorian |
| 3 3 4 3 3 4 4 |
Maqam Ouchairan-Hussaini, Bayatan, Neutral Diatonic Mixolydian |
| 3 4 3 3 4 4 3 |
Dastgah-e Sehgah, Neutral Diatonic Lydian |
| 4 3 3 4 4 3 3 |
Arabic Diatonic, Maqam Rast, Quasi-equal Heptatonic, Neutral Diatonic Phrygian, Ioniodorian |
| 3 3 4 4 3 3 4 |
Maqam Hussaini, Ushaq, Neutral Diatonic Dorian |
| 3 4 4 3 3 4 3 |
Maqam Sikah (Segah), Neutral Diatonic Hypolydian |
| 4 4 3 3 4 3 3 |
Neutral Diatonic Hypophrygian |
| 4 3 3 4 3 3 4 |
Miha’il Musaqa’s mode: Egypt, Neutral Diatonic Hypodorian, Dastgah-e Sehgah, Maqam Nairuz |
| 3 5 2 4 3 5 2 |
Athanasopoulos’ Byzantine Liturgical Chromatic, Dastgah-e Chahargah |
| 4 2 4 4 3 3 4 |
Dastgah-e Nava, Maqam Ushaq Masri |
| 4 2 4 4 2 5 3 |
Turkish Minor |
| 4 2 4 4 4 3 3 |
Altered Melodic Minor |
| 1 5 4 1 5 4 4 |
Diatonic + Enharmonic Diesis Mixolydian |
| 5 4 1 5 4 4 1 |
Diatonic + Enharmonic Diesis Lydian |
| 4 1 5 4 4 1 5 |
Diatonic + Enharmonic Diesis Phrygian |
| 1 5 4 4 1 5 4 |
Diatonic + Enharmonic Diesis Dorian |
| 5 4 4 1 5 4 1 |
Diatonic + Enharmonic Diesis Hypolydian |
| 4 4 1 5 4 1 5 |
Diatonic + Enharmonic Diesis Hypophrygian |
| 4 1 5 4 1 5 4 |
Diatonic + Enharmonic Diesis Hypodorian |
| 1 3 6 1 3 6 4 |
Chromatic/Enharmonic Mixolydian |
| 3 6 1 3 6 4 1 |
Chromatic/Enharmonic Lydian |
| 6 1 3 6 4 1 3 |
Chromatic/Enharmonic Phrygian |
| 1 3 6 4 1 3 6 |
Chromatic/Enharmonic Dorian |
| 3 6 4 1 3 6 1 |
Chromatic/Enharmonic Hypolydian |
| 6 4 1 3 6 1 3 |
Chromatic/Enharmonic Hypophrygian |
| 4 1 3 6 1 3 6 |
Chromatic/Enharmonic Hypodorian |
| 3 4 3 3 4 3 4 |
Neutral Mixolydian, Iced Blizzard |
| 4 3 3 4 3 4 3 |
Neutral Lydian, Iced Major |
| 3 3 4 3 4 3 4 |
Neutral Phrygian, Iced Locrian |
| 3 4 3 4 3 4 3 |
Neutral Dorian, Misaelides 2nd Byzantine mode, Iced Fridgian, Maqam Sikah Baladi, Maqamic-7, Ioniophrygian |
| 4 3 4 3 4 3 3 |
Neutral Hypolydian, Mohajira-7, Iced Lydian |
| 3 4 3 4 3 3 4 |
Neutral Hypophrygian, Iced Mixolydian |
| 4 3 4 3 3 4 3 |
Neutral Hypodorian, Iced Dark Lydian |
| 1 2 7 1 2 7 4 |
Ratio 1:2 Hemiolic Chromatic Mixolydian |
| 2 7 1 2 7 4 1 |
Ratio 1:2 Hemiolic Chromatic Lydian |
| 7 1 2 7 4 1 2 |
Ratio 1:2 Hemiolic Chromatic Phrygian |
| 1 2 7 4 1 2 7 |
Ratio 1:2 Hemiolic Chromatic Dorian |
| 2 7 4 1 2 7 1 |
Ratio 1:2 Hemiolic Chromatic Hypolydian |
| 7 4 1 2 7 1 2 |
Ratio 1:2 Hemiolic Chromatic Hypophrygian |
| 4 1 2 7 1 2 7 |
Ratio 1:2 Hemiolic Chromatic Hypodorian |
| 2 7 1 4 2 7 1 |
Second plagal Byzantine Liturgical mode |
| 5 5 4 5 5 |
Quasi-equal Pentatonic, Semaphore-5 |
| 3 3 4 4 2 4 4 |
Maqam ‘Ushshaq Turki, Urfa, Isfahan, Dastgah-e Shur |
| 3 3 4 4 2 1 3 4 |
Maqam Bayati |
| 3 3 4 4 4 2 4 |
Maqam Nahfat |
| 3 3 2 6 2 4 4 |
Maqam Saba |
| 3 3 2 6 2 4 2 2 |
Maqam Saba |
| 3 3 2 6 2 6 2 |
Maqam Sabr Jadid |
| 3 3 2 2 4 3 3 4 |
Maqam Mansuri |
| 4 3 3 4 2 6 2 |
Maqam Suznak (Soznak) |
| 4 3 3 4 4 2 1 3 |
Maqam Rast, Dilkashidah, Dilnishin |
| 4 3 3 4 4 4 2 |
Maqam Mahur |
| 4 3 1 2 1 3 4 2 1 3 |
Maqam Yakah |
| 4 3 1 2 4 4 2 4 |
Maqam Suzidil ‘ara |
| 3 3 4 2 6 2 4 |
Maqam Qarjighar, Bayati Shuri |
| 3 4 2 2 2 2 2 4 3 |
Maqam Huzzam |
| 3 4 2 6 2 4 3 |
Maqam Hizam (Huzzam, El Houzam), Rahat al Arouah |
| 3 4 2 6 2 4 2 1 |
Maqam Rahat al-Arwah |
| 3 4 3 3 4 4 2 1 |
Maqam Iraq |
| 2 6 2 4 2 1 3 4 |
Maqam Hijaz |
| 3 4 4 2 1 3 4 3 |
Maqam Musta’ar |
| 3 4 4 4 2 4 2 1 |
Maqam Farahnak |
| 3 4 3 3 2 6 2 1 |
Maqam Bastanikar, Tarz Nuin (Tarznauyn) |
| 4 2 6 2 4 2 1 3 |
Maqam Farah Faza, Maqam Nakriz |
| 4 2 1 3 2 2 2 2 3 1 2 |
Maqam Hayyan |
| 4 2 1 3 2 2 4 2 1 3 |
Maqam Basandida |
| 4 4 2 1 3 2 2 4 2 |
Maqam Shawq Afza |
| 2 1 3 2 2 4 2 4 2 2 |
Maqam Shawq Tarab |
| 3 1 2 4 4 2 4 4 |
Maqam Jabburi |
| 2 4 4 4 3 3 4 |
Maqam Nawa |
| 2 5 3 4 2 5 3 |
Maqam Higaz-kar |
| 3 4 4 2 4 4 3 |
Maqam Su’ar, Naghmeh Abuata, Naghmeh Afshari |
| 4 4 2 4 4 3 3 |
Maqam Jahargah (Jiharkah), Naghmeh Bayat-e Tork, Naghmeh Dashti |
| 4 4 3 3 4 4 2 |
Maqam ‘Ajam Murassah, Ioniolydian |
| 3 5 2 4 2 4 4 |
Dastgah-e Homayun |
| 4 2 4 4 3 5 2 |
Naghmeh Esfahan |
| 3 6 1 5 2 6 1 |
Maqam ‘Awg ‘ara (Aug-ara) |
| 4 1 5 4 2 6 2 |
Maqam Buselik |
| 4 2 6 2 2 5 3 |
Maqam Neuter |
| 2 8 3 6 5 |
Anchihoye: Ethiopia |
| 4 3 3 4 4 2 4 |
Dance scale of Yi people: China |
| 4 4 2 3 1 4 6 |
Daniel-mode of Spanish-Arab Jews |
| 3 7 4 3 7 |
Spondeion |
| 1 1 8 4 2 8 |
Spondeiakos |
| 1 4 4 2 4 4 4 1 |
Dalmonte 8-tone |
| 1 5 3 1 5 3 1 5 |
Spongework |
| 4 4 2 1 3 4 3 1 2 |
Xiangliu |
| 3 2 3 2 2 2 3 2 3 2 |
Rimsky-Korsakov Major |
| 3 2 2 3 2 2 3 2 3 2 |
Rimsky-Korsakov Neutral |
| 3 2 2 3 2 2 3 2 2 3 |
Rimsky-Korsakov Bineutral |
| 3 2 1 4 2 2 3 2 3 2 |
Rimsky-Korsakov Minor |
| 2 3 2 2 2 2 3 2 2 2 2 |
Hyperpentatonic |
| 9 2 2 9 2 |
de Vries 5-tone |
| 4 1 4 1 4 1 4 1 4 |
de Vries 9-tone, Semaphore-9 |
| 1 2 2 2 2 2 2 1 2 2 2 2 2 |
de Vries 13-tone, Agmon Diatonic DS5 inverse |
| 2 2 3 2 3 2 2 3 2 3 |
Anguirus-10 |
| 2 1 2 2 1 2 2 2 1 2 2 1 2 2 |
Anguirus-14 |
| 1 3 3 4 3 4 3 3 |
Freivald Lament |
| 3 2 2 2 2 3 2 2 2 2 2 |
Freivald-11 |
| 1 2 2 2 2 2 1 2 2 2 2 2 2 |
Freivald-13, Diatonicized Chromatic |
| 4 5 5 5 5 |
Godzilla-5 |
| 4 4 1 4 1 4 1 4 1 |
Godzilla-9 |
| 3 1 3 1 1 3 1 1 3 1 1 3 1 1 |
Godzilla-14 |
| 5 1 1 1 5 1 1 1 5 1 1 1 |
Hemiaug-12 |
| 1 3 3 1 3 3 1 3 3 3 |
Migration-10 |
| 1 2 3 4 4 1 2 3 4 |
Progressive Enneatonic |
| 1 3 1 1 3 1 3 1 1 3 1 1 3 1 |
Semaphore-14 |
| 3 3 2 3 3 2 3 3 2 |
Triforce-9 |
| 1 2 1 2 2 1 2 1 2 2 1 2 1 2 2 |
Triforce-15 |
| 2 3 2 3 2 2 3 2 3 2 |
Young Decatonic, Decimal-10 |
| 2 2 1 2 2 2 1 2 2 1 2 2 2 1 |
Young Half-Octave Diatonic, Decimal-14 |
| 3 1 3 3 3 1 3 3 1 3 |
Breed Decatonic |
| 1 3 3 1 3 3 3 1 3 3 |
Neutral Hypolydian Decatonic, Mohajira-10 |
| 3 1 3 3 1 3 3 3 1 3 |
Neutral Dorian Decatonic, Maqamic-10 |
| 2 3 2 2 3 2 3 2 2 3 |
Oljare Decatonic |
| 2 2 2 1 3 2 2 2 2 2 1 3 |
Ice Bookshop |
| 3 1 3 1 2 3 1 3 1 3 1 2 |
Iceface |
| 3 1 2 1 3 3 1 3 1 2 1 3 |
Iceface Maqam |
| 1 3 2 2 2 1 3 2 2 3 1 2 |
Iceface Straub Variant |
| 1 1 1 1 1 7 1 1 1 1 1 7 |
Louvier Prelude et Fugue 3 |
| 1 3 2 1 3 1 3 2 1 2 3 2 |
Vaisvil’s Mixed-Quarters |
| 2 2 2 2 2 1 2 2 2 2 2 2 1 |
Agmon Diatonic DS5 |
25 tone equal modes:
|
| 4 4 2 5 4 4 2 |
Twenty-five tone « Major » |
| 4 2 4 5 2 4 4 |
Twenty-five tone « Minor » |
| 3 2 3 2 3 2 3 2 3 2 |
Archytas Clan-10 |
| 5 3 3 3 5 3 3 |
Antiphrygian |
| 3 3 5 3 3 5 3 |
Antimixolydian |
| 5 3 3 5 3 3 3 |
Antilocrian |
| 3 3 5 3 3 3 5 |
Antiionian |
| 3 2 3 3 3 3 2 3 3 |
Superdorian |
| 2 3 3 3 3 2 3 3 3 |
Superphrygian |
| 3 3 3 3 2 3 3 3 2 |
Superlydian |
| 3 3 3 2 3 3 3 2 3 |
Supermixolydian |
| 3 3 2 3 3 3 2 3 3 |
Superolympian |
| 2 3 3 3 2 3 3 3 3 |
Superlocrian |
| 3 5 3 3 3 5 3 |
Armodue-7, Antidorian |
| 3 3 3 2 3 3 3 3 2 |
Armodue-9, Superionian |
| 2 3 2 3 2 3 2 3 2 3 |
Blackwood-10 |
| 2 1 2 2 1 2 2 1 2 2 1 2 2 1 2 |
Blackwood-15 |
| 3 4 4 3 4 3 4 |
Dicot-7 |
| 4 4 4 4 4 5 |
Hemithirds-6, Spell-6 |
| 4 4 4 4 4 4 1 |
Hemithirds-7 |
| 3 1 3 1 3 1 3 1 3 1 3 1 1 |
Hemithirds-13, Spell-13 |
| 3 3 2 3 3 3 3 2 3 |
Mabila-9, Supercorinthian |
| 7 1 7 1 1 7 1 |
Magic-7 |
| 6 1 1 1 6 1 1 6 1 1 |
Magic-10 |
| 5 1 1 1 5 1 1 1 5 1 1 1 1 |
Magic-13 |
| 8 3 3 8 3 |
Mavila-5 |
| 3 5 3 3 5 3 3 |
Mavila-7, Antiaeolian |
| 3 2 3 3 3 2 3 3 3 |
Mavila-9, Superaeolian |
| 3 1 3 1 3 3 1 3 3 1 3 |
Mohavila-11 |
| 3 3 8 3 8 |
Pelogic-5 |
| 3 3 3 5 3 3 5 |
Pelogic-7, Antilydian |
| 4 4 3 4 3 4 3 |
Sixix-7 |
| 1 2 2 2 3 2 2 2 3 2 2 2 |
Tritonic Diatonic |
| 2 2 2 1 2 2 2 2 1 2 2 2 2 1 |
Ketradektriatoh |
26 tone equal modes:
|
| 1 3 3 1 3 1 3 1 3 3 1 3 |
Meantone Chromatic (4/9-comma) |
| 4 4 3 4 4 4 3 |
Twenty-six tone Major |
| 4 3 4 4 3 4 4 |
Twenty-six tone Natural Minor |
| 4 3 4 4 4 4 3 |
Twenty-six tone Melodic Minor |
| 4 3 4 4 3 5 3 |
Twenty-six tone Harmonic Minor |
| 4 4 3 4 3 5 3 |
Twenty-six tone Harmonic Major |
| 5 5 6 5 5 |
Quasi-equal Pentatonic, Mothra-5 |
| 3 5 5 3 5 5 |
Decibel-6 |
| 2 3 2 3 3 2 3 2 3 3 |
Decibel-10 |
| 1 5 1 5 1 1 5 1 5 1 |
Doublewide-10 |
| 1 1 4 1 1 4 1 1 1 4 1 1 4 1 |
Doublewide-14 |
| 1 3 3 1 3 1 3 3 1 3 1 3 |
Flattone-12 |
| 2 2 2 2 2 3 2 2 2 2 2 3 |
Injera-12 |
| 3 3 3 3 3 3 3 3 2 |
Jerome-9, Progression-9 |
| 5 3 5 5 3 5 |
Lemba-6 |
| 3 2 3 2 3 3 2 3 2 3 |
Lemba-10 |
| 5 5 5 5 5 1 |
Mothra-6 |
| 4 1 4 1 4 1 4 1 4 1 1 |
Mothra-11 |
| 2 5 5 2 5 2 5 |
Orgone-7 |
| 2 2 3 2 3 2 2 3 2 2 3 |
Orgone-11 |
| 2 2 2 1 2 2 1 2 2 2 1 2 2 2 1 |
Orgone-15 |
| 3 1 3 1 3 1 1 3 1 3 1 3 1 1 |
Secant-14 |
| 4 1 4 1 4 1 4 1 1 4 1 |
Spartan-11 |
| 5 2 5 2 5 2 5 |
Superkleismic-7 |
| 2 3 2 3 2 2 3 2 2 3 2 |
Superkleismic-11 |
| 1 2 2 2 1 2 2 2 1 2 2 2 1 2 2 |
Superkleismic-15 |
| 2 2 2 2 2 2 1 2 2 2 2 2 2 1 |
Erlich Double Diatonic, Injera-14 |
| 2 2 2 2 2 2 1 2 2 2 2 2 1 2 |
Static Major |
| 2 2 2 2 2 1 2 2 2 2 2 2 2 1 |
Dynamic Major |
| 2 1 2 2 2 2 2 2 2 1 2 2 2 2 |
Static Minor |
| 2 2 1 2 2 2 2 2 1 2 2 2 2 2 |
Dynamic Minor |
| 2 2 2 2 2 2 2 1 2 2 2 2 2 1 |
Injera |
27 tone equal modes:
|
| 4 1 1 4 1 4 1 4 1 1 4 1 |
Twelve-tone Chromatic (4/9-comma positive) |
| 5 4 2 5 4 5 2 |
Twenty-seven tone « Major » |
| 5 2 4 5 2 5 4 |
Twenty-seven tone « Minor » |
| 6 5 5 6 5 |
Septimal Minor Pentatonic, Supra-5 |
| 7 2 7 2 7 2 |
Augene-6 |
| 2 5 2 2 5 2 2 5 2 |
Augene-9 |
| 2 2 3 2 2 2 3 2 2 2 3 2 |
Augene-12 |
| 2 2 2 1 2 2 2 2 1 2 2 2 2 1 2 |
Augene-15 |
| 5 3 3 5 3 5 3 |
Beatles-7, Dichotic-7 |
| 2 3 3 3 2 3 3 2 3 3 |
Beatles-10, Dichotic-10 |
| 2 2 3 2 3 2 3 2 3 2 3 |
Kumonga-11 |
| 6 1 6 1 6 1 6 |
Myna-7 |
| 1 5 1 1 5 1 5 1 1 5 1 |
Myna-11 |
| 1 1 4 1 1 1 4 1 1 1 4 1 1 4 1 |
Myna-15 |
| 2 2 2 2 2 2 2 2 2 2 2 2 2 1 |
Octacot-14 |
| 4 4 1 4 4 1 4 4 1 |
Oodako-9 |
| 3 3 4 3 3 4 3 4 |
Sensi-8 |
| 3 3 3 1 3 3 3 1 3 3 1 |
Sensi-11 |
| 2 3 2 2 2 3 2 2 2 3 2 2 |
Starling-12 |
| 1 4 1 1 4 1 4 1 1 4 1 4 |
Superpyth-12 |
| 5 1 5 5 5 1 5 |
Supra-7 |
| 1 4 1 4 1 1 4 1 4 1 4 1 |
Supra-12 |
| 4 4 4 4 4 4 3 |
Tetracot-7 |
| 1 3 1 3 1 3 1 3 3 1 3 1 3 |
Tetracot-13 |
| 5 4 5 4 5 4 |
Quasi-equal Hexatonic |
| 3 2 2 2 3 2 2 2 3 2 2 2 |
Miller’s Galticeran |
28 tone equal modes:
|
| 2 3 2 2 3 2 2 3 2 2 3 2 |
Twelve-tone Chromatic |
| 2 5 2 5 2 5 2 5 |
Octatonic |
| 5 2 5 2 5 2 5 2 |
Diminished |
| 3 4 3 4 3 4 3 4 |
Quasi-equal Octatonic |
| 4 2 4 1 4 2 4 1 4 2 |
Onyxwood |
| 5 4 5 5 4 5 |
Antikythera-6 |
| 4 1 4 4 1 4 1 4 4 1 |
Antikythera-10 |
| 2 2 3 2 2 3 2 2 3 2 2 3 |
Demolished-12 |
| 4 1 4 1 1 4 1 4 1 1 4 1 1 |
Laquadgu-13 |
| 5 5 3 5 5 5 |
Machine-6 |
| 3 2 3 2 3 2 3 2 3 3 2 |
Machine-11 |
| 3 3 3 3 4 3 3 3 3 |
Negri-9 |
| 3 3 3 3 3 3 3 3 3 1 |
Negri-10 |
| 3 3 3 5 3 3 3 5 |
Octokaidecal-8 |
| 3 3 3 3 2 3 3 3 3 2 |
Octokaidecal-10 |
| 3 3 5 3 3 3 5 3 |
Supersharp-8 |
| 3 3 3 2 3 3 3 3 2 3 |
Supersharp-10 |
| 5 2 2 2 2 5 2 2 2 2 2 |
Thuja-11 |
| 3 2 2 2 2 2 3 2 2 2 2 2 2 |
Thuja-13 |
| 1 2 2 2 2 2 2 1 2 2 2 2 2 2 2 |
Thuja-15, Diatonicized Chromatic, Agmon Diatonic DS6 inverse |
| 1 3 1 3 1 3 1 3 1 3 1 3 1 3 |
Whitewood-14 |
| 2 2 2 2 2 2 1 2 2 2 2 2 2 2 1 |
Agmon Diatonic DS6 |
29 tone equal modes:
|
| 3 2 2 3 2 3 2 3 2 2 3 2 |
Twelve-tone Chromatic (1/14-comma positive) |
| 5 5 2 5 5 5 2 |
Twenty-nine tone Major |
| 5 2 5 5 2 5 5 |
Twenty-nine tone Minor |
| 5 4 3 5 4 5 3 |
Twenty-nine tone « Just » Major |
| 5 3 4 5 3 4 5 |
Twenty-nine tone « Just » Minor |
| 5 3 4 5 3 5 4 |
Twenty-nine tone Natural Minor |
| 5 3 4 5 4 5 3 |
Twenty-nine tone Melodic Minor |
| 5 3 4 5 3 6 3 |
Twenty-nine tone Harmonic Minor |
| 5 4 3 5 3 6 3 |
Twenty-nine tone Harmonic Major |
| 3 2 2 2 2 2 2 2 2 2 2 2 2 2 |
Belauensis-14 |
| 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 |
Belauensis-15 |
| 5 6 6 6 6 |
Immunity-5 |
| 5 5 1 5 1 5 1 5 1 |
Immunity-9 |
| 1 1 4 1 1 4 1 4 1 1 4 1 1 4 |
Immunity-14 |
| 4 3 3 3 3 4 3 3 3 |
Isopelogic-9 |
| 1 3 3 3 3 3 1 3 3 3 3 |
Isopelogic-11 |
| 3 3 3 2 3 3 3 3 3 3 |
Keenan Decatonic |
| 2 2 2 3 2 2 2 2 2 2 2 2 2 2 |
Nautilus-14 |
| 3 3 3 3 5 3 3 3 3 |
Negri-9 |
| 3 3 3 3 3 3 3 3 3 2 |
Negri-10 |
| 4 4 4 5 4 4 4 |
Porcupine-7 |
| 4 5 4 4 4 4 4 |
Porcupine-7 Major |
| 4 4 4 4 4 4 4 1 |
Porcupine-8 |
| 4 4 1 4 4 4 4 4 |
Jones’s Porcupine-8 |
| 5 4 4 4 4 4 4 |
Porky-7 |
| 2 3 2 2 3 2 3 2 2 3 2 3 |
Schismic-12 |
| 6 6 5 6 6 |
Quasi-equal Pentatonic, Semaphore-5 |
| 5 1 5 1 5 1 5 1 5 |
Semaphore-9 |
| 1 4 1 1 4 1 4 1 1 4 1 1 4 1 |
Semaphore-14 |
| 2 2 7 2 7 2 7 |
Sephiroth-7 |
| 2 2 2 5 2 2 5 2 2 5 |
Sephiroth-10 |
| 2 2 2 3 2 2 2 3 2 2 2 3 2 |
Sephiroth-13 |
| 4 3 4 3 4 4 3 4 |
Tridec-8 |
30 tone equal modes:
|
| 5 5 2 6 5 5 2 |
