Traduction de la page: https://www.huygens-fokker.org/docs/modename.html
Liste des modes musicaux
Appartient au programme Scala , voir commande MODE. Créé par Manuel Op de Coul.
Nombre de modes : 3146 Nombre maximum de notes : 15
Les nombres représentent le nombre de degrés d’échelle entre les tons consécutifs du mode, en commençant par la tonique. Ainsi, pour les modes 12 tons, ce sont des demi-tons, pour les modes 24 tons, des quarts de ton, etc., mais pour les gammes parentes inégales, uniquement les premiers. Cette liste précise uniquement quelles notes sont utilisées dans un mode, raga, maqam, etc. en ignorant tous les autres aspects. Cette liste ignore également les variétés qui peuvent exister pour des modes donnés dans différentes régions d’une culture. Les huit tons ou modes liturgiques byzantins peuvent varier dans leur note finale ou finale, et même dans leur genre, selon le type de texte défini. Les listes reflètent la description par un théoricien donné d’un mode spécifié, ou souvent, d’une forme de ce mode.
Un nombre entre [] indique une autre note de départ que le degré implicite 0.
Les gammes chromatiques méantoniques (systèmes négatifs), les gammes chromatiques à douze tons (systèmes positifs) et leurs modes majeurs et mineurs sont du type pythagoricien à 3 limites. Les gammes marquées Just sont des approximations des gammes juste à 5 limites, ainsi que des gammes mineures naturelles, mélodiques et harmoniques. Lorsque les noms sont précédés de G., il s’agit d’un mode grec, et M. indique un mode médiéval (ecclésiastique). Les derniers noms les plus courants ont été donnés par Boèce qui les a confondus. Parfois, le nom est le même : GM Là où les noms grecs n’ont pas ce préfixe, l’ordre grec est utilisé.
6 modes égaux de tonalité : |
|
1 5 | Diton vietnamien |
5 1 | Warao ditonique : Amérique du Sud |
1 2 1 2 | Messiaen mode tronqué 6 |
2 1 2 1 | Messiaen mode tronqué 6 inverse |
1 1 1 1 1 1 | Ton entier, Messiaen mode 1, Raga Gopriya, Anhemitonic Hexatonic |
7 modes de tonalité : |
|
1 1 2 1 2 | Mode thaïlandais 1 |
1 2 1 2 1 | Mode thaïlandais 2 |
2 1 2 1 1 | Mode thaïlandais 3 |
1 2 1 1 2 | Mode thaïlandais 5 |
2 1 1 2 1 | Mode thaïlandais 6 |
7 modes de tonalité de pelog : |
|
Pelog n’est pas un tempérament égal à 7 tons. Une échelle pelog typique est | |
0, 122, 271, 571, 677, 785, 947 centimes. | |
1 1 2 1 2 | Patet Lima, Patet Nem, Jawar, Selisir |
[1] 1 2 1 1 2 | Patet Barang |
1 2 1 1 2 | Patet Lima, Nem avec Pelog |
[1] 1 1 2 1 2 | Patet Barang avec Pelog, Manangis, Pengenter 2 |
[2] 1 1 2 1 2 | Liwung, Pengenter 1, Baro |
[3] 1 1 2 1 2 | Tembung |
[4] 1 1 2 1 2 | Nyorog, Sunaren |
[5] 1 1 2 1 2 | Nyorog Handap, Pengenter Alit |
[5] 1 2 1 1 2 | Slendro Gédé |
[6] 1 1 2 1 2 | Pengenter Gédé |
2 1 1 2 1 | Pélog |
1 3 1 1 1 | Dangsoé |
1 2 1 2 1 | Bem, Pengenter |
2 1 2 1 1 | Miring, Slendro 2 |
1 1 1 3 1 | Manyura |
1 1 1 1 1 1 1 | Lebeng |
[1] 1 2 2 2 | Jegog |
[4] 2 1 2 1 1 | Slendro 1 |
[1] 2 1 2 1 1 | Slendro 3 |
[3] 2 1 2 1 1 | Slendro 4 |
[6] 3 1 1 2 | Slendro Alit |
8 modes égaux de tonalité : |
|
2 1 2 2 1 | Agmon Diatonique DS1 |
2 2 1 2 1 | Père-5 |
9 modes égaux de tonalité : |
|
1 3 1 3 1 | Pentatonique symétrique |
3 1 1 3 1 | Pelog Pancanada : Coupe glacée |
3 1 3 1 1 | “Sorog” à neuf tons : Sunda |
1 2 1 1 2 1 1 | Pelog Saptanada : Sonde |
1 1 1 1 1 1 1 1 1 | Pelog Nawanada : Sonde |
2 1 2 1 2 1 | Août-6 |
1 1 3 1 3 | Pélogic-5 |
1 1 2 1 1 1 2 | Pseudo Pelog, Pelogic-7, Antiionien |
2 1 2 2 2 | Noll Pseudo-diatonique |
10 modes égaux de tonalité : |
|
3 1 2 3 1 | Pelog Degung : Sonde |
3 1 3 2 1 | Sorog Madenda : Sundae |
2 1 1 2 2 1 1 | Pseudo rast |
2 1 1 2 1 2 1 | Sethares Neutre, Beatles-7, Dichotique-7 |
1 2 2 1 2 2 | Décibel-6 |
2 1 2 2 1 2 | Lemba-6 |
1 1 2 1 1 1 2 1 | Supersharp-8 |
1 1 1 1 2 1 1 1 1 | Yoyo et Latrizo-9 |
11 modes égaux de tonalité : |
|
3 1 1 3 1 1 1 | Jeanne-7 |
2 1 1 1 2 1 1 1 1 | Jeanne-9 |
2 3 2 2 2 | Machine-5 |
2 2 1 2 2 2 | Machine-6 |
1 2 2 1 2 1 2 | Orgone-7 |
1 3 1 3 3 | Sentinelle-5 |
1 1 2 1 1 2 1 2 | Sentry-8, Antidylathien |
2 1 2 1 2 1 2 | Superkleismique-7 |
2 2 2 2 1 2 | Schulter Hexatonic |
2 3 1 3 2 | Swooning Rushes |
1 1 4 1 4 | Quadriolic Diatonic |
12 tone modes: |
|
2 10 | Vietnamese ditonic |
5 7 | Honchoshi: Japan |
7 5 | Niagari: Japan |
10 2 | Warao ditonic: South America |
3 2 7 | Vietnamese tritonic |
3 4 5 | Ute tritonic, Peruvian tritonic 2 |
4 3 5 | Raga Malasri, Peruvian tritonic 1 |
4 5 3 | Raga Bilwadala |
5 2 5 | Raga Sarvasri, Warao tritonic: South America |
5 5 2 | Sansagari: Japan |
6 1 5 | Raga Ongkari |
1 5 1 5 | Messiaen truncated mode 5 |
5 1 5 1 | Messiaen truncated mode 5 inverse |
2 4 2 4 | Messiaen truncated mode 6 |
4 2 4 2 | Messiaen truncated mode 6 inverse |
1 4 3 4 | Raga Lavangi, Gowleeswari |
2 1 7 2 | Warao tetratonic: South America |
2 2 3 5 | Eskimo tetratonic (Alaska: Bethel) |
3 2 2 5 | Vietnamese tetratonic |
2 3 2 5 | Genus primum |
2 3 3 4 | Raga Haripriya |
2 3 4 3 | Raga Bhavani |
2 4 5 1 | Raga Sumukam |
4 2 5 1 | Raga Nigamagamini |
4 3 3 2 | Raga Mahathi, Antara Kaishiaki |
3 4 3 2 | Bi Yu: China |
5 2 3 2 | Genus primum inverse |
2 3 2 1 4 | Han-kumoi: Japan, Raga Shobhavari, Sutradhari |
2 1 4 1 4 | Aeolian Pentatonic, Hira-joshi, Kata-kumoi, Yona Nuki Minor: Japan, Tizita Minor (Half tizita): Ethiopia |
1 4 2 1 4 | Hon-kumoi-joshi, Sakura, Akebono II: Japan, Olympos Enharmonic, Raga Gunakri (Gunakali), Latantapriya, Salanganata, Saveri, Ambassel: Ethiopia |
1 4 2 3 2 | Kokin-joshi, Miyakobushi, Han-Iwato, In Sen: Japan, Raga Bairagi, Lasaki, Vibhavari (Revati) |
1 4 1 4 2 | Iwato: Japan |
2 3 2 2 3 | Scottish Pentatonic, Blues Major, Ritusen, Ritsu (Gagaku): Japan, Zhi, Zheng: China, Ujo, P’yongjo: Korea, Bac: Vietnam, Lai Soutsanaen, Lai Po Sai, Lai Soi: Laos, Raga Arabhi, Devakriya, Durga, Jaldhar Kedar, Suddha Saveri, Major complement |
2 2 3 2 3 | Major Pentatonic, Ryosen, Yona Nuki Major: Japan, Man Jue, Gong: China, Raga Bhopali (Bhup), Bilahari, Deskar, Kokila, Jait Kalyan, Mohanam, Peruvian Pentatonic 1, Ghana Pentatonic 2, Tizita Major: Ethiopia |
2 3 2 3 2 | Suspended Pentatonic, Raga Madhyamavati, Madhmat Sarang, Megh, Egyptian, Shang, Rui Bin, Jin Yu, Qing Yu: China, Yo: Japan, Ngu Cung Dao: Vietnam, Yematebela wofe: Ethiopia |
2 3 3 2 2 | Chaio: China |
2 2 2 3 3 | Kung: China |
1 4 2 2 3 | Altered Pentatonic, Raga Manaranjani II |
4 2 1 4 1 | Lydian Pentatonic, Raga Amritavarshini, Malashri, Shilangi, Batti Lydian: Ethiopia |
1 2 4 1 4 | Phrygian Pentatonic, Balinese Pelog, Madenda Modern, Raga Bhupalam, Bhupala Todi, Bibhas |
2 1 2 4 3 | Raga Abhogi |
2 1 2 3 4 | Raga Audav Tukhari |
4 1 4 2 1 | Raga Bhinna Shadja, Kaushikdhvani, Hindolita |
2 2 3 1 4 | Raga Bhupeshwari, Janasammodini |
2 2 1 2 5 | Raga Budhamanohari |
3 2 4 2 1 | Raga Marga Hindola, Rajeshwari |
3 2 3 3 1 | Raga Chandrakauns (Chandrakosh) (modern, Kiravani) |
3 2 4 1 2 | Raga Audav Bageshri, Chandrakauns (old, Kafi), Surya, Varamu |
2 3 3 3 1 | Raga Chandraprabha, Priyadharshini |
1 2 3 2 4 | Raga Chhaya Todi, Locrian Pentatonic 1 |
1 2 2 3 4 | Raga Chitthakarshini |
2 3 2 4 1 | Raga Desh, Tcherepnin Major Pentatonic, Nam xuan: Vietnam |
1 6 1 3 1 | Raga Deshgaur (Desh Gaud) |
5 2 1 3 1 | Raga Devaranjani (Devaranji) |
3 2 2 3 2 | Minor Pentatonic, Blues Pentatonic, Raga Dhani (Suddha Dhanyasi), Abheri, Udhayaravi Chandrika, Qing Shang, Gu Xian, Jia Zhong, Yu: China, P’yongjo-kyemyonjo: Korea, Minyo: Japan, Lai Yai, Lai Noi: Laos, Nam, Northern Sa mac: Vietnam, Peruvian Pentatonic 2, Batti Minor: Ethiopia |
1 3 3 2 3 | Raga Dhanya Dhaivat, Jait, Rasika Ranjani, Vibhas (Marva), Scriabin |
4 2 1 2 3 | Raga Dhavalashri |
4 1 2 4 1 | Ionian Pentatonic, Raga Gambhiranata, Pelog Degung Modern, Ryukyu: Japan, Vong co: Vietnam, Batti Major: Ethiopia |
1 4 2 4 1 | Raga Gauri |
4 1 3 3 1 | Raga Girija, Bacovia: Romania, Batti Major sharp 5: Ethiopia |
2 3 4 1 2 | Raga Guhamanohari |
1 4 3 2 2 | Raga Gyankali |
2 2 3 4 1 | Raga Hamsadhvani (Hansdhwani, Haunsdhwani) |
3 3 2 2 2 | Raga Harikauns, Chin: China |
4 2 3 2 1 | Raga Hindol (Sunada Vinodini), Sanjh ka Hindol |
3 2 1 4 2 | Raga Jayakauns |
4 3 2 1 2 | Raga Kalawati, Valaji |
4 1 4 1 2 | Raga Khamaji Durga, Rupeshwari |
3 2 2 1 4 | Raga Kokil Pancham |
1 4 3 3 1 | Raga Kshanika |
1 1 6 3 1 | Raga Kumarapriya |
2 2 2 5 1 | Raga Kumurdaki (Kumudaki) |
5 2 2 1 2 | Raga Kuntvarali (Kuntalavarali) |
3 2 3 2 2 | Blues Minor, Raga Malkauns (Malakosh), Raga Hindola, Man Gong, Quan Ming, Yi Ze, Jiao: China, Shegaye: Ethiopia |
4 3 2 2 1 | Raga Mamata |
1 3 3 3 2 | Raga Manaranjani I |
2 5 2 1 2 | Raga Matha Kokila (Matkokil) |
1 3 1 3 4 | Raga Megharanjani, Syrian Pentatonic |
1 3 1 6 1 | Raga Megharanji (Megh Ranjani) |
3 1 3 2 3 | Raga Mohanangi |
3 3 1 4 1 | Raga Multani, Batti Minor sharp 4: Ethiopia |
1 1 4 1 5 | Raga Nabhomani |
4 1 2 2 3 | Raga Nagasvaravali (Naag Saravali), Raga Mand |
3 2 2 4 1 | Raga Nata, Udayaravicandrika, Madhuranjani |
2 2 5 2 1 | Raga Neroshta |
2 1 2 2 5 | Raga Purnalalita, Chad Gadyo: Jewish, Ghana Pentatonic 1, Nando-kyemyonjo: Korea |
5 2 2 2 1 | Raga Puruhutika, Purvaholika |
1 1 6 1 3 | Raga Putrika |
2 3 4 2 1 | Raga Rasranjani |
1 3 3 1 4 | Raga Reva, Revagupti, Ramkali, Vibhas (Bhairava) |
1 2 4 3 2 | Raga Rukmangi |
3 3 1 3 2 | Raga Samudhra Priya, Madhukauns (pentatonic) |
1 5 1 1 4 | Raga Saugandhini, Yashranjani |
3 4 1 2 2 | Raga Shailaja, Varini |
2 4 1 2 3 | Raga Shri Kalyan |
2 4 3 2 1 | Raga Shubravarni |
2 4 1 4 1 | Raga Vaijayanti, Hamsanada |
4 1 2 1 4 | Raga Zilaf |
2 2 3 3 2 | Dominant Pentatonic |
2 1 4 2 3 | Dorian Pentatonic, Raga Sivaranjini (Shivaranjani), Akebono I: Japan |
4 1 2 3 2 | Mixolydian Pentatonic, Nam ai, Oan: Vietnam, Raga Savethri |
3 1 2 4 2 | Locrian Pentatonic 2 |
3 2 2 2 3 | Minor added Sixth Pentatonic, Kyemyonjo: Korea |
2 2 2 2 2 2 | Whole-tone, Messiaen mode 1, Raga Gopriya, Anhemitonic Hexatonic |
2 2 3 2 2 1 | Lydian Hexatonic, Raga Kumud, Sankara (Shankara), Prabhati |
2 3 2 2 1 2 | Mixolydian Hexatonic, P’yongjo: Korea, Yosen: Japan, Raga Darbar, Narayani, Suposhini, Andolika, Gorakh Kalyan, Rakta Hauns |
3 2 2 1 2 2 | Phrygian Hexatonic, Raga Desya Todi, Gopikavasantam (Gopika Basant), Jayantasri |
2 2 1 2 2 3 | Arezzo Major Diatonic Hexachord, Guidonian Hexachord, Scottish Hexatonic, Raga Kambhoji, Devarangini, Hem Kalyan, Sama (Syama) |
2 1 2 2 3 2 | Minor Hexatonic, Raga Manirangu, Nayaki, Palasi, Pushpalithika (Puspalatika), Suha Sughrai, Yo: Japan, Eskimo Hexatonic 1 (Alaska: King Island) |
1 2 2 3 2 2 | Locrian Hexatonic, Ritsu: Japan, Raga Suddha Todi |
2 2 2 3 1 2 | Prometheus (Scriabin), Mystic, Raga Barbara |
1 3 2 3 1 2 | Prometheus Neapolitan |
3 2 1 1 3 2 | Blues scale I, Raga Nileshwari |
2 2 2 2 3 1 | Eskimo Hexatonic 2 (Alaska: Point Hope) |
2 1 4 2 2 1 | Hawaiian |
1 2 2 1 4 2 | Honchoshi plagal form: Japan |
2 1 2 1 3 3 | Pyramid Hexatonic |
1 2 1 2 1 5 | Istrian: Croatia |
1 2 2 1 3 3 | Double-Phrygian Hexatonic |
1 1 3 1 3 3 | Schoenberg Signature Hexachord |
2 1 2 2 1 4 | Raga Adi Bhairavi |
2 1 3 1 4 1 | Raga Amarasenapriya |
2 1 2 4 1 2 | Raga Bagesri, Sriranjani, Kapijingla, Jayamanohari |
1 3 1 2 1 4 | Raga Bangal Bhairav, Geyahejjajji, Kannadabangala, Malahari, Purna Pancama |
1 3 3 1 3 1 | Raga Bauli, Prabhavati, Shreetank, Triveni |
3 1 1 2 3 2 | Raga Bhanumanjari, Jog |
1 2 3 2 2 2 | Raga Bhavani |
2 3 2 1 3 1 | Raga Bhinna Pancama |
2 3 2 3 1 1 | Raga Brindabani Sarang, Megh (Megh Malhar) |
2 2 2 1 4 1 | Raga Caturangini, Ratnakanthi |
1 1 4 1 2 3 | Raga Chandrajyoti |
1 5 1 1 3 1 | Raga Chandra Kalyan |
2 3 2 2 2 1 | Raga Chandrika, Nagagandhari |
1 3 2 1 1 4 | Raga Dhavalangam |
2 2 1 1 1 5 | Raga Dipak |
1 2 2 2 3 2 | Raga Gandharavam, Sabai silt: Ethiopia |
1 3 1 2 4 1 | Raga Gaula |
2 1 2 3 3 1 | Raga Ghantana, Kaushiranjani (Kaishikiranjani) |
1 2 3 2 3 1 | Raga Gurjari Todi |
1 3 2 3 2 1 | Raga Hamsanandi, Marva, Pancama, Puriya, Sohni (Sohoni) |
2 2 1 4 2 1 | Raga Hamsa Vinodini, Uday Ravi Chandrika |
4 1 2 2 2 1 | Raga Hari Nata, Genus secundum |
1 3 2 2 1 3 | Raga Hejjajji |
2 4 1 1 2 2 | Raga Jaganmohanam |
1 2 3 1 1 4 | Raga Jaiwanti |
2 2 3 2 1 2 | Raga Janasamohini |
3 2 2 2 1 2 | Raga Jayant, Malavasri, Manohari, Udan Chandrika |
1 4 2 2 2 1 | Raga Jivantika |
3 3 1 3 1 1 | Raga Jivantini, Gaurikriya |
4 2 1 1 2 2 | Raga Jyoti |
1 3 3 1 1 3 | Raga Kalagada (Kalgada) |
1 4 2 1 1 3 | Raga Kalakanthi |
1 3 1 2 2 3 | Raga Kalavati, Mangal Bhairav, Ragamalini |