Thirty tone « Major » |
| 5 2 5 6 2 5 5 |
Thirty tone « Minor » |
| 10 3 10 5 2 |
Madenda: Sunda |
| 6 1 6 4 6 1 6 |
Amiot’s Scale |
| 3 3 2 3 3 3 2 3 3 3 2 |
Balzano Eleven-tone |
| 2 3 3 3 2 3 3 3 2 3 3 |
Balzano Eleven-tone inverse |
| 5 1 4 2 3 3 2 4 1 5 |
Equal temperaments 5 and 6 mixed |
| 2 2 2 3 2 2 2 2 2 2 3 2 2 2 |
Bipelog-14 |
| 3 4 3 3 4 3 3 4 3 |
Deflated-9 |
| 3 2 3 2 3 2 3 2 3 2 3 2 |
Hexe-12 |
| 7 7 7 7 2 |
Lovecraft-5 |
| 5 2 5 2 5 2 5 2 2 |
Lovecraft-9 |
| 9 4 4 9 4 |
Mavila-5 |
| 4 5 4 4 5 4 4 |
Mavila-7, Antiaeolian |
| 4 1 4 4 4 1 4 4 4 |
Mavila-9 |
| 3 8 3 8 8 |
Mechanism-5 |
| 3 3 5 3 3 5 3 5 |
Mechanism-8 |
| 3 2 3 3 3 2 3 3 3 2 3 |
Mechanism-11 |
| 4 4 4 5 4 4 5 |
Pelogic-7, Antilydian |
| 3 2 2 3 2 2 3 2 2 3 2 2 2 |
Lovecraft-13, Ragimetric-13 |
| 3 2 3 3 3 2 3 3 2 3 3 |
Stacks-11 |
31 tone equal modes:
|
| 2 3 3 2 3 2 3 2 3 3 2 3 |
Meantone Chromatic (53/220-comma) |
| 5 5 3 5 5 5 3 |
Thirty-one tone Major, Intense Diatonic Lydian, M.Ionian |
| 5 3 5 5 3 5 5 |
Thirty-one tone Natural Minor, Intense Diatonic Hypodorian, Aeolian |
| 5 3 5 5 5 5 3 |
Thirty-one tone Melodic Minor |
| 5 3 5 5 3 7 3 |
Thirty-one tone Harmonic Minor |
| 5 5 3 5 3 7 3 |
Thirty-one tone Harmonic Major |
| 5 5 3 5 3 5 5 |
Thirty-one tone Major-Minor |
| 5 8 5 13 |
Genus primum |
| 10 3 5 5 5 3 |
Genus secundum |
| 8 2 8 3 7 3 |
Genus tertium |
| 10 10 10 1 |
Genus quartum |
| 5 7 6 7 5 1 |
Genus quintum |
| 4 6 2 6 4 3 3 3 |
Genus sextum |
| 4 6 5 6 4 6 |
Genus septimum |
| 6 6 6 1 6 6 |
Genus octavum |
| 4 6 9 6 4 2 |
Genus nonum |
| 13 6 6 6 |
Genus decimum |
| 5 5 3 5 5 3 2 3 |
Genus diatonicum |
| 3 5 2 3 5 3 2 5 3 |
Genus chromaticum |
| 5 5 2 1 5 5 2 3 3 |
Genus diatonicum cum septimis |
| 3 4 3 3 2 1 4 1 4 1 2 3 |
Genus enharmonicum vocale |
| 2 2 4 2 2 3 3 3 1 3 3 3 |
Genus enharmonicum instrumentale |
| 3 2 3 2 3 2 3 3 2 3 2 3 |
Genus diatonico-chromaticum |
| 5 2 1 2 5 3 2 1 4 1 2 3 |
Genus bichromaticum |
| 2 3 2 3 3 2 3 3 2 2 3 3 |
Hexy |
| 2 3 3 2 3 5 2 1 2 3 2 3 |
Major Wing |
| 5 3 2 3 3 2 3 2 3 2 1 2 |
Minor Wing |
| 2 1 1 1 5 2 5 1 1 1 2 3 3 3 |
Dekatesserany |
| 7 6 5 7 6 |
Septimal Minor Pentatonic |
| 5 6 7 6 7 |
Septimal Slendro |
| 6 4 3 5 5 2 6 |
Septimal Diatonic |
| 3 5 5 5 3 7 3 |
Neapolitan Minor, Hungarian Gipsy |
| 3 7 3 5 3 7 3 |
Double Harmonic Major, Major Gipsy |
| 5 3 7 3 3 5 5 |
Minor Gipsy |
| 5 3 7 3 3 7 3 |
Double Harmonic Minor, Hungarian Minor |
| 5 5 3 7 1 7 3 |
Harmonic Major sharp 5 |
| 3 2 2 3 3 2 3 3 2 2 3 3 |
Fokker 12-tone |
| 3 5 3 2 5 3 8 2 |
Fokker Six-star A |
| 5 1 5 4 6 4 2 4 |
Fokker Six-star B |
| 6 1 6 6 1 5 1 5 |
Fokker Six-star C |
| 5 3 5 3 5 2 5 3 |
Diminished, Modus conjunctus |
| 3 5 2 5 3 5 3 5 |
Octatonic |
| 5 3 2 3 5 3 2 3 2 3 |
Major/Minor mixed, Supermode |
| 4 4 5 4 4 5 5 |
Neutral Diatonic Mixolydian |
| 4 5 4 4 5 5 4 |
Neutral Diatonic Lydian |
| 5 4 4 5 5 4 4 |
Neutral Diatonic Phrygian, Rast |
| 4 4 5 5 4 4 5 |
Neutral Diatonic Dorian |
| 4 5 5 4 4 5 4 |
Neutral Diatonic Hypolydian |
| 5 5 4 4 5 4 4 |
Neutral Diatonic Hypophrygian |
| 5 4 4 5 4 4 5 |
Neutral Diatonic Hypodorian |
| 4 5 4 4 5 4 5 |
Neutral Mixolydian |
| 5 4 4 5 4 5 4 |
Neutral Lydian, Dicot-7 |
| 4 4 5 4 5 4 5 |
Neutral Phrygian |
| 4 5 4 5 4 5 4 |
Neutral Dorian, Maqamic-7 |
| 5 4 5 4 5 4 4 |
Neutral Hypolydian, Mohajira-7 |
| 4 5 4 5 4 4 5 |
Neutral Hypophrygian |
| 5 4 5 4 4 5 4 |
Neutral Hypodorian |
| 2 2 9 2 2 9 5 |
Hemiolic Chromatic Mixolydian |
| 2 9 2 2 9 5 2 |
Hemiolic Chromatic Lydian |
| 9 2 2 9 5 2 2 |
Hemiolic Chromatic Phrygian |
| 2 2 9 5 2 2 9 |
Hemiolic Chromatic Dorian |
| 2 9 5 2 2 9 2 |
Hemiolic Chromatic Hypolydian |
| 9 5 2 2 9 2 2 |
Hemiolic Chromatic Hypophrygian |
| 5 2 2 9 2 2 9 |
Hemiolic Chromatic Hypodorian |
| 2 3 8 2 3 8 5 |
Ratio 2:3 Chromatic Mixolydian |
| 3 8 2 3 8 5 2 |
Ratio 2:3 Chromatic Lydian |
| 8 2 3 8 5 2 3 |
Ratio 2:3 Chromatic Phrygian |
| 2 3 8 5 2 3 8 |
Ratio 2:3 Chromatic Dorian |
| 3 8 5 2 3 8 2 |
Ratio 2:3 Chromatic Hypolydian |
| 8 5 2 3 8 2 3 |
Ratio 2:3 Chromatic Hypophrygian |
| 5 2 3 8 2 3 8 |
Ratio 2:3 Chromatic Hypodorian |
| 3 5 5 3 5 5 5 |
Intense Diatonic Mixolydian, M.Locrian |
| 5 3 5 5 5 3 5 |
Intense Diatonic Phrygian, M.Dorian |
| 3 5 5 5 3 5 5 |
Intense Diatonic Dorian, M.Phrygian |
| 5 5 5 3 5 5 3 |
Intense Diatonic Hypolydian, M.Lydian |
| 5 5 3 5 5 3 5 |
Intense Diatonic Hypophrygian, M.Mixolydian |
| 2 5 6 2 5 6 5 |
Soft Diatonic Mixolydian |
| 5 6 2 5 6 5 2 |
Soft Diatonic Lydian |
| 6 2 5 6 5 2 5 |
Soft Diatonic Phrygian |
| 2 5 6 5 2 5 6 |
Soft Diatonic Dorian |
| 5 6 5 2 5 6 2 |
Soft Diatonic Hypolydian |
| 6 5 2 5 6 2 5 |
Soft Diatonic Hypophrygian |
| 5 2 5 6 2 5 6 |
Soft Diatonic Hypodorian |
| 1 2 10 1 2 10 5 |
Enharmonic Mixolydian |
| 2 10 1 2 10 5 1 |
Enharmonic Lydian |
| 10 1 2 10 5 1 2 |
Enharmonic Phrygian |
| 1 2 10 5 1 2 10 |
Enharmonic Dorian |
| 2 10 5 1 2 10 1 |
Enharmonic Hypolydian |
| 10 5 1 2 10 1 2 |
Enharmonic Hypophrygian |
| 5 1 2 10 1 2 10 |
Enharmonic Hypodorian |
| 6 6 7 6 6 |
Quasi-equal Pentatonic, Mothra-5 |
| 6 7 5 7 6 |
Slendro A1 |
| 6 7 5 6 7 |
Slendro M |
| 6 7 6 6 6 |
Slendro S1 |
| 3 7 5 1 5 7 3 |
The Gray Picture of Dorian |
| 6 2 5 5 6 2 5 |
Tetrachordal 6-2-5 |
| 6 6 1 5 6 6 1 |
Tetrachordal 6-6-1 |
| 7 2 4 5 7 2 4 |
Tetrachordal 7-2-4 |
| 8 2 3 5 8 2 3 |
Tetrachordal 8-2-3 |
| 4 3 3 5 3 3 4 3 3 |
Hahn Trichordal |
| 3 3 4 3 5 3 4 3 3 |
Hahn Symmetrical Pentachordal |
| 3 4 3 3 5 3 4 3 3 |
Hahn Pentachordal |
| 4 4 2 5 3 3 4 3 3 |
Hahn Nonatonic |
| 4 1 4 4 4 1 4 4 1 4 |
Breed Decatonic |
| 4 2 4 2 4 2 4 3 3 3 |
Lumma Decatonic |
| 1 5 1 3 3 3 1 5 1 2 4 2 |
Hexany Flanker |
| 1 4 2 3 2 2 4 2 3 2 3 3 |
Secor 12-tone |
| 6 6 6 6 6 1 |
Mothra-6 |
| 5 1 5 1 5 1 5 1 5 1 1 |
de Vries 11-tone, Mothra-11 |
| 1 4 4 1 4 4 4 1 4 4 |
Neutral Hypolydian Decatonic, Mohajira-10 |
| 4 1 4 4 1 4 4 4 1 4 |
Neutral Dorian Decatonic, Maqamic-10 |
| 5 3 3 3 3 5 3 3 3 |
Rothenberg Generalized Diatonic |
| 7 2 4 5 4 1 1 2 5 |
Thompson Nine out of 31 |
| 5 2 6 5 2 5 6 |
« Septimal » Natural Minor |
| 5 5 3 1 4 5 4 1 3 |
Naga |
| 3 2 3 2 1 5 2 3 3 2 2 3 |
Duohex |
| 2 3 2 4 2 3 2 2 3 3 3 2 |
Heathwaite’s Meteoroid |
| 1 7 1 2 1 7 1 2 1 7 1 |
Nested Bees |
| 3 7 1 7 3 5 5 |
Strange Diatonic |
| 3 1 3 1 5 1 3 1 3 1 5 1 3 |
Tancuva |
| 3 3 3 3 3 3 3 4 3 3 |
Apparatus-10 |
| 3 3 3 3 3 3 3 3 1 3 3 |
Apparatus-11 |
| 3 4 4 4 4 4 4 4 |
Greeley-8 |
| 3 3 1 3 1 3 1 3 1 3 1 3 1 3 1 |
Greeley-15 |
| 5 5 5 5 5 6 |
Hemithirds-6, Roulette-6 |
| 5 5 5 5 5 5 1 |
Hemithirds-7, Roulette-7 |
| 4 1 4 1 4 1 4 1 4 1 4 1 1 |
Hemithirds-13, Roulette-13 |
| 8 3 3 8 3 3 3 |
Joan-7, Score-7 |
| 5 3 3 3 5 3 3 3 3 |
Joan-9 |
| 2 3 3 3 3 2 3 3 3 3 3 |
Joan-11, Score-11 |
| 3 2 3 2 3 2 3 3 3 1 3 3 |
Marvel-12 |
| 1 4 4 1 4 4 1 4 4 4 |
Migration-10 |
| 3 3 3 3 3 3 3 3 3 4 |
Miracle-10 |
| 3 3 3 3 3 3 3 3 3 1 2 1 |
Miracle-12 |
| 7 1 7 1 7 1 7 |
Myna-7 |
| 1 6 1 1 6 1 6 1 1 6 1 |
Myna-11 |
| 1 1 5 1 1 1 5 1 1 1 5 1 1 5 1 |
Myna-15 |
| 7 7 7 7 3 |
Orwell-5 |
| 4 3 4 3 4 3 4 3 3 |
Orwell-9 |
| 1 3 3 1 3 3 1 3 3 1 3 3 3 |
Orwell-13 |
| 3 5 3 3 3 5 3 3 3 |
Score-9 |
| 2 7 2 7 2 2 7 2 |
Sentinel-8 |
| 2 5 2 2 5 2 2 2 5 2 2 |
Secor Sentinel-11 |
| 2 3 2 2 2 3 2 2 2 2 3 2 2 2 |
Sentinel-14 |
| 3 2 3 2 2 3 2 3 2 2 3 2 2 |
Semisept-13 |
| 6 6 6 7 6 |
Slendric-5 |
| 6 6 6 6 1 6 |
Slendric-6 |
| 5 1 5 1 5 1 5 1 1 5 1 |
Slendric-11 |
| 5 2 2 5 2 2 2 5 2 2 2 |
Squares-11 |
| 3 2 2 2 3 2 2 2 2 3 2 2 2 2 |
Squares-14 |
| 2 4 2 2 3 3 2 3 2 3 3 2 |
Starling-12 |
| 2 2 2 2 2 2 2 2 2 2 2 3 2 2 2 |
Tertiaseptal-15, Valentine-15 |
| 7 6 6 6 6 |
Wonder-5 |
| 5 1 1 5 1 5 1 5 1 5 1 |
Wonder-11 |
| 7 1 1 1 7 1 1 1 7 1 1 1 1 |
Wurschmidt-13 |
32 tone equal modes:
|
| 6 4 3 6 4 6 3 |
Thirty-two tone « Major » |
| 6 3 4 6 3 6 4 |
Thirty-two tone « Minor » |
| 7 6 6 7 6 |
Septimal Minor Pentatonic |
| 3 5 3 5 3 5 3 5 |
Octatonic |
| 5 3 5 3 5 3 5 3 |
Diminished |
| 4 3 3 3 4 3 3 3 3 3 |
Pentachordal Decatonic |
| 4 5 5 4 5 4 5 |
Dicot-7 |
| 3 3 2 3 3 2 3 3 2 3 3 2 |
Diminished-12 |
| 5 5 5 5 2 5 5 |
Glacial-7 |
| 3 2 3 2 3 2 3 2 2 3 2 3 2 |
Glacial-13 |
| 5 2 2 2 2 2 5 2 2 2 2 2 2 |
Kangaroo-13 |
| 4 1 4 1 4 4 1 4 4 1 4 |
Mohavila-11 |
| 3 3 3 1 3 3 3 3 3 1 3 3 |
Pajaro-12 |
| 2 3 2 2 2 2 2 2 2 3 2 2 2 2 2 |
Progress-15 |
| 5 5 4 5 4 5 4 |
Sixix-7 |
| 3 4 3 4 3 4 3 4 4 |
Superpelog-9 |
| 3 3 1 3 3 1 3 3 1 3 3 1 3 1 |
Superpelog-14 |
33 tone equal modes:
|
| 1 4 4 1 4 1 4 1 4 4 1 4 |
Meantone Chromatic (1/2-comma) |
| 5 3 3 5 3 3 5 3 3 |
August-9 |
| 2 3 3 3 2 3 3 3 2 3 3 3 |
August-12 |
| 5 5 5 5 3 5 5 |
Bluebirds-7 |
| 2 3 2 3 2 3 2 3 3 2 3 2 3 |
Bluebirds-13 |
| 5 7 7 7 7 |
Godzilla-5 |
| 5 5 2 5 2 5 2 5 2 |
Godzilla-9 |
| 3 2 3 2 2 3 2 2 3 2 2 3 2 2 |
Godzilla-14 |
| 5 2 2 2 5 2 2 2 5 2 2 2 |
Inflated-12 |
| 2 3 2 2 2 2 3 2 2 2 2 3 2 2 2 |
Inflated-15 |
| 5 1 5 1 1 5 1 5 1 1 5 1 1 |
Laquadgu-13 |
| 1 5 5 1 5 5 1 5 5 |
Terrain-9 |
| 1 4 1 4 1 1 4 1 4 1 1 4 1 4 1 |
Terrain-15 |
| 5 5 1 5 5 1 5 5 1 |
Shallert’s mode, Terrain-9 inverse |
| 5 2 2 2 2 2 2 2 2 2 2 2 2 2 2 |
Slurpee-15 |
34 tone equal modes:
|
| 3 3 3 2 3 3 3 3 2 3 3 3 |
« Just » Chromatic |
| 6 5 3 6 5 6 3 |
Thirty-four tone « Just » Major |
| 6 3 5 6 3 5 6 |
Thirty-four tone « Just » Minor |
| 6 3 5 6 3 6 5 |
Thirty-four tone Natural Minor |
| 6 3 5 6 5 6 3 |
Thirty-four tone Melodic Minor |
| 6 3 5 6 3 8 3 |
Thirty-four tone Harmonic Minor |
| 6 5 3 6 3 8 3 |
Thirty-four tone Harmonic Major |
| 3 6 2 3 6 3 2 6 3 |
Genus chromaticum |
| 7 7 6 7 7 |
Quasi-equal Pentatonic |
| 3 3 4 3 4 3 3 4 3 4 |
Anguirus-10 |
| 3 1 3 3 1 3 3 3 1 3 3 1 3 3 |
Anguirus-14 |
| 3 4 3 4 3 3 4 3 4 3 |
Decimal-10 |
| 3 3 1 3 3 3 1 3 3 1 3 3 3 1 |
Decimal-14 |
| 3 3 3 5 3 3 3 3 5 3 |
Diaschismic-10, Pajara-10 |
| 3 3 3 2 3 3 3 3 3 2 3 3 |
Diaschismic-12, Pajara-12 |
| 8 8 5 8 5 |
Father-5 |
| 5 3 5 5 3 5 5 3 |
Father-8 |
| 6 7 7 7 7 |
Immunity-5 |
| 6 6 1 6 1 6 1 6 1 |
Immunity-9 |
| 1 1 5 1 1 5 1 5 1 1 5 1 1 5 |
Immunity-14 |
| 3 3 2 3 3 3 3 3 2 3 3 3 |
Jubilee-12 |
| 2 7 2 7 2 7 7 |
Kleismic-7 |
| 2 2 5 2 5 2 2 5 2 2 5 |
Kleismic-11 |
| 2 2 2 3 2 2 2 3 2 2 2 3 2 2 3 |
Kleismic-15 |
| 4 7 4 4 4 7 4 |
Mabila-7 |
| 4 4 3 4 4 4 4 3 4 |
Mabila-9 |
| 3 3 3 1 3 3 3 3 3 3 3 3 |
Ripple-12 |
| 2 5 2 2 3 4 2 3 2 4 3 2 |
Starling-12 |
| 5 5 5 5 5 5 4 |
Tetracot-7 |
| 1 4 1 4 1 4 1 4 4 1 4 1 4 |
Tetracot-13 |
| 5 2 2 2 2 2 2 5 2 2 2 2 2 2 |
Vishnu-14 |
| 2 5 2 5 2 2 5 2 2 5 2 |
Wilson 11-tone |
| 8 1 1 1 8 1 1 1 8 1 1 1 1 |
Wurschmidt-13 |
| 4 3 1 2 3 3 2 3 3 2 4 2 2 |
Haverstick |
| 5 3 3 3 5 3 3 3 3 3 |
Pentachordal Decatonic |
35 tone equal modes:
|
| 3 4 3 4 3 4 3 4 3 4 |
Blacksmith-10 |
| 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 |
Blacksmith-15 |
| 9 2 9 2 2 9 2 |
Magic-7 |
| 7 2 2 2 7 2 2 7 2 2 |
Magic-10 |
| 5 2 2 2 5 2 2 2 5 2 2 2 2 |
Magic-13 |
| 2 2 5 2 2 2 5 2 2 2 2 5 2 |
Muggles-13 |
| 4 4 4 4 4 4 4 4 3 |
Progression-9 |
| 3 3 3 2 3 3 3 3 3 3 3 3 |
Ripple-12 |
| 3 2 3 2 3 2 3 2 3 2 3 2 3 2 |
Septimal-14 |
| 3 3 3 3 3 3 3 3 2 3 3 3 |
Twelve-35-12 |
| 1 4 1 4 1 4 1 4 1 4 1 4 1 4 |
Whitewood-14 |
36 tone equal modes:
|
| 5 10 6 5 10 |
Nam Hue: Vietnam |
| 1 1 13 1 1 13 6 |
Hyperenharmonic Mixolydian |
| 1 13 1 1 13 6 1 |
Hyperenharmonic Lydian |
| 13 1 1 13 6 1 1 |
Hyperenharmonic Phrygian |
| 1 1 13 6 1 1 13 |
Hyperenharmonic Dorian |
| 1 13 6 1 1 13 1 |
Hyperenharmonic Hypolydian |
| 13 6 1 1 13 1 1 |
Hyperenharmonic Hypophrygian |
| 6 1 1 13 1 1 13 |
Hyperenharmonic Hypodorian |
| 2 2 11 2 2 11 6 |
Soft Chromatic Mixolydian |
| 2 11 2 2 11 6 2 |
Soft Chromatic Lydian |
| 11 2 2 11 6 2 2 |
Soft Chromatic Phrygian |
| 2 2 11 6 2 2 11 |
Soft Chromatic Dorian |
| 2 11 6 2 2 11 2 |
Soft Chromatic Hypolydian |
| 11 6 2 2 11 2 2 |
Soft Chromatic Hypophrygian |
| 6 2 2 11 2 2 11 |
Soft Chromatic Hypodorian |
| 2 4 9 2 4 9 6 |
Ratio 1:2 Chromatic Mixolydian |
| 4 9 2 4 9 6 2 |
Ratio 1:2 Chromatic Lydian |
| 9 2 4 9 6 2 4 |
Ratio 1:2 Chromatic Phrygian |
| 2 4 9 6 2 4 9 |
Ratio 1:2 Chromatic Dorian |
| 4 9 6 2 4 9 2 |
Ratio 1:2 Chromatic Hypolydian |
| 9 6 2 4 9 2 4 |
Ratio 1:2 Chromatic Hypophrygian |
| 6 2 4 9 2 4 9 |
Ratio 1:2 Chromatic Hypodorian |
| 5 5 5 5 5 5 6 |
Equal Diatonic Mixolydian |
| 5 5 5 5 5 6 5 |
Equal Diatonic Lydian |
| 5 5 5 5 6 5 5 |
Equal Diatonic Phrygian |
| 5 5 5 6 5 5 5 |
Equal Diatonic Dorian |
| 5 5 6 5 5 5 5 |
Equal Diatonic Hypolydian |
| 5 6 5 5 5 5 5 |
Equal Diatonic Hypophrygian |
| 6 5 5 5 5 5 5 |
Equal Diatonic Hypodorian |
| 2 7 6 2 7 6 6 |