4 1 2 1 2 2 | Raga Kamal Manohari |
5 2 2 1 1 1 | Raga Kantal Varari |
1 2 4 1 2 2 | Raga Kashyapi |
4 1 2 2 1 2 | Raga Khamas, Desya Khamas, Bahudari |
2 1 4 3 1 1 | Raga Kohal |
2 1 4 2 1 2 | Raga Kolhaas, Manavi |
1 3 1 3 3 1 | Raga Lalita, Sohini, Hamsanandi, Lalit Bhairav |
2 2 3 1 3 1 | Raga Latika |
3 3 1 2 1 2 | Raga Madhukauns (hexatonic) |
2 1 2 2 4 1 | Raga Madhuranjani, Sindhura Kafi |
2 4 1 3 1 1 | Raga Malarani, Hamsanada |
1 3 3 2 1 2 | Raga Malayamarutam |
1 3 3 2 2 1 | Raga Malin |
1 3 2 1 4 1 | Raga Mandari, Gamakakriya, Hamsanarayani, Haunsnad, Koumari |
2 2 2 3 2 1 | Raga Mruganandana, Raj Kalyan |
2 2 1 2 4 1 | Raga Nalinakanti, Kedaram, Vilasini |
2 3 2 1 2 2 | Raga Navamanohari, Shobhavari |
2 1 3 2 1 3 | Raga Neelangi |
2 4 1 2 2 1 | Raga Nishadi |
1 4 2 1 3 1 | Raga Padi |
4 1 2 1 3 1 | Raga Paraju (Paraz, Pharas), Ramamanohari, Sindhu Ramakriya, Kamalamanohari |
1 4 2 1 2 2 | Raga Phenadyuti, Honchoshi, Insen, Niagari: Japan |
2 2 1 4 1 2 | Raga Rageshri (Rageshwari), Nattaikurinji (Natakuranji) |
2 1 3 3 2 1 | Raga Ranjani, Rangini |
2 2 1 1 3 3 | Raga Ras Chandra |
3 1 2 1 4 1 | Raga Rasamanjari |
1 4 2 2 1 2 | Raga Rasavali |
1 3 1 4 1 2 | Raga Rudra Pancama, Naat Kuranjika |
4 2 3 1 1 1 | Raga Saanjh Ki Hindol |
1 2 4 2 1 2 | Raga Salagavarali (Salag Varari) |
2 2 1 3 3 1 | Raga Sarasanana |
2 4 1 2 1 2 | Raga Sarasvati |
4 1 2 1 1 3 | Raga Saravati (Sharavati) |
1 2 3 1 4 1 | Raga Shreevanti |
2 1 3 1 3 2 | Raga Simharava (Sinharavam), Gopikatilaka |
2 2 1 2 3 2 | Raga Siva Kambhoji, Vivardhini, Andhali |
2 1 2 2 2 3 | Raga Suddha Bangala, Gauri Velavali, Pushp |
1 1 3 3 1 3 | Raga Suddha Mukhari |
1 2 2 2 1 4 | Raga Suddha Simantini, Genus secundum inverse |
2 1 3 1 1 4 | Raga Syamalam |
3 2 2 1 3 1 | Raga Takka |
4 1 2 3 1 1 | Raga Tilang, Savitri, Brindabani Tilang, Hauns Shree |
2 1 4 1 2 2 | Raga Trimurti |
1 3 1 1 4 2 | Raga Udasi Bhairav |
1 3 1 4 2 1 | Raga Vasanta, Chayavati |
1 3 1 3 2 2 | Raga Vasantabhairavi |
2 1 3 1 2 3 | Raga Vijayanagari |
1 1 4 1 4 1 | Raga Vijayasri |
4 2 1 3 1 1 | Raga Vijayavasanta |
1 2 2 3 3 1 | Raga Viyogavarali |
4 2 1 2 1 2 | Raga Vutari |
2 2 2 1 2 3 | Raga Yamuna Kalyani, Kalyani Keseri, Airavati, Ancient Chinese |
1 1 4 1 1 4 | Messiaen mode 5, Two-semitone Tritone scale |
4 1 1 4 1 1 | Messiaen mode 5 inverse |
1 3 1 3 1 3 | Messiaen truncated mode 3, Hexatonic Set, Prometheus (Liszt), Genus tertium inverse |
3 1 3 1 3 1 | Messiaen truncated mode 3 inverse, Major Augmented, Genus tertium, Raga Devamani |
1 2 3 1 2 3 | Messiaen truncated mode 2 |
1 3 2 1 3 2 | Messiaen truncated mode 2, Raga Indupriya, Tritone scale |
3 1 2 2 1 3 | Equal temperaments 3 and 4 mixed |
1 2 1 2 4 2 | Superlocrian Hexamirror |
2 1 3 2 3 1 | Takemitsu Tree Line mode 1 |
2 1 3 2 2 2 | Takemitsu Tree Line mode 2 |
G = Greek, M = Medieval (ecclesiastical) | |
1 2 2 1 2 2 2 | G.Mixolydian, G.Hyperdorian, M.Hypophrygian, M.Locrian, G.M.Hyperaeolian, Rut biscale descending, Pien chih: China, Makam Lami, Yishtabach: Jewish |
2 2 1 2 2 2 1 | G.Lydian, M.Ionian, M.Hypolydian, Major, Bilaval That, Mela Shankarabharanam, Raga Atana, Ghana Heptatonic, Peruvian Major, Matzore, Rast ascending: Greece, 4th plagal Byzantine, Ararai: Ethiopia, Makam Cargah, Ajam Ashiran, Dastgah-e Mahur, Dastgah-e Rast Panjgah, Xin: China, DS2, Heptatonia prima |
2 1 2 2 2 1 2 | G.Phrygian, M.Dorian, M.Hypomixolydian, G.M.Hypoionian (Hypoiastian), Kafi That, Mela Kharaharapriya, Raga Bageshri, Bhimpalasi, Huseni, Kanara, Kapi, Nayaki Kanada, Ritigaula, Sriraga, Mischung 5, Gregorian nr.8, Eskimo Heptatonic, Yu: China, Hyojo, Oshikicho, Banshikicho: Japan, Nam: Vietnam |
1 2 2 2 1 2 2 | G.Dorian, M.Phrygian, G.M.Hypoaeolian, Bhairavi That, Mela Hanumatodi, Raga Asavari (Asaveri), Bilashkhani Todi, Ghanta, Makam Kurd, Gregorian nr.3, Escala Andaluza, In, Zokuso: Japan, Ousak: Greece, Major inverse |
2 2 2 1 2 2 1 | G.Hypolydian, M.Lydian, G.M.Hypolocrian, Rut biscale ascending, Kalyan That (Yaman), Mela Mecakalyani, Raga Chandrakant, Malarani, Shuddh Kalyan, Ping, Kung, Gu: China |
2 2 1 2 2 1 2 | G.Hypophrygian, G.Ionian (Iastian), M.Mixolydian, G.M.Hypoionian, Hypermixolydian, Mischung 3, Khamaj That, Mela Harikambhoji, Raga Balahamsa, Bhim, Devamanohari, Harini, Janjhuti, Kaamaai, Khambhavati, Surati, Gregorian nr.7, Enharmonic Byzantine Liturgical, Rast descending: Greece, Ching, Shang: China |
2 1 2 2 1 2 2 | G.M.Hypodorian, G.M.Aeolian, G.Hyperphrygian, Natural Minor, Melodic Minor descending, Asavari That, Mela Natabhairavi, Raga Jaunpuri, Adana, Darbari, Dhanyasi, Jingla, Gregorian nr.2, Makam Buselik, Nihavend, Peruvian Minor, Se, Chiao: China, Geez, Ezel: Ethiopia, Kiourdi descending: Greece, Cushak: Armenia |
1 1 3 1 1 3 2 | Chromatic Mixolydian |
1 3 1 1 3 2 1 | Chromatic Lydian, Raga Lalit, Bhankar, Pancham |
3 1 1 3 2 1 1 | Chromatic Phrygian |
1 1 3 2 1 1 3 | Chromatic Dorian, Mela Kanakangi, Raga Kanakambari |
1 3 2 1 1 3 1 | Chromatic Hypolydian, Purvi (Poorvi) That, Mela Kamavardhani, Raga Shri, Basant, Dhipaka, Pantuvarali, Jaitshree, Kasiramakriya, Maligaura, Puriya Dhanashri, Suddharamakriya, Tanki, Pireotikos: Greece |
3 2 1 1 3 1 1 | Chromatic Hypophrygian, Blues scale III |
2 1 1 3 1 1 3 | Chromatic Hypodorian, Relative Blues scale, Raga Dvigandharabushini |
2 3 1 1 3 1 1 | Chromatic Mixolydian inverse |
1 1 2 3 1 1 3 | Chromatic Phrygian inverse |
1 1 3 1 1 2 3 | Chromatic Hypophrygian inverse, Phrygian Hungarian Minor |
3 1 1 3 1 1 2 | Chromatic Hypodorian inverse |
2 1 2 2 2 2 1 | Melodic Minor ascending, Jazz Minor, Minor-Major, Mela Gaurimanohari, Raga Kedar Bahar, Patdip (Patadeep), Velavali, Deshi(2), Mischung 1, Hawaiian |
2 1 2 2 1 3 1 | Harmonic Minor, Mischung 4, Pilu That, Mela Kiravani, Raga Kiranavali, Kirvani (Kirwani), Kalyana Vasantha, Deshi(3), Maqam Bayat-e-Esfahan, Sultani Yakah, Zhalibny Minor, Armoniko minore: Greece |
1 3 1 2 2 1 2 | Harmonic Minor inverse, Mixolydian flat 2, Mela Cakravaka, Raga Ahir Bhairav, Bindumalini, Hevitri, Vegavahini, Makam Hicaz, Zanjaran |
2 2 1 2 1 3 1 | Harmonic Major, Mischung 2, Mela Sarasangi, Raga Anand Leela, Haripriya, Nat Bhairav, Simhavahini, Ethiopian, Tabahaniotikos: Greece |
1 2 1 3 1 2 2 | Makam Huzzam, Maqam Saba Zamzam, Phrygian flat 4 |
2 2 1 3 1 2 1 | Ionian Augmented, Ionian sharp 5 |
2 2 2 2 1 2 1 | Lydian Augmented, Lydian sharp 5 |
1 2 2 1 3 1 2 | Locrian natural 6, Maqam Tarznauyn |
2 2 1 1 2 2 2 | Major Locrian |
2 1 2 1 2 2 2 | Minor Locrian, Half Diminished, Locrian sharp 2, Minor flat 5 |
1 2 1 2 2 2 2 | Superlocrian, Altered Dominant, Diminished Whole-tone, Locrian flat 4, Pomeroy, Ravel |
2 1 2 1 2 3 1 | Locrian nr.2 |
1 2 1 2 2 1 3 | Ultralocrian, Superlocrian Diminished, Mixolydian sharp 1, Altered Diminished 7 |
1 2 2 1 2 1 3 | Locrian double-flat 7 |
2 3 1 2 1 2 1 | Nohkan Flute scale: Japan |
2 1 1 3 1 2 2 | Sabach (Sambah) ascending: Greece |
2 1 2 1 3 1 2 | Dorian flat 5, Blues Heptatonic, Makam Karcigar, Maqam Nahawand Murassah, Kiourdi ascending, Kartzihiar: Greece |
3 2 1 1 2 1 2 | Blues Heptatonic II |
2 1 2 1 3 2 1 | Jeths’ mode |
1 1 2 2 1 2 3 | Triadic Heptatonic 29 |
1 1 3 2 1 2 2 | Mela Ratnangi, Raga Phenadyuti |
1 1 3 2 1 3 1 | Mela Ganamurti, Raga Ganasamavarali |
1 1 3 2 2 1 2 | Mela Vanaspati, Raga Bhanumati |
1 1 3 2 2 2 1 | Mela Manavati, Raga Manoranjani |
1 1 3 2 3 1 1 | Mela Tanarupi, Raga Tanukirti |
1 2 2 2 1 1 3 | Mela Senavati, Raga Senagrani, Malini |
1 2 2 2 1 3 1 | Neapolitan Minor, Mela Dhenuka, Raga Bhinnasadjam, Dhunibinnashadjam, Kirvanti, Takka, Maqam Shahnaz Kurdi, Hungarian Gipsy |
1 2 2 2 2 2 1 | Neapolitan Major, Lydian Major, Mela Kokilapriya, Raga Kokilaravam, Heptatonia tertia |
1 2 2 2 2 1 2 | Mela Natakapriya, Jazz Minor inverse, Phrygian-Mixolydian, Dorian flat 2, Raga Natabharanam, Motaki, Ahiri Todi |
1 2 2 2 3 1 1 | Mela Rupavati |
1 3 1 1 2 3 1 | Raga Lalita, Persian, Chromatic Hypolydian inverse, Raga Suddha Pancama |
1 3 1 2 1 1 3 | Mela Gayakapriya, Raga Kalakanti, Gipsy Hexatonic |
1 3 1 2 1 2 2 | Phrygian Dominant, Phrygian Major, Mela Vakulabharanam, Raga Ahiri, Basant Mukhari, Jogiya, Vativasantabhairavi, Zilof, Ahava Rabba, Freygish: Jewish, Maqam Hijaz-Nahawand, Humayun, Spanish Gipsy, Dorico Flamenco, Frigio Flamenco: Spain, Hitzaz: Greece, Harmonic Major inverse, Mixolydian flat 2 flat 6 |
1 3 1 2 1 3 1 | Double Harmonic Major, Major Gipsy, Bhairav That, Mela Mayamalavagaula, Raga Paraj, Kalingada, Gaulipantu, Lalitapancamam, Gandhakriya, Kalingda, Manjiri, Chromatic 2nd Byzantine Liturgical, Hitzazkiar: Greece, Maqam Zengule, Hijaz Kar, Suzidil |
1 3 1 2 2 2 1 | Mela Suryakanta, Bhairubahar That, Raga Supradhipam, Sowrashtram (Sourashtra), Jaganmohini, Major-Melodic Phrygian, Hungarian Gipsy inverse |
1 3 1 2 3 1 1 | Mela Hatakambari, Raga Jeyasuddhamalavi |
2 1 2 1 1 3 2 | Modified Blues |
2 1 2 2 1 1 3 | Mela Jhankaradhvani, Raga Jhankara Bhramavi |
2 1 2 2 3 1 1 | Mela Varunapriya, Viravasantham, Raga Daulati, Dev Sakh (Deshakya), Nanak Malhar |
2 2 1 2 1 1 3 | Mela Mararanjani, Raga Keseri, Major Bebop Heptatonic |
2 2 1 2 1 2 2 | Major-Minor, Melodic Major, Mischung 6, Mixolydian flat 6, Arabic Minor, Oriental Minor, Mela Carukesi, Raga Charukeshi, Tarangini, Heptatonia secunda |
2 2 1 2 3 1 1 | Mela Naganandini, Raga Nagabharanam, Nupur, Samanta |
3 1 1 2 1 1 3 | Mela Yagapriya, Raga Kalahamsa |
3 1 1 2 1 2 2 | Mela Ragavardhani, Raga Cudamani |
3 1 1 2 1 3 1 | Mela Gangeyabhusani, Raga Gangatarangini, Sengiach (Sengah): Greece, Gipsy Hexatonic inverse |
3 1 1 2 2 1 2 | Mela Vagadhisvari, Raga Bhogachayanata, Nandkauns, Ganavaridhi, Chayanata, Bluesy Rock ‘n Roll |
3 1 1 2 2 2 1 | Mela Sulini, Raga Sailadesakshi, Raga Trishuli, Houzam: Greece |
3 1 1 2 3 1 1 | Mela Calanata, Raga None, Chromatic Dorian inverse |
1 1 4 1 1 1 3 | Mela Salaga |
1 1 4 1 1 2 2 | Mela Jalarnava |
1 1 4 1 1 3 1 | Mela Jhalavarali, Raga Varali, Jinavali |
1 1 4 1 2 1 2 | Mela Navanitam, Raga Nabhomani |
1 1 4 1 2 2 1 | Mela Pavani, Raga Kumbhini |
1 1 4 1 3 1 1 | Mela Raghupriya, Raga Ravikriya, Ghandarva |
1 2 3 1 1 1 3 | Mela Gavambodhi, Raga Girvani |
1 2 3 1 1 2 2 | Mela Bhavapriya, Raga Bhavani, Kalamurti, Neveseri ascending: Greece |
1 2 3 1 1 3 1 | Todi That, Mela Shubhapantuvarali, Raga Gamakasamantam, Hemavanti, Kaam Ranjani, Multani, Harsh Minor, Chromatic Lydian inverse, Maqam Athar Kurd |
1 2 3 1 2 1 2 | Mela Sadvidhamargini, Raga Sthavarajam, Tivravahini |
1 2 3 1 2 2 1 | Mela Suvarnangi, Raga Sauviram |
1 2 3 1 3 1 1 | Mela Divyamani |
1 3 2 1 1 1 3 | Mela Dhavalambari, Foulds’ Mantra of Will scale |
1 3 2 1 1 2 2 | Mela Namanarayani, Raga Narmada, Pratapa, Harsh Major-Minor, Mixolydian flat 2 sharp 4 flat 6 |
1 3 2 1 2 1 2 | Romanian Major, Mela Ramapriya, Raga Basant Bahar, Ramamanohari, Petrushka chord, Mixolydian flat 2 sharp 4 |
1 3 2 1 2 2 1 | Marva That, Mela Gamanasrama, Raga Bairari, Malavi, Partiravam, Puriya, Puriya Kalyan, Purvikalyani, Sohani, Harsh-intense Major, Peiraiotikos: Greece |
1 3 2 1 3 1 1 | Mela Visvambhari, Raga Vamsavathi |
1 3 2 2 2 1 1 | Verdi’s Scala enigmatica ascending |
1 3 1 3 2 1 1 | Verdi’s Scala enigmatica descending |
2 1 2 1 2 1 3 | Moravian Pistalkova, Hungarian Major inverse |
2 1 3 1 1 2 2 | Minor Gipsy, Mela Sanmukhapriya, Raga Camara, Chinthamani |
2 1 3 1 1 3 1 | Double Harmonic Minor, Hungarian Minor, Egyptian Heptatonic, Mela Simhendramadhyama, Raga Madhava Manohari, Shimendra Madyam, Maqam Nawa Athar, Hisar, Flamenco Mode, Niavent: Greece |
2 1 3 1 2 1 2 | Mela Hemavati, Raga Desisimharavam, Maqam Nakriz, Tunisian, Dorian sharp 4, Misheberekh: Jewish, Nigriz, Pimenikos, Souzinak (Peiraiotikos Minor): Greece, Ukrainian Dorian, Ukrainian Minor, Kaffa, Gnossiennes |
2 1 3 1 2 2 1 | Lydian Diminished, Mela Dharmavati, Raga Ambika, Arunajualita, Dumyaraga, Madhuvanti |
2 2 1 1 3 1 2 | Minor Gipsy inverse |
2 2 2 1 1 2 2 | Lydian Minor, Mela Rishabhapriya, Raga Ratipriya, Mixolydian sharp 4 flat 6 |
2 2 2 1 1 3 1 | Harmonic Lydian, Mela Latangi, Raga Gitapriya, Hamsalata |
2 2 2 1 2 1 2 | Lydian Dominant, Mela Vacaspati, Raga Bhusavati, Bhusavali, Vachaspati, Overtone, Lydian-Mixolydian, Bartok |
3 1 2 1 2 1 2 | Hungarian Major, Mela Nasikabhusani, Raga Nasamani |
3 1 2 1 2 2 1 | Aeolian Harmonic, Lydian sharp 2, Mela Kosalam, Raga Kusumakaram, Sampoorna Hindol |
3 1 2 2 1 2 1 | Aeolian flat 1 |
2 2 2 1 3 1 1 | Mela Citrambari, Raga Chaturangini |
3 1 2 1 1 3 1 | Mela Dhatuvardhani, Raga Dhauta Pancama, Devarashtra |