Diatonic + Soft Chromatic Diesis Mixolydian |
| 7 6 2 7 6 6 2 |
Diatonic + Soft Chromatic Diesis Lydian |
| 6 2 7 6 6 2 7 |
Diatonic + Soft Chromatic Diesis Phrygian |
| 2 7 6 6 2 7 6 |
Diatonic + Soft Chromatic Diesis Dorian |
| 7 6 6 2 7 6 2 |
Diatonic + Soft Chromatic Diesis Hypolydian |
| 6 6 2 7 6 2 7 |
Diatonic + Soft Chromatic Diesis Hypophrygian |
| 6 2 7 6 2 7 6 |
Diatonic + Soft Chromatic Diesis Hypodorian |
| 4 7 4 6 4 7 4 |
Second authentic Byzantine Liturgical mode, Savas Soft Chromatic 2nd Byzantine mode |
| 4 6 5 6 4 6 5 |
Savas Diatonic Byzantine Liturgical mode |
| 4 8 3 6 4 8 3 |
Savas Enharmonic Byzantine Liturgical mode |
| 3 10 2 6 3 10 2 |
Second plagal Byzantine Liturgical mode, Hard Chromatic 2nd plagal Byzantine mode |
| 5 4 6 6 5 4 6 |
First plagal Byzantine Liturgical mode ascending |
| 5 4 6 6 3 6 6 |
First plagal Byzantine Liturgical mode descending |
| 4 6 6 5 4 6 5 |
Fourth authentic Byzantine Liturgical mode |
| 6 5 4 6 6 5 4 |
Fourth plagal Byzantine Liturgical mode |
| 5 7 5 7 5 7 |
Augment-6 |
| 5 2 5 5 2 5 5 2 5 |
Augment-9 |
| 2 3 2 3 2 2 3 2 3 2 2 3 2 3 2 |
Augment-15 |
| 3 4 4 3 4 3 4 4 3 4 |
Echidnic-10 |
| 3 5 3 3 5 3 3 5 3 3 |
Golden-10 |
| 3 3 2 3 3 3 2 3 3 3 2 3 3 |
Golden-13 |
| 3 5 5 5 3 5 5 5 |
Hedgehog-8 |
| 3 2 3 3 2 3 2 3 2 3 3 2 3 2 |
Hedgehog-14 |
| 7 4 7 7 4 7 |
Lemba-6 |
| 4 3 4 3 4 4 3 4 3 4 |
Lemba-10 |
| 2 15 2 2 15 |
Liese-5 |
| 2 2 13 2 2 2 13 |
Liese-7 |
| 2 2 2 11 2 2 2 2 11 |
Liese-9 |
| 2 2 2 2 9 2 2 2 2 2 9 |
Liese-11 |
| 7 7 8 7 7 |
Quasi-equal Pentatonic |
| 7 7 7 8 7 |
Slendric-5 |
| 7 7 7 7 1 7 |
Slendric-6 |
| 6 1 6 1 6 1 6 1 1 6 1 |
Slendric-11 |
| 7 5 7 5 7 5 |
Ternary-6, Quasi-equal Hexatonic |
| 3 2 2 3 2 3 2 2 3 2 3 2 2 3 2 |
Ternary-15 |
| 3 3 2 3 2 3 2 3 3 2 3 2 3 2 |
Urchin-14 |
| 8 7 7 7 7 |
Wonder-5 |
| 6 1 1 6 1 6 1 6 1 6 1 |
Wonder-11 |
| 4 5 4 5 4 5 4 5 |
Quasi-equal Octatonic |
| 5 4 5 4 5 4 5 4 |
Quasi-equal Diminished |
| 3 4 4 3 4 4 3 3 4 4 |
Bohlen 833 cents Golden scale |
Persian modes as 36 tone equal modes:
|
| 4 5 6 4 2 3 1 5 6 |
Dastgah-e Shur |
| 4 5 6 6 3 1 5 6 |
Dastgah-e Abuata |
| 3 1 5 6 4 2 3 1 5 6 |
Dastgah-e Dashti |
| 3 3 6 3 6 6 4 5 |
Dastgah-e Bayat-e Tork |
| 6 4 5 6 4 2 3 1 5 |
Dastgah-e Afshari |
| 5 6 4 5 1 5 6 4 |
Dastgah-e Segah |
| 4 8 3 6 4 8 3 |
Dastgah-e Chahargah |
| 4 8 3 6 3 1 5 6 |
Dastgah-e Homayun |
| 6 3 6 6 4 6 5 |
Dastgah-e Bayat-e Esfahan |
| 6 3 6 6 4 5 6 |
Dastgah-e Nava |
| 6 6 3 6 6 3 3 3 |
Dastgah-e Mahur, Rast (Rast Panjgah) |
37 tone equal modes:
|
| 2 2 2 7 2 2 2 7 2 2 7 |
Bossier-11 |
| 2 2 2 5 2 2 2 2 5 2 2 2 5 2 |
Bossier-14 |
| 7 4 4 7 4 7 4 |
Dichotic-7 |
| 3 4 4 4 3 4 4 3 4 4 |
Dichotic-10 |
| 5 3 3 3 3 5 3 3 3 3 3 |
Freivald-11 |
| 2 3 3 3 3 3 2 3 3 3 3 3 3 |
Freivald-13 |
| 7 7 2 7 7 7 |
Gorgo-6 |
| 2 7 7 5 2 7 7 |
Gorgo-Pelog |
| 2 5 2 5 2 5 2 5 2 5 2 |
Gorgo-11 |
| 3 7 7 3 7 3 7 |
Orgone-7 |
| 3 3 4 3 4 3 3 4 3 3 4 |
Orgone-11 |
| 3 3 3 1 3 3 1 3 3 3 1 3 3 3 1 |
Orgone-15 |
| 3 3 3 3 5 3 3 3 3 3 5 |
Parizek-11 |
| 3 3 3 3 3 2 3 3 3 3 3 3 2 |
Parizek-13 |
| 3 3 3 3 3 3 4 3 3 3 3 3 |
Passion-12 |
| 5 5 5 7 5 5 5 |
Porcupine-7 |
| 5 7 5 5 5 5 5 |
Porcupine-7 Major |
| 5 5 5 5 5 5 5 2 |
Porcupine-8 |
| 3 2 3 2 2 3 2 3 2 3 2 3 2 3 2 |
Porcupine-15 |
| 6 6 6 6 6 7 |
Roulette-6 |
| 6 6 6 6 6 6 1 |
Roulette-7 |
| 5 1 5 1 5 1 5 1 5 1 5 1 1 |
Roulette-13 |
| 7 4 7 4 7 4 4 |
Sharp-7 |
| 3 4 4 3 4 4 3 4 4 4 |
Sharp-10 |
| 4 4 4 3 4 4 3 4 4 3 |
Silver-10 |
| 5 2 5 2 5 2 5 2 2 5 2 |
Spartan-11 |
| 3 5 8 5 3 5 8 |
Superpelog-Pelog |
| 3 5 3 5 3 5 3 5 5 |
Superpelog-9 |
| 3 3 2 3 3 2 3 3 2 3 3 2 3 2 |
Superpelog-14 |
| 5 4 5 4 5 5 4 5 |
Tridec-8 |
| 4 4 4 5 4 4 4 4 4 |
Twothirdtonic-9 |
| 4 4 4 4 1 4 4 4 4 4 |
Twothirdtonic-10 |
| 5 3 1 5 5 3 1 5 3 1 5 |
Clanghats |
| 1 8 3 1 8 3 1 8 3 1 |
Diamond Gate |
| 2 5 2 5 1 2 5 2 5 2 5 1 |
Escapescapes |
| 7 5 5 5 5 4 6 |
Otonal Major |
38 tone equal modes:
|
| 7 5 7 7 5 7 |
Astrology-6 |
| 5 2 5 5 2 5 2 5 5 2 |
Astrology-10 |
| 3 5 3 5 3 3 5 3 5 3 |
Decimal-10 |
| 3 3 2 3 3 3 2 3 3 2 3 3 3 2 |
Decimal-14 |
| 3 3 3 3 3 4 3 3 3 3 3 4 |
Injera-12 |
| 3 3 3 3 3 3 1 3 3 3 3 3 3 1 |
Injera-14 |
| 6 5 6 5 6 5 5 |
Ptolemy-7 |
| 2 2 5 2 2 5 2 2 5 2 2 2 5 |
Subklei-13 |
| 4 4 7 4 4 4 7 4 |
Supersharp-8 |
| 4 4 4 3 4 4 4 4 3 4 |
Supersharp-10 |
39 tone equal modes:
|
| 5 2 2 5 2 5 2 5 2 2 5 2 |
Twelve-tone Chromatic (4/15-comma positive) |
| 6 5 6 5 6 6 5 |
Amity-7 |
| 5 7 5 5 5 7 5 |
Armodue-7, Antidorian |
| 5 5 5 2 5 5 5 5 2 |
Armodue-9, Superionian |
| 10 3 10 3 10 3 |
Augmented-6 |
| 3 7 3 3 7 3 3 7 3 |
Augmented-9 |
| 3 3 4 3 3 3 4 3 3 3 4 3 |
Augmented-12 |
| 3 3 1 3 3 3 3 1 3 3 3 3 1 3 3 |
Augmented-15 |
| 5 6 6 5 6 5 6 |
Dicot-7 |
| 7 8 8 8 8 |
Immunity-5 |
| 7 7 1 7 1 7 1 7 1 |
Immunity-9 |
| 1 1 6 1 1 6 1 6 1 1 6 1 1 6 |
Immunity-14 |
| 7 7 4 7 7 7 |
Machine-6 |
| 4 3 4 3 4 3 4 3 4 4 3 |
Machine-11 |
| 5 7 5 5 7 5 5 |
Mavila-7 |
| 5 2 5 5 5 2 5 5 5 |
Mavila-9 |
| 5 1 5 1 5 5 1 5 5 1 5 |
Mohavila-11 |
| 4 4 4 4 7 4 4 4 4 |
Negri-9 |
| 4 4 4 4 4 4 4 4 4 3 |
Negri-10 |
| 8 8 7 8 8 |
Quasi-equal Pentatonic |
| 2 2 5 2 5 2 5 2 2 5 2 5 |
Quasisuper-12 |
| 9 7 7 9 7 |
Supra-5 |
| 7 2 7 7 7 2 7 |
Supra-7 |
| 2 5 2 5 2 2 5 2 5 2 5 2 |
Supra-12 |
| 5 5 3 5 5 3 5 5 3 |
Triforce-9 |
| 2 3 2 3 3 2 3 2 3 3 2 3 2 3 3 |
Triforce-15 |
40 tone equal modes:
|
| 4 5 13 4 14 |
Surupan Melog jawar: Java |
| 5 4 14 4 13 |
Surupan Miring: Java |
| 5 4 13 5 13 |
Surupan Ajeng: Java |
| 7 3 7 3 7 3 7 3 |
Diminished |
| 3 7 3 7 3 7 3 7 |
Octatonic |
| 5 3 5 3 5 3 5 3 5 3 |
Archytas Clan-10 |
| 2 3 3 2 3 3 2 3 3 2 3 3 2 3 3 |
Archytas Clan-15 |
| 3 5 3 5 3 5 3 5 3 5 |
Blacksmith-10 |
| 3 2 3 3 2 3 3 2 3 3 2 3 3 2 3 |
Blacksmith-15 |
| 3 3 4 3 3 4 3 3 4 3 3 4 |
Diminished-12, Demolished-12 |
| 2 2 5 2 2 2 5 2 2 5 2 2 2 5 |
Fleetwood-14 |
| 9 9 9 9 4 |
Guanyintet-5 |
| 4 5 4 5 4 5 4 4 5 |
Guanyintet-9 |
| 3 3 3 3 3 5 3 3 3 3 3 5 |
Injera-12 |
| 3 3 3 3 3 3 2 3 3 3 3 3 3 2 |
Injera-14 |
| 4 1 4 4 1 4 4 1 4 4 4 1 4 |
Laz-13 |
41 tone equal modes:
|
| 4 3 3 4 3 4 3 4 3 3 4 3 |
Twelve-tone Chromatic (1/44-comma positive) |
| 4 3 4 2 4 3 4 4 2 4 3 4 |
« Just » Chromatic |
| 7 7 3 7 7 7 3 |
Forty-one tone Major |
| 7 3 7 7 3 7 7 |
Forty-one tone Minor |
| 7 6 4 7 6 7 4 |
Forty-one tone « Just » Major |
| 7 4 6 7 4 7 6 |
Forty-one tone « Just » Minor |
| 7 4 6 7 4 6 7 |
Forty-one tone Natural Minor |
| 7 4 6 7 6 7 4 |
Forty-one tone Melodic Minor |
| 7 4 6 7 4 9 4 |
Forty-one tone Harmonic Minor |
| 7 6 4 7 4 9 4 |
Forty-one tone Harmonic Major |
| 5 8 5 5 5 8 5 |
Armodue-7, Mabila-7 |
| 5 5 5 3 5 5 5 5 3 |
Armodue-9 |
| 7 5 5 7 5 7 5 |
Beatles-7, Dichotic-7 |
| 2 5 5 5 2 5 5 2 5 5 |
Beatles-10, Dichotic-10 |
| 2 5 5 2 5 5 2 5 5 5 |
Hemififths-10 |
| 5 5 3 5 5 5 5 3 5 |
Mabila-9 |
| 11 2 11 2 13 2 |
Magic-6 |
| 11 2 11 2 2 11 2 |
Magic-7 |
| 9 2 2 2 9 2 2 9 2 2 |
Magic-10 |
| 7 2 2 2 7 2 2 2 7 2 2 2 2 |
Magic-13 |
| 5 7 5 7 5 7 5 |
Maqamic-7 |
| 5 2 5 5 2 5 5 5 2 5 |
Maqamic-10 |
| 4 3 4 2 4 3 4 4 4 1 4 4 |
Marvel-12 |
| 5 8 5 5 8 5 5 |
Mavila-7 |
| 5 3 5 5 5 3 5 5 5 |
Mavila-9 |
| 4 4 7 4 4 7 4 7 |
Mechanism-8 |
| 4 3 4 4 4 3 4 4 4 3 4 |
Mechanism-11 |
| 4 4 4 4 4 4 4 4 4 5 |
Miracle-10 |
| 4 4 4 4 4 4 4 4 4 1 3 1 |
Miracle-12 |
| 7 5 7 5 7 5 5 |
Mohajira-7 |
| 2 5 5 2 5 5 5 2 5 5 |
Mohajira-10 |
| 3 3 3 3 3 3 3 3 3 3 3 3 3 2 |
Octacot-14 |
| 3 3 5 3 3 3 4 3 3 5 3 3 |
Octagari-12 |
| 5 5 13 5 13 |
Pelogic-5 |
| 5 5 5 8 5 5 8 |
Pelogic-7 |
| 8 3 8 3 8 3 8 |
Superkleismic-7 |
| 3 5 3 5 3 3 5 3 3 5 3 |
Superkleismic-11 |
| 2 3 3 3 2 3 3 3 2 3 3 3 2 3 3 |
Superkleismic-15 |
| 3 4 3 3 4 3 4 3 3 4 3 4 |
Schismic-12 |
| 4 5 4 5 4 5 4 5 5 |
Septimin-9 |
| 4 4 1 4 4 1 4 4 1 4 4 1 4 1 |
Septimin-14 |
| 4 3 4 4 4 3 4 4 3 4 4 |
Stacks-11 |
| 8 8 8 9 8 |
Rodan-5 |
| 7 1 7 1 7 1 7 1 1 7 1 |
Rodan-11 |
| 6 6 6 6 6 6 5 |
Tetracot-7 |
| 1 5 1 5 1 5 1 5 5 1 5 1 5 |
Tetracot-13 |
| 11 11 11 8 |
Magical Seventh |
| 8 8 9 8 8 |
Quasi-equal Pentatonic |
42 tone equal modes:
|
| 3 8 3 3 8 3 3 8 3 |
Augene-9 |
| 3 3 5 3 3 3 5 3 3 3 5 3 |
Augene-12 |
| 3 3 3 2 3 3 3 3 2 3 3 3 3 2 3 |
Augene-15 |
| 4 3 3 3 3 4 3 3 3 4 3 3 3 |
Balzano-13 |
| 4 3 4 3 4 3 4 3 4 3 4 3 |
Hexe-12 |
| 7 4 4 4 7 4 4 4 4 |
Joan-9 |
| 3 4 4 4 4 3 4 4 4 4 4 |
Joan-11 |
| 8 5 8 8 5 8 |
Lemba-6 |
| 5 3 5 3 5 5 3 5 3 5 |
Lemba-10 |
| 4 4 4 1 4 4 4 4 4 1 4 4 |
Pajaro-12 |
| 3 3 10 3 10 3 10 |
Sephiroth-7 |
| 3 3 3 7 3 3 7 3 3 7 |
Sephiroth-10 |
| 3 3 3 4 3 3 3 4 3 3 3 4 3 |
Sephiroth-13 |
43 tone equal modes:
|
| 3 4 4 3 4 3 4 3 4 4 3 4 |
Meantone Chromatic (1/5-comma) |
| 4 3 4 3 4 3 4 4 3 4 3 4 |
Genus diatonico-chromaticum |
| 7 7 4 7 7 7 4 |
Forty-three tone Major |
| 7 4 7 7 4 7 7 |
Forty-three tone Natural Minor |
| 7 4 7 7 7 7 4 |
Forty-three tone Melodic Minor |
| 7 4 7 7 4 10 4 |
Forty-three tone Harmonic Minor |
| 7 7 4 7 4 10 4 |
Forty-three tone Harmonic Major |
| 3 3 12 3 3 12 7 |
Parachromatic Mixolydian |
| 3 12 3 3 12 7 3 |
Parachromatic Lydian |
| 12 3 3 12 7 3 3 |
Parachromatic Phrygian |
| 3 3 12 7 3 3 12 |
Parachromatic Dorian |
| 3 12 7 3 3 12 3 |
Parachromatic Hypolydian |
| 12 7 3 3 12 3 3 |
Parachromatic Hypophrygian |
| 7 3 3 12 3 3 12 |
Parachromatic Hypodorian |
| 3 6 9 3 6 9 7 |
Soft Diatonic Mixolydian |
| 6 9 3 6 9 7 3 |
Soft Diatonic Lydian |
| 9 3 6 9 7 3 6 |
Soft Diatonic Phrygian |
| 3 6 9 7 3 6 9 |
Soft Diatonic Dorian |
| 6 9 7 3 6 9 3 |
Soft Diatonic Hypolydian |
| 9 7 3 6 9 3 6 |
Soft Diatonic Hypophrygian |
| 7 3 6 9 3 6 9 |
Soft Diatonic Hypodorian |
| 5 7 7 5 7 5 7 |
Dicot-7 |
| 7 9 9 9 9 |
Godzilla-5 |
| 7 7 2 7 2 7 2 7 2 |
Godzilla-9 |
| 5 2 5 2 2 5 2 2 5 2 2 5 2 2 |
Godzilla-14 |
| 5 5 5 5 5 5 5 5 3 |
Jerome-9, Progression-9 |
| 3 3 5 3 5 3 5 3 5 3 5 |
Kumonga-11 |
| 5 9 5 5 5 9 5 |
Mabila-7 |
| 5 5 4 5 5 5 5 4 5 |
Mabila-9 |
| 3 3 3 4 3 3 3 3 3 3 3 3 3 3 |
Nautilus-14 |
| 5 4 4 5 4 4 5 4 4 4 |
Submajor-10 |
| 5 3 3 3 3 3 5 3 3 3 3 3 3 |
Thuja-13 |
| 2 3 3 3 3 3 3 2 3 3 3 3 3 3 3 |
Thuja-15 |
44 tone equal modes:
|
| 3 8 3 8 3 8 3 8 |
Octatonic |
| 8 3 8 3 8 3 8 3 |
Diminished |
| 5 6 5 6 5 6 5 6 |
Quasi-equal Octatonic |
| 4 4 5 4 5 4 4 5 4 5 |
Anguirus-10 |
| 4 1 4 4 1 4 4 4 1 4 4 1 4 4 |
Anguirus-14 |
| 10 7 10 7 10 |
A-Team-5 |
| 7 3 7 7 3 7 7 3 |
A-Team-8 |
| 8 5 5 8 5 8 5 |
Beatles-7, Dichotic-7 |
| 3 5 5 5 3 5 5 3 5 5 |
Beatles-10, Dichotic-10 |
| 3 3 3 4 3 3 3 3 3 3 4 3 3 3 |
Bipelog-14 |
| 2 7 2 2 7 2 2 7 2 2 7 2 |
Blackbirds-12 |
| 4 9 9 4 9 9 |
Decibel-6 |
| 4 5 4 5 4 4 5 4 5 4 |
Decibel-10 |
| 3 3 5 3 3 5 3 3 5 3 3 5 |
Demolished-12 |
| 4 4 3 4 4 3 4 4 3 4 4 3 |
Diminished-12 |
| 3 3 3 5 3 3 3 3 3 3 3 3 3 3 |
Nautilus-14 |
| 5 5 5 5 5 5 5 5 4 |
Progression-9 |
| 4 3 4 3 3 4 3 4 3 3 4 3 3 |
Semisept-13 |
| 7 7 7 7 7 7 2 |
Deutone-7, Spell-7 |
| 5 2 5 2 5 2 5 2 5 2 5 2 2 |
Deutone-13, Spell-13 |
| 6 2 7 5 4 5 7 2 6 |
Lampooning Rushes |
45 tone equal modes:
|
| 2 5 5 2 5 2 5 2 5 5 2 5 |
Meantone Chromatic (2/5-comma) |
| 7 7 5 7 7 7 5 |
Forty-five tone Major |
| 7 5 7 7 5 7 7 |
Forty-five tone Minor |
| 7 4 4 7 4 4 7 4 4 |
August-9 |
| 3 4 4 4 3 4 4 4 3 4 4 4 |
August-12 |
| 4 5 4 5 4 5 4 5 4 5 |
Ferrum-10 |
| 2 5 5 2 5 2 5 5 2 5 2 5 |
Flattone-12 |
| 7 7 7 7 3 7 7 |
Glacial-7 |
| 4 3 4 3 4 3 4 3 3 4 3 4 3 |
Glacial-13 |
| 8 8 5 8 8 8 |
Machine-6 |
| 5 3 5 3 5 3 5 3 5 5 3 |
Machine-11 |
| 7 6 7 6 7 6 6 |
Ptolemy-7 |
| 4 4 4 1 4 4 4 4 4 4 4 4 |
Ripple-12 |
| 7 3 3 7 3 3 3 7 3 3 3 |
Squares-11 |
| 4 3 3 3 4 3 3 3 3 4 3 3 3 3 |
Squares-14 |
46 tone equal modes:
|
| 5 3 3 5 3 5 3 5 3 3 5 3 |
Twelve-tone Chromatic (1/9-comma positive) |
| 4 4 4 3 4 4 4 4 3 4 4 4 |
« Just » Chromatic |
| 8 7 4 8 7 8 4 |
Forty-six tone « Just » Major |
| 8 4 7 8 4 7 8 |
Forty-six tone « Just » Minor |
| 8 4 7 8 4 8 7 |
Forty-six tone Natural Minor |
| 8 4 7 8 7 8 4 |
Forty-six tone Melodic Minor |
| 8 4 7 8 4 11 4 |
Forty-six tone Harmonic Minor |
| 8 7 4 8 4 11 4 |
Forty-six tone Harmonic Major |
| 8 6 5 8 6 5 8 |
Rast |
| 8 6 5 8 8 6 5 |
Arabic Diatonic |
| 7 6 7 6 7 7 6 |
Amity-7 |
| 3 3 3 5 3 3 3 3 3 3 5 3 3 3 |
Bipelog-14 |
| 7 7 7 7 4 7 7 |
Bluebirds-7 |
| 3 4 3 4 3 4 3 4 4 3 4 3 4 |
Bluebirds-13 |
| 4 4 4 7 4 4 4 4 7 4 |
Diaschismic-10, Pajara-10 |
| 4 4 4 3 4 4 4 4 4 3 4 4 |
Diaschismic-12, Pajara-12 |
| 4 5 5 4 5 4 5 5 4 5 |
Echidnic-10 |
| 4 3 3 4 3 3 3 4 3 3 4 3 3 3 |
Hemiamity-14 |
| 5 5 5 8 5 5 5 8 |
Octokaidecal-8 |
| 5 5 5 5 3 5 5 5 5 3 |
Octokaidecal-10 |
| 5 5 5 2 3 2 5 5 5 4 1 4 |
Plum |
| 9 9 9 10 9 |
Rodan-5 |
| 8 1 8 1 8 1 8 1 1 8 1 |
Rodan-11 |