3 1 2 1 1 2 2 | Mela Jyotisvarupini, Raga Jotismatti |
2 2 2 1 1 1 3 | Mela Kantamani, Raga Kuntala, Srutiranjani |
2 1 3 1 3 1 1 | Mela Nitimati, Raga Nisada, Kaikavasi |
3 1 2 1 3 1 1 | Mela Rasikapriya, Raga Rasamanjari, Hamsagiri |
3 1 2 1 1 1 3 | Mela Sucaritra, Raga Santanamanjari |
2 1 3 1 1 1 3 | Mela Syamalangi, Raga Shyamalam, Vijay |
2 3 1 1 2 2 1 | Raga Chandni Kedar, Jairaj |
4 1 1 1 2 1 2 | Raga Hindol Bahar |
3 1 3 2 1 1 1 | Raga Homshikha |
4 1 2 2 1 1 1 | Raga Madhuri, Kaamkesh, Kamal Ranjani |
1 3 1 1 1 4 1 | Raga Pushp Ranjani |
2 2 1 4 1 1 1 | Raga Rageshri |
2 1 1 1 4 1 2 | Raga Ravikosh |
2 3 2 2 1 1 1 | Raga Sorati (Sorath), Badhans Sarang, Samant Sarang, Sawani Kedar, Sur Malhar |
1 3 1 1 3 1 2 | Oriental, Raga Ahira-Lalita, Hungarian Minor inverse, Tsinganikos: Greece |
2 2 2 2 2 1 1 | Leading Whole-tone |
1 1 2 2 2 2 2 | Leading Whole-tone inverse |
2 1 1 1 1 3 3 | Debussy’s Heptatonic |
1 3 1 2 2 1 1 1 | Raga Araj |
1 3 1 1 1 1 3 1 | Raga Basant Pancham, Lalita Gauri, Lalit Pancham, Prabhaat Bhairav, Ramkali (Ramakri) |
1 3 1 1 1 2 2 1 | Raga Bhankar, Bhatiyar, Jaikauns, Manomanjari |
2 1 3 1 1 1 1 2 | Raga Cintamani |
1 3 2 1 1 1 2 1 | Raga Dhavalshree |
1 1 1 2 2 1 2 2 | Raga Gandhari, Komal Desi, Phrygian/Aeolian mixed |
2 1 1 1 2 2 2 1 | Raga Haunskinkini, Patdipaki, Sawan |
1 1 2 1 2 1 2 2 | Raga Hijaj Bhairav, Jogi Asavari |
3 1 1 2 1 2 1 1 | Raga Jogkauns |
1 1 2 1 1 3 2 1 | Raga Lalitavari |
2 1 2 2 2 1 1 1 | Raga Mian Ki Malhar, Charju Ki Malhar, Bahar, Barwa, Lankadahan Sarang, Sindhura |
2 1 2 2 1 1 1 2 | Raga Mukhari, Anandabhairavi, Deshi (Desi), Khat, Manji, Gregorian nr.1, Dorian/Aeolian mixed |
1 3 1 2 1 1 2 1 | Raga Saurashtra |
2 3 1 1 2 1 1 1 | Raga Shyam Kedar |
2 1 1 1 1 1 4 1 | Raga Viranch Mukhi |
2 1 1 3 1 2 1 1 | Sabach (Sambah): Greece |
2 1 1 1 2 2 1 2 | Minor Bebop, Dorian Bebop, Raga Khokhar, Zilla, Mixolydian/Dorian mixed |
2 2 1 2 2 1 1 1 | Genus diatonicum, Dominant Bebop, Raga Khamaj, Alhaiya Bilaval, Bihagara, Desh Malhar (Des), Devagandhari, Jaijaiwante, Lankeshree, Malagunji, Nat Bihag, Nat Malhar, Maqam Shawq Awir, Gregorian nr.6, Chinese Eight-Tone, Rast: Greece, Ionian/Mixolydian mixed |
2 2 1 2 1 1 2 1 | Major Bebop, Altered Mixolydian |
2 1 2 1 1 2 1 2 | Blues scale II |
2 1 2 1 1 1 3 1 | Algerian, Sabiren |
1 2 1 1 2 1 2 2 | Spanish Phrygian |
1 2 1 1 2 1 3 1 | Fokker Six-star A |
1 2 1 1 1 2 2 2 | Espla’s scale, Eight-tone Spanish |
1 2 2 1 1 1 3 1 | Half-diminished Bebop |
1 2 1 2 1 1 2 2 | Locrian Bebop |
1 2 2 2 1 1 2 1 | Neapolitan Major and Minor mixed |
1 2 3 1 1 2 1 1 | Neveseri: Greece |
1 2 3 1 1 1 1 2 | Sideways scale |
2 1 2 1 2 1 2 1 | Diminished, Modus conjunctus, Messiaen mode 2 inverse, Whole-Half step scale |
2 2 1 1 1 2 2 1 | Ishikotsucho: Japan, Raga Yaman Kalyan, Chayanat, Bihag, Hamir Kalyani, Kedar, Gaud Sarang, Genus diatonicum veterum correctum, Gregorian nr.5, Kubilai’s Mongol scale, Ionian/Lydian mixed |
1 3 1 1 2 2 1 1 | Verdi’s Scala enigmatica |
2 1 2 2 1 1 2 1 | Zirafkend: Arabic, Melodic Minor Bebop |
1 1 1 2 2 2 1 2 | Adonai Malakh: Jewish |
1 2 1 2 2 1 2 1 | Magen Abot: Jewish |
2 1 2 2 1 2 1 1 | Maqam Nahawand, Farahfaza, Raga Suha (Suha Kanada), Gregorian nr.4, Utility Minor |
1 1 1 2 2 1 3 1 | Harmonic and Neapolitan Minor mixed |
1 3 1 2 1 2 1 1 | Maqam Hijaz (Hedjaz), Raga Kabir Bhairav |
1 2 1 1 1 3 1 2 | Maqam Shadd’araban |
1 2 1 2 1 2 1 2 | Octatonic, Messiaen mode 2, Dominant Diminished, Diminished Blues, Half-Whole step scale |
1 1 1 3 1 1 1 3 | Messiaen mode 4, Tcherepnin Octatonic mode 3 |
3 1 1 1 3 1 1 1 | Messiaen mode 4 inverse, Tcherepnin Octatonic mode 4 |
1 1 2 2 1 1 2 2 | Messiaen mode 6 |
2 2 1 1 2 2 1 1 | Messiaen mode 6 inverse |
1 3 1 1 1 3 1 1 | Tcherepnin Octatonic mode 1, Duplex genus primum inverse |
1 1 3 1 1 1 3 1 | Tcherepnin Octatonic mode 2, Duplex genus primum |
1 2 2 1 1 1 2 2 | Phrygian/Locrian mixed, Raga Bhairavi |
1 2 2 2 1 2 1 1 | Hamel |
1 2 2 1 1 2 2 1 | Van der Horst Octatonic |
1 2 2 1 2 2 1 1 | Prokofiev |
1 2 1 2 1 2 2 1 | Shostakovich, Raga Marg Hindol |
1 2 1 1 2 2 1 2 | JG Octatonic |
2 1 1 2 2 1 1 2 | Equal temperaments 4 and 6 mixed |
1 1 2 1 1 2 1 1 2 | Messiaen mode 3, Tcherepnin Nonatonic mode 3 |
2 1 1 2 1 1 2 1 1 | Messiaen mode 3 inverse, Tcherepnin Nonatonic mode 2 |
2 1 1 1 2 2 1 1 1 | Blues Enneatonic, Raga Gara, Malgunji, Nilambari, Pat Manjiri, Rageshri Bahar, Ramdasi Malhar, Ionian/Dorian mixed |
2 1 1 1 1 1 2 1 2 | Blues Enneatonic II |
2 1 2 2 1 1 1 1 1 | Full Minor, Raga Jungala, Kanada Bahar, Meera Malhar, Pilu |
1 2 1 1 2 1 1 1 2 | Raga Ahi Mohini |
2 1 1 1 2 1 2 1 1 | Raga Chandranandan |
1 1 2 1 1 1 2 2 1 | Raga Kamod |
1 3 1 1 1 1 1 2 1 | Raga Lalit Mangal, Saajgiri, Sourashtra Bhairav |
1 3 1 1 1 1 2 1 1 | Raga Lalitkali |
1 1 2 1 1 1 1 3 1 | Raga Maru |
2 2 1 1 1 1 1 2 1 | Raga Nat Kedar |
2 2 1 2 1 1 1 1 1 | Raga Pahadi |
2 1 2 1 1 1 1 1 2 | Kiourdi: Greece |
2 2 1 1 1 2 1 1 1 | Taishikicho, Ryo: Japan, Raga Chayanat, Kedar, Kukubh Bilawal, Maluha Kedar, Nat Bilawal, Lydian/Mixolydian mixed |
1 1 2 1 2 2 1 1 1 | Chromatic Bebop, Raga Bhairav Bahar |
1 1 1 2 1 1 1 2 2 | Locrian/Aeolian mixed |
1 2 1 1 2 1 1 2 1 | Genus chromaticum, Tcherepnin Nonatonic mode 1, Augmented-9 |
1 2 1 1 2 1 2 1 1 | Moorish Phrygian, Raga Shivmat Bhairav, Phrygian/Double Harmonic Major mixed |
1 1 2 1 1 1 2 1 2 | Youlan scale: China |
1 1 1 2 2 1 1 1 2 | Chromatic and Diatonic Dorian mixed |
1 1 2 1 2 1 1 2 1 | Chromatic and Permuted Diatonic Dorian mixed |
2 1 1 1 2 1 1 1 2 | Houseini: Greece, Raga Rudra Manjiri, Modes of Major Pentatonic mixed |
1 2 1 1 1 1 2 1 1 1 | Duplex genus secundum |
1 1 1 2 1 1 1 1 2 1 | Duplex genus secundum inverse |
1 1 1 1 2 1 1 1 1 2 | Messiaen mode 7 |
2 1 1 1 1 2 1 1 1 1 | Messiaen mode 7 inverse |
2 1 1 1 2 1 1 1 1 1 | Major/Minor mixed, Supermode |
2 1 1 1 1 1 2 1 1 1 | Minor Pentatonic with leading tones |
2 1 1 1 1 1 1 1 2 1 | Maqam Shawq Afza |
1 1 2 1 1 1 1 1 2 1 | Raga Basanti Kedar |
1 1 1 2 1 1 1 1 1 2 | Raga Gambhir Basant |
1 1 2 1 2 1 1 1 1 1 | Raga Kaushi Bhairav |
1 1 1 1 1 2 1 2 1 1 | Raga Sindhi-Bhairavi |
1 2 1 1 1 1 1 1 1 2 | Maqam Tarzanuyn |
1 1 2 1 1 1 1 2 1 1 | Symmetrical Decatonic |
1 2 1 1 1 1 1 1 1 1 1 | Raga Paraj Bahar |
1 1 1 1 1 1 1 1 1 1 1 1 | Twelve-tone Chromatic (1/11-comma) |
13 tone equal modes: |
|
3 3 2 3 2 | Blackwood Pentatonic, Quasi Slendro, Father-5 |
3 2 3 2 3 | A-Team-5 |
3 3 3 3 1 | Lovecraft-5 |
2 1 2 1 2 1 2 1 1 | Lovecraft-9 |
4 1 3 1 4 | Symmetrical Pentatonic |
4 2 1 2 4 | Columns |
3 2 2 1 2 3 | Developmental Ecstacy |
2 2 2 3 2 2 | Glacial-6 |
2 2 2 2 2 2 1 | Ryonian |
2 2 2 2 2 1 2 | Karakalian, Mixoryonian |
2 2 2 2 1 2 2 | Glacial-7, Lobonian |
2 2 2 1 2 2 2 | Horthatian |
2 2 1 2 2 2 2 | Oukranian |
2 1 2 2 2 2 2 | Tamashian |
1 2 2 2 2 2 2 | Zo-Kalarian |
2 2 1 3 1 2 2 | Diatronic |
1 3 2 1 2 3 1 | Polyzontal |
1 1 3 1 3 1 3 | Sephiroth-7, Triolic Diatonic |
1 1 1 4 1 1 4 | Quadriolic Diatonic |
1 2 1 2 2 1 2 2 | Blackwood Subminor, Sarnathian |
1 2 2 1 2 1 2 2 | Chalmers Major, Hlanithian |
2 1 2 2 1 2 2 1 | Chalmers Minor, Celephaisian, A-Team-8 |
2 1 2 2 1 2 1 2 | Chalmers Triadic Minor, Ultharian |
2 2 1 2 2 1 2 1 | Dylathian, False Father |
2 2 1 2 1 2 2 1 | Ilarnekian |
2 1 2 1 2 2 1 2 | Mnarian |
1 2 2 1 2 2 1 2 | Kadathian |
1 2 1 1 3 1 1 2 1 | Symmetrical Nonatonic |
1 1 1 2 1 1 2 1 1 2 | Sephiroth-10 |
1 1 2 1 1 2 1 1 1 2 | Rapoport Minor |
2 1 1 1 2 1 1 2 1 1 | Rapoport Major |
13 tone modes of Bohlen-Pierce scale: octave is 3/1 |
|
3 3 3 3 1 | BP Pentatonic |
2 1 2 1 1 2 1 2 1 | Delta, Moll I |
1 2 1 2 1 1 2 1 2 | Dur I, Delta inverse |
1 2 1 2 1 1 2 2 1 | Gamma |
1 2 2 1 1 2 1 2 1 | Gamma inverse |
2 1 1 2 1 2 1 1 2 | Dur II |
2 1 1 2 1 2 1 2 1 | Lambda |
2 1 1 2 1 1 2 2 1 | Blue Lambda |
2 2 2 2 2 2 1 | Krumhansl Heptatonic |
1 2 1 2 1 2 1 1 2 | Harmonic, Lambda inverse |
1 2 1 2 1 2 1 2 1 | Pierce, Moll II |
3 1 2 1 3 2 1 | Prooijen Major |
2 1 3 1 2 3 1 | Prooijen Minor |
1 1 2 1 2 1 2 1 2 | Walker A |
1 2 1 1 2 1 2 1 2 | Walker B |
2 1 2 1 2 1 2 1 1 | Walker I |
2 1 2 1 2 1 1 2 1 | Walker II |
2 2 2 1 2 2 2 | Sirius-7 |
1 3 1 3 1 3 1 | Canopus-7 |
1 2 1 1 2 1 1 1 2 1 | Canopus-10 |
1 4 1 1 1 4 1 | Arcturus-7 |
1 1 3 1 1 1 3 1 1 | Arcturus-10 |
2 1 2 1 1 2 2 1 1 | X1 |
1 2 1 1 2 2 1 1 2 | X2 |
2 1 1 2 2 1 1 2 1 | X3 |
1 1 2 2 1 1 2 1 2 | X4 |
1 2 2 1 1 2 1 2 1 | X5 |
2 2 1 1 2 1 2 1 1 | X6 |
1 1 2 1 2 1 1 2 2 | X7 |
14 tone equal modes: |
|
2 3 2 2 3 2 | Quasi-equal Hexatonic |
2 1 2 1 2 1 2 2 1 | Gould Nonatonic |
3 3 1 3 3 1 | Decimal-6 |
1 2 1 2 1 1 2 1 2 1 | Decimal-10 |
2 3 3 3 3 | Godzilla-5 |
2 2 1 2 1 2 1 2 1 | Godzilla-9 |
3 3 2 3 3 | Semaphore-5 |
2 1 2 1 2 1 2 1 2 | Semaphore-9 |
1 2 3 2 1 2 3 | Superpelog-Pelog |
1 2 1 2 1 2 1 2 2 | Superpelog-9 |
3 2 2 3 2 2 | Urchin-6 |
1 2 2 2 1 2 2 2 | Urchin-8 |
2 3 1 2 3 1 2 | Unicycle Gestures |
1 1 3 1 1 3 1 3 | Triolic Diatonic |
14 tone modes of 14-EDT, octave is 3/1 |
|
1 2 1 2 2 1 2 1 2 | Antidelta |
2 1 2 1 2 2 1 1 2 | Antigamma |
1 2 2 1 2 1 2 1 2 | Antilambda |
15 tone equal modes: |
|
1 2 1 2 1 2 1 2 1 2 | Blackwood Decatonic |
4 1 4 1 4 1 | Blackwood Hexatonic |
3 2 1 3 2 3 1 | Fifteen-tone “Major” |
3 1 2 3 1 3 2 | Fifteen-tone “Minor”, Natural Minor |
3 1 2 3 2 3 1 | Fifteen-tone Melodic Minor |
3 1 2 3 1 4 1 | Fifteen-tone Harmonic Minor |
3 2 1 3 1 4 1 | Fifteen-tone Harmonic Major |
3 1 1 1 3 1 1 2 1 1 | Fifteen-tone Major/Minor mixed |
3 2 1 3 1 2 3 | Equal temperaments 3 and 5 mixed |
1 2 1 1 1 2 1 1 1 1 2 1 | Twelve-tone Chromatic |
2 3 2 1 2 3 2 | Horse OrgN |
2 1 2 1 2 1 2 1 2 1 | Archytas Clan-10 |
1 1 2 1 1 1 2 1 1 1 2 1 | Augene-12 |
2 3 2 3 2 3 | Augment-6 |
2 1 2 2 1 2 2 1 2 | Augment-9 |
1 1 1 2 1 1 1 2 1 1 1 2 | Augment-12 |
2 2 2 2 2 2 2 1 | Hemikleismic-8 |
2 1 1 1 2 1 1 1 2 1 1 1 | Inflated-12 |
1 3 1 3 1 3 3 | Kleismic-7, Triolic Diatonic |
1 1 2 1 2 1 1 2 1 1 2 | Kleismic-11 |
1 1 1 2 1 1 1 1 1 1 1 1 1 1 | Nautilus-14 |
2 2 2 3 2 2 2 | Miller’s Porcupine-7 |
2 3 2 2 2 2 2 | Miller’s Porcupine-7 Major |
1 3 2 3 1 1 2 2 | Miller’s Kusiro |
2 2 1 2 2 2 2 2 | Pentadecaphonic “Major”, Jones’s Porcupine-8 |
3 2 2 2 2 2 2 | Porky-7 |
1 2 1 1 1 1 1 1 2 1 1 1 1 | Progress-13 |
3 1 3 1 3 1 3 | Superkleismic-7 |
1 2 1 2 1 1 2 1 1 2 1 | Superkleismic-11 |
2 1 1 1 1 1 2 1 1 1 1 1 1 | Thuja-13 |
3 2 3 2 3 2 | Triforce-6 |
2 2 1 2 2 1 2 2 1 | Rempt’s Andal scale, Triforce-9 |
1 2 2 1 2 2 1 2 2 | Rempt’s Andal scale inverse |
16 tone equal modes: |
|
2 2 3 2 2 2 3 | Pseudo Pelog, Pelogic-7, Antiionian |
3 1 3 2 2 3 2 | Harmonic Minor |
2 3 2 2 3 1 3 | Harmonic Minor inverse |
1 3 1 3 1 3 1 3 | Octatonic, Neo-Diminished inverse |
3 1 3 1 3 1 3 1 | Neo-Diminished |
2 3 2 2 2 3 2 | Armodue-7, Antidorian |
2 2 2 1 2 2 2 2 1 | Agmon Diatonic DS3, Armodue, Goldsmith, Superionian |
1 2 2 2 2 1 2 2 2 | Noll Pseudo-diatonic, Agmon Diatonic DS3 inverse, Superphrygian |
2 1 2 2 1 2 2 2 1 1 | Iafelice Pseudo-diatonic |
3 2 3 3 2 3 | Astrology-6, Lemba-6 |
2 1 2 2 1 2 1 2 2 1 | Astrology-10 |
1 1 1 2 1 1 1 1 1 1 2 1 1 1 | Bipelog-14 |
2 3 3 2 3 3 | Decibel-6 |
1 2 1 2 2 1 2 1 2 2 | Decibel-10 |
3 3 4 3 3 | Gorgo-5 |
3 3 1 3 3 3 | Gorgo-6 |
1 3 3 2 1 3 3 | Gorgo-Pelog |
1 2 1 2 1 2 1 2 1 2 1 | Gorgo-11 |
2 1 2 1 2 2 1 2 1 2 | Lemba-10 |
2 2 1 2 2 2 2 1 2 | Wilson Supradiatonic, Mabila-9, Supercorinthian |
5 2 2 5 2 | Mavila-5, Patet dang |
2 3 2 2 3 2 2 | Mavila-7, Antiaeolian, Hyperpentatonic |
2 1 2 2 2 1 2 2 2 | Mavila-9, Superaeolian |
1 2 1 1 2 1 1 2 1 1 2 1 | Flavell’s Blues |
5 2 5 2 2 | Patet deng |
2 5 2 5 2 | Patet dong |
2 5 2 2 5 | Patet dung |
2 2 5 2 5 | Patet ding, Pelogic-5 |
3 2 2 3 2 2 2 | Antilocrian |
3 2 2 2 3 2 2 | Antiphrygian |
2 2 3 2 2 3 2 | Antimixolydian |
2 2 2 3 2 2 3 | Antilydian |
2 2 2 2 1 2 2 2 1 | Superlydian |
2 2 2 1 2 2 2 1 2 | Supermixolydian |
2 2 1 2 2 2 1 2 2 | Superolympian |
2 1 2 2 2 2 1 2 2 | Superdorian |
1 2 2 2 1 2 2 2 2 | Superlocrian |
17 tone equal modes: |
|
2 1 1 2 1 2 1 2 1 1 2 1 | Twelve-tone Chromatic (2/11-comma positive) |
3 3 1 3 3 3 1 | Seventeen-tone Major |
3 1 3 3 1 3 3 | Seventeen-tone Natural Minor |
3 1 3 3 3 3 1 | Seventeen-tone Melodic Minor |
3 1 3 3 1 5 1 | Seventeen-tone Harmonic Minor |
3 3 1 3 1 5 1 | Seventeen-tone Harmonic Major |
3 3 4 3 4 | Seventeen-tone Major Pentatonic |
4 3 3 4 3 | Seventeen-tone Minor Pentatonic, Supra-5, Salendro Sejati: Sunda |
3 4 3 4 3 | Seventeen-tone Suspended Pentatonic |
3 1 3 3 3 2 2 | Altered Melodic Minor |
6 1 3 6 1 | Pelog Degung Sejati: Sunda |
6 1 6 3 1 | Sorog Madenda Sejati: Sunda |
2 5 3 2 5 | Malaysian Pelog |
2 3 2 3 2 3 2 | Neutral Dorian, Maqamic-7 |
1 4 1 4 2 1 4 | Dante’s Flying Machine |
3 2 1 3 2 1 3 2 | Donut Dose |
3 3 2 4 2 3 | Six Deployments |
3 2 3 2 2 2 3 | Otonal 17 |
4 3 1 1 1 4 3 | Blues Peruvian |
3 2 2 3 3 2 2 | Pseudo Rast |
3 2 2 3 1 4 2 | Turkish Minor |
3 2 3 1 3 2 3 | Scorp |
3 3 2 2 3 3 1 | Screamapillar |
3 3 1 1 2 3 2 1 1 | Hydra |
3 2 2 3 2 3 2 | Beatles-7, Dichotic-7 |
1 2 2 2 1 2 2 1 2 2 | Beatles-10, Dichotic-10 |
2 2 2 2 2 2 2 2 1 | Jerome-9, Progression-9 |
2 1 3 1 3 3 1 2 1 | Hajdu non-octave mode |
1 2 2 1 2 2 1 2 2 2 | Hemififths-10 |
3 2 3 2 3 2 2 | Neutral Hypolydian, Mohajira-7 |
1 2 2 1 2 2 2 1 2 2 | Neutral Hypolydian Decatonic, Mohajira-10 |
2 1 2 2 1 2 2 2 1 2 | Neutral Dorian Decatonic, Maqamic-10 |
3 5 3 3 3 | Machine-5 |
3 3 2 3 3 3 | Machine-6 |
2 1 2 1 2 1 2 1 2 2 1 | Machine-11 |
1 1 3 1 3 1 3 1 3 | Neominor-7, Triolic Diatonic |
1 2 1 1 2 1 2 1 1 2 1 2 | Schism-12 |
1 4 1 4 1 1 4 1 | Sentinel-8 |
1 3 1 1 3 1 1 1 3 1 1 | Secor Sentinel-11 |
3 1 3 3 3 1 3 | Supra-7 |
1 2 1 2 1 1 2 1 2 1 2 1 | Supra-12 |
3 1 1 3 1 1 1 3 1 1 1 | Squares-11 |
2 1 1 1 2 1 1 1 1 2 1 1 1 1 | Squares-14 |
mode of 17 out of 3/1: |
|
2 2 1 2 1 2 1 2 1 2 1 | Toliman-11 |
17 tone modes of Arabic Pythagorean scale: |
|
256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 | |
128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1 | |
3 3 1 3 3 1 3 | Safi al-Din’s maqam `Ussaq |
3 1 3 3 1 3 3 | Safi al-Din’s maqam Nawa |
1 3 3 1 3 3 3 | Safi al-Din’s maqam Abu Salik |
3 2 2 3 2 2 3 | Safi al-Din’s maqam Rast |
2 3 2 2 3 2 2 1 | Safi al-Din’s maqam `Iraq |
3 2 2 3 2 2 2 1 | Safi al-Din’s maqam Isfahan |
2 2 3 2 2 1 3 2 | Safi al-Din’s maqam Zirafkand |
2 3 2 2 1 3 2 2 | Safi al-Din’s maqam Buzurg |
3 2 2 2 3 2 3 | Safi al-Din’s maqam Zangulah |
2 3 2 2 2 3 3 | Safi al-Din’s maqam Rahawi |
2 2 3 2 2 3 3 | Safi al-Din’s maqam Husaini |
2 2 3 2 3 2 3 | Safi al-Din’s maqam Higazi |
1 2 1 1 1 1 1 2 1 1 1 1 1 2 | al-Kindi’s mode |
1 2 1 2 1 1 2 1 2 1 3 | Ishaq al-Mausili’s mode |
17 tone modes of Persian scale: |
|
256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 | |
16/9 729/400 243/128 2/1 | |
3 3 1 3 3 3 1 | Dastgah-e Mahur, Rast Panjgah |
2 2 3 3 1 3 3 | Dastgah-e Shur |
2 3 3 1 3 3 2 | Naghmeh Abuata, Naghmeh Afshari |
3 3 1 3 3 2 2 | Naghmeh Bayat-e Tork, Naghmeh Dashti |
2 4 1 3 1 3 3 | Dastgah-e Homayun |
3 1 3 3 2 4 1 | Naghmeh Esfahan |
3 2 2 3 2 2 3 | Dastgah-e Sehgah |
2 3 2 2 3 3 2 | Dastgah-e Sehgah |
3 1 3 3 2 3 2 | Dastgah-e Mokhalif, Bayat-e Esfahan |
2 4 1 3 2 4 1 | Dastgah-e Chahargah |
3 1 3 3 2 2 3 | Dastgah-e Nava |
18 tone modes: |
|
4 4 1 4 4 1 | Bicycle |
2 3 3 2 3 2 3 | Dicot-7 |
4 4 3 4 3 | Father-5 |
3 1 3 3 1 3 3 1 | Father-8 |
2 1 2 1 2 1 2 1 2 1 2 1 | Hexe-12 |
2 2 2 3 2 2 2 3 | Octokaidecal-8 |
2 2 2 2 1 2 2 2 2 1 | Octokaidecal-10 |
2 1 2 1 1 2 1 2 1 1 2 1 1 | Semisept-13 |
2 2 3 2 2 2 3 2 | Supersharp-8 |
2 2 2 1 2 2 2 2 1 2 | Supersharp-10 |
1 1 1 3 1 1 1 3 1 1 1 3 | Louvier Prelude et Fugue 2 |
1 2 1 2 1 1 2 1 1 2 1 2 1 | Wilson Supradiatonic |
19 tone modes: |
|
1 2 2 1 2 1 2 1 2 2 1 2 | Meantone Chromatic (1/3-comma) |
5 4 5 5 | Four out of 19 |
4 4 4 4 3 | Five out of 19, Godzilla-5 inverse |
3 3 5 3 5 | Nineteen-tone Major Pentatonic |
5 3 3 5 3 | Nineteen-tone Minor Pentatonic |
3 5 3 5 3 | Nineteen-tone Suspended Pentatonic |
4 4 3 4 4 | Quasi-equal Pentatonic, Semaphore-5 |
3 3 3 3 3 4 | Yasser’s Hexad, Spell-6 |
3 3 2 3 3 3 2 | Nineteen-tone Major, Ionian |
3 2 3 3 2 3 3 | Nineteen-tone Natural Minor, Aeolian |
3 2 3 3 3 3 2 | Nineteen-tone Melodic Minor |
3 2 3 3 2 4 2 | Nineteen-tone Harmonic Minor |
3 3 2 3 2 4 2 | Nineteen-tone Harmonic Major |
3 2 3 3 2 1 2 1 2 | Nineteen-tone Full Minor |
3 2 3 3 3 2 3 | Nineteen-tone Dorian |
2 3 3 3 2 3 3 | Nineteen-tone Phrygian |
3 3 3 2 3 3 2 | Nineteen-tone Lydian |
3 3 2 3 3 2 3 | Nineteen-tone Mixolydian |
2 3 3 2 3 3 3 | Nineteen-tone Locrian |
3 3 2 4 1 4 2 | Harmonic Major sharp 5 |
2 1 2 1 2 1 2 2 1 2 1 2 | Genus diatonico-chromaticum, Yasser’s Supradiatonic inverse |
3 1 1 3 1 3 1 1 3 1 1 | Keenan Eleven out of 19 |
2 2 2 2 2 1 2 1 2 2 1 | Krantz Eleven out of 19 |
3 1 1 3 1 1 1 1 3 1 3 | McLaren Eleven out of 19 |
2 2 2 1 2 2 1 2 2 2 1 | Noll Pseudo-diatonic |
2 2 2 2 2 2 2 2 2 1 | Negri’s Ten Plus Nine, Negri-10 |
2 3 1 4 1 4 4 | Cartunes |
4 1 4 1 4 1 4 | Oljare Diminished |
5 1 5 1 1 5 1 | Oljare Augmented, Magic-7 |
2 2 3 2 2 3 2 3 | Oljare Octatonic, Sensi-8 |
1 3 1 3 3 1 3 1 3 | Oljare Pentaenharmonic |
2 2 1 2 2 2 1 2 2 2 1 | Gould Eleven out of 19 |
2 1 2 1 2 2 1 2 1 2 1 2 | Yasser’s Supradiatonic, Genus diatonico-chromaticum inverse |
1 2 5 1 2 5 3 | Ratio 1:2 Chromatic Mixolydian |
2 5 1 2 5 3 1 | Ratio 1:2 Chromatic Lydian |
5 1 2 5 3 1 2 | Ratio 1:2 Chromatic Phrygian |
1 2 5 3 1 2 5 | Ratio 1:2 Chromatic Dorian |
2 5 3 1 2 5 1 | Ratio 1:2 Chromatic Hypolydian |
5 3 1 2 5 1 2 | Ratio 1:2 Chromatic Hypophrygian |
3 1 2 5 1 2 5 | Ratio 1:2 Chromatic Hypodorian |
1 4 1 4 1 4 4 | Kleismic-7 |
1 4 1 4 1 4 1 3 | Kleismic-8 |
1 1 3 1 3 1 1 3 1 1 3 | Kleismic-11 |
1 1 1 2 1 1 1 2 1 1 1 2 1 1 2 | Kleismic-15 |
5 5 2 5 2 | Father-5 |
3 2 3 2 2 3 2 2 | Father-8 |
3 3 3 3 1 3 3 | Glacial-7 |
2 1 2 1 2 1 2 1 1 2 1 2 1 | Glacial-13 |
3 4 4 4 4 | Godzilla-5 |
3 3 1 3 1 3 1 3 1 | Godzilla-9 |
2 1 2 1 1 2 1 1 2 1 1 2 1 1 | Godzilla-14 |
1 8 1 1 8 | Liese-5 |
1 1 7 1 1 1 7 | Liese-7 |
1 1 1 6 1 1 1 1 6 | Liese-9 |
1 1 1 1 5 1 1 1 1 1 5 | Liese-11 |
2 2 2 2 3 2 2 2 2 | Negri-9 |
2 1 2 1 3 3 3 3 1 | Straub Whole-Tone |
4 1 1 1 4 1 1 4 1 1 | Magic-10 |
3 1 1 1 3 1 1 1 3 1 1 1 1 | Magic-13 |
1 1 3 1 1 1 3 1 1 1 1 3 1 | Muggles-13 |
3 1 3 1 3 1 3 1 3 | Semaphore-9 |
1 2 1 1 2 1 2 1 1 2 1 1 2 1 | Semaphore-14 |
2 5 2 5 5 | Sensi-5 |
2 2 2 1 2 2 2 1 2 2 1 | Sensi-11 |
3 3 3 3 3 3 1 | Spell-7 |
1 3 1 1 2 2 1 2 1 2 2 1 | Starling-12 |
1 2 1 2 1 2 1 1 2 1 2 1 2 | Unsmate-13 |
1 2 1 2 1 2 1 3 3 3 | Tritonic Diatonic, Spell-10 |
2 3 2 2 3 2 2 3 | Mandelbaum Eight out of 19 |
2 2 3 2 2 2 2 2 2 | Mandelbaum Nine out of 19 |
2 2 1 2 2 2 2 2 2 2 | Mandelbaum Ten out of 19 |
2 1 2 2 2 1 2 2 2 1 2 | Mandelbaum Eleven out of 19 |
1 2 1 2 2 1 2 1 2 1 2 2 | Mandelbaum Twelve out of 19 |
2 1 2 1 2 1 2 1 2 1 2 1 1 | Mandelbaum Thirteen out of 19, Spell-13 |
1 2 1 1 2 1 1 2 1 1 2 1 2 1 | Mandelbaum Fourteen out of 19 |
20 tone equal modes: |
|
2 2 1 2 1 2 2 1 2 2 2 1 | Twelve-tone Chromatic |
4 3 1 4 3 4 1 | Twenty-tone “Major” |
4 1 3 4 1 4 3 | Twenty-tone “Minor” |
3 4 1 4 3 3 2 | Stearns Major |
2 3 2 3 2 3 2 3 | Octatonic |
3 2 3 2 3 2 3 2 | Diminished |
2 3 2 2 2 3 2 2 2 | Balzano Nine-tone, Hyperpentatonic, Score-9 |
2 2 2 2 1 2 2 2 2 2 1 | Balzano Eleven-tone, Agmon Diatonic DS4, Noll Pseudo-diatonic |
2 2 2 3 2 2 2 3 2 | Balzano Nine-tone inverse |
1 2 2 2 2 2 1 2 2 2 2 | Balzano Eleven-tone inverse, Agmon Diatonic DS4 inverse |
3 2 2 2 2 3 2 2 2 | Rothenberg Generalized Diatonic |
2 2 2 2 1 2 2 2 2 1 2 | Zweifel Major |
2 1 2 2 2 2 2 1 2 2 2 | Zweifel Natural Minor |
3 3 3 3 3 3 2 | Major quasi-equal Heptatonic |
3 2 3 3 3 3 3 | Minor quasi-equal Heptatonic |
1 3 1 1 3 1 1 3 1 1 3 1 | Blackbirds-12 |
1 1 1 4 1 1 1 4 1 1 4 | Bossier-11, Quadriolic Diatonic |
1 1 1 3 1 1 1 1 3 1 1 1 3 1 | Bossier-14 |
2 2 5 2 2 2 5 | Pelogic-7, Antiionian |
7 2 7 2 2 | Score-5 |
5 2 2 5 2 2 2 | Score-7 |
1 2 2 2 2 1 2 2 2 2 2 | Score-11, Diatonicized Chromatic |
3 2 2 2 3 2 2 2 2 | Zinith-9 |
21 tone equal modes: |
|
2 1 2 2 2 1 2 2 2 1 2 2 | Twelve-tone Chromatic |
4 4 5 4 4 | Quasi-equal Pentatonic, Gorgo-5 |
4 3 4 3 4 3 | Quasi-equal Hexatonic |
2 3 2 2 3 2 2 3 2 | Quasi-equal Enneatonic, Deflated-9 |
3 4 3 4 3 4 | Augment-6 |
3 1 3 3 1 3 3 1 3 | Augment-9 |
1 2 1 2 1 1 2 1 2 1 1 2 1 2 1 | Augment-15 |
5 2 5 2 5 2 | August-6 |
3 2 2 3 2 2 3 2 2 | August-9 |
1 2 2 2 1 2 2 2 1 2 2 2 | August-12 |
5 5 3 5 3 | Father-5 |
3 2 3 3 2 3 3 2 | Father-8 |
4 4 1 4 4 4 | Gorgo-6 |
1 4 4 3 1 4 4 | Gorgo-Pelog |
1 3 1 3 1 3 1 3 1 3 1 | Gorgo-11 |
2 2 2 2 2 2 2 2 2 3 | Miracle-10 |
2 2 2 2 2 2 2 2 2 2 1 | Miracle-11 |
3 3 1 3 3 1 3 3 1 | Oodako-9 |
2 1 2 1 2 1 2 1 2 1 2 1 2 1 | Septimal-14 |
3 1 3 1 3 1 3 1 1 3 1 | Spartan-11 |
1 1 1 3 1 1 3 1 1 3 1 1 3 | Subklei-13 |
3 2 3 2 3 3 2 3 | Tridec-8 |
22 tone modes: |
|
3 1 1 3 1 3 1 3 1 1 3 1 | Twelve-tone Chromatic (1/3-comma positive) |
4 4 1 4 4 4 1 | Twenty-two tone Major |
4 1 4 4 1 4 4 | Twenty-two tone Minor, Superpyth-7 |
4 3 2 4 3 4 2 | Twenty-two tone “Just” Major |
4 2 3 4 2 4 3 | Twenty-two tone Natural Minor |
4 2 3 4 3 4 2 | Twenty-two tone Melodic Minor |
4 2 3 4 2 5 2 | Twenty-two tone Harmonic Minor |
4 3 2 4 2 5 2 | Twenty-two tone Harmonic Major |
4 3 3 4 4 4 | Harmonic Whole-Tone |
3 1 3 2 3 1 3 1 3 2 | Blackdye Ionian |
4 3 4 4 3 4 | Antikythera-6 |
3 1 3 3 1 3 1 3 3 1 | Antikythera-10 |
4 3 4 4 3 4 | “9-limit” Consonant Whole-Tone, Astrology-6 |
3 1 3 3 1 3 1 3 3 1 | Astrology-10 |
1 4 1 4 1 1 4 1 4 1 | Doublewide-10 |
1 1 3 1 1 3 1 1 1 3 1 1 3 1 | Doublewide-14 |
1 1 3 1 1 1 3 1 1 3 1 1 1 3 | Fleetwood-14 |
5 3 3 5 3 3 | Hedgehog-6 |
2 3 3 3 2 3 3 3 | Hedgehog-8 |
2 1 2 2 1 2 1 2 1 2 2 1 2 1 | Hedgehog-14 |
2 2 1 2 2 2 2 2 1 2 2 2 | Jubilee-12 |
6 1 6 1 1 6 1 | Magic-7 |
5 1 1 1 5 1 1 5 1 1 | Magic-10 |
4 1 1 1 4 1 1 1 4 1 1 1 1 | Magic-13 |
5 5 5 5 2 | Orwell-5 |
3 2 3 2 3 2 3 2 2 | Orwell-9 |
1 2 2 1 2 2 1 2 2 1 2 2 2 | Orwell-13 |
2 3 2 3 2 3 2 3 2 | Rezsutek’s Percussion scale |
2 2 2 1 2 2 2 2 2 1 2 2 | Pajara-12 |
1 3 1 1 3 1 3 1 1 3 1 3 | Superpyth-12 |
4 1 4 4 4 1 4 | Supra-7 |
1 3 1 3 1 1 3 1 3 1 3 1 | Supra-12 |
2 2 1 2 1 2 1 2 2 1 2 1 2 1 | Urchin-14 |
3 1 3 1 3 1 1 3 1 3 1 1 | Wilson Pi-Meantone |
5 4 4 5 4 | Septimal Minor Pentatonic, Supra-5 |
2 5 2 4 2 5 2 | Double Harmonic Major |
4 3 3 3 3 3 3 | Major quasi-equal Heptatonic, Porky-7 |
3 3 3 4 3 3 3 | Minor quasi-equal Heptatonic, Miller’s Porcupine-7 |
3 4 3 3 3 3 3 | Miller’s Porcupine-7 Major |
4 3 2 4 3 3 3 | Ionian Porcupine |
4 2 3 4 3 3 3 | Dorian Porcupine |
3 3 3 4 2 3 4 | Aeolian Porcupine |
4 3 3 3 3 4 2 | Major Porcupine |
4 3 3 3 2 4 3 | Major-Minor Porcupine |
4 2 3 4 3 3 3 | Minor Porcupine |
4 3 3 3 4 3 2 | Chameleon Porcupine |
3 3 4 2 4 3 3 | Symmetric Diminished Porcupine |
3 3 1 3 3 3 3 3 | Jones’s Porcupine-8 |
2 1 2 1 1 2 1 2 1 2 1 2 1 2 1 | Porcupine-15 |
3 1 2 3 1 2 1 2 1 2 1 3 | Freivald-Porcupine |
3 1 3 2 2 2 3 2 2 2 | Alternate Proper Decatonic |
2 2 3 1 3 2 2 3 1 3 | Exotic Symmetrical Decatonic |
2 2 2 2 2 2 1 1 2 2 2 2 | Elevenplus |
2 2 2 2 1 2 2 2 2 2 2 1 | Hexachordal |
2 2 1 2 2 2 1 2 2 1 2 2 1 | Noll Pseudo-diatonic |
3 1 6 2 6 1 3 | Ballooning Rushes |
1 3 5 1 3 5 1 3 | Crushed Oranges |
2 1 7 2 1 7 2 | Kathartic Parts |
1 4 1 4 2 1 4 1 4 | Rivetting Reds |
4 1 3 1 4 1 3 1 4 | Rodentalia |
Paul Erlich’s 22 tone equal modes: |
|
2 2 3 2 2 2 3 2 2 2 | Standard Pentachordal Major |
2 2 3 2 2 2 2 3 2 2 | Static Symmetrical Major |
2 3 2 2 2 2 2 3 2 2 | Alternate Pentachordal Major |
2 3 2 2 2 2 3 2 2 2 | Dynamic Symmetrical Major |
2 2 2 3 2 2 2 2 2 3 | Standard Pentachordal Minor |
2 2 2 3 2 2 2 2 3 2 | Static Symmetrical Minor, Pajara-10 |
2 2 2 2 3 2 2 2 3 2 | Alternate Pentachordal Minor |
2 2 2 2 3 2 2 2 2 3 | Dynamic Symmetrical Minor |
3 2 2 2 3 2 2 2 2 2 | Pentachordal Decatonic |
6 3 1 3 6 3 | Twenty-two tone Blues |
22 tone modes of Indian shruti scale: |
|
256/243 16/15 10/9 9/8 32/27 6/5 5/4 81/64 4/3 27/20 45/32 729/512 (or 64/45) | |
3/2 128/81 8/5 5/3 27/16 16/9 9/5 15/8 243/128 2/1 | |
4 3 2 4 4 3 2 | Shadja Grama, Murchhana Uttaramandra, Shuddha Swara Saptaka |
[20] 2 4 3 2 4 4 3 | Murchhana Rajani |
[17] 3 2 4 3 2 4 4 | Murchhana Uttarayata |
4 3 2 4 3 2 4 | Murchhana Suddhasadja, Raga Harikambhoji, Palaiyazh |
4 4 3 2 4 3 2 | Murchhana Asvakranta |
3 2 4 4 3 2 4 | Murchhana Abhirudgata, Kafi That, Raga Bageshri |
4 3 2 4 3 4 2 | Madhyama Grama, Bilaval That, Murchhana Suddhamadhya |
[20] 2 4 3 2 4 3 4 | Murchhana Margavi |
3 4 2 4 3 2 4 | Murchhana Hrishyaka |
4 3 4 2 4 3 2 | Murchhana Sauviri, Kalyan That |
2 4 3 4 2 4 3 | Murchhana Harinasva, Bhairavi That |
[4] 3 2 4 3 4 2 4 | Murchhana Kalopanata |
3 2 4 3 3 3 4 | Gandhaara Grama (Sarngadeva der. sa-grama) |
3 2 4 3 2 4 4 | Gandhaara Grama (Sarngadeva der. ma-grama) |
4 2 4 3 3 3 3 | Gandhaara Grama (Narada der. sa-grama) |
4 2 4 3 2 4 3 | Gandhaara Grama (Narada der. ma-grama), Murchhana Pauravi |