| 3 5 3 3 5 3 5 3 3 5 3 5 |
Schism-12 |
| 5 5 7 5 5 7 5 7 |
Sensi-8 |
| 5 5 5 2 5 5 5 2 5 5 2 |
Sensi-11 |
| 3 6 3 3 4 5 3 4 3 5 4 3 |
Starling-12 |
| 5 5 5 6 5 5 5 5 5 |
Twothirdtonic-9 |
| 5 5 5 5 1 5 5 5 5 5 |
Twothirdtonic-10 |
| 3 3 3 3 3 3 3 3 3 3 3 4 3 3 3 |
Valentine-15 |
| 7 4 4 4 7 4 4 4 4 4 |
Pentachordal Decatonic |
| 3 9 3 9 3 7 5 7 |
Smith’s Star |
| 5 7 3 9 3 7 5 7 |
Smith’s Nova |
| 4 4 7 4 4 4 4 7 4 4 |
Symmetrical Decatonic |
47 tone equal modes:
|
| 8 7 8 8 8 8 |
Baldy-6 |
| 7 1 7 1 7 1 7 7 1 7 1 |
Baldy-11 |
| 7 3 3 3 3 3 7 3 3 3 3 3 3 |
Kangaroo-13 |
| 5 5 5 5 7 5 5 5 5 |
Negri-9 |
| 5 5 5 5 5 5 5 5 5 2 |
Negri-10 |
| 3 4 3 3 3 3 3 3 3 4 3 3 3 3 3 |
Progress-15 |
| 5 3 3 5 3 3 5 3 3 5 3 3 3 |
Ragimetric-13 |
| 4 4 4 3 4 4 4 4 4 4 4 4 |
Ripple-12 |
| 9 5 9 5 9 5 5 |
Sharp-7 |
| 4 5 5 5 4 5 5 4 5 5 |
Sharp-10 |
| 5 5 5 4 5 5 4 5 5 4 |
Silver-10 |
| 7 2 7 2 7 2 7 2 2 7 2 |
Spartan-11 |
| 5 5 3 5 5 3 5 5 3 5 3 |
Wilson Golden-11 |
48 tone equal modes:
|
| 3 3 14 3 3 14 8 |
Hemiolic Chromatic Mixolydian |
| 3 14 3 3 14 8 3 |
Hemiolic Chromatic Lydian |
| 14 3 3 14 8 3 3 |
Hemiolic Chromatic Phrygian |
| 3 3 14 8 3 3 14 |
Hemiolic Chromatic Dorian |
| 3 14 8 3 3 14 3 |
Hemiolic Chromatic Hypolydian |
| 14 8 3 3 14 3 3 |
Hemiolic Chromatic Hypophrygian |
| 8 3 3 14 3 3 14 |
Hemiolic Chromatic Hypodorian |
| 5 5 10 5 5 10 8 |
Soft Diatonic Mixolydian |
| 5 10 5 5 10 8 5 |
Soft Diatonic Lydian |
| 10 5 5 10 8 5 5 |
Soft Diatonic Phrygian |
| 5 5 10 8 5 5 10 |
Soft Diatonic Dorian |
| 5 10 8 5 5 10 5 |
Soft Diatonic Hypolydian |
| 10 8 5 5 10 5 5 |
Soft Diatonic Hypophrygian |
| 8 5 5 10 5 5 10 |
Soft Diatonic Hypodorian |
| 3 9 8 3 9 8 8 |
Diatonic + Hemiolic Chromatic Diesis Mixolydian |
| 9 8 3 9 8 8 3 |
Diatonic + Hemiolic Chromatic Diesis Lydian |
| 8 3 9 8 8 3 9 |
Diatonic + Hemiolic Chromatic Diesis Phrygian |
| 3 9 8 8 3 9 8 |
Diatonic + Hemiolic Chromatic Diesis Dorian |
| 9 8 8 3 9 8 3 |
Diatonic + Hemiolic Chromatic Diesis Hypolydian |
| 8 8 3 9 8 3 9 |
Diatonic + Hemiolic Chromatic Diesis Hypophrygian |
| 8 3 9 8 3 9 8 |
Diatonic + Hemiolic Chromatic Diesis Hypodorian |
| 3 3 6 8 8 3 3 6 8 |
Hemiolic Chromatic and Diatonic Dorian mixed |
| 5 7 5 7 5 7 5 7 |
Octatonic |
| 3 10 3 3 10 3 3 10 3 |
Augene-9 |
| 3 3 7 3 3 3 7 3 3 3 7 3 |
Augene-12 |
| 3 3 3 4 3 3 3 3 4 3 3 3 3 4 3 |
Augene-15 |
| 2 9 2 9 2 2 9 2 9 2 |
Doublewide-10 |
| 2 2 7 2 2 7 2 2 2 7 2 2 7 2 |
Doublewide-14 |
| 5 3 5 3 5 3 5 3 5 3 5 3 |
Hexe-12 |
| 7 3 3 3 7 3 3 3 7 3 3 3 |
Inflated-12 |
| 3 4 3 3 3 3 4 3 3 3 3 4 3 3 3 |
Inflated-15 |
| 5 5 5 5 8 5 5 5 5 |
Negri-9, Quasi-Equal Enneatonic |
| 5 5 5 5 5 5 5 5 5 3 |
Negri-10 |
| 7 7 2 7 7 2 7 7 2 |
Oodako-9 |
| 4 9 9 4 9 4 9 |
Orgone-7 |
| 4 4 5 4 5 4 4 5 4 4 5 |
Orgone-11 |
| 4 4 4 1 4 4 1 4 4 4 1 4 4 4 1 |
Orgone-15 |
| 3 5 3 3 3 5 3 3 3 3 5 3 3 3 |
Sentinel-14 |
| 8 3 3 8 3 3 3 8 3 3 3 |
Squares-11 |
| 5 3 3 3 5 3 3 3 3 5 3 3 3 3 |
Squares-14 |
| 5 5 9 5 5 5 9 5 |
Supersharp-8 |
| 5 5 5 4 5 5 5 5 4 5 |
Supersharp-10 |
| 5 5 5 3 5 5 5 5 5 5 |
Keenan Decatonic |
| 5 5 5 5 5 3 5 5 5 5 |
Lumma Decatonic |
49 tone equal modes:
|
| 4 3 6 3 4 3 6 4 3 6 3 4 |
Ares-12 |
| 11 11 11 11 5 |
Guanyintet-5 |
| 5 6 5 6 5 6 5 5 6 |
Guanyintet-9 |
| 3 10 3 10 3 10 10 |
Kleismic-7 |
| 3 3 7 3 7 3 3 7 3 3 7 |
Kleismic-11 |
| 5 1 5 5 1 5 5 1 5 5 5 1 5 |
Laz-13 |
| 4 4 4 4 4 4 5 4 4 4 4 4 |
Passion-12 |
| 5 3 5 3 3 5 3 5 3 3 5 3 3 |
Semisept-13 |
| 4 3 4 3 4 3 4 3 4 3 4 3 4 3 |
Septimal-14 |
| 2 7 2 2 7 2 7 2 2 7 2 7 |
Superpyth-12 |
| 11 9 9 11 9 |
Supra-5 |
| 9 2 9 9 9 2 9 |
Supra-7 |
| 2 7 2 7 2 2 7 2 7 2 7 2 |
Supra-12 |
| 2 5 2 5 2 5 2 5 2 5 2 5 2 5 |
Whitewood-14 |
50 tone equal modes:
|
| 3 5 5 3 5 3 5 3 5 5 3 5 |
Meantone Chromatic (5/18-comma), Eair-12 |
| 8 8 5 8 8 8 5 |
Fifty tone Major |
| 8 5 8 8 5 8 8 |
Fifty tone Natural Minor |
| 8 5 8 8 8 8 5 |
Fifty tone Melodic Minor |
| 8 5 8 8 5 11 5 |
Fifty tone Harmonic Minor |
| 8 8 5 8 5 11 5 |
Fifty tone Harmonic Major |
| 8 5 8 5 8 3 8 5 |
Diminished, Modus conjunctus |
| 5 8 5 8 3 8 5 8 |
Octatonic |
| 8 8 9 9 8 8 |
Taylor Whole-Tone |
| 9 7 9 9 7 9 |
Astrology-6 |
| 7 2 7 7 2 7 2 7 7 2 |
Astrology-10 |
| 4 4 4 4 7 4 4 4 4 4 7 |
Parizek-11 |
| 4 4 4 4 4 3 4 4 4 4 4 4 3 |
Parizek-13 |
| 4 4 4 4 4 5 4 4 4 4 4 5 |
Injera-12 |
| 4 4 4 4 4 4 1 4 4 4 4 4 4 1 |
Injera-14 |
| 9 9 5 9 9 9 |
Machine-6 |
| 5 4 5 4 5 4 5 4 5 5 4 |
Machine-11 |
| 5 3 5 3 5 3 5 5 5 1 5 5 |
Marvel-12 |
| 5 6 5 6 5 6 5 6 6 |
Septimin-9 |
| 5 5 1 5 5 1 5 5 1 5 5 1 5 1 |
Septimin-14 |
| 8 3 3 3 3 3 3 3 3 3 3 3 3 3 3 |
Slurpee-15 |
| 3 7 3 7 3 7 3 7 3 7 |
Trisedodge-10 |
| 3 3 4 3 3 4 3 3 4 3 3 4 3 3 4 |
Trisedodge-15 |
| 4 4 3 4 3 4 3 4 4 3 4 3 4 3 |
Urchin-14 |
| 7 3 3 3 3 3 3 7 3 3 3 3 3 3 |
Vishnu-14 |
| 3 5 5 3 5 3 5 5 3 3 7 3 |
Wreckmeister |
51 tone equal modes:
|
| 13 4 13 4 13 4 |
Augmented-6 |
| 4 9 4 4 9 4 4 9 4 |
Augmented-9 |
| 4 4 5 4 4 4 5 4 4 4 5 4 |
Augmented-12 |
| 4 4 1 4 4 4 4 1 4 4 4 4 1 4 4 |
Augmented-15 |
| 5 7 5 5 7 5 5 7 5 |
Deflated-9 |
| 8 8 8 8 3 8 8 |
Glacial-7 |
| 5 3 5 3 5 3 5 3 3 5 3 5 3 |
Glacial-13 |
| 11 2 2 2 11 2 2 2 11 2 2 2 |
Hemiaug-12 |
| 5 5 5 5 5 5 5 5 5 6 |
Miracle-10 |
| 5 5 5 5 5 5 5 5 5 1 4 1 |
Miracle-12 |
| 7 7 7 9 7 7 7 |
Porcupine-7 |
| 7 9 7 7 7 7 7 |
Porcupine-7 Major |
| 7 7 7 7 7 7 7 2 |
Porcupine-8 |
| 5 2 5 2 2 5 2 5 2 5 2 5 2 5 2 |
Porcupine-15 |
| 9 7 7 7 7 7 7 |
Porky-7 |
| 13 5 5 13 5 5 5 |
Score-7 |
| 5 8 5 5 5 8 5 5 5 |
Score-9 |
| 3 5 5 5 5 3 5 5 5 5 5 |
Score-11 |
| 4 7 4 7 4 7 4 7 7 |
Superpelog-9 |
| 4 4 3 4 4 3 4 4 3 4 4 3 4 3 |
Superpelog-14 |
52 tone equal modes:
|
| 9 4 9 4 9 4 9 4 |
Diminished |
| 4 9 4 9 4 9 4 9 |
Octatonic |
| 6 7 6 7 6 7 6 7 |
Quasi-equal Octatonic |
| 5 5 5 5 5 5 5 7 5 5 |
Apparatus-10 |
| 5 5 5 5 5 5 5 5 2 5 5 |
Apparatus-11 |
| 4 7 4 7 4 4 7 4 7 4 |
Decimal-10 |
| 4 4 3 4 4 4 3 4 4 3 4 4 4 3 |
Decimal-14 |
| 4 4 5 4 4 5 4 4 5 4 4 5 |
Demolished-12 |
| 8 11 11 11 11 |
Godzilla-5 |
| 8 8 3 8 3 8 3 8 3 |
Godzilla-9 |
| 5 3 5 3 3 5 3 3 5 3 3 5 3 3 |
Godzilla-14 |
| 5 7 7 7 5 7 7 7 |
Hedgehog-8 |
| 5 2 5 5 2 5 2 5 2 5 5 2 5 2 |
Hedgehog-14 |
| 5 5 9 5 5 9 5 9 |
Mechanism-8 |
| 5 4 5 5 5 4 5 5 5 4 5 |
Mechanism-11 |
| 8 7 8 7 8 7 7 |
Ptolemy-7 |
| 5 5 2 5 2 5 2 5 5 2 5 2 5 2 |
Urchin-14 |
53 tone equal modes:
|
| 5 4 5 3 5 4 5 5 3 5 4 5 |
« Just » Chromatic |
| 5 4 4 5 4 5 4 5 4 4 5 4 |
Meantone Chromatic (1/315-comma) |
| 9 8 5 9 8 9 5 |
Fifty-three tone « Just » Major |
| 9 5 8 9 5 9 8 |
Fifty-three tone « Just » Minor |
| 9 5 8 9 5 8 9 |
Fifty-three tone Natural Minor |
| 9 5 8 9 8 9 5 |
Fifty-three tone Melodic Minor |
| 9 5 8 9 5 12 5 |
Fifty-three tone Harmonic Minor |
| 9 8 5 9 5 12 5 |
Fifty-three tone Harmonic Major |
| 5 4 5 3 5 4 5 5 3 6 3 5 |
Genus diatonico-chromaticum |
| 1 1 20 9 1 1 20 |
Hyperenharmonic Dorian |
| 8 1 4 4 5 4 4 1 4 4 1 4 4 4 1 |
Newton |
| 8 7 8 7 8 8 7 |
Amity-7 |
| 9 8 9 9 9 9 |
Baldy-6 |
| 8 1 8 1 8 1 8 8 1 8 1 |
Baldy-11 |
| 10 10 3 10 10 10 |
Gorgo-6 |
| 3 10 10 7 3 10 10 |
Gorgo-Pelog |
| 3 7 3 7 3 7 3 7 3 7 3 |
Gorgo-11 |
| 3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 |
Hemikleismic-15 |
| 3 11 3 11 3 11 11 |
Kleismic-7 |
| 3 3 8 3 8 3 3 8 3 3 8 |
Kleismic-11 |
| 3 3 3 5 3 3 3 5 3 3 3 5 3 3 5 |
Kleismic-15 |
| 5 4 5 3 5 4 5 5 5 2 5 5 |
Marvel-12 |
| 7 9 7 7 9 7 7 |
Mavila-7 |
| 7 2 7 7 7 2 7 7 7 |
Mavila-9 |
| 12 12 12 12 5 |
Orwell-5 |
| 7 5 7 5 7 5 7 5 5 |
Orwell-9 |
| 2 5 5 2 5 5 2 5 5 2 5 5 5 |
Orwell-13 |
| 6 6 6 6 6 6 6 6 5 |
Progression-9 |
| 4 5 4 4 5 4 5 4 4 5 4 5 |
Schismic-12 |
| 7 3 7 3 7 3 7 3 3 7 3 |
Spartan-11 |
| 6 5 5 6 5 5 6 5 5 5 |
Submajor-10 |
53 tone equal modes with Turkish makams:
|
| 9 8 5 9 9 4 4 5 |
Makam Rast |
| 9 4 9 9 4 9 9 |
Makam Nihavend, Muberka, Fifty-three tone Minor |
| 9 8 5 9 8 5 4 5 |
Makam Yegah |
| 9 8 5 9 8 1 4 4 5 |
Makam Yegah |
| 9 8 5 9 9 8 5 |
Makam Sazkar |
| 9 4 9 9 4 9 4 5 |
Makam Sultaniyegah, Ruhnevaz, Ferahfeza (Farahfaza) |
| 4 9 9 9 4 9 9 |
Makam Ferahnuma, Askefza, Acem Kurdi |
| 5 12 5 9 5 8 4 5 |
Makam Sedaraban |
| 8 5 9 8 5 9 9 |
Makam Huseyniasiran |
| 5 12 5 9 4 4 5 4 5 |
Makam Suzidil |
| 9 9 4 4 5 9 9 4 |
Makam Acemasiran |
| 9 5 4 4 4 5 5 13 4 |
Makam Sevkefza |
| 5 9 8 5 9 9 4 4 |
Makam Iraq |
| 5 9 8 5 4 5 9 4 4 |
Makam Evic, Segah |
| 5 9 8 1 4 4 5 9 4 4 |
Makam Ferahnak |
| 5 13 4 9 5 13 4 |
Makam Evcara (Evicara) |
| 9 9 4 9 9 4 5 4 |
Makam Mahur |
| 9 5 4 4 4 5 9 4 5 4 |
Makam Suzidilara |
| 9 9 4 4 5 9 4 4 5 |
Makam Buzurk |
| 5 4 4 4 5 9 4 9 9 |
Makam Suzinak |
| 5 12 5 5 4 4 4 5 9 |
Makam Zirguleli Suzinak |
| 5 12 5 9 5 3 5 4 5 |
Makam Hicazkar |
| 4 1 4 4 4 5 9 4 4 5 9 |
Makam Kurdilihicazkar |
| 9 4 9 5 4 4 5 8 5 |
Makam Nihavend (Nihavent) |
| 9 5 12 5 5 12 5 |
Makam Neveser |
| 9 5 12 5 9 4 4 5 |
Makam Nikriz |
| 8 5 9 9 4 4 5 9 |
Makam Huseyni, Muhayyer, Neva, Gerdaniye, Tahir |
| 4 4 5 9 9 4 4 5 9 |
Makam Muhayyer Kurdi |
| 8 1 4 9 9 8 5 4 5 |
Makam Tahir Buselik |
| 8 5 9 5 4 4 4 5 9 |
Makam Gulizar, Beyati (Bayati), Karcigar |
| 8 5 9 9 4 9 9 |
Makam Ussak, Acem, Arazbar |
| 8 1 4 4 5 9 4 9 9 |
Makam Isfahan |
| 4 4 1 4 9 4 5 4 9 9 |
Makam Kurdi |
| 9 4 9 5 4 4 4 5 4 5 |
Makam Buselik (Puselik) |
| 9 4 9 9 4 13 5 |
Makam Sehnaz Buselik |
| 8 5 9 5 3 1 4 4 5 9 |
Makam Arazbar |
| 5 12 5 9 4 4 5 9 |
Makam Hicaz, Uzzal, Humayun |
| 5 12 5 9 4 1 8 4 5 |
Makam Zirgule (Zengule) |
| 5 12 5 9 4 13 5 |
Makam Zirguleli Hicaz |
| 5 12 5 9 4 1 3 5 4 5 |
Makam Sehnaz |
| 8 5 5 13 4 9 9 |
Makam Saba, Sunbule |
| 8 5 5 13 4 9 5 4 |
Makam Saba Zemzeme |
| 8 5 5 13 4 4 5 5 4 |
Makam Kucek |
| 8 5 5 4 9 4 4 5 4 5 |
Makam Eski Sipihr |
| 4 4 5 4 1 13 4 9 9 |
Makam Dugah |
| 8 5 9 4 5 4 1 8 4 5 |
Makam Hisar |
| 4 9 4 5 8 1 4 9 4 5 |
Makam Hisar Buselik |
| 5 3 5 4 5 4 5 4 1 3 5 4 5 |
Makam Yeni Sipihr |
| 9 8 5 9 5 8 9 |
Makam Nisaburek |
| 5 9 6 11 5 9 4 4 |
Makam Huzzam |
| 9 5 8 9 5 9 4 4 |
Makam Mustear |
| 5 9 8 1 4 9 9 8 |
Makam Maye (Yeni Maye) |
| 1 4 9 8 5 9 9 3 5 |
Makam Vechi Arazbar |
| 8 5 9 4 9 9 4 5 |
Makam Nisabur |
| 5 13 4 9 5 12 5 |
Makam Cargah I |
| 9 9 4 9 9 9 4 |
Makam Cargah II, Zavil, Dastgah-e Mahur, Fifty-three tone Major |
| 5 8 13 5 5 8 4 5 |
Makam Araban |
| 9 8 5 9 9 5 8 |
Makam Urmawi |
| 9 4 13 5 4 13 5 |
Makam Rengidil |
| 5 9 8 5 9 9 8 |
Makam Arak |
| 7 1 5 9 9 4 9 9 |
Makam Necid Huseyni, Huzi |
Persian modes as 53 tone equal modes:
|
| 6 7 9 9 4 9 9 |
Dastgah-e Shur |
| 6 7 9 6 3 4 2 7 9 |
Dastgah-e Shur |
| 6 7 9 9 4 2 7 9 |
Dastgah-e Abuata |
| 4 2 7 9 6 3 4 2 7 9 |
Dastgah-e Dashti |
| 6 3 9 4 9 9 6 7 |
Dastgah-e Bayat-e Tork |
| 9 6 7 9 6 3 4 2 7 |
Dastgah-e Afshari |
| 6 12 4 9 4 2 7 9 |
Dastgah-e Homayun |
| 9 9 4 9 9 4 5 4 |
Dastgah-e Mahur, Rast (Rast Panjgah) |
| 6 9 10 3 9 9 7 |
Naghmeh Abuata, Naghmeh Afshari |
| 9 9 4 9 9 6 7 |
Naghmeh Bayat-e Tork, Naghmeh Dashti |
| 9 4 9 9 6 12 4 |
Naghmeh Esfahan |
| 9 6 7 9 6 7 9 |
Dastgah-e Sehgah |
| 6 9 7 6 9 9 7 |
Dastgah-e Sehgah |
| 9 4 9 9 6 9 7 |
Dastgah-e Mokhalif, Bayat-e Esfahan |
| 6 12 4 9 6 12 4 |
Dastgah-e Chahargah |
| 9 4 9 9 6 7 9 |
Dastgah-e Nava |
54 tone equal modes:
|
| 10 7 10 10 7 10 |
Astrology-6 |
| 7 3 7 7 3 7 3 7 7 3 |
Astrology-10 |
| 3 5 5 5 3 5 5 5 3 5 5 5 |
August-12 |
| 5 11 11 5 11 11 |
Decibel-6 |
| 5 6 5 6 5 5 6 5 6 5 |
Decibel-10 |
| 5 7 7 7 7 7 7 7 |
Greeley-8 |
| 5 5 2 5 2 5 2 5 2 5 2 5 2 5 2 |
Greeley-15 |
| 5 4 5 4 5 4 5 4 5 4 5 4 |
Hexe-12 |
| 3 3 8 3 3 3 8 3 3 3 3 8 3 |
Muggles-13 |
| 5 5 5 7 5 5 5 5 7 5 |
Pajara-10 |
| 5 5 5 2 5 5 5 5 5 2 5 5 |
Pajara-12 |
| 7 7 4 7 7 4 7 7 4 |
Triforce-9 |
| 3 4 3 4 4 3 4 3 4 4 3 4 3 4 4 |
Triforce-15 |
| 7 5 5 5 7 5 5 5 5 5 |
Pentachordal Decatonic |
55 tone equal modes:
|
| 4 5 5 4 5 4 5 4 5 5 4 5 |
Meantone Chromatic (3/17-comma) |
| 5 4 5 4 5 5 4 5 4 5 4 5 |
Sauveur’s Musician’s System |
| 5 4 5 4 5 4 5 5 4 5 4 5 |
Genus diatonico-chromaticum |
| 9 9 5 9 9 9 5 |
Fifty-five tone Major |
| 9 5 9 9 5 9 9 |
Fifty-five tone Natural Minor |
| 9 5 9 9 9 9 5 |
Fifty-five tone Melodic Minor |
| 9 5 9 9 5 13 5 |
Fifty-five tone Harmonic Minor |
| 9 9 5 9 5 13 5 |
Fifty-five tone Harmonic Major |
| 7 4 7 4 7 4 7 4 7 4 |
Archytas Clan-10 |
| 3 4 4 3 4 4 3 4 4 3 4 4 3 4 4 |
Archytas Clan-15 |
| 7 10 7 7 7 10 7 |
Armodue-7 |
| 7 7 7 3 7 7 7 7 3 |
Armodue-9 |
| 4 7 4 7 4 7 4 7 4 7 |
Blackwood-10 |
| 4 3 4 4 3 4 4 3 4 4 3 4 4 3 4 |
Blackwood-15 |
| 3 23 3 3 23 |
Liese-5 |
| 3 3 20 3 3 3 20 |
Liese-7 |
| 3 3 3 17 3 3 3 3 17 |
Liese-9 |
| 3 3 3 3 14 3 3 3 3 3 14 |
Liese-11 |
| 7 10 7 7 10 7 7 |