4 2 3 4 2 4 3 | Gandhaara Grama (Damodara), Raga Darbari, Darbari Kanada |
2 4 3 3 3 4 3 | Gandhaara Grama (Somanatha) |
2 4 4 3 2 4 3 | Gandhaara Grama (Popley), Murchhana Matsarikrita |
4 2 3 4 2 2 2 3 | Raga Anandabhairavi |
1 4 4 4 1 5 3 | Raga Asavari |
4 2 3 4 2 3 4 | Asavari That |
2 5 6 2 5 2 | Raga Bauli |
1 6 2 4 1 7 1 | Bhairav That |
2 5 2 3 1 3 4 2 | Raga Bhatiyar |
4 3 6 4 5 | Raga Bhupali |
4 3 2 3 1 4 4 1 | Raga Bihag |
1 4 4 4 1 4 4 | Raga Bilashkhani Todi |
4 3 2 3 1 3 2 3 1 | Raga Chayanat |
3 4 6 3 6 | Raga Deskar |
4 5 4 4 5 | Raga Durga |
4 3 2 3 1 4 3 2 | Raga Gaud Sarang |
1 4 6 3 7 1 | Raga Gurjari Todi |
4 3 6 7 2 | Raga Hamsadhvani |
4 1 4 4 1 4 4 | Raga Jaunpuri |
3 4 2 4 3 4 2 | Raga Jogiya |
2 3 4 4 2 3 4 | Raga Kanakangi |
4 3 2 4 4 1 4 | Khamaj That |
4 3 2 4 3 2 3 1 | Raga Khamaj |
4 3 2 4 3 6 | Raga Kambhoji |
4 2 3 4 4 2 3 | Raga Kharaharapriya, Bhimpalasi |
1 6 2 2 3 7 1 | Raga Lalita |
4 2 5 2 4 3 2 | Raga Madhuvanti, Ambika |
6 3 6 3 4 | Raga Malkauns |
2 5 4 2 4 3 2 | Raga Marva |
4 2 3 4 4 2 2 1 | Raga Mian Ki Malhar |
3 2 4 4 2 1 2 4 | Raga Mukhari |
2 4 6 1 1 7 1 | Raga Multani |
2 5 5 1 3 4 2 | Raga Puriya Kalyan |
2 5 5 1 2 5 2 | Purvi That, Raga Shri |
4 2 2 1 4 4 2 2 1 | Raga Ramdasi Malhar |
1 6 2 1 3 1 6 2 | Raga Ramkali |
1 4 4 4 1 7 1 | Raga Rampurmat Pilu |
1 6 2 4 1 2 4 2 | Raga Saurashtra |
2 7 4 1 8 | Raga Saveri |
3 6 4 3 6 | Raga Suddha Malhar |
4 3 2 2 2 3 4 2 | Raga Suddha Kalyan |
6 3 4 2 5 2 | Raga Takka |
7 2 4 5 2 2 | Raga Tilang |
1 4 7 1 1 7 1 | Todi That |
1 4 7 1 1 6 2 | Raga Varali |
1 6 6 3 6 | Raga Vibhas (marva) |
4 4 4 1 4 4 1 | Raga Yaman |
4 3 2 3 1 3 5 1 | Raga Yaman Kalyan |
2 2 2 1 2 2 2 2 2 2 1 2 | Modern Indian gamut |
3 2 1 1 2 3 1 3 2 1 1 2 | Old Indian gamut |
22 tone mode of Tamil matra scale: |
|
4 4 3 2 4 3 2 | Seven-tone gamut (saptaka) |
23 tone modes: |
|
5 5 4 5 4 | Anti-pentatonic |
5 4 5 5 4 | Oneiro-pentatonic |
2 5 2 5 2 5 2 | Mosh |
3 3 3 5 3 3 3 | Symmetrical Heptatonic |
3 4 3 3 3 4 3 | Armodue-7, Antidorian |
3 3 3 1 3 3 3 3 1 | Armodue-9, Superionian |
5 5 5 5 3 | Beep-5 |
3 2 3 2 3 3 2 3 2 | Beep-9 |
2 1 2 2 1 2 2 1 2 2 1 2 2 1 | Beep-14 |
2 3 2 2 2 3 2 2 3 2 | Dichosis-10 |
2 1 2 2 2 2 1 2 2 2 1 2 2 | Dichosis-13 |
2 3 3 3 3 3 3 3 | Greeley-8 |
2 2 1 2 1 2 1 2 1 2 1 2 1 2 1 | Greeley-15 |
4 4 4 4 4 3 | Machinoid-6 |
3 1 3 1 3 1 3 1 3 1 3 | Machinoid-11 |
7 3 3 7 3 | Mavila-5 |
3 4 3 3 4 3 3 | Mavila-7, Antiaeolian |
3 1 3 3 3 1 3 3 3 | Mavila-9, Superaeolian |
3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 | Minoid-15 |
3 3 3 4 3 3 4 | Pelogic-7, Antilydian |
4 3 3 4 3 3 3 | Antilocrian |
3 3 4 3 3 3 4 | Antiionian |
4 3 3 3 4 3 3 | Antiphrygian |
3 3 4 3 3 4 3 | Antimixolydian |
3 2 3 1 3 2 3 1 3 2 | Onyxwood |
2 2 2 1 2 2 2 2 2 2 2 2 | Ripple-12 |
5 5 3 5 5 | Semaphore-5 |
1 2 2 1 2 2 1 2 2 1 2 2 1 2 | Semaphore-14 |
5 1 5 1 5 1 5 | Starlingtet-7 |
3 2 3 2 3 2 3 2 3 | Stearns 9-tone, Semaphore-9 |
2 2 2 2 2 3 2 2 2 2 2 | Stearns 11-tone |
2 3 5 3 2 3 5 | Superpelog-Pelog |
2 3 2 3 2 3 2 3 3 | Superpelog-9 |
2 2 1 2 2 1 2 2 1 2 2 1 2 1 | Superpelog-14 |
4 1 4 4 1 4 4 1 | Oneirotonic |
3 3 3 3 3 3 3 2 | Porcupoid |
3 2 2 3 2 2 3 2 2 2 | Sephiroid |
4 1 1 4 1 1 4 1 1 4 1 | Kleistonic |
3 1 1 3 1 3 1 1 3 1 3 1 1 | Ateamtonic |
2 2 1 2 2 1 2 2 1 2 2 1 2 1 | Brittle Titanium |
3 3 1 3 3 3 3 1 3 | Wilson Supradiatonic, Supercorinthian |
2 1 4 2 1 4 2 1 4 2 | Enshrouded House of Kundalini |
24 tone modes: |
|
1 1 8 1 1 8 4 | Enharmonic Mixolydian |
1 8 1 1 8 4 1 | Enharmonic Lydian |
8 1 1 8 4 1 1 | Enharmonic Phrygian |
1 1 8 4 1 1 8 | Enharmonic Dorian |
1 8 4 1 1 8 1 | Enharmonic Hypolydian |
8 4 1 1 8 1 1 | Enharmonic Hypophrygian |
4 1 1 8 1 1 8 | Enharmonic Hypodorian |
2 3 5 2 3 5 4 | Soft Diatonic Mixolydian |
3 5 2 3 5 4 2 | Soft Diatonic Lydian |
5 2 3 5 4 2 3 | Soft Diatonic Phrygian |
2 3 5 4 2 3 5 | Soft Diatonic Dorian |
3 5 4 2 3 5 2 | Soft Diatonic Hypolydian |
5 4 2 3 5 2 3 | Soft Diatonic Hypophrygian |
4 2 3 5 2 3 5 | Soft Diatonic Hypodorian |
3 3 4 3 3 4 4 | Maqam Ouchairan-Hussaini, Bayatan, Neutral Diatonic Mixolydian |
3 4 3 3 4 4 3 | Dastgah-e Sehgah, Neutral Diatonic Lydian |
4 3 3 4 4 3 3 | Arabic Diatonic, Maqam Rast, Quasi-equal Heptatonic, Neutral Diatonic Phrygian, Ioniodorian |
3 3 4 4 3 3 4 | Maqam Hussaini, Ushaq, Neutral Diatonic Dorian |
3 4 4 3 3 4 3 | Maqam Sikah (Segah), Neutral Diatonic Hypolydian |
4 4 3 3 4 3 3 | Neutral Diatonic Hypophrygian |
4 3 3 4 3 3 4 | Miha’il Musaqa’s mode: Egypt, Neutral Diatonic Hypodorian, Dastgah-e Sehgah, Maqam Nairuz |
3 5 2 4 3 5 2 | Athanasopoulos’ Byzantine Liturgical Chromatic, Dastgah-e Chahargah |
4 2 4 4 3 3 4 | Dastgah-e Nava, Maqam Ushaq Masri |
4 2 4 4 2 5 3 | Turkish Minor |
4 2 4 4 4 3 3 | Altered Melodic Minor |
1 5 4 1 5 4 4 | Diatonic + Enharmonic Diesis Mixolydian |
5 4 1 5 4 4 1 | Diatonic + Enharmonic Diesis Lydian |
4 1 5 4 4 1 5 | Diatonic + Enharmonic Diesis Phrygian |
1 5 4 4 1 5 4 | Diatonic + Enharmonic Diesis Dorian |
5 4 4 1 5 4 1 | Diatonic + Enharmonic Diesis Hypolydian |
4 4 1 5 4 1 5 | Diatonic + Enharmonic Diesis Hypophrygian |
4 1 5 4 1 5 4 | Diatonic + Enharmonic Diesis Hypodorian |
1 3 6 1 3 6 4 | Chromatic/Enharmonic Mixolydian |
3 6 1 3 6 4 1 | Chromatic/Enharmonic Lydian |
6 1 3 6 4 1 3 | Chromatic/Enharmonic Phrygian |
1 3 6 4 1 3 6 | Chromatic/Enharmonic Dorian |
3 6 4 1 3 6 1 | Chromatic/Enharmonic Hypolydian |
6 4 1 3 6 1 3 | Chromatic/Enharmonic Hypophrygian |
4 1 3 6 1 3 6 | Chromatic/Enharmonic Hypodorian |
3 4 3 3 4 3 4 | Neutral Mixolydian, Iced Blizzard |
4 3 3 4 3 4 3 | Neutral Lydian, Iced Major |
3 3 4 3 4 3 4 | Neutral Phrygian, Iced Locrian |
3 4 3 4 3 4 3 | Neutral Dorian, Misaelides 2nd Byzantine mode, Iced Fridgian, Maqam Sikah Baladi, Maqamic-7, Ioniophrygian |
4 3 4 3 4 3 3 | Neutral Hypolydian, Mohajira-7, Iced Lydian |
3 4 3 4 3 3 4 | Neutral Hypophrygian, Iced Mixolydian |
4 3 4 3 3 4 3 | Neutral Hypodorian, Iced Dark Lydian |
1 2 7 1 2 7 4 | Ratio 1:2 Hemiolic Chromatic Mixolydian |
2 7 1 2 7 4 1 | Ratio 1:2 Hemiolic Chromatic Lydian |
7 1 2 7 4 1 2 | Ratio 1:2 Hemiolic Chromatic Phrygian |
1 2 7 4 1 2 7 | Ratio 1:2 Hemiolic Chromatic Dorian |
2 7 4 1 2 7 1 | Ratio 1:2 Hemiolic Chromatic Hypolydian |
7 4 1 2 7 1 2 | Ratio 1:2 Hemiolic Chromatic Hypophrygian |
4 1 2 7 1 2 7 | Ratio 1:2 Hemiolic Chromatic Hypodorian |
2 7 1 4 2 7 1 | Second plagal Byzantine Liturgical mode |
5 5 4 5 5 | Quasi-equal Pentatonic, Semaphore-5 |
3 3 4 4 2 4 4 | Maqam ‘Ushshaq Turki, Urfa, Isfahan, Dastgah-e Shur |
3 3 4 4 2 1 3 4 | Maqam Bayati |
3 3 4 4 4 2 4 | Maqam Nahfat |
3 3 2 6 2 4 4 | Maqam Saba |
3 3 2 6 2 4 2 2 | Maqam Saba |
3 3 2 6 2 6 2 | Maqam Sabr Jadid |
3 3 2 2 4 3 3 4 | Maqam Mansuri |
4 3 3 4 2 6 2 | Maqam Suznak (Soznak) |
4 3 3 4 4 2 1 3 | Maqam Rast, Dilkashidah, Dilnishin |
4 3 3 4 4 4 2 | Maqam Mahur |
4 3 1 2 1 3 4 2 1 3 | Maqam Yakah |
4 3 1 2 4 4 2 4 | Maqam Suzidil ‘ara |
3 3 4 2 6 2 4 | Maqam Qarjighar, Bayati Shuri |
3 4 2 2 2 2 2 4 3 | Maqam Huzzam |
3 4 2 6 2 4 3 | Maqam Hizam (Huzzam, El Houzam), Rahat al Arouah |
3 4 2 6 2 4 2 1 | Maqam Rahat al-Arwah |
3 4 3 3 4 4 2 1 | Maqam Iraq |
2 6 2 4 2 1 3 4 | Maqam Hijaz |
3 4 4 2 1 3 4 3 | Maqam Musta’ar |
3 4 4 4 2 4 2 1 | Maqam Farahnak |
3 4 3 3 2 6 2 1 | Maqam Bastanikar, Tarz Nuin (Tarznauyn) |
4 2 6 2 4 2 1 3 | Maqam Farah Faza, Maqam Nakriz |
4 2 1 3 2 2 2 2 3 1 2 | Maqam Hayyan |
4 2 1 3 2 2 4 2 1 3 | Maqam Basandida |
4 4 2 1 3 2 2 4 2 | Maqam Shawq Afza |
2 1 3 2 2 4 2 4 2 2 | Maqam Shawq Tarab |
3 1 2 4 4 2 4 4 | Maqam Jabburi |
2 4 4 4 3 3 4 | Maqam Nawa |
2 5 3 4 2 5 3 | Maqam Higaz-kar |
3 4 4 2 4 4 3 | Maqam Su’ar, Naghmeh Abuata, Naghmeh Afshari |
4 4 2 4 4 3 3 | Maqam Jahargah (Jiharkah), Naghmeh Bayat-e Tork, Naghmeh Dashti |
4 4 3 3 4 4 2 | Maqam ‘Ajam Murassah, Ioniolydian |
3 5 2 4 2 4 4 | Dastgah-e Homayun |
4 2 4 4 3 5 2 | Naghmeh Esfahan |
3 6 1 5 2 6 1 | Maqam ‘Awg ‘ara (Aug-ara) |
4 1 5 4 2 6 2 | Maqam Buselik |
4 2 6 2 2 5 3 | Maqam Neuter |
2 8 3 6 5 | Anchihoye: Ethiopia |
4 3 3 4 4 2 4 | Dance scale of Yi people: China |
4 4 2 3 1 4 6 | Daniel-mode of Spanish-Arab Jews |
3 7 4 3 7 | Spondeion |
1 1 8 4 2 8 | Spondeiakos |
1 4 4 2 4 4 4 1 | Dalmonte 8-tone |
1 5 3 1 5 3 1 5 | Spongework |
4 4 2 1 3 4 3 1 2 | Xiangliu |
3 2 3 2 2 2 3 2 3 2 | Rimsky-Korsakov Major |
3 2 2 3 2 2 3 2 3 2 | Rimsky-Korsakov Neutral |
3 2 2 3 2 2 3 2 2 3 | Rimsky-Korsakov Bineutral |
3 2 1 4 2 2 3 2 3 2 | Rimsky-Korsakov Minor |
2 3 2 2 2 2 3 2 2 2 2 | Hyperpentatonic |
9 2 2 9 2 | de Vries 5-tone |
4 1 4 1 4 1 4 1 4 | de Vries 9-tone, Semaphore-9 |
1 2 2 2 2 2 2 1 2 2 2 2 2 | de Vries 13-tone, Agmon Diatonic DS5 inverse |
2 2 3 2 3 2 2 3 2 3 | Anguirus-10 |
2 1 2 2 1 2 2 2 1 2 2 1 2 2 | Anguirus-14 |
1 3 3 4 3 4 3 3 | Freivald Lament |
3 2 2 2 2 3 2 2 2 2 2 | Freivald-11 |
1 2 2 2 2 2 1 2 2 2 2 2 2 | Freivald-13, Diatonicized Chromatic |
4 5 5 5 5 | Godzilla-5 |
4 4 1 4 1 4 1 4 1 | Godzilla-9 |
3 1 3 1 1 3 1 1 3 1 1 3 1 1 | Godzilla-14 |
5 1 1 1 5 1 1 1 5 1 1 1 | Hemiaug-12 |
1 3 3 1 3 3 1 3 3 3 | Migration-10 |
1 2 3 4 4 1 2 3 4 | Progressive Enneatonic |
1 3 1 1 3 1 3 1 1 3 1 1 3 1 | Semaphore-14 |
3 3 2 3 3 2 3 3 2 | Triforce-9 |
1 2 1 2 2 1 2 1 2 2 1 2 1 2 2 | Triforce-15 |
2 3 2 3 2 2 3 2 3 2 | Young Decatonic, Decimal-10 |
2 2 1 2 2 2 1 2 2 1 2 2 2 1 | Young Half-Octave Diatonic, Decimal-14 |
3 1 3 3 3 1 3 3 1 3 | Breed Decatonic |
1 3 3 1 3 3 3 1 3 3 | Neutral Hypolydian Decatonic, Mohajira-10 |
3 1 3 3 1 3 3 3 1 3 | Neutral Dorian Decatonic, Maqamic-10 |
2 3 2 2 3 2 3 2 2 3 | Oljare Decatonic |
2 2 2 1 3 2 2 2 2 2 1 3 | Ice Bookshop |
3 1 3 1 2 3 1 3 1 3 1 2 | Iceface |
3 1 2 1 3 3 1 3 1 2 1 3 | Iceface Maqam |
1 3 2 2 2 1 3 2 2 3 1 2 | Iceface Straub Variant |
1 1 1 1 1 7 1 1 1 1 1 7 | Louvier Prelude et Fugue 3 |
1 3 2 1 3 1 3 2 1 2 3 2 | Vaisvil’s Mixed-Quarters |
2 2 2 2 2 1 2 2 2 2 2 2 1 | Agmon Diatonic DS5 |
25 tone equal modes: |
|
4 4 2 5 4 4 2 | Twenty-five tone “Major” |
4 2 4 5 2 4 4 | Twenty-five tone “Minor” |
3 2 3 2 3 2 3 2 3 2 | Archytas Clan-10 |
5 3 3 3 5 3 3 | Antiphrygian |
3 3 5 3 3 5 3 | Antimixolydian |
5 3 3 5 3 3 3 | Antilocrian |
3 3 5 3 3 3 5 | Antiionian |
3 2 3 3 3 3 2 3 3 | Superdorian |
2 3 3 3 3 2 3 3 3 | Superphrygian |
3 3 3 3 2 3 3 3 2 | Superlydian |
3 3 3 2 3 3 3 2 3 | Supermixolydian |
3 3 2 3 3 3 2 3 3 | Superolympian |
2 3 3 3 2 3 3 3 3 | Superlocrian |
3 5 3 3 3 5 3 | Armodue-7, Antidorian |
3 3 3 2 3 3 3 3 2 | Armodue-9, Superionian |
2 3 2 3 2 3 2 3 2 3 | Blackwood-10 |
2 1 2 2 1 2 2 1 2 2 1 2 2 1 2 | Blackwood-15 |
3 4 4 3 4 3 4 | Dicot-7 |
4 4 4 4 4 5 | Hemithirds-6, Spell-6 |
4 4 4 4 4 4 1 | Hemithirds-7 |
3 1 3 1 3 1 3 1 3 1 3 1 1 | Hemithirds-13, Spell-13 |
3 3 2 3 3 3 3 2 3 | Mabila-9, Supercorinthian |
7 1 7 1 1 7 1 | Magic-7 |
6 1 1 1 6 1 1 6 1 1 | Magic-10 |
5 1 1 1 5 1 1 1 5 1 1 1 1 | Magic-13 |
8 3 3 8 3 | Mavila-5 |
3 5 3 3 5 3 3 | Mavila-7, Antiaeolian |
3 2 3 3 3 2 3 3 3 | Mavila-9, Superaeolian |
3 1 3 1 3 3 1 3 3 1 3 | Mohavila-11 |
3 3 8 3 8 | Pelogic-5 |
3 3 3 5 3 3 5 | Pelogic-7, Antilydian |
4 4 3 4 3 4 3 | Sixix-7 |
1 2 2 2 3 2 2 2 3 2 2 2 | Tritonic Diatonic |
2 2 2 1 2 2 2 2 1 2 2 2 2 1 | Ketradektriatoh |
26 tone equal modes: |
|
1 3 3 1 3 1 3 1 3 3 1 3 | Meantone Chromatic (4/9-comma) |
4 4 3 4 4 4 3 | Twenty-six tone Major |
4 3 4 4 3 4 4 | Twenty-six tone Natural Minor |
4 3 4 4 4 4 3 | Twenty-six tone Melodic Minor |
4 3 4 4 3 5 3 | Twenty-six tone Harmonic Minor |
4 4 3 4 3 5 3 | Twenty-six tone Harmonic Major |
5 5 6 5 5 | Quasi-equal Pentatonic, Mothra-5 |
3 5 5 3 5 5 | Decibel-6 |
2 3 2 3 3 2 3 2 3 3 | Decibel-10 |
1 5 1 5 1 1 5 1 5 1 | Doublewide-10 |
1 1 4 1 1 4 1 1 1 4 1 1 4 1 | Doublewide-14 |
1 3 3 1 3 1 3 3 1 3 1 3 | Flattone-12 |
2 2 2 2 2 3 2 2 2 2 2 3 | Injera-12 |
3 3 3 3 3 3 3 3 2 | Jerome-9, Progression-9 |
5 3 5 5 3 5 | Lemba-6 |
3 2 3 2 3 3 2 3 2 3 | Lemba-10 |
5 5 5 5 5 1 | Mothra-6 |
4 1 4 1 4 1 4 1 4 1 1 | Mothra-11 |
2 5 5 2 5 2 5 | Orgone-7 |
2 2 3 2 3 2 2 3 2 2 3 | Orgone-11 |
2 2 2 1 2 2 1 2 2 2 1 2 2 2 1 | Orgone-15 |
3 1 3 1 3 1 1 3 1 3 1 3 1 1 | Secant-14 |
4 1 4 1 4 1 4 1 1 4 1 | Spartan-11 |
5 2 5 2 5 2 5 | Superkleismic-7 |
2 3 2 3 2 2 3 2 2 3 2 | Superkleismic-11 |
1 2 2 2 1 2 2 2 1 2 2 2 1 2 2 | Superkleismic-15 |
2 2 2 2 2 2 1 2 2 2 2 2 2 1 | Erlich Double Diatonic, Injera-14 |
2 2 2 2 2 2 1 2 2 2 2 2 1 2 | Static Major |
2 2 2 2 2 1 2 2 2 2 2 2 2 1 | Dynamic Major |
2 1 2 2 2 2 2 2 2 1 2 2 2 2 | Static Minor |
2 2 1 2 2 2 2 2 1 2 2 2 2 2 | Dynamic Minor |
2 2 2 2 2 2 2 1 2 2 2 2 2 1 | Injera |
27 tone equal modes: |
|
4 1 1 4 1 4 1 4 1 1 4 1 | Twelve-tone Chromatic (4/9-comma positive) |
5 4 2 5 4 5 2 | Twenty-seven tone “Major” |
5 2 4 5 2 5 4 | Twenty-seven tone “Minor” |
6 5 5 6 5 | Septimal Minor Pentatonic, Supra-5 |
7 2 7 2 7 2 | Augene-6 |
2 5 2 2 5 2 2 5 2 | Augene-9 |
2 2 3 2 2 2 3 2 2 2 3 2 | Augene-12 |
2 2 2 1 2 2 2 2 1 2 2 2 2 1 2 | Augene-15 |
5 3 3 5 3 5 3 | Beatles-7, Dichotic-7 |
2 3 3 3 2 3 3 2 3 3 | Beatles-10, Dichotic-10 |
2 2 3 2 3 2 3 2 3 2 3 | Kumonga-11 |
6 1 6 1 6 1 6 | Myna-7 |
1 5 1 1 5 1 5 1 1 5 1 | Myna-11 |
1 1 4 1 1 1 4 1 1 1 4 1 1 4 1 | Myna-15 |
2 2 2 2 2 2 2 2 2 2 2 2 2 1 | Octacot-14 |
4 4 1 4 4 1 4 4 1 | Oodako-9 |
3 3 4 3 3 4 3 4 | Sensi-8 |
3 3 3 1 3 3 3 1 3 3 1 | Sensi-11 |
2 3 2 2 2 3 2 2 2 3 2 2 | Starling-12 |
1 4 1 1 4 1 4 1 1 4 1 4 | Superpyth-12 |
5 1 5 5 5 1 5 | Supra-7 |
1 4 1 4 1 1 4 1 4 1 4 1 | Supra-12 |
4 4 4 4 4 4 3 | Tetracot-7 |
1 3 1 3 1 3 1 3 3 1 3 1 3 | Tetracot-13 |
5 4 5 4 5 4 | Quasi-equal Hexatonic |
3 2 2 2 3 2 2 2 3 2 2 2 | Miller’s Galticeran |
28 tone equal modes: |
|
2 3 2 2 3 2 2 3 2 2 3 2 | Twelve-tone Chromatic |
2 5 2 5 2 5 2 5 | Octatonic |
5 2 5 2 5 2 5 2 | Diminished |
3 4 3 4 3 4 3 4 | Quasi-equal Octatonic |
4 2 4 1 4 2 4 1 4 2 | Onyxwood |
5 4 5 5 4 5 | Antikythera-6 |
4 1 4 4 1 4 1 4 4 1 | Antikythera-10 |
2 2 3 2 2 3 2 2 3 2 2 3 | Demolished-12 |
4 1 4 1 1 4 1 4 1 1 4 1 1 | Laquadgu-13 |
5 5 3 5 5 5 | Machine-6 |
3 2 3 2 3 2 3 2 3 3 2 | Machine-11 |
3 3 3 3 4 3 3 3 3 | Negri-9 |
3 3 3 3 3 3 3 3 3 1 | Negri-10 |
3 3 3 5 3 3 3 5 | Octokaidecal-8 |
3 3 3 3 2 3 3 3 3 2 | Octokaidecal-10 |
3 3 5 3 3 3 5 3 | Supersharp-8 |
3 3 3 2 3 3 3 3 2 3 | Supersharp-10 |
5 2 2 2 2 5 2 2 2 2 2 | Thuja-11 |
3 2 2 2 2 2 3 2 2 2 2 2 2 | Thuja-13 |
1 2 2 2 2 2 2 1 2 2 2 2 2 2 2 | Thuja-15, Diatonicized Chromatic, Agmon Diatonic DS6 inverse |
1 3 1 3 1 3 1 3 1 3 1 3 1 3 | Whitewood-14 |
2 2 2 2 2 2 1 2 2 2 2 2 2 2 1 | Agmon Diatonic DS6 |
29 tone equal modes: |
|
3 2 2 3 2 3 2 3 2 2 3 2 | Twelve-tone Chromatic (1/14-comma positive) |
5 5 2 5 5 5 2 | Twenty-nine tone Major |
5 2 5 5 2 5 5 | Twenty-nine tone Minor |
5 4 3 5 4 5 3 | Twenty-nine tone “Just” Major |
5 3 4 5 3 4 5 | Twenty-nine tone “Just” Minor |
5 3 4 5 3 5 4 | Twenty-nine tone Natural Minor |
5 3 4 5 4 5 3 | Twenty-nine tone Melodic Minor |
5 3 4 5 3 6 3 | Twenty-nine tone Harmonic Minor |
5 4 3 5 3 6 3 | Twenty-nine tone Harmonic Major |
3 2 2 2 2 2 2 2 2 2 2 2 2 2 | Belauensis-14 |
1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 | Belauensis-15 |
5 6 6 6 6 | Immunity-5 |
5 5 1 5 1 5 1 5 1 | Immunity-9 |
1 1 4 1 1 4 1 4 1 1 4 1 1 4 | Immunity-14 |
4 3 3 3 3 4 3 3 3 | Isopelogic-9 |
1 3 3 3 3 3 1 3 3 3 3 | Isopelogic-11 |
3 3 3 2 3 3 3 3 3 3 | Keenan Decatonic |
2 2 2 3 2 2 2 2 2 2 2 2 2 2 | Nautilus-14 |
3 3 3 3 5 3 3 3 3 | Negri-9 |
3 3 3 3 3 3 3 3 3 2 | Negri-10 |
4 4 4 5 4 4 4 | Porcupine-7 |
4 5 4 4 4 4 4 | Porcupine-7 Major |
4 4 4 4 4 4 4 1 | Porcupine-8 |
4 4 1 4 4 4 4 4 | Jones’s Porcupine-8 |
5 4 4 4 4 4 4 | Porky-7 |
2 3 2 2 3 2 3 2 2 3 2 3 | Schismic-12 |
6 6 5 6 6 | Quasi-equal Pentatonic, Semaphore-5 |
5 1 5 1 5 1 5 1 5 | Semaphore-9 |
1 4 1 1 4 1 4 1 1 4 1 1 4 1 | Semaphore-14 |
2 2 7 2 7 2 7 | Sephiroth-7 |
2 2 2 5 2 2 5 2 2 5 | Sephiroth-10 |
2 2 2 3 2 2 2 3 2 2 2 3 2 | Sephiroth-13 |
4 3 4 3 4 4 3 4 | Tridec-8 |
30 tone equal modes: |
|
5 5 2 6 5 5 2 | Thirty tone “Major” |
5 2 5 6 2 5 5 | Thirty tone “Minor” |
10 3 10 5 2 | Madenda: Sunda |
6 1 6 4 6 1 6 | Amiot’s Scale |
3 3 2 3 3 3 2 3 3 3 2 | Balzano Eleven-tone |
2 3 3 3 2 3 3 3 2 3 3 | Balzano Eleven-tone inverse |
5 1 4 2 3 3 2 4 1 5 | Equal temperaments 5 and 6 mixed |
2 2 2 3 2 2 2 2 2 2 3 2 2 2 | Bipelog-14 |
3 4 3 3 4 3 3 4 3 | Deflated-9 |
3 2 3 2 3 2 3 2 3 2 3 2 | Hexe-12 |
7 7 7 7 2 | Lovecraft-5 |
5 2 5 2 5 2 5 2 2 | Lovecraft-9 |
9 4 4 9 4 | Mavila-5 |
4 5 4 4 5 4 4 | Mavila-7, Antiaeolian |
4 1 4 4 4 1 4 4 4 | Mavila-9 |
3 8 3 8 8 | Mechanism-5 |
3 3 5 3 3 5 3 5 | Mechanism-8 |
3 2 3 3 3 2 3 3 3 2 3 | Mechanism-11 |
4 4 4 5 4 4 5 | Pelogic-7, Antilydian |
3 2 2 3 2 2 3 2 2 3 2 2 2 | Lovecraft-13, Ragimetric-13 |
3 2 3 3 3 2 3 3 2 3 3 | Stacks-11 |
31 tone equal modes: |
|
2 3 3 2 3 2 3 2 3 3 2 3 | Meantone Chromatic (53/220-comma) |
5 5 3 5 5 5 3 | Thirty-one tone Major, Intense Diatonic Lydian, M.Ionian |
5 3 5 5 3 5 5 | Thirty-one tone Natural Minor, Intense Diatonic Hypodorian, Aeolian |
5 3 5 5 5 5 3 | Thirty-one tone Melodic Minor |
5 3 5 5 3 7 3 | Thirty-one tone Harmonic Minor |
5 5 3 5 3 7 3 | Thirty-one tone Harmonic Major |
5 5 3 5 3 5 5 | Thirty-one tone Major-Minor |
5 8 5 13 | Genus primum |
10 3 5 5 5 3 | Genus secundum |
8 2 8 3 7 3 | Genus tertium |
10 10 10 1 | Genus quartum |
5 7 6 7 5 1 | Genus quintum |
4 6 2 6 4 3 3 3 | Genus sextum |
4 6 5 6 4 6 | Genus septimum |
6 6 6 1 6 6 | Genus octavum |
4 6 9 6 4 2 | Genus nonum |
13 6 6 6 | Genus decimum |
5 5 3 5 5 3 2 3 | Genus diatonicum |
3 5 2 3 5 3 2 5 3 | Genus chromaticum |
5 5 2 1 5 5 2 3 3 | Genus diatonicum cum septimis |
3 4 3 3 2 1 4 1 4 1 2 3 | Genus enharmonicum vocale |
2 2 4 2 2 3 3 3 1 3 3 3 | Genus enharmonicum instrumentale |
3 2 3 2 3 2 3 3 2 3 2 3 | Genus diatonico-chromaticum |
5 2 1 2 5 3 2 1 4 1 2 3 | Genus bichromaticum |
2 3 2 3 3 2 3 3 2 2 3 3 | Hexy |
2 3 3 2 3 5 2 1 2 3 2 3 | Major Wing |
5 3 2 3 3 2 3 2 3 2 1 2 | Minor Wing |
2 1 1 1 5 2 5 1 1 1 2 3 3 3 | Dekatesserany |
7 6 5 7 6 | Septimal Minor Pentatonic |
5 6 7 6 7 | Septimal Slendro |
6 4 3 5 5 2 6 | Septimal Diatonic |
3 5 5 5 3 7 3 | Neapolitan Minor, Hungarian Gipsy |
3 7 3 5 3 7 3 | Double Harmonic Major, Major Gipsy |
5 3 7 3 3 5 5 | Minor Gipsy |
5 3 7 3 3 7 3 | Double Harmonic Minor, Hungarian Minor |
5 5 3 7 1 7 3 | Harmonic Major sharp 5 |
3 2 2 3 3 2 3 3 2 2 3 3 | Fokker 12-tone |
3 5 3 2 5 3 8 2 | Fokker Six-star A |
5 1 5 4 6 4 2 4 | Fokker Six-star B |
6 1 6 6 1 5 1 5 | Fokker Six-star C |
5 3 5 3 5 2 5 3 | Diminished, Modus conjunctus |
3 5 2 5 3 5 3 5 | Octatonic |
5 3 2 3 5 3 2 3 2 3 | Major/Minor mixed, Supermode |
4 4 5 4 4 5 5 | Neutral Diatonic Mixolydian |
4 5 4 4 5 5 4 | Neutral Diatonic Lydian |
5 4 4 5 5 4 4 | Neutral Diatonic Phrygian, Rast |
4 4 5 5 4 4 5 | Neutral Diatonic Dorian |
4 5 5 4 4 5 4 | Neutral Diatonic Hypolydian |
5 5 4 4 5 4 4 | Neutral Diatonic Hypophrygian |
5 4 4 5 4 4 5 | Neutral Diatonic Hypodorian |
4 5 4 4 5 4 5 | Neutral Mixolydian |
5 4 4 5 4 5 4 | Neutral Lydian, Dicot-7 |
4 4 5 4 5 4 5 | Neutral Phrygian |
4 5 4 5 4 5 4 | Neutral Dorian, Maqamic-7 |
5 4 5 4 5 4 4 | Neutral Hypolydian, Mohajira-7 |
4 5 4 5 4 4 5 | Neutral Hypophrygian |
5 4 5 4 4 5 4 | Neutral Hypodorian |
2 2 9 2 2 9 5 | Hemiolic Chromatic Mixolydian |
2 9 2 2 9 5 2 | Hemiolic Chromatic Lydian |
9 2 2 9 5 2 2 | Hemiolic Chromatic Phrygian |
2 2 9 5 2 2 9 | Hemiolic Chromatic Dorian |
2 9 5 2 2 9 2 | Hemiolic Chromatic Hypolydian |
9 5 2 2 9 2 2 | Hemiolic Chromatic Hypophrygian |
5 2 2 9 2 2 9 | Hemiolic Chromatic Hypodorian |
2 3 8 2 3 8 5 | Ratio 2:3 Chromatic Mixolydian |
3 8 2 3 8 5 2 | Ratio 2:3 Chromatic Lydian |
8 2 3 8 5 2 3 | Ratio 2:3 Chromatic Phrygian |
2 3 8 5 2 3 8 | Ratio 2:3 Chromatic Dorian |
3 8 5 2 3 8 2 | Ratio 2:3 Chromatic Hypolydian |
8 5 2 3 8 2 3 | Ratio 2:3 Chromatic Hypophrygian |
5 2 3 8 2 3 8 | Ratio 2:3 Chromatic Hypodorian |
3 5 5 3 5 5 5 | Intense Diatonic Mixolydian, M.Locrian |
5 3 5 5 5 3 5 | Intense Diatonic Phrygian, M.Dorian |
3 5 5 5 3 5 5 | Intense Diatonic Dorian, M.Phrygian |
5 5 5 3 5 5 3 | Intense Diatonic Hypolydian, M.Lydian |
5 5 3 5 5 3 5 | Intense Diatonic Hypophrygian, M.Mixolydian |
2 5 6 2 5 6 5 | Soft Diatonic Mixolydian |
5 6 2 5 6 5 2 | Soft Diatonic Lydian |
6 2 5 6 5 2 5 | Soft Diatonic Phrygian |
2 5 6 5 2 5 6 | Soft Diatonic Dorian |
5 6 5 2 5 6 2 | Soft Diatonic Hypolydian |
6 5 2 5 6 2 5 | Soft Diatonic Hypophrygian |
5 2 5 6 2 5 6 | Soft Diatonic Hypodorian |
1 2 10 1 2 10 5 | Enharmonic Mixolydian |
2 10 1 2 10 5 1 | Enharmonic Lydian |
10 1 2 10 5 1 2 | Enharmonic Phrygian |
1 2 10 5 1 2 10 | Enharmonic Dorian |
2 10 5 1 2 10 1 | Enharmonic Hypolydian |
10 5 1 2 10 1 2 | Enharmonic Hypophrygian |
5 1 2 10 1 2 10 | Enharmonic Hypodorian |
6 6 7 6 6 | Quasi-equal Pentatonic, Mothra-5 |
6 7 5 7 6 | Slendro A1 |
6 7 5 6 7 | Slendro M |
6 7 6 6 6 | Slendro S1 |
3 7 5 1 5 7 3 | The Gray Picture of Dorian |
6 2 5 5 6 2 5 | Tetrachordal 6-2-5 |
6 6 1 5 6 6 1 | Tetrachordal 6-6-1 |
7 2 4 5 7 2 4 | Tetrachordal 7-2-4 |
8 2 3 5 8 2 3 | Tetrachordal 8-2-3 |
4 3 3 5 3 3 4 3 3 | Hahn Trichordal |
3 3 4 3 5 3 4 3 3 | Hahn Symmetrical Pentachordal |
3 4 3 3 5 3 4 3 3 | Hahn Pentachordal |
4 4 2 5 3 3 4 3 3 | Hahn Nonatonic |
4 1 4 4 4 1 4 4 1 4 | Breed Decatonic |
4 2 4 2 4 2 4 3 3 3 | Lumma Decatonic |
1 5 1 3 3 3 1 5 1 2 4 2 | Hexany Flanker |
1 4 2 3 2 2 4 2 3 2 3 3 | Secor 12-tone |
6 6 6 6 6 1 | Mothra-6 |
5 1 5 1 5 1 5 1 5 1 1 | de Vries 11-tone, Mothra-11 |
1 4 4 1 4 4 4 1 4 4 | Neutral Hypolydian Decatonic, Mohajira-10 |
4 1 4 4 1 4 4 4 1 4 | Neutral Dorian Decatonic, Maqamic-10 |
5 3 3 3 3 5 3 3 3 | Rothenberg Generalized Diatonic |
7 2 4 5 4 1 1 2 5 | Thompson Nine out of 31 |
5 2 6 5 2 5 6 | “Septimal” Natural Minor |
5 5 3 1 4 5 4 1 3 | Naga |
3 2 3 2 1 5 2 3 3 2 2 3 | Duohex |
2 3 2 4 2 3 2 2 3 3 3 2 | Heathwaite’s Meteoroid |
1 7 1 2 1 7 1 2 1 7 1 | Nested Bees |
3 7 1 7 3 5 5 | Strange Diatonic |
3 1 3 1 5 1 3 1 3 1 5 1 3 | Tancuva |
3 3 3 3 3 3 3 4 3 3 | Apparatus-10 |
3 3 3 3 3 3 3 3 1 3 3 | Apparatus-11 |
3 4 4 4 4 4 4 4 | Greeley-8 |
3 3 1 3 1 3 1 3 1 3 1 3 1 3 1 | Greeley-15 |
5 5 5 5 5 6 | Hemithirds-6, Roulette-6 |
5 5 5 5 5 5 1 | Hemithirds-7, Roulette-7 |
4 1 4 1 4 1 4 1 4 1 4 1 1 | Hemithirds-13, Roulette-13 |
8 3 3 8 3 3 3 | Joan-7, Score-7 |
5 3 3 3 5 3 3 3 3 | Joan-9 |
2 3 3 3 3 2 3 3 3 3 3 | Joan-11, Score-11 |
3 2 3 2 3 2 3 3 3 1 3 3 | Marvel-12 |
1 4 4 1 4 4 1 4 4 4 | Migration-10 |
3 3 3 3 3 3 3 3 3 4 | Miracle-10 |
3 3 3 3 3 3 3 3 3 1 2 1 | Miracle-12 |
7 1 7 1 7 1 7 | Myna-7 |
1 6 1 1 6 1 6 1 1 6 1 | Myna-11 |
1 1 5 1 1 1 5 1 1 1 5 1 1 5 1 | Myna-15 |
7 7 7 7 3 | Orwell-5 |
4 3 4 3 4 3 4 3 3 | Orwell-9 |
1 3 3 1 3 3 1 3 3 1 3 3 3 | Orwell-13 |
3 5 3 3 3 5 3 3 3 | Score-9 |
2 7 2 7 2 2 7 2 | Sentinel-8 |
2 5 2 2 5 2 2 2 5 2 2 | Secor Sentinel-11 |
2 3 2 2 2 3 2 2 2 2 3 2 2 2 | Sentinel-14 |
3 2 3 2 2 3 2 3 2 2 3 2 2 | Semisept-13 |
6 6 6 7 6 | Slendric-5 |
6 6 6 6 1 6 | Slendric-6 |
5 1 5 1 5 1 5 1 1 5 1 | Slendric-11 |
5 2 2 5 2 2 2 5 2 2 2 | Squares-11 |
3 2 2 2 3 2 2 2 2 3 2 2 2 2 | Squares-14 |
2 4 2 2 3 3 2 3 2 3 3 2 | Starling-12 |
2 2 2 2 2 2 2 2 2 2 2 3 2 2 2 | Tertiaseptal-15, Valentine-15 |
7 6 6 6 6 | Wonder-5 |
5 1 1 5 1 5 1 5 1 5 1 | Wonder-11 |
7 1 1 1 7 1 1 1 7 1 1 1 1 | Wurschmidt-13 |
32 tone equal modes: |
|
6 4 3 6 4 6 3 | Thirty-two tone “Major” |
6 3 4 6 3 6 4 | Thirty-two tone “Minor” |
7 6 6 7 6 | Septimal Minor Pentatonic |
3 5 3 5 3 5 3 5 | Octatonic |
5 3 5 3 5 3 5 3 | Diminished |
4 3 3 3 4 3 3 3 3 3 | Pentachordal Decatonic |
4 5 5 4 5 4 5 | Dicot-7 |
3 3 2 3 3 2 3 3 2 3 3 2 | Diminished-12 |
5 5 5 5 2 5 5 | Glacial-7 |
3 2 3 2 3 2 3 2 2 3 2 3 2 | Glacial-13 |
5 2 2 2 2 2 5 2 2 2 2 2 2 | Kangaroo-13 |
4 1 4 1 4 4 1 4 4 1 4 | Mohavila-11 |
3 3 3 1 3 3 3 3 3 1 3 3 | Pajaro-12 |
2 3 2 2 2 2 2 2 2 3 2 2 2 2 2 | Progress-15 |
5 5 4 5 4 5 4 | Sixix-7 |
3 4 3 4 3 4 3 4 4 | Superpelog-9 |
3 3 1 3 3 1 3 3 1 3 3 1 3 1 | Superpelog-14 |
33 tone equal modes: |
|
1 4 4 1 4 1 4 1 4 4 1 4 | Meantone Chromatic (1/2-comma) |
5 3 3 5 3 3 5 3 3 | August-9 |
2 3 3 3 2 3 3 3 2 3 3 3 | August-12 |
5 5 5 5 3 5 5 | Bluebirds-7 |
2 3 2 3 2 3 2 3 3 2 3 2 3 | Bluebirds-13 |
5 7 7 7 7 | Godzilla-5 |
5 5 2 5 2 5 2 5 2 | Godzilla-9 |
3 2 3 2 2 3 2 2 3 2 2 3 2 2 | Godzilla-14 |
5 2 2 2 5 2 2 2 5 2 2 2 | Inflated-12 |
2 3 2 2 2 2 3 2 2 2 2 3 2 2 2 | Inflated-15 |
5 1 5 1 1 5 1 5 1 1 5 1 1 | Laquadgu-13 |
1 5 5 1 5 5 1 5 5 | Terrain-9 |
1 4 1 4 1 1 4 1 4 1 1 4 1 4 1 | Terrain-15 |
5 5 1 5 5 1 5 5 1 | Shallert’s mode, Terrain-9 inverse |
5 2 2 2 2 2 2 2 2 2 2 2 2 2 2 | Slurpee-15 |
34 tone equal modes: |
|
3 3 3 2 3 3 3 3 2 3 3 3 | “Just” Chromatic |
6 5 3 6 5 6 3 | Thirty-four tone “Just” Major |
6 3 5 6 3 5 6 | Thirty-four tone “Just” Minor |
6 3 5 6 3 6 5 | Thirty-four tone Natural Minor |
6 3 5 6 5 6 3 | Thirty-four tone Melodic Minor |
6 3 5 6 3 8 3 | Thirty-four tone Harmonic Minor |
6 5 3 6 3 8 3 | Thirty-four tone Harmonic Major |
3 6 2 3 6 3 2 6 3 | Genus chromaticum |