Mavila-7 |
| 7 3 7 7 7 3 7 7 7 |
Mavila-9 |
| 2 7 7 2 7 7 2 7 7 7 |
Migration-10 |
| 9 7 9 7 9 7 7 |
Mohajira-7 |
| 2 7 7 2 7 7 7 2 7 7 |
Mohajira-10 |
| 4 4 4 4 4 4 4 4 4 4 4 4 4 3 |
Octacot-14 |
| 5 7 5 7 5 7 5 7 7 |
Superpelog-9 |
| 5 5 2 5 5 2 5 5 2 5 5 2 5 2 |
Superpelog-14 |
| 8 8 8 8 8 8 7 |
Tetracot-7 |
| 1 7 1 7 1 7 1 7 7 1 7 1 7 |
Tetracot-13 |
| 6 6 6 7 6 6 6 6 6 |
Twothirdtonic-9 |
| 6 6 6 6 1 6 6 6 6 6 |
Twothirdtonic-10 |
56 tone equal modes:
|
| 9 5 9 5 9 5 9 5 |
Diminished |
| 5 9 5 9 5 9 5 9 |
Octatonic |
| 8 5 5 5 8 5 5 5 5 5 |
Pentachordal Decatonic |
| 4 5 5 4 5 5 4 5 5 4 5 5 |
Bidia-12 |
| 5 5 4 5 5 4 5 5 4 5 5 4 |
Diminished-12 |
| 5 6 6 5 6 5 6 6 5 6 |
Echidnic-10 |
| 5 3 5 3 5 3 5 3 5 3 5 3 5 3 |
Greenwood-14 |
| 9 9 9 9 9 11 |
Leantone-6, Hemithirds-6 |
| 9 9 9 9 9 9 2 |
Leantone-7, Hemithirds-7 |
| 7 2 7 2 7 2 7 2 7 2 7 2 2 |
Leantone-13, Hemithirds-13 |
| 5 5 5 8 5 5 5 5 8 5 |
Pajara-10 |
| 5 5 5 3 5 5 5 5 5 3 5 5 |
Pajara-12 |
| 11 4 11 4 11 4 11 |
Superkleismic-7 |
| 4 7 4 7 4 4 7 4 4 7 4 |
Superkleismic-11 |
| 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 |
Superkleismic-15 |
| 13 10 10 13 10 |
Supra-5 |
| 10 3 10 10 10 3 10 |
Supra-7 |
| 3 7 3 7 3 3 7 3 7 3 7 3 |
Supra-12 |
57 tone equal modes:
|
| 7 7 7 4 7 7 7 7 4 |
Armodue-9 |
| 4 11 4 4 11 4 4 11 4 |
Augene-9 |
| 4 4 7 4 4 4 7 4 4 4 7 4 |
Augene-12 |
| 4 4 4 3 4 4 4 4 3 4 4 4 4 3 4 |
Augene-15 |
| 8 11 8 11 8 11 |
Augment-6 |
| 8 3 8 8 3 8 8 3 8 |
Augment-9 |
| 3 5 3 5 3 3 5 3 5 3 3 5 3 5 3 |
Augment-15 |
| 4 5 5 5 4 5 5 5 4 5 5 5 |
August-12 |
| 3 3 3 11 3 3 3 11 3 3 11 |
Bossier-11 |
| 3 3 3 8 3 3 3 3 8 3 3 3 8 3 |
Bossier-14 |
| 4 4 5 4 4 5 4 5 4 4 5 4 5 |
Gjaeck-13 |
| 11 11 13 11 11 |
Quasi-equal Pentatonic, Mothra-5 |
| 11 11 11 11 11 2 |
Mothra-6 |
| 9 2 9 2 9 2 9 2 9 2 2 |
Mothra-11 |
| 5 4 5 4 4 5 4 5 4 4 5 4 4 |
Semisept-13 |
| 11 6 11 6 11 6 6 |
Sharp-7 |
| 5 6 6 6 5 6 6 5 6 6 |
Sharp-10 |
| 6 6 6 5 6 6 5 6 6 5 |
Silver-10 |
58 tone equal modes:
|
| 5 5 5 4 5 5 5 5 4 5 5 5 |
« Just » Chromatic |
| 5 5 7 5 7 5 5 7 5 7 |
Anguirus-10 |
| 5 2 5 5 2 5 5 5 2 5 5 2 5 5 |
Anguirus-14 |
| 3 7 14 10 3 7 14 |
Archchro |
| 10 7 7 10 7 10 7 |
Beatles-7, Dichotic-7 |
| 3 7 7 7 3 7 7 3 7 7 |
Beatles-10, Dichotic-10 |
| 5 5 5 9 5 5 5 5 9 5 |
Diaschismic-10 |
| 5 5 5 4 5 5 5 5 5 4 5 5 |
Diaschismic-12 |
| 11 11 3 11 11 11 |
Gorgo-6 |
| 3 8 3 8 3 8 3 8 3 8 3 |
Gorgo-11 |
| 5 8 8 8 5 8 8 8 |
Hedgehog-8 |
| 5 3 5 5 3 5 3 5 3 5 5 3 5 3 |
Hedgehog-14 |
| 3 7 7 3 7 7 3 7 7 7 |
Hemififths-10 |
| 6 1 6 6 1 6 6 1 6 6 6 1 6 |
Laz-13 |
| 11 7 11 11 7 11 |
Lemba-6 |
| 7 4 7 4 7 7 4 7 4 7 |
Lemba-10 |
| 10 7 10 7 10 7 7 |
Mohajira-7 |
| 3 7 7 3 7 7 7 3 7 7 |
Mohajira-10 |
| 13 2 13 2 13 2 13 |
Myna-7 |
| 2 11 2 2 11 2 11 2 2 11 2 |
Myna-11 |
| 2 2 9 2 2 2 9 2 2 2 9 2 2 9 2 |
Myna-15 |
| 5 5 5 3 5 5 5 5 5 5 5 5 |
Ripple-12 |
| 7 2 7 2 7 2 2 7 2 7 2 7 2 2 |
Secant-14 |
| 4 7 4 4 5 6 4 5 4 6 5 4 |
Starling-12 |
| 7 4 4 4 4 4 7 4 4 4 4 4 4 |
Thuja-13 |
| 3 4 4 4 4 4 4 3 4 4 4 4 4 4 4 |
Thuja-15 |
| 5 5 3 5 3 5 3 5 5 3 5 3 5 3 |
Urchin-14 |
59 tone equal modes:
|
| 7 12 7 7 7 12 7 |
Mabila-7 |
| 7 7 5 7 7 7 7 5 7 |
Mabila-9 |
| 4 4 4 7 4 4 4 4 4 4 4 4 4 4 |
Nautilus-14 |
| 3 3 5 3 5 3 5 3 5 3 5 3 5 3 5 |
Opossum-15 |
| 5 5 1 5 5 5 1 5 5 1 5 5 5 1 5 |
Oregon-15 |
| 8 8 8 11 8 8 8 |
Porcupine-7 |
| 8 11 8 8 8 8 8 |
Porcupine-7 Major |
| 8 8 8 8 8 8 8 3 |
Porcupine-8 |
| 5 3 5 3 3 5 3 5 3 5 3 5 3 5 3 |
Porcupine-15 |
| 11 11 1 11 1 11 1 11 1 |
Pseudo-semaphore-9 |
| 5 5 5 4 5 5 5 5 5 5 5 5 |
Ripple-12 |
| 3 3 8 3 3 8 3 3 8 3 3 3 8 |
Subklei-13 |
60 tone equal modes:
|
| 6 4 6 3 6 4 6 6 3 6 4 6 |
« Just » Chromatic |
| 12 3 5 4 6 6 4 5 3 12 |
First 5 equal temperaments mixed |
| 10 2 3 5 4 6 6 4 5 3 2 10 |
First 6 equal temperaments mixed |
| 4 11 4 11 4 11 4 11 |
Octatonic |
| 7 8 7 8 7 8 7 8 |
Quasi-equal Octatonic |
| 9 8 9 8 9 9 8 |
Amity-7 |
| 11 8 11 11 8 11 |
Astrology-6 |
| 8 3 8 8 3 8 3 8 8 3 |
Astrology-10 |
| 5 7 5 7 5 7 5 7 5 7 |
Blacksmith-10 |
| 5 2 5 5 2 5 5 2 5 5 2 5 5 2 5 |
Blacksmith-15 |
| 8 9 9 8 9 8 9 |
Dicot-7 |
| 5 4 4 5 4 4 4 5 4 4 5 4 4 4 |
Hemiamity-14 |
| 16 3 16 3 3 16 3 |
Magic-7 |
| 13 3 3 3 13 3 3 13 3 3 |
Magic-10 |
| 10 3 3 3 10 3 3 3 10 3 3 3 3 |
Magic-13 |
| 7 7 7 7 7 7 7 7 4 |
Progression-9 |
| 5 8 5 8 5 8 5 8 8 |
Superpelog-9 |
| 5 5 3 5 5 3 5 5 3 5 5 3 5 3 |
Superpelog-14 |
61 tone equal modes:
|
| 8 3 3 8 3 8 3 8 3 3 8 3 |
Twelve-tone Chromatic (7/24-comma positive), Suprapyth-12 |
| 11 7 7 11 7 11 7 |
Dichotic-7 |
| 4 7 7 7 4 7 7 4 7 7 |
Dichotic-10 |
| 8 5 5 5 5 8 5 5 5 5 5 |
Freivald-11 |
| 3 5 5 5 5 5 3 5 5 5 5 5 5 |
Freivald-13 |
| 9 2 9 2 2 9 2 9 2 2 9 2 2 |
Laquadgu-13 |
| 11 11 6 11 11 11 |
Machine-6 |
| 6 5 6 5 6 5 6 5 6 6 5 |
Machine-11 |
| 6 6 6 6 6 6 6 6 6 7 |
Miraculous-10 |
| 5 5 5 5 8 5 5 5 5 5 8 |
Parizek-11 |
| 5 5 5 5 5 3 5 5 5 5 5 5 3 |
Parizek-13 |
| 5 5 5 5 5 5 6 5 5 5 5 5 |
Passion-12 |
| 7 7 7 7 7 7 7 7 5 |
Progression-9 |
| 3 3 8 3 8 3 8 3 3 8 3 8 |
Quasisuper-12 |
| 11 7 11 7 11 7 7 |
Suhajira-7 |
| 7 4 7 7 4 7 7 7 4 7 |
Suhajira-10 |
| 3 8 3 8 3 3 8 3 8 3 8 3 |
Supra-12 |
| 9 9 9 9 9 9 7 |
Tetracot-7 |
| 2 7 2 7 2 7 2 7 7 2 7 2 7 |
Tetracot-13 |
| 11 11 7 7 11 11 3 |
Screamapillar |
62 tone equal modes:
|
| 8 8 8 3 8 8 8 8 3 |
Armodue-9 |
| 5 8 5 8 5 5 8 5 8 5 |
Decimal-10 |
| 10 13 13 13 13 |
Godzilla-5 |
| 10 10 3 10 3 10 3 10 3 |
Godzilla-9 |
| 7 3 7 3 3 7 3 3 7 3 3 7 3 3 |
Godzilla-14 |
| 5 5 5 5 5 6 5 5 5 5 5 6 |
Injera-12 |
| 5 5 5 5 5 5 1 5 5 5 5 5 5 1 |
Injera-14 |
| 9 4 4 4 4 4 9 4 4 4 4 4 4 |
Kangaroo-13 |
| 12 7 12 12 7 12 |
Lemba-6 |
| 7 5 7 5 7 7 5 7 5 7 |
Lemba-10 |
| 8 11 8 8 11 8 8 |
Mavila-7 |
| 8 3 8 8 8 3 8 8 8 |
Mavila-9 |
| 4 5 4 4 4 4 4 4 4 5 4 4 4 4 4 |
Progress-15 |
| 6 6 6 1 6 6 6 6 6 1 6 6 |
Semimiracle-12 |
63 tone equal modes:
|
| 7 4 4 7 4 7 4 7 4 4 7 4 |
Twelve-tone Chromatic (1/8-comma positive), Leapfrog-12 |
| 6 5 6 3 6 5 6 6 3 6 5 6 |
« Just » Chromatic |
| 11 13 13 13 13 |
Immunity-5 |
| 11 11 2 11 2 11 2 11 2 |
Immunity-9 |
| 2 2 9 2 2 9 2 9 2 2 9 2 2 9 |
Immunity-14 |
| 9 4 4 4 9 4 4 4 9 4 4 4 |
Inflated-12 |
| 4 5 4 4 4 4 5 4 4 4 4 5 4 4 4 |
Inflated-15 |
| 17 3 17 3 17 3 3 |
Magic-7 |
| 14 3 3 3 14 3 3 14 3 3 |
Magic-10 |
| 11 3 3 3 11 3 3 3 11 3 3 3 3 |
Magic-13 |
| 5 12 12 5 12 5 12 |
Orgone-7 |
| 5 5 7 5 7 5 5 7 5 5 7 |
Orgone-11 |
| 5 5 5 2 5 5 2 5 5 5 2 5 5 5 2 |
Orgone-15 |
| 5 4 5 4 5 4 5 4 5 4 5 4 5 4 |
Septimal-14 |
| 10 10 10 10 10 10 3 |
Spell-7 |
| 7 3 7 3 7 3 7 3 7 3 7 3 3 |
Spell-13 |
| 7 6 6 7 6 6 7 6 6 6 |
Submajor-10 |
| 8 8 5 8 8 5 8 8 5 |
Triforce-9 |
| 3 5 3 5 5 3 5 3 5 5 3 5 3 5 5 |
Triforce-15 |
64 tone equal modes:
|
| 3 7 7 3 7 3 7 3 7 7 3 7 |
Meantone Chromatic (8/21-comma) |
| 7 12 7 12 7 12 7 |
Chrysanthos Soft Chromatic Byzantine mode |
| 11 5 11 5 11 5 11 5 |
Diminished |
| 5 11 5 11 5 11 5 11 |
Octatonic |
| 7 9 7 9 7 9 7 9 |
Quasi-equal Octatonic |
| 6 7 6 7 6 6 7 6 7 6 |
Decimal-10 |
| 12 7 7 12 7 12 7 |
Beatles-7, Dichotic-7 |
| 5 7 7 7 5 7 7 5 7 7 |
Beatles-10, Dichotic-10 |
| 3 7 7 3 7 3 7 7 3 7 3 7 |
Flattone-12 |
| 5 5 5 5 5 7 5 5 5 5 5 7 |
Injera-12 |
| 5 5 5 5 5 5 2 5 5 5 5 5 5 2 |
Injera-14 |
| 4 13 4 13 4 13 13 |
Kleismic-7 |
| 4 4 9 4 9 4 4 9 4 4 9 |
Kleismic-11 |
| 12 12 1 12 1 12 1 12 1 |
Pseudo-semaphore-9 |
| 12 7 12 7 12 7 7 |
Sharp-7 |
| 5 7 7 7 5 7 7 5 7 7 |
Sharp-10 |
65 tone equal modes:
|
| 6 5 5 6 5 6 5 6 5 5 6 5 |
Meantone Chromatic (1/52-comma) |
| 6 5 6 4 6 5 6 6 4 6 5 6 |
« Just » Chromatic |
| 11 10 6 11 10 11 6 |
Sixty-five tone « Just » Major |
| 11 6 10 11 6 11 10 |
Sixty-five tone « Just » Minor |
| 8 11 8 11 8 11 8 |
Maqamic-7 |
| 8 3 8 8 3 8 8 8 3 8 |
Maqamic-10 |
| 11 8 11 8 11 8 8 |
Mohajira-7 |
| 3 8 8 3 8 8 8 3 8 8 |
Mohajira-10 |
| 11 9 9 9 9 9 9 |
Porky-7 |
| 7 7 10 7 7 10 7 10 |
Sensi-8 |
| 7 7 7 3 7 7 7 3 7 7 3 |
Sensi-11 |
| 9 4 4 4 4 4 4 4 4 4 4 4 4 4 4 |
Slurpee-15 |
| 4 9 4 4 6 7 4 6 4 7 6 4 |
Starling-12 |
| 5 9 5 9 5 9 5 9 9 |
Superpelog-9 |
| 5 5 4 5 5 4 5 5 4 5 5 4 5 4 |
Superpelog-14 |
| 4 9 4 9 4 9 4 9 4 9 |
Trisedodge-10 |
| 4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 |
Trisedodge-15 |
| 15 2 2 2 15 2 2 2 15 2 2 2 2 |
Wurschmidt-13 |
66 tone equal modes:
|
| 8 8 8 5 8 8 8 8 5 |
Armodue-9 |
| 17 5 17 5 17 5 |
Augene-6 |
| 5 12 5 5 12 5 5 12 5 |
Augene-9 |
| 5 5 7 5 5 5 7 5 5 5 7 5 |
Augene-12 |
| 5 5 5 2 5 5 5 5 2 5 5 5 5 2 5 |
Augene-15 |
| 5 9 5 9 5 5 9 5 9 5 |
Decimal-10 |
| 5 5 5 5 5 8 5 5 5 5 5 8 |
Injera-12 |
| 5 5 5 5 5 5 3 5 5 5 5 5 5 3 |
Injera-14 |
| 8 13 8 8 8 13 8 |
Mabila-7 |
| 8 8 5 8 8 8 8 5 8 |
Mabila-9 |
| 7 7 7 7 10 7 7 7 7 |
Negri-9 |
| 7 7 7 7 7 7 7 7 7 3 |
Negri-10 |
| 9 7 9 7 9 9 7 9 |
Tridec-8 |
| 9 4 4 4 4 4 4 9 4 4 4 4 4 4 |
Vishnu-14 |
67 tone equal modes:
|
| 5 6 6 5 6 5 6 5 6 6 5 6 |
Meantone Chromatic (4/25-comma) |
| 9 11 9 9 11 9 9 |
Mavila-7 |
| 9 2 9 9 9 2 9 9 9 |
Mavila-9 |
| 13 13 15 13 13 |
Quasi-equal Pentatonic, Mosura-5 |
| 11 2 11 2 11 2 11 2 11 2 2 |
Mosura-11 |
| 7 7 7 7 11 7 7 7 7 |
Negri-9 |
| 7 7 7 7 7 7 7 7 7 4 |
Negri-10 |
| 7 4 7 4 4 7 4 7 4 4 7 4 4 |
Semisept-13 |
| 13 7 13 7 13 7 7 |
Sharp-7 |
| 6 7 7 7 6 7 7 6 7 7 |
Sharp-10 |
| 5 8 5 8 5 5 8 5 5 8 5 |
Superkleismic-11 |
| 3 5 5 5 3 5 5 5 3 5 5 5 3 5 5 |
Superkleismic-15 |
68 tone equal modes:
|
| 9 7 12 12 9 7 12 |
Chrysanthos 1st Byzantine Liturgical mode |
| 12 13 3 12 12 5 11 |
Chrysanthos 3rd Byzantine Liturgical mode |
| 12 9 7 12 9 7 12 |
Chrysanthos 4th Byzantine Liturgical mode |
| 7 18 3 12 7 18 3 |
Chrysanthos Hard Chromatic 2nd plagal Byzantine mode |
| 7 18 3 12 9 7 12 |
Chrysanthos Hard Chromatic/Diatonic Byzantine mode |
| 9 7 12 12 3 13 12 |
Chrysanthos Diatonic-Enharmonic Byzantine mode |
| 13 12 3 12 9 7 12 |
Chrysanthos Enharmonic-Diatonic Byzantine mode |
| 9 7 12 7 18 3 12 |
Fokaeas 2nd plagal Byzantine Liturgical mode |
| 12 9 7 12 12 3 13 |
Konstantinos 3rd Byzantine Liturgical mode |
| 12 4 12 9 7 12 12 |
Konstantinos 4th plagal Byzantine Liturgical mode |
| 12 13 3 12 12 13 3 |
Tiby 1st Byzantine Liturgical mode |
| 12 5 11 12 12 5 11 |
Tiby 2nd Byzantine Liturgical mode |
| 9 12 7 12 9 12 7 |
Tiby 4th Byzantine Liturgical mode |
| 7 14 7 12 7 14 7 |
Tsiknopoulos 2nd Byzantine Liturgical mode |
| 7 12 12 9 7 12 9 |
Tsiknopoulos 4th Byzantine Liturgical mode |
| 12 9 7 12 12 9 7 |
Tsiknopoulos 4th plagal Byzantine Liturgical mode, Tiby 3rd Byzantine mode |
| 11 6 11 6 11 6 11 6 |
Diminished |
| 6 11 6 11 6 11 6 11 |
Octatonic |
| 5 6 6 5 6 6 5 6 6 5 6 6 |
Bidia-12 |
| 3 11 3 3 11 3 3 11 3 3 11 3 |
Blackbirds-12 |
| 6 6 5 6 6 5 6 6 5 6 6 5 |
Diminished-12 |
| 4 5 4 5 4 5 4 5 4 5 4 5 4 5 5 |
Hemikleismic-15 |
| 11 11 11 11 11 13 |
Hemithirds-6 |
| 11 11 11 11 11 11 2 |
Hemithirds-7 |
| 9 2 9 2 9 2 9 2 9 2 9 2 2 |
Hemithirds-13 |
| 13 8 13 13 8 13 |
Lemba-6 |
| 8 5 8 5 8 8 5 8 5 8 |
Lemba-10 |
| 7 7 7 7 12 7 7 7 7 |
Negri-9 |
| 7 7 7 7 7 7 7 7 7 5 |
Negri-10 |
| 5 5 5 5 5 5 5 5 5 5 5 5 5 3 |
Octacot-14 |
| 10 3 10 3 10 3 10 3 3 10 3 |
Spartan-11 |
69 tone equal modes:
|
| 4 7 7 4 7 4 7 4 7 7 4 7 |
Meantone Chromatic (5/17-comma), Synch-Meantone-12 |
| 5 13 5 5 13 5 5 13 5 |
Augene-9 |
| 5 5 8 5 5 5 8 5 5 5 8 5 |
Augene-12 |
| 5 5 5 3 5 5 5 5 3 5 5 5 5 3 5 |
Augene-15 |
| 5 6 6 6 5 6 6 6 5 6 6 6 |
August-12 |
| 8 8 8 8 8 8 8 8 5 |
Jerome-9, Progression-9 |
| 6 6 6 7 6 6 6 7 6 6 7 |
Mavka-11 |
| 10 10 3 10 10 3 10 10 3 |
Oodako-9 |
| 11 11 11 11 11 11 3 |
Spell-7 |
| 8 3 8 3 8 3 8 3 8 3 8 3 3 |
Spell-13 |
| 9 9 5 9 9 5 9 9 5 |
Triforce-9 |
| 4 5 4 5 5 4 5 4 5 5 4 5 4 5 5 |
Triforce-15 |
70 tone equal modes:
|
| 7 5 5 7 5 7 5 7 5 5 7 5 |
Twelve-tone Chromatic (1/24-comma positive), Dominant-12 |
| 3 7 7 3 10 1 9 5 5 9 1 10 |
Jorgensen 5&7 |
| 9 5 9 5 9 5 9 5 9 5 |
Archytas Clan-10 |
| 4 5 5 4 5 5 4 5 5 4 5 5 4 5 5 |
Archytas Clan-15 |
| 6 6 6 11 6 6 6 6 11 6 |
Diaschismic-10 |
| 6 6 6 5 6 6 6 6 6 5 6 6 |
Diaschismic-12 |
| 3 13 3 13 3 3 13 3 13 3 |
Doublewide-10 |
| 3 3 10 3 3 10 3 3 3 10 3 3 10 3 |
Doublewide-14 |
| 5 5 8 5 8 5 8 5 8 5 8 |
Kumonga-11 |
| 5 7 5 5 7 5 7 5 5 7 5 7 |
Schismic-12 |
| 3 7 3 7 3 7 3 7 3 7 3 7 3 7 |
Whitewood-14 |
71 tone equal modes:
|
| 3 8 8 3 8 3 8 3 8 8 3 8 |
Meantone Chromatic (5/13-comma) |
| 5 8 8 8 5 8 8 5 8 8 |
Beatles-10 |
| 3 8 8 3 8 3 8 8 3 8 3 8 |
Flattone-12 |
| 11 15 15 15 15 |
Godzilla-5 |
| 11 11 4 11 4 11 4 11 4 |
Godzilla-9 |
| 7 4 7 4 4 7 4 4 7 4 4 7 4 4 |
Godzilla-14 |
| 7 7 12 7 7 12 7 12 |
Mechanism-8 |
| 7 5 7 7 7 5 7 7 7 5 7 |
Mechanism-11 |