7 7 6 7 7 | Quasi-equal Pentatonic |
3 3 4 3 4 3 3 4 3 4 | Anguirus-10 |
3 1 3 3 1 3 3 3 1 3 3 1 3 3 | Anguirus-14 |
3 4 3 4 3 3 4 3 4 3 | Decimal-10 |
3 3 1 3 3 3 1 3 3 1 3 3 3 1 | Decimal-14 |
3 3 3 5 3 3 3 3 5 3 | Diaschismic-10, Pajara-10 |
3 3 3 2 3 3 3 3 3 2 3 3 | Diaschismic-12, Pajara-12 |
8 8 5 8 5 | Father-5 |
5 3 5 5 3 5 5 3 | Father-8 |
6 7 7 7 7 | Immunity-5 |
6 6 1 6 1 6 1 6 1 | Immunity-9 |
1 1 5 1 1 5 1 5 1 1 5 1 1 5 | Immunity-14 |
3 3 2 3 3 3 3 3 2 3 3 3 | Jubilee-12 |
2 7 2 7 2 7 7 | Kleismic-7 |
2 2 5 2 5 2 2 5 2 2 5 | Kleismic-11 |
2 2 2 3 2 2 2 3 2 2 2 3 2 2 3 | Kleismic-15 |
4 7 4 4 4 7 4 | Mabila-7 |
4 4 3 4 4 4 4 3 4 | Mabila-9 |
3 3 3 1 3 3 3 3 3 3 3 3 | Ripple-12 |
2 5 2 2 3 4 2 3 2 4 3 2 | Starling-12 |
5 5 5 5 5 5 4 | Tetracot-7 |
1 4 1 4 1 4 1 4 4 1 4 1 4 | Tetracot-13 |
5 2 2 2 2 2 2 5 2 2 2 2 2 2 | Vishnu-14 |
2 5 2 5 2 2 5 2 2 5 2 | Wilson 11-tone |
8 1 1 1 8 1 1 1 8 1 1 1 1 | Wurschmidt-13 |
4 3 1 2 3 3 2 3 3 2 4 2 2 | Haverstick |
5 3 3 3 5 3 3 3 3 3 | Pentachordal Decatonic |
35 tone equal modes: |
|
3 4 3 4 3 4 3 4 3 4 | Blacksmith-10 |
3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 | Blacksmith-15 |
9 2 9 2 2 9 2 | Magic-7 |
7 2 2 2 7 2 2 7 2 2 | Magic-10 |
5 2 2 2 5 2 2 2 5 2 2 2 2 | Magic-13 |
2 2 5 2 2 2 5 2 2 2 2 5 2 | Muggles-13 |
4 4 4 4 4 4 4 4 3 | Progression-9 |
3 3 3 2 3 3 3 3 3 3 3 3 | Ripple-12 |
3 2 3 2 3 2 3 2 3 2 3 2 3 2 | Septimal-14 |
3 3 3 3 3 3 3 3 2 3 3 3 | Twelve-35-12 |
1 4 1 4 1 4 1 4 1 4 1 4 1 4 | Whitewood-14 |
36 tone equal modes: |
|
5 10 6 5 10 | Nam Hue: Vietnam |
1 1 13 1 1 13 6 | Hyperenharmonic Mixolydian |
1 13 1 1 13 6 1 | Hyperenharmonic Lydian |
13 1 1 13 6 1 1 | Hyperenharmonic Phrygian |
1 1 13 6 1 1 13 | Hyperenharmonic Dorian |
1 13 6 1 1 13 1 | Hyperenharmonic Hypolydian |
13 6 1 1 13 1 1 | Hyperenharmonic Hypophrygian |
6 1 1 13 1 1 13 | Hyperenharmonic Hypodorian |
2 2 11 2 2 11 6 | Soft Chromatic Mixolydian |
2 11 2 2 11 6 2 | Soft Chromatic Lydian |
11 2 2 11 6 2 2 | Soft Chromatic Phrygian |
2 2 11 6 2 2 11 | Soft Chromatic Dorian |
2 11 6 2 2 11 2 | Soft Chromatic Hypolydian |
11 6 2 2 11 2 2 | Soft Chromatic Hypophrygian |
6 2 2 11 2 2 11 | Soft Chromatic Hypodorian |
2 4 9 2 4 9 6 | Ratio 1:2 Chromatic Mixolydian |
4 9 2 4 9 6 2 | Ratio 1:2 Chromatic Lydian |
9 2 4 9 6 2 4 | Ratio 1:2 Chromatic Phrygian |
2 4 9 6 2 4 9 | Ratio 1:2 Chromatic Dorian |
4 9 6 2 4 9 2 | Ratio 1:2 Chromatic Hypolydian |
9 6 2 4 9 2 4 | Ratio 1:2 Chromatic Hypophrygian |
6 2 4 9 2 4 9 | Ratio 1:2 Chromatic Hypodorian |
5 5 5 5 5 5 6 | Equal Diatonic Mixolydian |
5 5 5 5 5 6 5 | Equal Diatonic Lydian |
5 5 5 5 6 5 5 | Equal Diatonic Phrygian |
5 5 5 6 5 5 5 | Equal Diatonic Dorian |
5 5 6 5 5 5 5 | Equal Diatonic Hypolydian |
5 6 5 5 5 5 5 | Equal Diatonic Hypophrygian |
6 5 5 5 5 5 5 | Equal Diatonic Hypodorian |
2 7 6 2 7 6 6 | Diatonic + Soft Chromatic Diesis Mixolydian |
7 6 2 7 6 6 2 | Diatonic + Soft Chromatic Diesis Lydian |
6 2 7 6 6 2 7 | Diatonic + Soft Chromatic Diesis Phrygian |
2 7 6 6 2 7 6 | Diatonic + Soft Chromatic Diesis Dorian |
7 6 6 2 7 6 2 | Diatonic + Soft Chromatic Diesis Hypolydian |
6 6 2 7 6 2 7 | Diatonic + Soft Chromatic Diesis Hypophrygian |
6 2 7 6 2 7 6 | Diatonic + Soft Chromatic Diesis Hypodorian |
4 7 4 6 4 7 4 | Second authentic Byzantine Liturgical mode, Savas Soft Chromatic 2nd Byzantine mode |
4 6 5 6 4 6 5 | Savas Diatonic Byzantine Liturgical mode |
4 8 3 6 4 8 3 | Savas Enharmonic Byzantine Liturgical mode |
3 10 2 6 3 10 2 | Second plagal Byzantine Liturgical mode, Hard Chromatic 2nd plagal Byzantine mode |
5 4 6 6 5 4 6 | First plagal Byzantine Liturgical mode ascending |
5 4 6 6 3 6 6 | First plagal Byzantine Liturgical mode descending |
4 6 6 5 4 6 5 | Fourth authentic Byzantine Liturgical mode |
6 5 4 6 6 5 4 | Fourth plagal Byzantine Liturgical mode |
5 7 5 7 5 7 | Augment-6 |
5 2 5 5 2 5 5 2 5 | Augment-9 |
2 3 2 3 2 2 3 2 3 2 2 3 2 3 2 | Augment-15 |
3 4 4 3 4 3 4 4 3 4 | Echidnic-10 |
3 5 3 3 5 3 3 5 3 3 | Golden-10 |
3 3 2 3 3 3 2 3 3 3 2 3 3 | Golden-13 |
3 5 5 5 3 5 5 5 | Hedgehog-8 |
3 2 3 3 2 3 2 3 2 3 3 2 3 2 | Hedgehog-14 |
7 4 7 7 4 7 | Lemba-6 |
4 3 4 3 4 4 3 4 3 4 | Lemba-10 |
2 15 2 2 15 | Liese-5 |
2 2 13 2 2 2 13 | Liese-7 |
2 2 2 11 2 2 2 2 11 | Liese-9 |
2 2 2 2 9 2 2 2 2 2 9 | Liese-11 |
7 7 8 7 7 | Quasi-equal Pentatonic |
7 7 7 8 7 | Slendric-5 |
7 7 7 7 1 7 | Slendric-6 |
6 1 6 1 6 1 6 1 1 6 1 | Slendric-11 |
7 5 7 5 7 5 | Ternary-6, Quasi-equal Hexatonic |
3 2 2 3 2 3 2 2 3 2 3 2 2 3 2 | Ternary-15 |
3 3 2 3 2 3 2 3 3 2 3 2 3 2 | Urchin-14 |
8 7 7 7 7 | Wonder-5 |
6 1 1 6 1 6 1 6 1 6 1 | Wonder-11 |
4 5 4 5 4 5 4 5 | Quasi-equal Octatonic |
5 4 5 4 5 4 5 4 | Quasi-equal Diminished |
3 4 4 3 4 4 3 3 4 4 | Bohlen 833 cents Golden scale |
Persian modes as 36 tone equal modes: |
|
4 5 6 4 2 3 1 5 6 | Dastgah-e Shur |
4 5 6 6 3 1 5 6 | Dastgah-e Abuata |
3 1 5 6 4 2 3 1 5 6 | Dastgah-e Dashti |
3 3 6 3 6 6 4 5 | Dastgah-e Bayat-e Tork |
6 4 5 6 4 2 3 1 5 | Dastgah-e Afshari |
5 6 4 5 1 5 6 4 | Dastgah-e Segah |
4 8 3 6 4 8 3 | Dastgah-e Chahargah |
4 8 3 6 3 1 5 6 | Dastgah-e Homayun |
6 3 6 6 4 6 5 | Dastgah-e Bayat-e Esfahan |
6 3 6 6 4 5 6 | Dastgah-e Nava |
6 6 3 6 6 3 3 3 | Dastgah-e Mahur, Rast (Rast Panjgah) |
37 tone equal modes: |
|
2 2 2 7 2 2 2 7 2 2 7 | Bossier-11 |
2 2 2 5 2 2 2 2 5 2 2 2 5 2 | Bossier-14 |
7 4 4 7 4 7 4 | Dichotic-7 |
3 4 4 4 3 4 4 3 4 4 | Dichotic-10 |
5 3 3 3 3 5 3 3 3 3 3 | Freivald-11 |
2 3 3 3 3 3 2 3 3 3 3 3 3 | Freivald-13 |
7 7 2 7 7 7 | Gorgo-6 |
2 7 7 5 2 7 7 | Gorgo-Pelog |
2 5 2 5 2 5 2 5 2 5 2 | Gorgo-11 |
3 7 7 3 7 3 7 | Orgone-7 |
3 3 4 3 4 3 3 4 3 3 4 | Orgone-11 |
3 3 3 1 3 3 1 3 3 3 1 3 3 3 1 | Orgone-15 |
3 3 3 3 5 3 3 3 3 3 5 | Parizek-11 |
3 3 3 3 3 2 3 3 3 3 3 3 2 | Parizek-13 |
3 3 3 3 3 3 4 3 3 3 3 3 | Passion-12 |
5 5 5 7 5 5 5 | Porcupine-7 |
5 7 5 5 5 5 5 | Porcupine-7 Major |
5 5 5 5 5 5 5 2 | Porcupine-8 |
3 2 3 2 2 3 2 3 2 3 2 3 2 3 2 | Porcupine-15 |
6 6 6 6 6 7 | Roulette-6 |
6 6 6 6 6 6 1 | Roulette-7 |
5 1 5 1 5 1 5 1 5 1 5 1 1 | Roulette-13 |
7 4 7 4 7 4 4 | Sharp-7 |
3 4 4 3 4 4 3 4 4 4 | Sharp-10 |
4 4 4 3 4 4 3 4 4 3 | Silver-10 |
5 2 5 2 5 2 5 2 2 5 2 | Spartan-11 |
3 5 8 5 3 5 8 | Superpelog-Pelog |
3 5 3 5 3 5 3 5 5 | Superpelog-9 |
3 3 2 3 3 2 3 3 2 3 3 2 3 2 | Superpelog-14 |
5 4 5 4 5 5 4 5 | Tridec-8 |
4 4 4 5 4 4 4 4 4 | Twothirdtonic-9 |
4 4 4 4 1 4 4 4 4 4 | Twothirdtonic-10 |
5 3 1 5 5 3 1 5 3 1 5 | Clanghats |
1 8 3 1 8 3 1 8 3 1 | Diamond Gate |
2 5 2 5 1 2 5 2 5 2 5 1 | Escapescapes |
7 5 5 5 5 4 6 | Otonal Major |
38 tone equal modes: |
|
7 5 7 7 5 7 | Astrology-6 |
5 2 5 5 2 5 2 5 5 2 | Astrology-10 |
3 5 3 5 3 3 5 3 5 3 | Decimal-10 |
3 3 2 3 3 3 2 3 3 2 3 3 3 2 | Decimal-14 |
3 3 3 3 3 4 3 3 3 3 3 4 | Injera-12 |
3 3 3 3 3 3 1 3 3 3 3 3 3 1 | Injera-14 |
6 5 6 5 6 5 5 | Ptolemy-7 |
2 2 5 2 2 5 2 2 5 2 2 2 5 | Subklei-13 |
4 4 7 4 4 4 7 4 | Supersharp-8 |
4 4 4 3 4 4 4 4 3 4 | Supersharp-10 |
39 tone equal modes: |
|
5 2 2 5 2 5 2 5 2 2 5 2 | Twelve-tone Chromatic (4/15-comma positive) |
6 5 6 5 6 6 5 | Amity-7 |
5 7 5 5 5 7 5 | Armodue-7, Antidorian |
5 5 5 2 5 5 5 5 2 | Armodue-9, Superionian |
10 3 10 3 10 3 | Augmented-6 |
3 7 3 3 7 3 3 7 3 | Augmented-9 |
3 3 4 3 3 3 4 3 3 3 4 3 | Augmented-12 |
3 3 1 3 3 3 3 1 3 3 3 3 1 3 3 | Augmented-15 |
5 6 6 5 6 5 6 | Dicot-7 |
7 8 8 8 8 | Immunity-5 |
7 7 1 7 1 7 1 7 1 | Immunity-9 |
1 1 6 1 1 6 1 6 1 1 6 1 1 6 | Immunity-14 |
7 7 4 7 7 7 | Machine-6 |
4 3 4 3 4 3 4 3 4 4 3 | Machine-11 |
5 7 5 5 7 5 5 | Mavila-7 |
5 2 5 5 5 2 5 5 5 | Mavila-9 |
5 1 5 1 5 5 1 5 5 1 5 | Mohavila-11 |
4 4 4 4 7 4 4 4 4 | Negri-9 |
4 4 4 4 4 4 4 4 4 3 | Negri-10 |
8 8 7 8 8 | Quasi-equal Pentatonic |
2 2 5 2 5 2 5 2 2 5 2 5 | Quasisuper-12 |
9 7 7 9 7 | Supra-5 |
7 2 7 7 7 2 7 | Supra-7 |
2 5 2 5 2 2 5 2 5 2 5 2 | Supra-12 |
5 5 3 5 5 3 5 5 3 | Triforce-9 |
2 3 2 3 3 2 3 2 3 3 2 3 2 3 3 | Triforce-15 |
40 tone equal modes: |
|
4 5 13 4 14 | Surupan Melog jawar: Java |
5 4 14 4 13 | Surupan Miring: Java |
5 4 13 5 13 | Surupan Ajeng: Java |
7 3 7 3 7 3 7 3 | Diminished |
3 7 3 7 3 7 3 7 | Octatonic |
5 3 5 3 5 3 5 3 5 3 | Archytas Clan-10 |
2 3 3 2 3 3 2 3 3 2 3 3 2 3 3 | Archytas Clan-15 |
3 5 3 5 3 5 3 5 3 5 | Blacksmith-10 |
3 2 3 3 2 3 3 2 3 3 2 3 3 2 3 | Blacksmith-15 |
3 3 4 3 3 4 3 3 4 3 3 4 | Diminished-12, Demolished-12 |
2 2 5 2 2 2 5 2 2 5 2 2 2 5 | Fleetwood-14 |
9 9 9 9 4 | Guanyintet-5 |
4 5 4 5 4 5 4 4 5 | Guanyintet-9 |
3 3 3 3 3 5 3 3 3 3 3 5 | Injera-12 |
3 3 3 3 3 3 2 3 3 3 3 3 3 2 | Injera-14 |
4 1 4 4 1 4 4 1 4 4 4 1 4 | Laz-13 |
41 tone equal modes: |
|
4 3 3 4 3 4 3 4 3 3 4 3 | Twelve-tone Chromatic (1/44-comma positive) |
4 3 4 2 4 3 4 4 2 4 3 4 | “Just” Chromatic |
7 7 3 7 7 7 3 | Forty-one tone Major |
7 3 7 7 3 7 7 | Forty-one tone Minor |
7 6 4 7 6 7 4 | Forty-one tone “Just” Major |
7 4 6 7 4 7 6 | Forty-one tone “Just” Minor |
7 4 6 7 4 6 7 | Forty-one tone Natural Minor |
7 4 6 7 6 7 4 | Forty-one tone Melodic Minor |
7 4 6 7 4 9 4 | Forty-one tone Harmonic Minor |
7 6 4 7 4 9 4 | Forty-one tone Harmonic Major |
5 8 5 5 5 8 5 | Armodue-7, Mabila-7 |
5 5 5 3 5 5 5 5 3 | Armodue-9 |
7 5 5 7 5 7 5 | Beatles-7, Dichotic-7 |
2 5 5 5 2 5 5 2 5 5 | Beatles-10, Dichotic-10 |
2 5 5 2 5 5 2 5 5 5 | Hemififths-10 |
5 5 3 5 5 5 5 3 5 | Mabila-9 |
11 2 11 2 13 2 | Magic-6 |
11 2 11 2 2 11 2 | Magic-7 |
9 2 2 2 9 2 2 9 2 2 | Magic-10 |
7 2 2 2 7 2 2 2 7 2 2 2 2 | Magic-13 |
5 7 5 7 5 7 5 | Maqamic-7 |
5 2 5 5 2 5 5 5 2 5 | Maqamic-10 |
4 3 4 2 4 3 4 4 4 1 4 4 | Marvel-12 |
5 8 5 5 8 5 5 | Mavila-7 |
5 3 5 5 5 3 5 5 5 | Mavila-9 |
4 4 7 4 4 7 4 7 | Mechanism-8 |
4 3 4 4 4 3 4 4 4 3 4 | Mechanism-11 |
4 4 4 4 4 4 4 4 4 5 | Miracle-10 |
4 4 4 4 4 4 4 4 4 1 3 1 | Miracle-12 |
7 5 7 5 7 5 5 | Mohajira-7 |
2 5 5 2 5 5 5 2 5 5 | Mohajira-10 |
3 3 3 3 3 3 3 3 3 3 3 3 3 2 | Octacot-14 |
3 3 5 3 3 3 4 3 3 5 3 3 | Octagari-12 |
5 5 13 5 13 | Pelogic-5 |
5 5 5 8 5 5 8 | Pelogic-7 |
8 3 8 3 8 3 8 | Superkleismic-7 |
3 5 3 5 3 3 5 3 3 5 3 | Superkleismic-11 |
2 3 3 3 2 3 3 3 2 3 3 3 2 3 3 | Superkleismic-15 |
3 4 3 3 4 3 4 3 3 4 3 4 | Schismic-12 |
4 5 4 5 4 5 4 5 5 | Septimin-9 |
4 4 1 4 4 1 4 4 1 4 4 1 4 1 | Septimin-14 |
4 3 4 4 4 3 4 4 3 4 4 | Stacks-11 |
8 8 8 9 8 | Rodan-5 |
7 1 7 1 7 1 7 1 1 7 1 | Rodan-11 |
6 6 6 6 6 6 5 | Tetracot-7 |
1 5 1 5 1 5 1 5 5 1 5 1 5 | Tetracot-13 |
11 11 11 8 | Magical Seventh |
8 8 9 8 8 | Quasi-equal Pentatonic |
42 tone equal modes: |
|
3 8 3 3 8 3 3 8 3 | Augene-9 |
3 3 5 3 3 3 5 3 3 3 5 3 | Augene-12 |
3 3 3 2 3 3 3 3 2 3 3 3 3 2 3 | Augene-15 |
4 3 3 3 3 4 3 3 3 4 3 3 3 | Balzano-13 |
4 3 4 3 4 3 4 3 4 3 4 3 | Hexe-12 |
7 4 4 4 7 4 4 4 4 | Joan-9 |
3 4 4 4 4 3 4 4 4 4 4 | Joan-11 |
8 5 8 8 5 8 | Lemba-6 |
5 3 5 3 5 5 3 5 3 5 | Lemba-10 |
4 4 4 1 4 4 4 4 4 1 4 4 | Pajaro-12 |
3 3 10 3 10 3 10 | Sephiroth-7 |
3 3 3 7 3 3 7 3 3 7 | Sephiroth-10 |
3 3 3 4 3 3 3 4 3 3 3 4 3 | Sephiroth-13 |
43 tone equal modes: |
|
3 4 4 3 4 3 4 3 4 4 3 4 | Meantone Chromatic (1/5-comma) |
4 3 4 3 4 3 4 4 3 4 3 4 | Genus diatonico-chromaticum |
7 7 4 7 7 7 4 | Forty-three tone Major |
7 4 7 7 4 7 7 | Forty-three tone Natural Minor |
7 4 7 7 7 7 4 | Forty-three tone Melodic Minor |
7 4 7 7 4 10 4 | Forty-three tone Harmonic Minor |
7 7 4 7 4 10 4 | Forty-three tone Harmonic Major |
3 3 12 3 3 12 7 | Parachromatic Mixolydian |
3 12 3 3 12 7 3 | Parachromatic Lydian |
12 3 3 12 7 3 3 | Parachromatic Phrygian |
3 3 12 7 3 3 12 | Parachromatic Dorian |
3 12 7 3 3 12 3 | Parachromatic Hypolydian |
12 7 3 3 12 3 3 | Parachromatic Hypophrygian |
7 3 3 12 3 3 12 | Parachromatic Hypodorian |
3 6 9 3 6 9 7 | Soft Diatonic Mixolydian |
6 9 3 6 9 7 3 | Soft Diatonic Lydian |
9 3 6 9 7 3 6 | Soft Diatonic Phrygian |
3 6 9 7 3 6 9 | Soft Diatonic Dorian |
6 9 7 3 6 9 3 | Soft Diatonic Hypolydian |
9 7 3 6 9 3 6 | Soft Diatonic Hypophrygian |
7 3 6 9 3 6 9 | Soft Diatonic Hypodorian |
5 7 7 5 7 5 7 | Dicot-7 |
7 9 9 9 9 | Godzilla-5 |
7 7 2 7 2 7 2 7 2 | Godzilla-9 |
5 2 5 2 2 5 2 2 5 2 2 5 2 2 | Godzilla-14 |
5 5 5 5 5 5 5 5 3 | Jerome-9, Progression-9 |
3 3 5 3 5 3 5 3 5 3 5 | Kumonga-11 |
5 9 5 5 5 9 5 | Mabila-7 |
5 5 4 5 5 5 5 4 5 | Mabila-9 |
3 3 3 4 3 3 3 3 3 3 3 3 3 3 | Nautilus-14 |
5 4 4 5 4 4 5 4 4 4 | Submajor-10 |
5 3 3 3 3 3 5 3 3 3 3 3 3 | Thuja-13 |
2 3 3 3 3 3 3 2 3 3 3 3 3 3 3 | Thuja-15 |
44 tone equal modes: |
|
3 8 3 8 3 8 3 8 | Octatonic |
8 3 8 3 8 3 8 3 | Diminished |
5 6 5 6 5 6 5 6 | Quasi-equal Octatonic |
4 4 5 4 5 4 4 5 4 5 | Anguirus-10 |