| 6 6 6 5 6 6 6 6 6 6 6 6 |
Ripple-12 |
| 7 5 7 7 7 5 7 7 5 7 7 |
Stacks-11 |
| 3 10 3 3 10 3 10 3 3 10 3 10 |
Superpyth-12 |
| 8 5 5 5 5 5 8 5 5 5 5 5 5 |
Thuja-13 |
| 3 5 5 5 5 5 5 3 5 5 5 5 5 5 5 |
Thuja-15 |
72 tone equal modes:
|
| 7 5 7 4 7 5 7 7 4 7 5 7 |
« Just » Chromatic |
| 5 5 20 5 5 20 12 |
Parachromatic Mixolydian |
| 5 20 5 5 20 12 5 |
Parachromatic Lydian |
| 20 5 5 20 12 5 5 |
Parachromatic Phrygian |
| 5 5 20 12 5 5 20 |
Parachromatic Dorian |
| 5 20 12 5 5 20 5 |
Parachromatic Hypolydian |
| 20 12 5 5 20 5 5 |
Parachromatic Hypophrygian |
| 12 5 5 20 5 5 20 |
Parachromatic Hypodorian |
| 5 10 15 5 10 15 12 |
Soft Diatonic Mixolydian |
| 10 15 5 10 15 12 5 |
Soft Diatonic Lydian |
| 15 5 10 15 12 5 10 |
Soft Diatonic Phrygian |
| 5 10 15 12 5 10 15 |
Soft Diatonic Dorian |
| 10 15 12 5 10 15 5 |
Soft Diatonic Hypolydian |
| 15 12 5 10 15 5 10 |
Soft Diatonic Hypophrygian |
| 12 5 10 15 5 10 15 |
Soft Diatonic Hypodorian |
| 9 10 11 9 10 11 12 |
Equable Diatonic Mixolydian |
| 10 11 9 10 11 12 9 |
Equable Diatonic Lydian |
| 11 9 10 11 12 9 10 |
Equable Diatonic Phrygian |
| 9 10 11 12 9 10 11 |
Equable Diatonic Dorian |
| 10 11 12 9 10 11 9 |
Equable Diatonic Hypolydian |
| 11 12 9 10 11 9 10 |
Equable Diatonic Hypophrygian |
| 12 9 10 11 9 10 11 |
Equable Diatonic Hypodorian |
| 11 7 12 12 11 7 12 |
Misaelides 1st Byzantine Liturgical mode |
| 12 12 11 7 12 11 7 |
Misaelides 3rd Byzantine Liturgical mode |
| 7 12 12 11 7 12 11 |
Misaelides 4th Byzantine Liturgical mode |
| 11 7 12 15 3 12 12 |
Misaelides 1st plagal Byzantine Liturgical mode |
| 7 20 3 12 7 20 3 |
Misaelides 2nd plagal Byzantine Liturgical mode |
| 5 19 6 12 5 19 6 |
Xenakis Byzantine Liturgical Chromatic |
| 7 16 7 12 7 16 7 |
Xenakis Byzantine Liturgical Soft Chromatic, Quasi-Miracle-7 |
| 12 11 7 12 12 11 7 |
Xenakis Byzantine Liturgical Diatonic, Misaelides 4th plagal Byzantine |
| 6 20 4 12 9 10 11 |
Byzantine Palace mode |
| 13 5 13 5 13 5 13 5 |
Diminished |
| 7 5 7 4 7 5 7 7 4 8 4 7 |
Genus diatonico-chromaticum |
| 16 7 12 7 16 7 7 |
Keenanmarvel |
| 7 12 7 9 7 7 7 16 |
Three Tetrads |
| 7 7 7 5 2 5 2 5 7 7 7 11 |
Blackjack-12 |
| 5 7 4 7 7 5 7 7 4 5 7 7 |
Hexy |
| 7 5 4 7 7 5 7 7 4 5 7 7 |
Smith’s Prism |
| 13 10 13 13 10 13 |
Astrology-6 |
| 10 3 10 10 3 10 3 10 10 3 |
Astrology-10 |
| 5 14 5 5 14 5 5 14 5 |
Augene-9 |
| 5 5 9 5 5 5 9 5 5 5 9 5 |
Augene-12 |
| 5 5 5 4 5 5 5 5 4 5 5 5 5 4 5 |
Augene-15 |
| 7 5 5 5 5 5 5 5 5 5 5 5 5 5 |
Belauensis-14 |
| 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 |
Belauensis-15 |
| 7 5 7 5 7 5 7 5 7 5 7 5 |
Hexe-12 |
| 4 15 4 15 4 15 15 |
Kleismic-7 |
| 4 4 11 4 11 4 4 11 4 4 11 |
Kleismic-11 |
| 4 4 4 7 4 4 4 7 4 4 4 7 4 4 7 |
Kleismic-15 |
| 7 6 7 6 7 6 7 6 7 7 6 |
Machine-11 |
| 7 5 7 4 7 5 7 7 7 2 7 7 |
Marvel-12 |
| 3 20 3 20 3 3 20 |
Marveltri-7 |
| 7 7 7 7 7 7 7 7 7 9 |
Miracle-10 |
| 7 7 7 7 7 7 7 7 7 2 5 2 |
Miracle-12 |
| 7 7 2 7 7 12 7 7 2 7 7 |
Prodigy-11 |
| 7 9 7 7 5 7 7 9 7 7 |
Quasi-Miracle-10 |
| 7 7 7 1 7 7 7 7 7 1 7 7 |
Semimiracle-12 |
| 6 4 6 4 11 6 4 6 4 6 4 11 |
A Carpenter’s Olive |
| 9 5 9 5 9 5 9 2 5 9 5 |
Hopalong |
| 12 7 7 5 3 8 9 10 5 6 |
JuneGloom |
| 12 4 7 3 4 3 9 11 5 5 2 7 |
Rodgers Adams |
73 tone equal modes:
|
| 9 9 9 5 9 9 9 9 5 |
Armodue-9 |
| 5 7 7 7 7 5 7 7 7 7 7 |
Joan-11 |
| 5 5 5 8 5 5 5 5 5 5 5 5 5 5 |
Nautilus-14 |
| 6 6 6 6 6 6 7 6 6 6 6 6 |
Passion-12 |
| 13 10 10 10 10 10 10 |
Porky-7 |
| 8 8 11 8 8 11 8 11 |
Sensis-8 |
| 8 8 8 3 8 8 8 3 8 8 3 |
Sensis-11 |
| 11 3 11 3 11 3 11 3 3 11 3 |
Spartan-11 |
| 4 9 4 9 4 4 9 4 9 4 9 4 |
Supra-12 |
| 9 5 5 5 5 5 9 5 5 5 5 5 5 |
Thuja-13 |
| 4 5 5 5 5 5 5 4 5 5 5 5 5 5 5 |
Thuja-15 |
74 tone equal modes:
|
| 5 7 7 5 7 5 7 5 7 7 5 7 |
Meantone Chromatic (3/14-comma), Grosstone-12 |
| 5 5 5 7 5 5 5 5 5 5 7 5 5 5 |
Bipelog-14 |
| 7 3 7 7 3 7 3 7 3 7 7 3 7 3 |
Hedgehog-14 |
| 6 6 6 6 6 7 6 6 6 6 6 7 |
Injera-12 |
| 6 6 6 6 6 6 1 6 6 6 6 6 6 1 |
Injera-14 |
| 14 9 14 14 9 14 |
Lemba-6 |
| 9 5 9 5 9 9 5 9 5 9 |
Lemba-10 |
| 5 5 5 9 5 5 5 5 5 5 5 5 5 5 |
Nautilus-14 |
| 7 7 7 2 7 7 7 7 7 2 7 7 |
Pajaro-12 |
| 7 7 3 7 3 7 3 7 7 3 7 3 7 3 |
Urchin-14 |
| 5 7 5 5 9 5 7 5 7 7 3 9 |
Jones Igliashon |
75 tone equal modes:
|
| 8 5 5 8 5 8 5 8 5 5 8 5 |
Twelve-tone Chromatic (2/21-comma positive) |
| 7 6 7 4 7 6 7 7 4 7 6 7 |
« Just » Chromatic |
| 16 3 3 3 16 3 3 3 16 3 3 3 |
Hemiaug-12 |
| 6 7 7 7 7 6 7 7 7 7 7 |
Joan-11 |
| 8 8 8 8 11 8 8 8 8 |
Negri-9 |
| 8 8 8 8 8 8 8 8 8 3 |
Negri-10 |
| 11 11 3 11 11 3 11 11 3 |
Oodako-9 |
| 17 17 17 17 7 |
Orwell-5 |
| 10 7 10 7 10 7 10 7 7 |
Orwell-9 |
| 3 7 7 3 7 7 3 7 7 3 7 7 7 |
Orwell-13 |
| 5 8 5 5 8 5 8 5 5 8 5 8 |
Schism-12 |
| 7 5 7 5 5 7 5 7 5 5 7 5 5 |
Semisept-13 |
| 11 11 11 11 11 11 9 |
Tetracot-7 |
| 2 9 2 9 2 9 2 9 9 2 9 2 9 |
Tetracot-13 |
76 tone equal modes:
|
| 5 5 5 8 5 5 5 5 5 5 8 5 5 5 |
Bipelog-14 |
| 10 13 10 10 13 10 10 |
Mavila-7 |
| 10 3 10 10 10 3 10 10 10 |
Mavila-9 |
| 7 7 7 10 7 7 7 7 10 7 |
Pajara-10 |
| 7 7 7 3 7 7 7 7 7 3 7 7 |
Pajara-12 |
| 12 5 5 12 5 5 5 12 5 5 5 |
Squares-11 |
| 7 5 5 5 7 5 5 5 5 7 5 5 5 5 |
Squares-14 |
| 3 11 3 3 11 3 11 3 3 11 3 11 |
Superpyth-12 |
| 8 8 5 8 8 5 8 8 5 8 5 |
Wilson Golden-11 |
77 tone equal modes:
|
| 7 6 6 7 6 7 6 7 6 6 7 6 |
Meantone Chromatic (18/59-comma), Grackle-12 |
| 7 6 7 5 7 6 7 7 5 7 6 7 |
« Just » Chromatic |
| 1 10 1 10 1 10 1 10 1 10 1 10 1 10 |
Absurdity-14 |
| 7 10 10 10 10 10 10 10 |
Greeley-8 |
| 7 7 3 7 3 7 3 7 3 7 3 7 3 7 3 |
Greeley-15 |
| 7 4 7 4 7 4 7 4 7 4 7 4 7 4 |
Greenwood-14 |
| 9 16 9 9 9 16 9 |
Mabila-7 |
| 9 9 7 9 9 9 9 7 9 |
Mabila-9 |
| 8 8 8 8 13 8 8 8 8 |
Negri-9 |
| 8 8 8 8 8 8 8 8 8 5 |
Negri-10 |
| 9 9 9 9 9 9 9 9 5 |
Progression-9 |
| 8 5 5 8 5 5 8 5 5 8 5 5 5 |
Ragimetric-13 |
| 6 5 6 5 6 5 6 5 6 5 6 5 6 5 |
Septimal-14 |
| 15 15 15 17 15 |
Slendric-5 |
| 15 15 15 15 2 15 |
Slendric-6 |
| 13 2 13 2 13 2 13 2 2 13 2 |
Slendric-11 |
| 2 9 2 9 2 9 2 9 2 9 2 9 2 9 |
Whitewood-14 |
| 5 15 5 15 5 12 8 12 |
Smith’s Star |
| 8 12 5 15 5 12 8 12 |
Smith’s Nova |
| 5 10 5 5 7 8 5 7 5 8 7 5 |
Starling-12 |
| 5 5 5 5 5 5 5 5 5 5 5 7 5 5 5 |
Valentine-15 |
78 tone equal modes:
|
| 7 7 9 7 9 7 7 9 7 9 |
Anguirus-10 |
| 7 2 7 7 2 7 7 7 2 7 7 2 7 7 |
Anguirus-14 |
| 5 7 7 7 5 7 7 7 5 7 7 7 |
August-12 |
| 16 16 15 16 15 |
Father-5 |
| 8 5 8 5 8 5 8 5 8 5 8 5 |
Hexe-12 |
| 11 5 5 5 11 5 5 5 11 5 5 5 |
Inflated-12 |
| 5 6 5 5 5 5 6 5 5 5 5 6 5 5 5 |
Inflated-15 |
| 7 7 7 11 7 7 7 7 11 7 |
Pajara-10 |
| 7 7 7 4 7 7 7 7 7 4 7 7 |
Pajara-12 |
| 14 9 14 9 14 9 9 |
Suhajira-7 |
| 9 5 9 9 5 9 9 9 5 9 |
Suhajira-10 |
| 5 5 5 5 5 5 5 5 5 5 5 8 5 5 5 |
Tertiaseptal-15 |
79 tone equal modes:
|
| 6 7 7 6 7 6 7 6 7 7 6 7 |
Meantone Chromatic (3/20-comma) |
| 12 12 12 12 7 12 12 |
Bluebirds-7 |
| 5 7 5 7 5 7 5 7 7 5 7 5 7 |
Bluebirds-13 |
| 15 15 4 15 15 15 |
Gorgo-6 |
| 4 11 4 11 4 11 4 11 4 11 4 |
Gorgo-11 |
| 12 5 5 5 5 5 12 5 5 5 5 5 5 |
Kangaroo-13 |
| 3 10 10 3 10 10 3 10 10 10 |
Migration-10 |
| 13 10 13 10 13 10 10 |
Mohajira-7 |
| 3 10 10 3 10 10 10 3 10 10 |
Mohajira-10 |
| 5 7 5 5 5 5 5 5 5 7 5 5 5 5 5 |
Progress-15 |
| 5 8 5 5 5 8 5 5 5 5 8 5 5 5 |
Sentinel-14 |
| 13 5 5 13 5 5 5 13 5 5 5 |
Squares-11 |
| 8 5 5 5 8 5 5 5 5 8 5 5 5 5 |
Squares-14 |
80 tone equal modes:
|
| 9 5 5 9 5 9 5 9 5 5 9 5 |
Twelve-tone Chromatic (1/7-comma positive) |
| 6 7 7 6 7 7 6 7 7 6 7 7 |
Bidia-12 |
| 4 13 4 13 13 4 13 4 12 |
Canou-9 |
| 4 9 4 4 9 4 9 4 4 9 4 4 8 4 |
Canou-14 |
| 6 11 6 11 6 6 11 6 11 6 |
Decimal-10 |
| 7 7 7 12 7 7 7 7 12 7 |
Diaschismic-10 |
| 7 7 7 5 7 7 7 7 7 5 7 7 |
Diaschismic-12 |
| 7 9 7 9 7 9 7 9 7 9 |
Ferrum-10 |
| 7 4 7 7 4 7 4 7 4 7 7 4 7 4 |
Hedgehog-14 |
| 13 4 13 4 4 13 4 4 13 4 4 |
Parakleismic-11 |
| 9 4 4 9 4 4 4 9 4 4 4 9 4 4 4 |
Parakleismic-15 |
| 14 11 11 11 11 11 11 |
Porky-7 |
| 8 5 8 5 5 8 5 8 5 5 8 5 5 |
Semisept-13 |
| 5 11 5 11 5 11 5 11 5 11 |
Trisedodge-10 |
| 5 5 6 5 5 6 5 5 6 5 5 6 5 5 6 |
Trisedodge-15 |
81 tone equal modes:
|
| 5 8 8 5 8 5 8 5 8 8 5 8 |
Meantone Chromatic (5/19-comma), Aurus-12 |
| 6 7 7 7 6 7 7 7 6 7 7 7 |
August-12 |
| 8 11 8 8 11 8 8 11 8 |
Deflated-9 |
| 13 17 17 17 17 |
Godzilla-5 |
| 13 13 4 13 4 13 4 13 4 |
Godzilla-9 |
| 9 4 9 4 4 9 4 4 9 4 4 9 4 4 |
Godzilla-14 |
| 13 13 13 13 13 16 |
Leantone-6, Spell-6 |
| 13 13 13 13 13 13 3 |
Leantone-7, Spell-7 |
| 10 3 3 10 3 10 3 10 3 10 3 10 3 |
Leantone-13, Spell-13 |
| 11 11 11 15 11 11 11 |
Porcupine-7 |
| 11 15 11 11 11 11 11 |
Porcupine-7 Major |
| 11 11 11 11 11 11 11 4 |
Porcupine-8 |
| 7 4 7 4 4 7 4 7 4 7 4 7 4 7 4 |
Porcupine-15 |
82 tone equal modes:
|
| 15 11 15 15 11 15 |
Astrology-6 |
| 11 4 11 11 4 11 4 11 11 4 |
Astrology-10 |
| 7 10 7 10 7 7 10 7 10 7 |
Decimal-10 |
| 7 9 9 7 9 7 9 9 7 9 |
Echidnic-10 |
| 7 7 13 7 7 7 7 13 7 7 |
Pajaric-10 |
| 7 7 7 6 7 7 7 7 7 6 7 7 |
Pajaric-12 |
| 7 7 7 5 7 7 7 7 7 7 7 7 |
Ripple-12 |
| 8 8 8 1 8 8 8 8 8 1 8 8 |
Semimiracle-12 |
| 13 13 13 13 13 13 4 |
Spell-7 |
| 9 4 9 4 9 4 9 4 9 4 9 4 4 |
Spell-13 |
83 tone equal modes:
|
| 8 8 8 8 8 8 8 11 8 8 |
Apparatus-10 |
| 8 8 8 8 8 8 8 8 3 8 8 |
Apparatus-11 |
| 4 9 9 4 9 4 9 9 4 9 4 9 |
Flattone-12 |
| 5 17 5 17 5 17 17 |
Kleismic-7 |
| 5 5 12 5 12 5 5 12 5 5 12 |
Kleismic-11 |
| 8 7 8 7 8 7 8 7 8 8 7 |
Machine-11 |
| 13 3 13 3 13 3 13 3 13 3 3 |
Mothra-11 |
| 13 11 13 11 13 11 11 |
Ptolemy-7 |
| 4 4 11 4 11 4 11 4 4 11 4 11 |
Quasisuper-12 |
| 7 7 7 6 7 7 7 7 7 7 7 7 |
Ripple-12 |
| 13 5 5 5 5 5 5 5 5 5 5 5 5 5 5 |
Slurpee-15 |
| 4 11 4 11 4 4 11 4 11 4 11 4 |
Supra-12 |
84 tone equal modes:
|
| 8 6 8 5 8 6 8 8 5 8 6 8 |
« Just » Chromatic |
| 13 8 13 8 13 8 13 8 |
Golden Diminished |
| 1 11 1 11 1 11 1 11 1 11 1 11 1 11 |
Absurdity-14 |
| 4 4 11 4 4 4 11 4 4 11 4 4 4 11 |
Fleetwood-14 |
| 10 10 7 10 10 10 10 7 10 |
Mabila-9 |
| 8 6 8 5 8 6 8 8 8 3 8 8 |
Marvel-12 |
| 11 8 11 8 11 8 11 8 8 |
Orwell-9 |
| 3 8 8 3 8 8 3 8 8 3 8 8 8 |
Orwell-13 |
| 10 3 10 3 10 3 3 10 3 10 3 10 3 3 |
Secant-14 |
| 9 9 13 9 9 13 9 13 |
Sensi-8 |
| 9 9 9 4 9 9 9 4 9 9 4 |
Sensi-11 |
| 7 5 7 5 7 5 7 5 7 5 7 5 7 5 |
Septimal-14 |
| 9 9 9 7 9 9 7 9 9 7 |
Silver-10 |
| 11 11 6 11 11 6 11 11 6 |
Triforce-9 |
| 5 6 5 6 6 5 6 5 6 6 5 6 5 6 6 |
Triforce-15 |
| 12 5 5 5 5 5 5 12 5 5 5 5 5 5 |
Vishnu-14 |
| 11 16 11 11 16 11 8 |
Zeus7tri |
| 11 11 11 13 11 11 11 5 |
Zeus8tri |
85 tone equal modes:
|
| 13 11 13 11 13 13 11 |
Amity-7 |
| 11 6 11 6 11 6 11 6 11 6 |
Archytas Clan-10 |
| 5 6 6 5 6 6 5 6 6 5 6 6 5 6 6 |
Archytas Clan-15 |
| 7 10 7 10 7 10 7 10 7 10 |
Blacksmith-10 |
| 7 3 7 7 3 7 7 3 7 7 3 7 7 3 7 |
Blacksmith-15 |
| 7 7 7 7 7 7 8 7 7 7 7 7 |
Galilei-12 |
| 13 18 18 18 18 |
Godzilla-5 |
| 13 13 5 13 5 13 5 13 5 |
Godzilla-9 |
| 8 5 8 5 5 8 5 5 8 5 5 8 5 5 |
Godzilla-14 |
| 7 12 7 7 12 7 7 12 7 7 |
Golden-10 |
| 7 7 5 7 7 7 5 7 7 7 5 7 7 |
Golden-13 |
| 8 11 11 11 11 11 11 11 |
Greeley-8 |
| 8 8 3 8 3 8 3 8 3 8 3 8 3 8 3 |
Greeley-15 |
| 23 4 23 4 23 4 4 |
Magic-7 |
| 19 4 4 4 19 4 4 19 4 4 |
Magic-10 |
| 15 4 4 4 15 4 4 4 15 4 4 4 4 |
Magic-13 |
| 19 3 19 3 19 3 19 |
Myna-7 |
| 3 16 3 3 16 3 16 3 3 16 3 |
Myna-11 |
| 3 3 13 3 3 3 13 3 3 3 13 3 3 13 3 |
Myna-15 |
| 9 9 9 9 13 9 9 9 9 |
Negri-9 |
| 9 9 9 9 9 9 9 9 9 4 |
Negri-10 |
| 5 12 5 12 5 12 5 12 5 12 |
Trisedodge-10 |
| 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 |
Trisedodge-15 |
86 tone equal modes:
|
| 7 11 7 11 7 7 11 7 11 7 |
Decimal-10 |
| 7 7 7 7 7 8 7 7 7 7 7 8 |
Injera-12 |
| 7 7 7 7 7 7 1 7 7 7 7 7 7 1 |
Injera-14 |
| 3 11 11 3 11 11 3 11 11 11 |
Migration-10 |
| 14 11 14 11 14 11 11 |
Mohajira-7 |
| 3 11 11 3 11 11 11 3 11 11 |
Mohajira-10 |
| 9 9 9 9 14 9 9 9 9 |
Negri-9 |
| 9 9 9 9 9 9 9 9 9 5 |
Negri-10 |
| 7 7 7 7 7 7 9 7 7 7 7 7 |
Passion-12 |
| 7 7 5 7 5 7 5 7 7 5 7 5 7 5 |
Urchin-14 |
87 tone equal modes:
|
| 8 7 8 5 8 7 8 8 5 8 7 8 |
« Just » Chromatic |
| 14 14 14 14 14 17 |
Hemithirds-6 |
| 14 14 14 14 14 14 3 |
Hemithirds-7 |
| 11 3 11 3 11 3 11 3 11 3 11 3 3 |
Hemithirds-13 |
| 5 18 5 18 5 18 18 |
Kleismic-7 |
| 5 5 13 5 13 5 5 13 5 5 13 |
Kleismic-11 |
| 7 7 8 7 7 7 8 7 7 7 8 7 |
Misty-12 |
| 7 7 7 7 12 7 7 7 7 7 12 |
Parizek-11 |
| 7 7 7 7 7 5 7 7 7 7 7 7 5 |
Parizek-13 |
| 10 10 10 10 10 10 10 10 7 |
Progression-9 |
| 17 17 17 19 17 |
Rodan-5 |
| 15 2 15 2 15 2 15 2 2 15 2 |
Rodan-11 |
| 17 12 17 12 17 12 |
Ternary-6 |
| 7 5 5 7 5 7 5 5 7 5 7 5 5 7 5 |
Ternary-15 |
| 11 11 7 11 11 7 11 11 7 |
Triforce-9 |
| 4 7 4 7 7 4 7 4 7 7 4 7 4 7 7 |
Triforce-15 |
88 tone equal modes:
|
| 5 9 9 5 9 5 9 5 9 9 5 9 |
Meantone Chromatic (3/10-comma), Harrison-Lucy-12 |
| 7 7 7 7 7 9 7 7 7 7 7 9 |
Injera-12 |
| 7 7 7 7 7 7 2 7 7 7 7 7 7 2 |
Injera-14 |
| 17 10 17 17 10 17 |
Lemba-6 |
| 10 7 10 7 10 10 7 10 7 10 |
Lemba-10 |
| 14 3 14 3 14 3 14 3 14 3 3 |
Mothra-11 |
| 13 13 13 13 13 13 10 |
Tetracot-7 |
| 3 10 3 10 3 10 3 10 10 3 10 3 10 |
Tetracot-13 |
| 11 6 6 6 6 6 11 6 6 6 6 6 6 |
Thuja-13 |
| 5 6 6 6 6 6 6 5 6 6 6 6 6 6 6 |
Thuja-15 |
89 tone equal modes:
|
| 8 7 7 8 7 8 7 8 7 7 8 7 |
Meantone Chromatic (1/26-comma), Quiretsim-12 |
| 8 7 8 6 8 7 8 8 6 8 7 8 |
« Just » Chromatic |
| 4 11 11 4 11 11 11 4 11 11 |
Mohajira-10 |
| 5 5 13 5 5 5 13 5 5 5 5 13 5 |
Muggles-13 |
| 3 17 3 3 17 3 17 3 3 17 3 |
Myna-11 |
| 3 3 14 3 3 3 14 3 3 3 14 3 3 14 3 |
Myna-15 |
| 7 7 10 7 10 7 7 10 7 7 10 |
Orgone-11 |
| 7 7 7 3 7 7 3 7 7 7 3 7 7 7 3 |
Orgone-15 |
| 5 9 5 9 5 9 5 5 9 5 9 5 9 |
Unsmate-13 |
90 tone equal modes:
|
| 23 7 23 7 23 7 |
Augmented-6 |
| 7 16 7 7 16 7 7 16 7 |
Augmented-9 |
| 7 7 9 7 7 7 9 7 7 7 9 7 |
Augmented-12 |
| 7 7 2 7 7 7 7 2 7 7 7 7 2 7 7 |
Augmented-15 |
| 7 12 7 12 7 7 12 7 12 7 |
Decimal-10 |
| 7 7 7 7 7 10 7 7 7 7 7 10 |
Injera-12 |
| 7 7 7 7 7 7 3 7 7 7 7 7 7 3 |
Injera-14 |
| 17 11 17 17 11 17 |
Lemba-6 |
| 11 6 11 6 11 11 6 11 6 11 |
Lemba-10 |
| 8 8 8 5 8 8 8 8 8 5 8 8 |
Pajara-12 |
91 tone equal modes:
|
| 7 8 8 7 8 7 8 7 8 8 7 8 |
Meantone Chromatic (1/7-comma), Romieu-12 |
| 17 10 10 17 10 17 10 |
Dichotic-7 |
| 7 10 10 10 7 10 10 7 10 10 |
Dichotic-10 |
| 7 7 8 6 11 5 5 7 10 4 4 13 4 |
HungarianNaiveOrwell-13 |
| 5 19 5 19 5 19 19 |
Kleismic-7 |
| 5 5 14 5 14 5 5 14 5 5 14 |
Kleismic-11 |
| 7 6 7 6 7 6 7 6 7 6 7 6 7 6 |
Septimal-14 |
| 9 11 9 11 9 11 9 11 11 |
Septimin-9 |
| 9 9 2 9 9 2 9 9 2 9 9 2 9 2 |
Septimin-14 |
92 tone equal modes:
|
| 3 11 11 3 11 3 11 3 11 11 3 11 |
Meantone Chromatic (49/99-comma) |
| 8 8 11 8 11 8 8 11 8 11 |
Anguirus-10 |
| 8 3 8 8 3 8 8 8 3 8 8 3 8 8 |
Anguirus-14 |
| 9 9 9 9 9 9 9 9 9 11 |
Miracle-10 |
| 9 9 9 9 9 9 9 9 9 2 7 2 |
Miracle-12 |
93 tone equal modes:
|
| 24 7 24 7 24 7 |
Augmented-6 |
| 7 17 7 7 17 7 7 17 7 |
Augmented-9 |
| 7 7 10 7 7 7 10 7 7 7 10 7 |
Augmented-12 |
| 7 7 3 7 7 7 7 3 7 7 7 7 3 7 7 |
Augmented-15 |
| 13 6 6 6 13 6 6 6 13 6 6 6 |
Inflated-12 |
| 6 7 6 6 6 6 7 6 6 6 6 7 6 6 6 |
Inflated-15 |
| 8 8 8 5 8 8 8 8 8 8 8 8 |
Ripple-12 |
| 4 13 4 4 13 4 13 4 4 13 4 13 |
Superpyth-12 |
| 12 12 7 12 12 7 12 12 7 |
Triforce-9 |
| 5 7 5 7 7 5 7 5 7 7 5 7 5 7 7 |
Triforce-15 |
94 tone equal modes:
|
| 9 7 7 9 7 9 7 9 7 7 9 7 |
Twelve-tone Chromatic (1/125-comma positive), Schismatic-12 |
| 9 7 9 5 9 7 9 9 5 9 7 9 |
« Just » Chromatic |
| 12 17 12 12 12 17 12 |
Armodue-7 |
| 12 12 12 5 12 12 12 12 5 |
Armodue-9 |
| 8 5 8 8 5 8 5 8 5 8 8 5 8 5 |
Hedgehog-14 |
| 18 11 18 18 11 18 |
Lemba-6 |
| 11 7 11 7 11 11 7 11 7 11 |
Lemba-10 |
| 9 7 9 5 9 7 9 9 9 3 9 9 |
Marvel-12 |
| 11 11 11 11 11 11 11 11 6 |
Progression-9 |
| 7 9 7 7 9 7 9 7 7 9 7 9 |
Schismic-12 |
| 15 15 15 15 15 15 4 |
Spell-7 |
| 11 4 4 11 4 11 4 11 4 11 4 11 4 |
Spell-13 |
| 8 8 5 8 5 8 5 8 8 5 8 5 8 5 |
Urchin-14 |
95 tone equal modes:
|
| 8 11 8 11 8 11 8 11 8 11 |
Blacksmith-10 |
| 8 3 8 8 3 8 8 3 8 8 3 8 8 3 8 |
Blacksmith-15 |
| 7 7 7 7 7 7 7 7 7 7 7 7 7 4 |
Octacot-14 |
| 17 13 13 13 13 13 13 |
Porky-7 |
| 8 8 8 7 8 8 8 8 8 8 8 8 |
Ripple-12 |
| 11 6 11 11 6 11 11 11 6 11 |
Suhajira-10 |
| 6 13 6 13 6 13 6 13 6 13 |
Trisedodge-10 |
| 6 6 7 6 6 7 6 6 7 6 6 7 6 6 7 |
Trisedodge-15 |
96 tone equal modes:
|
| 9 7 9 6 9 7 9 9 6 9 7 9 |
« Just » Chromatic |
| 11 18 11 10 6 11 18 11 |
Buzurg |
| 11 18 11 10 6 12 21 7 |
Buzurg-Hijaz |
| 7 18 7 7 18 7 7 18 7 |
Augene-9 |
| 7 7 11 7 7 7 11 7 7 7 11 7 |
Augene-12 |
| 7 7 7 4 7 7 7 7 4 7 7 7 7 4 7 |
Augene-15 |
| 9 4 9 9 4 9 4 9 4 9 9 4 9 4 |
Hedgehog-14 |
| 7 7 7 7 7 7 7 7 7 7 7 7 7 5 |
Octacot-14 |
| 11 9 9 11 9 9 11 9 9 9 |
Submajor-10 |
| 22 3 3 3 22 3 3 3 22 3 3 3 3 |
Wurschmidt-13 |
97 tone equal modes:
|
| 11 6 6 11 6 11 6 11 6 6 11 6 |
Twelve-tone Chromatic (3/20-comma positive) |
| 4 11 11 4 11 4 11 11 4 11 4 11 |
Flattone-12 |
| 8 8 8 8 8 8 9 8 8 8 8 8 |
Galilei-12 |
| 11 11 11 11 11 11 11 11 9 |
Progression-9 |
| 7 12 7 12 7 7 12 7 7 12 7 |
Superkleismic-11 |
| 5 7 7 7 5 7 7 7 5 7 7 7 5 7 7 |
Superkleismic-15 |
98 tone equal modes:
|
| 7 9 9 7 9 7 9 7 9 9 7 9 |
Meantone Chromatic (5/27-comma) |
| 13 8 8 8 8 13 8 8 8 8 8 |
Freivald-11 |
| 5 8 8 8 8 8 5 8 8 8 8 8 8 |
Freivald-13 |
| 19 11 19 19 11 19 |
Lemba-6 |
| 11 8 11 8 11 11 8 11 8 11 |
Lemba-10 |
| 16 3 16 3 16 3 16 3 16 3 3 |
Mothra-11 |
| 9 9 9 4 9 9 9 9 9 4 9 9 |
Pajara-12 |
99 tone equal modes:
|
| 10 7 7 10 7 10 7 10 7 7 10 7 |
Twelve-tone Chromatic (1/20-comma positive) |
| 9 8 9 6 9 8 9 9 6 9 8 9 |
« Just » Chromatic |
| 15 13 15 13 15 15 13 |
Amity-7 |
| 8 13 13 13 13 13 13 13 |
Greeley-8 |
| 8 8 5 8 5 8 5 8 5 8 5 8 5 8 5 |
Greeley-15 |
| 5 12 12 5 12 12 5 12 12 12 |
Hemififths-10 |
| 16 16 16 16 16 19 |
Hemithirds-6, Tutone-6 |
| 16 16 16 16 16 16 3 |
Hemithirds-7, Tutone-7 |
| 13 3 13 3 13 3 13 3 13 3 13 3 3 |
Hemithirds-13, Tutone-13 |
| 8 8 9 8 8 8 9 8 8 8 9 8 |
Misty-12 |
| 16 5 16 5 5 16 5 5 16 5 5 |
Parakleismic-11 |
| 11 5 5 11 5 5 5 11 5 5 5 11 5 5 5 |
Parakleismic-15 |
| 23 3 3 3 23 3 3 3 23 3 3 3 3 |
Wurschmidt-13 |
| 13 19 13 13 19 13 9 |
Zeus7tri |
| 13 13 13 15 13 13 13 6 |
Zeus8tri |
100 tone equal modes:
|
| 13 7 13 7 13 7 13 7 13 7 |
Archytas Clan-10 |
| 6 7 7 6 7 7 6 7 7 6 7 7 6 7 7 |
Archytas Clan-15 |
| 17 15 17 17 17 17 |
Baldy-6 |
| 15 2 15 2 15 2 15 15 2 15 2 |
Baldy-11 |
| 7 13 7 13 7 13 7 13 7 13 |
Blackwood-10 |
| 7 6 7 7 6 7 7 6 7 7 6 7 7 6 7 |
Blackwood-15 |
| 8 13 8 13 8 8 13 8 13 8 |
Decimal-10 |
| 9 13 13 13 13 13 13 13 |
Greeley-8 |
| 9 9 4 9 4 9 4 9 4 9 4 9 4 9 4 |
Greeley-15 |
| 19 12 19 19 12 19 |
Lemba-6 |
| 12 7 12 7 12 12 7 12 7 12 |
Lemba-10 |
| 9 9 9 5 9 9 9 9 9 5 9 9 |
Pajara-12 |
| 11 11 11 4 11 11 11 4 11 11 4 |
Sensis-11 |
101 tone equal modes:
|
| 9 8 8 9 8 9 8 9 8 8 9 8 |
Meantone Chromatic (1/22-comma) |
| 9 8 9 7 9 8 9 9 7 10 7 9 |
Genus diatonico-chromaticum |
| 10 7 7 7 7 7 7 7 7 7 7 7 7 7 |
Belauensis-14 |
| 3 7 7 7 7 7 7 7 7 7 7 7 7 7 7 |
Belauensis-15 |
| 27 5 27 5 5 27 5 |
Magic-7, Witchcraft-7 |
| 22 5 5 5 22 5 5 22 5 5 |
Magic-10, Witchcraft-10 |
| 17 5 5 5 17 5 5 5 17 5 5 5 5 |
Magic-13, Witchcraft-13 |
| 16 16 16 16 16 16 5 |
Spell-7 |
| 11 5 11 5 11 5 11 5 11 5 11 5 5 |
Spell-13 |
| 12 7 7 7 7 7 12 7 7 7 7 7 7 |
Thuja-13 |
| 5 7 7 7 7 7 7 5 7 7 7 7 7 7 7 |
Thuja-15 |
102 tone equal modes:
|
| 9 11 11 9 11 9 11 11 9 11 |
Echidnic-10 |
| 9 5 9 9 5 9 5 9 5 9 9 5 9 5 |
Hedgehog-14 |
| 10 7 10 7 10 7 10 7 10 7 10 7 |
Hexe-12 |
| 7 7 12 7 12 7 12 7 12 7 12 |
Kumonga-11 |
| 7 7 7 11 7 7 7 7 7 7 7 7 7 7 |
Nautilus-14 |
| 15 15 4 15 15 4 15 15 4 |
Oodako-9 |
103 tone equal modes:
|
| 8 9 9 8 9 8 9 8 9 9 8 9 |
Meantone Chromatic (3/22-comma) |
| 10 10 10 10 10 10 10 10 10 13 |
Miracle-10 |
| 10 10 10 10 10 10 10 10 10 3 7 3 |
Miracle-12 |
| 7 7 7 12 7 7 7 7 7 7 7 7 7 7 |
Nautilus-14 |
| 11 11 11 5 11 11 11 5 11 11 5 |
Sensi-11 |
| 4 15 4 4 15 4 15 4 4 15 4 15 |
Superpyth-12 |
104 tone equal modes:
|
| 11 7 7 11 7 11 7 11 7 7 11 7 |
Twelve-tone Chromatic (2/23-comma positive) |
| 9 9 9 16 9 9 9 9 16 9 |
Diaschismic-10 |
| 9 9 9 7 9 9 9 9 9 7 9 9 |
Diaschismic-12 |
| 28 5 28 5 28 5 5 |
Magic-7 |
| 23 5 5 5 23 5 5 23 5 5 |
Magic-10 |
| 18 5 5 5 18 5 5 5 18 5 5 5 5 |
Magic-13 |
105 tone equal modes:
|
| 7 10 10 7 10 7 10 7 10 10 7 10 |
Meantone Chromatic (2/9-comma), Rossi-12 |
| 17 17 5 17 5 17 5 17 5 |
Godzilla-9 |
| 12 5 12 5 5 12 5 5 12 5 5 12 5 5 |
Godzilla-14 |
106 tone equal modes:
|
| 9 8 9 9 9 9 9 8 9 9 9 9 |
Bischismic-12 |
| 5 5 14 5 5 5 14 5 5 14 5 5 5 14 |
Fleetwood-14 |
| 9 7 7 9 7 7 7 9 7 7 9 7 7 7 |
Hemiamity-14 |
| 8 8 8 8 8 5 8 8 8 8 8 8 5 8 |
Injerous-14 |
| 9 9 9 7 9 9 9 9 9 9 9 9 |
Ripple-12 |
| 11 23 10 18 11 23 10 |
Makam Suzinak II |
| 18 11 26 7 18 8 8 10 |
Makam Nikriz |
| 11 23 10 18 11 23 10 |
Makam Hicazkar I-Kadim |
| 11 23 10 18 11 26 7 |
Makam Hicazkar |
| 14 5 7 11 7 18 8 8 10 18 |
Makam Isfahan II |
| 14 2 10 18 11 23 10 18 |
Makam Karcigar |
| 14 2 10 18 11 5 10 8 10 18 |
Makam Araban |
| 14 2 10 3 15 11 7 8 3 15 11 7 |
Makam Hisar |
| 11 15 18 18 8 18 18 |
Makam Kurdi |
| 11 26 7 18 8 8 10 18 |
Makam Hicaz |
| 11 26 7 18 8 18 18 |
Makam Humayun |
| 11 26 7 18 8 3 15 11 7 |
Makam Sahnaz |
| 19 7 18 18 8 3 15 11 7 |
Makam Buselik |
| 19 15 10 18 16 10 8 10 |
Makam Nisaburek |
| 10 18 11 23 10 18 8 8 |
Makam Huzzam |
| 18 7 18 8 11 7 18 11 8 |
Makam Nisabur |
107 tone equal modes:
|
| 6 11 11 6 11 6 11 6 11 11 6 11 |
Meantone Chromatic (4/13-comma) |
| 11 2 11 11 2 11 11 2 11 11 11 2 11 |
Laz-13 |
| 9 9 9 8 9 9 9 9 9 9 9 9 |
Ripple-12 |
| 17 17 17 17 17 17 5 |
Spell-7 |
| 12 5 12 5 12 5 12 5 12 5 12 5 5 |
Spell-13 |
| 17 7 7 17 7 7 7 17 7 7 7 |
Squares-11 |
| 10 7 7 7 10 7 7 7 7 10 7 7 7 7 |
Squares-14 |
108 tone equal modes:
|
| 10 8 10 7 10 8 10 10 7 10 8 10 |
« Just » Chromatic |
| 4 8 33 4 8 33 18 |
Ratio 1:2 Soft Chromatic Mixolydian |
| 8 33 4 8 33 18 4 |
Ratio 1:2 Soft Chromatic Lydian |
| 33 4 8 33 18 4 8 |
Ratio 1:2 Soft Chromatic Phrygian |
| 4 8 33 18 4 8 33 |
Ratio 1:2 Soft Chromatic Dorian |
| 8 33 18 4 8 33 4 |
Ratio 1:2 Soft Chromatic Hypolydian |
| 33 18 4 8 33 4 8 |
Ratio 1:2 Soft Chromatic Hypophrygian |
| 18 4 8 33 4 8 33 |
Ratio 1:2 Soft Chromatic Hypodorian |
| 11 17 7 21 7 17 11 17 |
Smith’s Nova |
| 7 21 7 21 7 17 11 17 |
Smith’s Star |
| 7 7 7 7 7 7 7 7 7 7 7 10 7 7 7 |
Valentine-15 |
109 tone equal modes:
|
| 5 12 12 5 12 5 12 5 12 12 5 12 |
Meantone Chromatic (7/18-comma) |
| 12 7 7 12 7 12 7 12 7 7 12 7 |
Twelve-tone Chromatic (1/8-comma positive), Leapweek-12 |
| 10 9 10 6 10 9 10 10 6 10 9 10 |
« Just » Chromatic |
| 8 8 8 8 8 8 8 8 8 8 8 8 8 5 |
Octacot-14 |
| 7 7 7 7 7 7 7 7 7 7 7 11 7 7 7 |
Tertiaseptal-15 |
| 16 16 16 16 16 16 13 |
Tetracot-7 |
| 3 13 3 13 3 13 3 13 13 3 13 3 13 |
Tetracot-13 |
110 tone equal modes:
|
| 21 13 21 21 13 21 |
Lemba-6 |
| 13 8 13 8 13 13 8 13 8 13 |
Lemba-10 |
| 13 4 13 4 13 4 4 13 4 13 4 13 4 4 |
Secant-14 |
| 7 11 7 7 7 11 7 7 7 7 11 7 7 7 |
Sentinel-14 |
| 18 7 7 18 7 7 7 18 7 7 7 |
Squares-11 |
| 11 7 7 7 11 7 7 7 7 11 7 7 7 7 |
Squares-14 |
111 tone equal modes:
|
| 11 8 8 11 8 11 8 11 8 8 11 8 |
Twelve-tone Chromatic (1/29-comma positive), Shrirag-12 |
| 10 9 10 7 10 9 10 10 7 10 9 10 |
« Just » Chromatic |
| 13 13 10 13 13 13 13 10 13 |
Mabila-9 |
| 11 9 11 9 11 9 11 9 11 11 9 |
Machine-11 |
| 9 9 10 9 9 9 10 9 9 9 10 9 |
Misty-12 |
| 11 7 11 7 7 11 7 11 7 7 11 7 7 |
Semisept-13 |
| 12 12 12 5 12 12 12 5 12 12 5 |
Sensi-11 |
112 tone equal modes:
|
| 7 11 11 7 11 7 11 7 11 11 7 11 |
Meantone Chromatic (7/27-comma), Meanpop-12 |
| 5 18 5 5 18 5 5 18 5 5 18 5 |
Blackbirds-12 |
| 9 9 9 9 9 11 9 9 9 9 9 11 |
Injera-12 |
| 9 9 9 9 9 9 2 9 9 9 9 9 9 2 |
Injera-14 |
| 9 7 9 7 9 7 9 7 9 7 9 7 9 7 |
Septimal-14 |
| 11 8 11 11 11 8 11 11 8 11 11 |
Stacks-11 |
| 13 7 13 13 7 13 13 13 7 13 |
Suhajira-10 |
113 tone equal modes:
|
| 10 9 9 10 9 10 9 10 9 9 10 9 |
Meantone Chromatic (1/20-comma), Melkis-12 |
| 17 15 17 15 17 17 15 |
Amity-7 |
| 8 8 13 8 13 8 13 8 13 8 13 |
Kumonga-11 |
| 11 11 11 11 11 11 11 11 11 14 |
Miracle-10 |
| 11 11 11 11 11 11 11 11 11 3 8 3 |
Miracle-12 |
| 5 14 14 5 14 14 14 5 14 14 |
Mohajira-10 |
| 18 18 18 18 18 18 5 |
Spell-7 |
| 13 5 13 5 13 5 13 5 13 5 13 5 5 |
Spell-13 |
114 tone equal modes:
|
| 13 7 7 13 7 13 7 13 7 7 13 7 |
Twelve-tone Chromatic (2/13-comma positive) |
| 10 10 10 7 10 10 10 10 10 7 10 10 |
Diaschismic-12 |
| 11 8 11 8 11 8 11 8 11 8 11 8 |
Hexe-12 |
115 tone equal modes:
|
| 9 10 10 9 10 9 10 9 10 10 9 10 |
Meantone Chromatic (3/23-comma), Preston-12 |
| 15 11 15 11 15 11 15 11 11 |
Orwell-9 |
| 4 11 11 4 11 11 4 11 11 4 11 11 11 |
Orwell-13 |
| 17 7 7 7 7 7 7 7 7 7 7 7 7 7 7 |
Slurpee-15 |
| 7 16 7 16 7 16 7 16 7 16 |
Trisedodge-10 |
| 7 7 9 7 7 9 7 7 9 7 7 9 7 7 9 |
Trisedodge-15 |
116 tone equal modes:
|
| 5 13 13 5 13 5 13 5 13 13 5 13 |
Meantone Chromatic (7/17-comma) |
| 11 9 11 6 11 9 11 11 6 11 9 11 |
« Just » Chromatic |
| 13 11 11 13 11 11 13 11 11 11 |
Submajor-10 |
| 17 17 17 17 17 17 14 |
Tetracot-7 |
| 3 14 3 14 3 14 3 14 14 3 14 3 14 |
Tetracot-13 |
117 tone equal modes:
|
| 8 11 11 8 11 8 11 8 11 11 8 11 |
Meantone Chromatic (4/19-comma), Meridetone-12 |
| 4 15 15 4 15 15 4 15 15 15 |
Migration-10 |
| 4 15 15 4 15 15 15 4 15 15 |
Mohajira-10 |
118 tone equal modes:
|
| 11 9 9 11 9 11 9 11 9 9 11 9 |
Meantone Chromatic (1/83-comma), Helmholtz-12 |
| 11 9 11 7 11 9 11 11 7 11 9 11 |
« Just » Chromatic |
| 10 9 10 10 10 10 10 9 10 10 10 10 |
Bischismic-12 |
| 5 22 5 22 5 5 22 5 22 5 |
Doublewide-10 |
| 5 5 17 5 5 17 5 5 5 17 5 5 17 5 |
Doublewide-14 |
| 11 5 11 11 5 11 5 11 5 11 11 5 11 5 |
Hedgehog-14 |
| 19 19 19 19 19 23 |
Hemithirds-6 |
| 19 19 19 19 19 19 4 |
Hemithirds-7 |
| 15 4 15 4 15 4 15 4 15 4 15 4 4 |
Hemithirds-13 |
| 23 23 23 26 23 |
Rodan-5 |
| 20 3 20 3 20 3 20 3 3 20 3 |
Rodan-11 |
| 9 11 9 9 11 9 11 9 9 11 9 11 |
Schismic-12 |
| 17 7 7 7 7 7 7 17 7 7 7 7 7 7 |
Vishnu-14 |
119 tone equal modes:
|
| 7 12 12 7 12 7 12 7 12 12 7 12 |
Meantone Chromatic (2/7-comma), Zarlino |
| 10 10 10 9 10 10 10 10 10 10 10 10 |
Ripple-12 |
| 13 13 13 5 13 13 13 5 13 13 5 |
Sensi-11 |
120 tone equal modes:
|
| 4 23 4 4 23 4 23 4 4 23 4 |
Myna-11 |
| 4 4 19 4 4 4 19 4 4 4 19 4 4 19 4 |
Myna-15 |
| 11 11 11 5 11 11 11 11 11 5 11 11 |
Pajara-12 |
| 5 17 5 5 17 5 17 5 5 17 5 17 |
Superpyth-12 |
121 tone equal modes:
|
| 13 8 8 13 8 13 8 13 8 8 13 8 |
Twelve-tone Chromatic (1/10-comma positive), Leapday-12 |
| 11 10 11 7 11 10 11 11 7 11 10 11 |
« Just » Chromatic |
| 10 17 10 10 17 10 10 17 10 10 |
Golden-10 |
| 10 10 7 10 10 10 7 10 10 10 7 10 10 |
Golden-13 |
| 7 9 7 9 7 9 7 9 7 9 7 9 7 9 9 |
Hemikleismic-15 |
| 7 25 7 25 7 25 25 |
Kleismic-7 |
| 7 7 18 7 18 7 7 18 7 7 18 |
Kleismic-11 |
| 7 7 7 11 7 7 7 11 7 7 7 11 7 7 11 |
Kleismic-15 |
| 19 16 19 16 19 16 16 |
Ptolemy-7 |
122 tone equal modes:
|
| 9 11 11 9 11 9 11 9 11 11 9 11 |
Meantone Chromatic (1/6-comma), Evelyne-12 |
| 17 5 17 17 5 17 5 17 17 5 |
Astrology-10 |
| 5 34 5 34 5 5 34 |
Marveltri-7 |
| 11 11 11 6 11 11 11 11 11 6 11 11 |
Pajara-12 |
123 tone equal modes:
|
| 18 18 5 18 18 5 18 18 5 |
Oodako-9 |
| 10 7 7 10 7 10 7 7 10 7 10 7 7 10 7 |
Ternary-15 |
| 8 8 8 8 8 8 8 8 8 8 8 11 8 8 8 |
Valentine-15 |
| 13 13 8 13 13 8 13 13 8 13 8 |
Wilson Golden-11 |
124 tone equal modes:
|
| 15 7 7 15 7 15 7 15 7 7 15 7 |
Twelve-tone Chromatic (5/24-comma positive) |
| 11 6 11 11 6 11 6 11 6 11 11 6 11 6 |
Hedgehog-14 |
| 9 9 9 9 9 8 9 9 9 9 9 9 8 9 |
Injerous-14 |
125 tone equal modes:
|
| 11 10 10 11 10 11 10 11 10 10 11 10 |
Meantone Chromatic (1/19-comma) |
| 4 15 15 4 15 4 15 4 15 15 4 15 |
Meantone Chromatic (1/2-comma) |
| 12 9 12 7 12 9 12 12 7 12 9 12 |
« Just » Chromatic |
| 23 23 5 23 23 5 23 |
Iranian Diatonic |
| 7 7 7 12 7 7 7 12 7 7 7 12 7 7 12 |
Catakleismic-15 |
| 12 9 12 7 12 9 12 12 12 4 12 12 |
Marvel-12 |
126 tone equal modes:
|
| 7 13 13 7 13 7 13 7 13 13 7 13 |
Meantone Chromatic (5/16-comma) |
| 11 4 11 11 4 11 11 11 4 11 11 4 11 11 |
Anguirus-14 |
| 17 6 17 17 6 17 6 17 17 6 |
Astrology-10 |
| 11 11 11 8 11 11 11 11 11 8 11 11 |
Diaschismic-12 |
| 17 17 17 24 17 17 17 |
Porcupine-7 |
| 17 17 17 17 17 17 17 7 |
Porcupine-8 |
127 tone equal modes:
|
| 10 11 11 10 11 10 11 10 11 11 10 11 |
Meantone Chromatic (1/8-comma) |
| 8 13 8 8 8 13 8 8 8 8 13 8 8 8 |
Sentinel-14 |
128 tone equal modes:
|
| 13 9 9 13 9 13 9 13 9 9 13 9 |
Twelve-tone Chromatic (1/18-comma positive) |
| 12 10 12 7 12 10 12 12 7 12 10 12 |
« Just » Chromatic |
| 20 17 20 17 20 17 17 |
Ptolemy-7 |
| 25 25 25 28 25 |
Rodan-5 |
| 22 3 22 3 22 3 22 3 3 22 3 |
Rodan-11 |
129 tone equal mode:
|
| 19 19 5 19 19 5 19 19 5 |
Oodako-9 |
130 tone equal modes:
|
| 13 9 9 9 9 9 9 9 9 9 9 9 9 9 |
Belauensis-14 |
| 4 9 9 9 9 9 9 9 9 9 9 9 9 9 9 |
Belauensis-15 |
| 11 10 11 11 11 11 11 10 11 11 11 11 |
Bischismic-12 |
131 tone equal modes:
|
| 8 13 13 8 13 8 13 8 13 13 8 13 |
Golden Meantone Chromatic |
| 21 17 21 17 21 17 17 |
Mohaha-7 |
| 9 9 9 14 9 9 9 9 9 9 9 9 9 9 |
Nautilus-14 |
133 tone equal modes:
|
| 14 9 9 14 9 14 9 14 9 9 14 9 |
Twelve-tone Chromatic (1/12-comma positive), Wustaf-12 |
| 13 13 13 13 13 13 13 13 13 16 |
Miracle-10 |
| 13 13 13 13 13 13 13 13 13 3 10 3 |
Miracle-12 |
134 tone equal mode:
|
| 13 13 13 2 13 13 13 13 13 2 13 13 |
Semimiracle-12 |
135 tone equal modes:
|
| 13 10 10 13 10 13 10 13 10 10 13 10 |
Twelve-tone Chromatic (1/80-comma positive), Batteuse-12 |
| 13 10 13 7 13 10 13 13 7 13 10 13 |
« Just » Chromatic |
| 10 13 10 10 13 10 13 10 10 13 10 13 |
Schismic-12 |
136 tone equal mode:
|
| 9 13 13 9 13 9 13 9 13 13 9 13 |
Meantone Chromatic (5/22-comma), Wallaby-12 |
137 tone equal modes:
|
| 12 11 11 12 11 12 11 12 11 11 12 11 |
Meantone Chromatic (1/18-comma) |
| 13 10 13 8 13 10 13 13 8 13 10 13 |
« Just » Chromatic |
| 18 13 18 13 18 13 18 13 13 |
Orwell-9 |
| 5 13 13 5 13 13 5 13 13 5 13 13 13 |
Orwell-13 |
138 tone equal modes:
|
| 4 21 21 4 21 21 4 21 21 |
Terrain-9 |
| 4 17 4 17 4 4 17 4 17 4 4 17 4 17 4 |
Terrain-15 |
139 tone equal modes:
|
| 11 12 12 11 12 11 12 11 12 12 11 12 |
Meantone Chromatic (1/8-comma), Lalagu-12 |
| 9 9 9 9 9 9 9 9 9 9 9 13 9 9 9 |
Valentine-15 |
140 tone equal modes:
|
| 13 11 13 8 13 11 13 13 8 13 11 13 |
« Just » Chromatic |
| 7 17 17 7 17 17 7 17 17 17 |
Hemififths-10 |
| 8 29 8 29 8 29 29 |
Kleismic-7 |
| 8 8 21 8 21 8 8 21 8 8 21 |
Kleismic-11 |
| 8 8 8 13 8 8 8 13 8 8 8 13 8 8 13 |
Kleismic-15 |
| 9 9 9 9 9 9 9 9 9 9 9 14 9 9 9 |
Tertiaseptal-15 |
| 12 12 11 12 12 11 12 12 11 12 12 11 |
Undim-12 |
141 tone equal modes:
|
| 10 13 13 10 13 10 13 10 13 13 10 13 |
Meantone Chromatic (4/21-comma) |
| 5 18 18 5 18 18 18 5 18 18 |
Mohajira-10 |
| 9 14 9 9 9 14 9 9 9 9 14 9 9 9 |
Sentinel-14 |
142 tone equal mode:
|
| 13 11 11 13 11 13 11 13 11 11 13 11 |
Meantone Chromatic (1/39-comma), Photia-12 |
143 tone equal mode:
|
| 9 14 14 9 14 9 14 9 14 14 9 14 |
Meantone Chromatic (19/75-comma) |
144 tone equal modes:
|
| 13 13 13 7 13 13 13 13 13 7 13 13 |
Pajara-12 |
| 8 13 13 8 13 8 13 13 8 13 13 8 13 |
Phi-12 |
| 7 7 19 7 19 7 19 7 7 19 7 19 |
Quasisuper-12 |
145 tone equal modes:
|
| 8 15 15 8 15 8 15 8 15 15 8 15 |
Meantone Chromatic (6/19-comma), Meanenneadecal-12 |
| 22 19 22 19 22 22 19 |
Amity-7 |
| 39 7 39 7 39 7 7 |
Magic-7 |
| 32 7 7 7 32 7 7 32 7 7 |
Magic-10 |
| 25 7 7 7 25 7 7 7 25 7 7 7 7 |
Magic-13 |
146 tone equal mode:
|
| 11 13 13 11 13 11 13 11 13 13 11 13 |
Meantone Chromatic (2/13-comma) |
147 tone equal modes:
|
| 14 11 11 14 11 14 11 14 11 11 14 11 |
Twelve-tone Chromatic (1/251-comma positive), Schism-12 |
| 14 11 14 8 14 11 14 14 8 14 11 14 |
« Just » Chromatic |
| 25 22 25 25 25 25 |
Baldy-6 |
| 22 3 22 3 22 3 22 22 3 22 3 |
Baldy-11 |
148 tone equal modes:
|
| 11 13 13 11 13 13 11 13 13 11 13 13 |
Bidia-12 |
| 13 16 16 13 16 13 16 16 13 16 |
Echidnic-10 |
| 5 19 19 5 19 19 5 19 19 19 |
Migration-10 |
| 5 19 19 5 19 19 19 5 19 19 |
Mohajira-10 |
149 tone equal modes:
|
| 13 12 12 13 12 13 12 13 12 12 13 12 |
Meantone Chromatic (1/17-comma), Garibaldy-12 |
| 14 11 14 9 14 11 14 14 9 14 11 14 |
« Just » Chromatic |
150 tone equal mode:
|
| 11 11 11 11 11 11 11 11 11 11 11 11 11 7 |
Morrison Octacot-14 |
151 tone equal modes:
|
| 12 13 13 12 13 12 13 12 13 13 12 13 |
Meantone Chromatic (1/9-Pythagorean comma) |
| 19 8 8 19 8 19 8 19 8 8 19 8 |
Twelve-tone Chromatic (1/4-comma positive), Reverse Meantone-12 |
152 tone equal modes:
|
| 15 11 11 15 11 15 11 15 11 11 15 11 |
Twelve-tone Chromatic (1/32-comma positive), Kwai-12 |
| 14 12 14 9 14 12 14 14 9 14 12 14 |
« Just » Chromatic |
| 23 20 23 20 23 23 20 |
Amity-7 |
| 13 10 10 13 10 10 10 13 10 10 13 10 10 10 |
Hemiamity-14 |
| 11 15 11 11 15 11 15 11 11 15 11 15 |
Schismic-12 |
| 13 13 12 13 13 12 13 13 12 13 13 12 |
Undim-12 |
| 22 9 9 9 9 9 9 22 9 9 9 9 9 9 |
Vishnu-14 |
153 tone equal mode:
|
| 11 14 14 11 14 11 14 11 14 14 11 14 |
Meantone Chromatic (2/11-comma), Silbermann-12 |
155 tone equal mode:
|
| 17 10 10 17 10 17 10 17 10 10 17 10 |
Twelve-tone Chromatic (3/25-comma positive), Algebraic Leapfrog-12 |
159 tone equal mode:
|
| 13 13 16 9 16 11 14 15 11 16 9 16 |
Yarman-12 |
160 tone equal mode:
|
| 11 15 15 11 15 11 15 11 15 15 11 15 |
Meantone Chromatic (6/29-comma) |
161 tone equal modes:
|
| 14 13 13 14 13 14 13 14 13 13 14 13 |
Meantone Chromatic (1/16-comma) |
| 15 12 15 10 15 12 15 15 10 15 12 15 |
« Just » Chromatic |
162 tone equal mode:
|
| 15 13 15 9 15 13 15 15 9 15 13 15 |
« Just » Chromatic |
163 tone equal mode:
|
| 13 14 14 13 14 13 14 13 14 14 13 14 |
Meantone Chromatic (3/25-comma) |
164 tone equal modes:
|
| 9 17 17 9 17 9 17 9 17 17 9 17 |
Meantone Chromatic (7/22-comma) |
| 15 13 15 10 15 13 15 15 10 15 13 15 |
« Just » Chromatic |
166 tone equal modes:
|
| 15 13 13 15 13 15 13 15 13 13 15 13 |
Meantone Chromatic (1/29-comma) |
| 16 12 16 9 16 12 16 16 16 5 16 16 |
Marvel-12 |
| 28 25 28 25 28 32 |
Hecatehex |
167 tone equal mode:
|
| 18 11 11 18 11 18 11 18 11 11 18 11 |
Twelve-tone Chromatic (3/29-comma positive) |
169 tone equal mode:
|
| 17 12 12 17 12 17 12 17 12 12 17 12 |
Twelve-tone Chromatic (1/21-comma positive), Argent-12 |
171 tone equal modes:
|
| 16 13 13 16 13 16 13 16 13 13 16 13 |
Meantone Chromatic (1/107-comma), Pontiac-12 |
| 16 13 16 10 16 13 16 16 10 16 13 16 |
« Just » Chromatic |
| 13 16 13 13 16 13 16 13 13 16 13 16 |
Schismic-12 |
| 14 14 15 14 14 14 15 14 14 14 15 14 |
Term-12 |
| 5 26 26 5 26 26 5 26 26 |
Terrain-9 |
| 5 21 5 21 5 5 21 5 21 5 5 21 5 21 5 |
Terrain-15 |
| 11 11 11 11 11 11 11 11 11 11 11 17 11 11 11 |
Tertiaseptal-15 |
| 20 20 20 20 20 20 20 20 11 |
Tsaharuk-9 |
174 tone equal modes:
|
| 11 17 17 11 17 11 17 11 17 17 11 17 |
Meantone Chromatic (1/4-comma), Milliet de Chales-12 |
| 14 14 14 14 14 17 14 14 14 14 14 17 |
Injera-12 |
| 14 14 14 14 14 14 3 14 14 14 14 14 14 3 |
Injera-14 |
| 13 13 13 13 13 9 13 13 13 13 13 13 9 13 |
Injerous-14 |
175 tone equal modes:
|
| 14 15 15 14 15 14 15 14 15 15 14 15 |
Meantone Chromatic (2/17-comma) |
| 17 17 17 17 17 17 17 17 17 22 |
Miracle-10 |
| 17 17 17 17 17 17 17 17 17 5 12 5 |
Miracle-12 |
176 tone equal modes:
|
| 17 13 13 17 13 17 13 17 13 13 17 13 |
Twelve-tone Chromatic (1/68-comma positive) |
| 16 14 16 11 16 14 16 16 11 16 14 16 |
« Just » Chromatic |
177 tone equal modes:
|
| 13 16 16 13 16 13 16 13 16 16 13 16 |
Meantone Chromatic (9/53-comma) |
| 20 11 11 20 11 20 11 20 11 11 20 11 |
Twelve-tone Chromatic (1/7-comma positive) |
| 13 13 13 13 13 13 13 13 13 13 13 13 13 8 |
Octacot-14 |
180 tone equal mode:
|
| 8 29 8 8 29 8 8 29 8 8 29 8 |
Blackbirds-12 |
181 tone equal mode:
|
| 17 14 17 10 17 14 17 17 10 17 14 17 |
« Just » Chromatic |
183 tone equal modes:
|
| 17 14 14 17 14 17 14 17 14 14 17 14 |
Meantone Chromatic (1/68-comma), Countermeantone-12 |
| 17 14 17 11 17 14 17 17 11 17 14 17 |
« Just » Chromatic |
| 15 15 16 15 15 15 16 15 15 15 16 15 |
Term-12 |
185 tone equal modes:
|
| 19 10 19 12 17 19 12 17 12 19 17 12 |
Novadene |
| 19 29 12 36 12 29 19 29 |
Smith’s Nova |
| 12 24 12 12 17 19 12 17 12 19 17 12 |
Starling-12 |
187 tone equal mode:
|
| 15 16 16 15 16 15 16 15 16 16 15 16 |
Meantone Chromatic (3/26-comma) |
190 tone equal modes:
|
| 17 15 15 17 15 17 15 17 15 15 17 15 |
Meantone Chromatic (1/24-comma) |
| 18 14 18 11 18 14 18 18 11 18 14 18 |
« Just » Chromatic |
| 37 24 37 13 37 5 37 |
Maxx |
| 24 13 24 13 5 32 5 24 13 24 13 |
Septicyc |
| 13 24 13 24 18 24 13 24 13 24 |
Suzz |
196 tone equal mode:
|
| 21 13 21 13 21 13 13 21 13 21 13 13 |
Twelve-tone Chromatic (1/10-comma positive) |
197 tone equal modes:
|
| 17 16 16 17 16 17 16 17 16 16 17 16 |
Meantone Chromatic (1/15-comma), Minsys-12 |
| 19 44 19 33 19 44 19 |
Double Harmonic Major, Major Gipsy |
| 11 11 11 19 11 11 11 19 11 11 11 19 11 11 19 |
Catakleismic-15 |
| 44 19 19 33 11 33 19 19 |
Alpharab |
| 19 14 19 11 19 14 19 19 11 22 11 19 |
BlueJI |
| 14 19 11 19 19 14 19 19 11 14 19 19 |
Hexy |
198 tone equal mode:
|
| 17 10 15 10 17 15 15 17 10 15 10 17 15 15 |
Semicanou-14 |
200 tone equal modes:
|
| 19 15 15 19 15 19 15 19 15 15 19 15 |
Twelve-tone Chromatic (1/478-comma positive) |
| 19 15 19 11 19 15 19 19 11 19 15 19 |
« Just » Chromatic |
| 17 17 16 17 17 16 17 17 16 17 17 16 |
Undim-12 |
| 13 13 13 13 13 13 13 13 13 13 13 18 13 13 13 |
Valentine-15 |
202 tone equal modes:
|
| 19 15 19 12 19 15 19 19 12 19 15 19 |
« Just » Chromatic |
| 20 39 6 39 14 39 6 39 |
Oktone |
| 13 13 13 13 13 13 13 13 13 13 13 20 13 13 13 |
Tertiaseptal-15 |
205 tone equal modes:
|
| 13 20 13 20 13 20 20 13 20 13 20 20 |
Meantone Chromatic (1/4-comma) |
| 19 16 19 12 19 16 19 19 12 19 16 19 |
« Just » Chromatic |
| 31 27 31 27 31 31 27 |
Amity-7 |