4 1 4 4 1 4 4 4 1 4 4 1 4 4 | Anguirus-14 |
10 7 10 7 10 | A-Team-5 |
7 3 7 7 3 7 7 3 | A-Team-8 |
8 5 5 8 5 8 5 | Beatles-7, Dichotic-7 |
3 5 5 5 3 5 5 3 5 5 | Beatles-10, Dichotic-10 |
3 3 3 4 3 3 3 3 3 3 4 3 3 3 | Bipelog-14 |
2 7 2 2 7 2 2 7 2 2 7 2 | Blackbirds-12 |
4 9 9 4 9 9 | Decibel-6 |
4 5 4 5 4 4 5 4 5 4 | Decibel-10 |
3 3 5 3 3 5 3 3 5 3 3 5 | Demolished-12 |
4 4 3 4 4 3 4 4 3 4 4 3 | Diminished-12 |
3 3 3 5 3 3 3 3 3 3 3 3 3 3 | Nautilus-14 |
5 5 5 5 5 5 5 5 4 | Progression-9 |
4 3 4 3 3 4 3 4 3 3 4 3 3 | Semisept-13 |
7 7 7 7 7 7 2 | Deutone-7, Spell-7 |
5 2 5 2 5 2 5 2 5 2 5 2 2 | Deutone-13, Spell-13 |
6 2 7 5 4 5 7 2 6 | Lampooning Rushes |
45 tone equal modes: |
|
2 5 5 2 5 2 5 2 5 5 2 5 | Meantone Chromatic (2/5-comma) |
7 7 5 7 7 7 5 | Forty-five tone Major |
7 5 7 7 5 7 7 | Forty-five tone Minor |
7 4 4 7 4 4 7 4 4 | August-9 |
3 4 4 4 3 4 4 4 3 4 4 4 | August-12 |
4 5 4 5 4 5 4 5 4 5 | Ferrum-10 |
2 5 5 2 5 2 5 5 2 5 2 5 | Flattone-12 |
7 7 7 7 3 7 7 | Glacial-7 |
4 3 4 3 4 3 4 3 3 4 3 4 3 | Glacial-13 |
8 8 5 8 8 8 | Machine-6 |
5 3 5 3 5 3 5 3 5 5 3 | Machine-11 |
7 6 7 6 7 6 6 | Ptolemy-7 |
4 4 4 1 4 4 4 4 4 4 4 4 | Ripple-12 |
7 3 3 7 3 3 3 7 3 3 3 | Squares-11 |
4 3 3 3 4 3 3 3 3 4 3 3 3 3 | Squares-14 |
46 tone equal modes: |
|
5 3 3 5 3 5 3 5 3 3 5 3 | Twelve-tone Chromatic (1/9-comma positive) |
4 4 4 3 4 4 4 4 3 4 4 4 | “Just” Chromatic |
8 7 4 8 7 8 4 | Forty-six tone “Just” Major |
8 4 7 8 4 7 8 | Forty-six tone “Just” Minor |
8 4 7 8 4 8 7 | Forty-six tone Natural Minor |
8 4 7 8 7 8 4 | Forty-six tone Melodic Minor |
8 4 7 8 4 11 4 | Forty-six tone Harmonic Minor |
8 7 4 8 4 11 4 | Forty-six tone Harmonic Major |
8 6 5 8 6 5 8 | Rast |
8 6 5 8 8 6 5 | Arabic Diatonic |
7 6 7 6 7 7 6 | Amity-7 |
3 3 3 5 3 3 3 3 3 3 5 3 3 3 | Bipelog-14 |
7 7 7 7 4 7 7 | Bluebirds-7 |
3 4 3 4 3 4 3 4 4 3 4 3 4 | Bluebirds-13 |
4 4 4 7 4 4 4 4 7 4 | Diaschismic-10, Pajara-10 |
4 4 4 3 4 4 4 4 4 3 4 4 | Diaschismic-12, Pajara-12 |
4 5 5 4 5 4 5 5 4 5 | Echidnic-10 |
4 3 3 4 3 3 3 4 3 3 4 3 3 3 | Hemiamity-14 |
5 5 5 8 5 5 5 8 | Octokaidecal-8 |
5 5 5 5 3 5 5 5 5 3 | Octokaidecal-10 |
5 5 5 2 3 2 5 5 5 4 1 4 | Plum |
9 9 9 10 9 | Rodan-5 |
8 1 8 1 8 1 8 1 1 8 1 | Rodan-11 |
3 5 3 3 5 3 5 3 3 5 3 5 | Schism-12 |
5 5 7 5 5 7 5 7 | Sensi-8 |
5 5 5 2 5 5 5 2 5 5 2 | Sensi-11 |
3 6 3 3 4 5 3 4 3 5 4 3 | Starling-12 |
5 5 5 6 5 5 5 5 5 | Twothirdtonic-9 |
5 5 5 5 1 5 5 5 5 5 | Twothirdtonic-10 |
3 3 3 3 3 3 3 3 3 3 3 4 3 3 3 | Valentine-15 |
7 4 4 4 7 4 4 4 4 4 | Pentachordal Decatonic |
3 9 3 9 3 7 5 7 | Smith’s Star |
5 7 3 9 3 7 5 7 | Smith’s Nova |
4 4 7 4 4 4 4 7 4 4 | Symmetrical Decatonic |
47 tone equal modes: |
|
8 7 8 8 8 8 | Baldy-6 |
7 1 7 1 7 1 7 7 1 7 1 | Baldy-11 |
7 3 3 3 3 3 7 3 3 3 3 3 3 | Kangaroo-13 |
5 5 5 5 7 5 5 5 5 | Negri-9 |
5 5 5 5 5 5 5 5 5 2 | Negri-10 |
3 4 3 3 3 3 3 3 3 4 3 3 3 3 3 | Progress-15 |
5 3 3 5 3 3 5 3 3 5 3 3 3 | Ragimetric-13 |
4 4 4 3 4 4 4 4 4 4 4 4 | Ripple-12 |
9 5 9 5 9 5 5 | Sharp-7 |
4 5 5 5 4 5 5 4 5 5 | Sharp-10 |
5 5 5 4 5 5 4 5 5 4 | Silver-10 |
7 2 7 2 7 2 7 2 2 7 2 | Spartan-11 |
5 5 3 5 5 3 5 5 3 5 3 | Wilson Golden-11 |
48 tone equal modes: |
|
3 3 14 3 3 14 8 | Hemiolic Chromatic Mixolydian |
3 14 3 3 14 8 3 | Hemiolic Chromatic Lydian |
14 3 3 14 8 3 3 | Hemiolic Chromatic Phrygian |
3 3 14 8 3 3 14 | Hemiolic Chromatic Dorian |
3 14 8 3 3 14 3 | Hemiolic Chromatic Hypolydian |
14 8 3 3 14 3 3 | Hemiolic Chromatic Hypophrygian |
8 3 3 14 3 3 14 | Hemiolic Chromatic Hypodorian |
5 5 10 5 5 10 8 | Soft Diatonic Mixolydian |
5 10 5 5 10 8 5 | Soft Diatonic Lydian |
10 5 5 10 8 5 5 | Soft Diatonic Phrygian |
5 5 10 8 5 5 10 | Soft Diatonic Dorian |
5 10 8 5 5 10 5 | Soft Diatonic Hypolydian |
10 8 5 5 10 5 5 | Soft Diatonic Hypophrygian |
8 5 5 10 5 5 10 | Soft Diatonic Hypodorian |
3 9 8 3 9 8 8 | Diatonic + Hemiolic Chromatic Diesis Mixolydian |
9 8 3 9 8 8 3 | Diatonic + Hemiolic Chromatic Diesis Lydian |
8 3 9 8 8 3 9 | Diatonic + Hemiolic Chromatic Diesis Phrygian |
3 9 8 8 3 9 8 | Diatonic + Hemiolic Chromatic Diesis Dorian |
9 8 8 3 9 8 3 | Diatonic + Hemiolic Chromatic Diesis Hypolydian |
8 8 3 9 8 3 9 | Diatonic + Hemiolic Chromatic Diesis Hypophrygian |
8 3 9 8 3 9 8 | Diatonic + Hemiolic Chromatic Diesis Hypodorian |
3 3 6 8 8 3 3 6 8 | Hemiolic Chromatic and Diatonic Dorian mixed |
5 7 5 7 5 7 5 7 | Octatonic |
3 10 3 3 10 3 3 10 3 | Augene-9 |
3 3 7 3 3 3 7 3 3 3 7 3 | Augene-12 |
3 3 3 4 3 3 3 3 4 3 3 3 3 4 3 | Augene-15 |
2 9 2 9 2 2 9 2 9 2 | Doublewide-10 |
2 2 7 2 2 7 2 2 2 7 2 2 7 2 | Doublewide-14 |
5 3 5 3 5 3 5 3 5 3 5 3 | Hexe-12 |
7 3 3 3 7 3 3 3 7 3 3 3 | Inflated-12 |
3 4 3 3 3 3 4 3 3 3 3 4 3 3 3 | Inflated-15 |
5 5 5 5 8 5 5 5 5 | Negri-9, Quasi-Equal Enneatonic |
5 5 5 5 5 5 5 5 5 3 | Negri-10 |
7 7 2 7 7 2 7 7 2 | Oodako-9 |
4 9 9 4 9 4 9 | Orgone-7 |
4 4 5 4 5 4 4 5 4 4 5 | Orgone-11 |
4 4 4 1 4 4 1 4 4 4 1 4 4 4 1 | Orgone-15 |
3 5 3 3 3 5 3 3 3 3 5 3 3 3 | Sentinel-14 |
8 3 3 8 3 3 3 8 3 3 3 | Squares-11 |
5 3 3 3 5 3 3 3 3 5 3 3 3 3 | Squares-14 |
5 5 9 5 5 5 9 5 | Supersharp-8 |
5 5 5 4 5 5 5 5 4 5 | Supersharp-10 |
5 5 5 3 5 5 5 5 5 5 | Keenan Decatonic |
5 5 5 5 5 3 5 5 5 5 | Lumma Decatonic |
49 tone equal modes: |
|
4 3 6 3 4 3 6 4 3 6 3 4 | Ares-12 |
11 11 11 11 5 | Guanyintet-5 |
5 6 5 6 5 6 5 5 6 | Guanyintet-9 |
3 10 3 10 3 10 10 | Kleismic-7 |
3 3 7 3 7 3 3 7 3 3 7 | Kleismic-11 |
5 1 5 5 1 5 5 1 5 5 5 1 5 | Laz-13 |
4 4 4 4 4 4 5 4 4 4 4 4 | Passion-12 |
5 3 5 3 3 5 3 5 3 3 5 3 3 | Semisept-13 |
4 3 4 3 4 3 4 3 4 3 4 3 4 3 | Septimal-14 |
2 7 2 2 7 2 7 2 2 7 2 7 | Superpyth-12 |
11 9 9 11 9 | Supra-5 |
9 2 9 9 9 2 9 | Supra-7 |
2 7 2 7 2 2 7 2 7 2 7 2 | Supra-12 |
2 5 2 5 2 5 2 5 2 5 2 5 2 5 | Whitewood-14 |
50 tone equal modes: |
|
3 5 5 3 5 3 5 3 5 5 3 5 | Meantone Chromatic (5/18-comma), Eair-12 |
8 8 5 8 8 8 5 | Fifty tone Major |
8 5 8 8 5 8 8 | Fifty tone Natural Minor |
8 5 8 8 8 8 5 | Fifty tone Melodic Minor |
8 5 8 8 5 11 5 | Fifty tone Harmonic Minor |
8 8 5 8 5 11 5 | Fifty tone Harmonic Major |
8 5 8 5 8 3 8 5 | Diminished, Modus conjunctus |
5 8 5 8 3 8 5 8 | Octatonic |
8 8 9 9 8 8 | Taylor Whole-Tone |
9 7 9 9 7 9 | Astrology-6 |
7 2 7 7 2 7 2 7 7 2 | Astrology-10 |
4 4 4 4 7 4 4 4 4 4 7 | Parizek-11 |
4 4 4 4 4 3 4 4 4 4 4 4 3 | Parizek-13 |
4 4 4 4 4 5 4 4 4 4 4 5 | Injera-12 |
4 4 4 4 4 4 1 4 4 4 4 4 4 1 | Injera-14 |
9 9 5 9 9 9 | Machine-6 |
5 4 5 4 5 4 5 4 5 5 4 | Machine-11 |
5 3 5 3 5 3 5 5 5 1 5 5 | Marvel-12 |
5 6 5 6 5 6 5 6 6 | Septimin-9 |
5 5 1 5 5 1 5 5 1 5 5 1 5 1 | Septimin-14 |
8 3 3 3 3 3 3 3 3 3 3 3 3 3 3 | Slurpee-15 |
3 7 3 7 3 7 3 7 3 7 | Trisedodge-10 |
3 3 4 3 3 4 3 3 4 3 3 4 3 3 4 | Trisedodge-15 |
4 4 3 4 3 4 3 4 4 3 4 3 4 3 | Urchin-14 |
7 3 3 3 3 3 3 7 3 3 3 3 3 3 | Vishnu-14 |
3 5 5 3 5 3 5 5 3 3 7 3 | Wreckmeister |
51 tone equal modes: |
|
13 4 13 4 13 4 | Augmented-6 |
4 9 4 4 9 4 4 9 4 | Augmented-9 |
4 4 5 4 4 4 5 4 4 4 5 4 | Augmented-12 |
4 4 1 4 4 4 4 1 4 4 4 4 1 4 4 | Augmented-15 |
5 7 5 5 7 5 5 7 5 | Deflated-9 |
8 8 8 8 3 8 8 | Glacial-7 |
5 3 5 3 5 3 5 3 3 5 3 5 3 | Glacial-13 |
11 2 2 2 11 2 2 2 11 2 2 2 | Hemiaug-12 |
5 5 5 5 5 5 5 5 5 6 | Miracle-10 |
5 5 5 5 5 5 5 5 5 1 4 1 | Miracle-12 |
7 7 7 9 7 7 7 | Porcupine-7 |
7 9 7 7 7 7 7 | Porcupine-7 Major |
7 7 7 7 7 7 7 2 | Porcupine-8 |
5 2 5 2 2 5 2 5 2 5 2 5 2 5 2 | Porcupine-15 |
9 7 7 7 7 7 7 | Porky-7 |
13 5 5 13 5 5 5 | Score-7 |
5 8 5 5 5 8 5 5 5 | Score-9 |
3 5 5 5 5 3 5 5 5 5 5 | Score-11 |
4 7 4 7 4 7 4 7 7 | Superpelog-9 |
4 4 3 4 4 3 4 4 3 4 4 3 4 3 | Superpelog-14 |
52 tone equal modes: |
|
9 4 9 4 9 4 9 4 | Diminished |
4 9 4 9 4 9 4 9 | Octatonic |
6 7 6 7 6 7 6 7 | Quasi-equal Octatonic |
5 5 5 5 5 5 5 7 5 5 | Apparatus-10 |
5 5 5 5 5 5 5 5 2 5 5 | Apparatus-11 |
4 7 4 7 4 4 7 4 7 4 | Decimal-10 |
4 4 3 4 4 4 3 4 4 3 4 4 4 3 | Decimal-14 |
4 4 5 4 4 5 4 4 5 4 4 5 | Demolished-12 |
8 11 11 11 11 | Godzilla-5 |
8 8 3 8 3 8 3 8 3 | Godzilla-9 |
5 3 5 3 3 5 3 3 5 3 3 5 3 3 | Godzilla-14 |
5 7 7 7 5 7 7 7 | Hedgehog-8 |
5 2 5 5 2 5 2 5 2 5 5 2 5 2 | Hedgehog-14 |
5 5 9 5 5 9 5 9 | Mechanism-8 |
5 4 5 5 5 4 5 5 5 4 5 | Mechanism-11 |
8 7 8 7 8 7 7 | Ptolemy-7 |
5 5 2 5 2 5 2 5 5 2 5 2 5 2 | Urchin-14 |
53 tone equal modes: |
|
5 4 5 3 5 4 5 5 3 5 4 5 | “Just” Chromatic |
5 4 4 5 4 5 4 5 4 4 5 4 | Meantone Chromatic (1/315-comma) |
9 8 5 9 8 9 5 | Fifty-three tone “Just” Major |
9 5 8 9 5 9 8 | Fifty-three tone “Just” Minor |
9 5 8 9 5 8 9 | Fifty-three tone Natural Minor |
9 5 8 9 8 9 5 | Fifty-three tone Melodic Minor |
9 5 8 9 5 12 5 | Fifty-three tone Harmonic Minor |
9 8 5 9 5 12 5 | Fifty-three tone Harmonic Major |
5 4 5 3 5 4 5 5 3 6 3 5 | Genus diatonico-chromaticum |
1 1 20 9 1 1 20 | Hyperenharmonic Dorian |
8 1 4 4 5 4 4 1 4 4 1 4 4 4 1 | Newton |
8 7 8 7 8 8 7 | Amity-7 |
9 8 9 9 9 9 | Baldy-6 |
8 1 8 1 8 1 8 8 1 8 1 | Baldy-11 |
10 10 3 10 10 10 | Gorgo-6 |
3 10 10 7 3 10 10 | Gorgo-Pelog |
3 7 3 7 3 7 3 7 3 7 3 | Gorgo-11 |
3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 | Hemikleismic-15 |
3 11 3 11 3 11 11 | Kleismic-7 |
3 3 8 3 8 3 3 8 3 3 8 | Kleismic-11 |
3 3 3 5 3 3 3 5 3 3 3 5 3 3 5 | Kleismic-15 |
5 4 5 3 5 4 5 5 5 2 5 5 | Marvel-12 |
7 9 7 7 9 7 7 | Mavila-7 |
7 2 7 7 7 2 7 7 7 | Mavila-9 |
12 12 12 12 5 | Orwell-5 |
7 5 7 5 7 5 7 5 5 | Orwell-9 |
2 5 5 2 5 5 2 5 5 2 5 5 5 | Orwell-13 |
6 6 6 6 6 6 6 6 5 | Progression-9 |
4 5 4 4 5 4 5 4 4 5 4 5 | Schismic-12 |
7 3 7 3 7 3 7 3 3 7 3 | Spartan-11 |
6 5 5 6 5 5 6 5 5 5 | Submajor-10 |
53 tone equal modes with Turkish makams: |
|
9 8 5 9 9 4 4 5 | Makam Rast |
9 4 9 9 4 9 9 | Makam Nihavend, Muberka, Fifty-three tone Minor |
9 8 5 9 8 5 4 5 | Makam Yegah |
9 8 5 9 8 1 4 4 5 | Makam Yegah |
9 8 5 9 9 8 5 | Makam Sazkar |
9 4 9 9 4 9 4 5 | Makam Sultaniyegah, Ruhnevaz, Ferahfeza (Farahfaza) |
4 9 9 9 4 9 9 | Makam Ferahnuma, Askefza, Acem Kurdi |
5 12 5 9 5 8 4 5 | Makam Sedaraban |
8 5 9 8 5 9 9 | Makam Huseyniasiran |
5 12 5 9 4 4 5 4 5 | Makam Suzidil |
9 9 4 4 5 9 9 4 | Makam Acemasiran |
9 5 4 4 4 5 5 13 4 | Makam Sevkefza |
5 9 8 5 9 9 4 4 | Makam Iraq |
5 9 8 5 4 5 9 4 4 | Makam Evic, Segah |
5 9 8 1 4 4 5 9 4 4 | Makam Ferahnak |
5 13 4 9 5 13 4 | Makam Evcara (Evicara) |
9 9 4 9 9 4 5 4 | Makam Mahur |
9 5 4 4 4 5 9 4 5 4 | Makam Suzidilara |
9 9 4 4 5 9 4 4 5 | Makam Buzurk |
5 4 4 4 5 9 4 9 9 | Makam Suzinak |
5 12 5 5 4 4 4 5 9 | Makam Zirguleli Suzinak |
5 12 5 9 5 3 5 4 5 | Makam Hicazkar |
4 1 4 4 4 5 9 4 4 5 9 | Makam Kurdilihicazkar |
9 4 9 5 4 4 5 8 5 | Makam Nihavend (Nihavent) |
9 5 12 5 5 12 5 | Makam Neveser |
9 5 12 5 9 4 4 5 | Makam Nikriz |
8 5 9 9 4 4 5 9 | Makam Huseyni, Muhayyer, Neva, Gerdaniye, Tahir |
4 4 5 9 9 4 4 5 9 | Makam Muhayyer Kurdi |
8 1 4 9 9 8 5 4 5 | Makam Tahir Buselik |
8 5 9 5 4 4 4 5 9 | Makam Gulizar, Beyati (Bayati), Karcigar |
8 5 9 9 4 9 9 | Makam Ussak, Acem, Arazbar |
8 1 4 4 5 9 4 9 9 | Makam Isfahan |
4 4 1 4 9 4 5 4 9 9 | Makam Kurdi |
9 4 9 5 4 4 4 5 4 5 | Makam Buselik (Puselik) |
9 4 9 9 4 13 5 | Makam Sehnaz Buselik |
8 5 9 5 3 1 4 4 5 9 | Makam Arazbar |
5 12 5 9 4 4 5 9 | Makam Hicaz, Uzzal, Humayun |
5 12 5 9 4 1 8 4 5 | Makam Zirgule (Zengule) |
5 12 5 9 4 13 5 | Makam Zirguleli Hicaz |
5 12 5 9 4 1 3 5 4 5 | Makam Sehnaz |
8 5 5 13 4 9 9 | Makam Saba, Sunbule |
8 5 5 13 4 9 5 4 | Makam Saba Zemzeme |
8 5 5 13 4 4 5 5 4 | Makam Kucek |
8 5 5 4 9 4 4 5 4 5 | Makam Eski Sipihr |
4 4 5 4 1 13 4 9 9 | Makam Dugah |
8 5 9 4 5 4 1 8 4 5 | Makam Hisar |
4 9 4 5 8 1 4 9 4 5 | Makam Hisar Buselik |
5 3 5 4 5 4 5 4 1 3 5 4 5 | Makam Yeni Sipihr |
9 8 5 9 5 8 9 | Makam Nisaburek |
5 9 6 11 5 9 4 4 | Makam Huzzam |
9 5 8 9 5 9 4 4 | Makam Mustear |
5 9 8 1 4 9 9 8 | Makam Maye (Yeni Maye) |
1 4 9 8 5 9 9 3 5 | Makam Vechi Arazbar |
8 5 9 4 9 9 4 5 | Makam Nisabur |
5 13 4 9 5 12 5 | Makam Cargah I |
9 9 4 9 9 9 4 | Makam Cargah II, Zavil, Dastgah-e Mahur, Fifty-three tone Major |
5 8 13 5 5 8 4 5 | Makam Araban |
9 8 5 9 9 5 8 | Makam Urmawi |
9 4 13 5 4 13 5 | Makam Rengidil |
5 9 8 5 9 9 8 | Makam Arak |
7 1 5 9 9 4 9 9 | Makam Necid Huseyni, Huzi |
Persian modes as 53 tone equal modes: |
|
6 7 9 9 4 9 9 | Dastgah-e Shur |
6 7 9 6 3 4 2 7 9 | Dastgah-e Shur |
6 7 9 9 4 2 7 9 | Dastgah-e Abuata |
4 2 7 9 6 3 4 2 7 9 | Dastgah-e Dashti |
6 3 9 4 9 9 6 7 | Dastgah-e Bayat-e Tork |
9 6 7 9 6 3 4 2 7 | Dastgah-e Afshari |
6 12 4 9 4 2 7 9 | Dastgah-e Homayun |
9 9 4 9 9 4 5 4 | Dastgah-e Mahur, Rast (Rast Panjgah) |
6 9 10 3 9 9 7 | Naghmeh Abuata, Naghmeh Afshari |
9 9 4 9 9 6 7 | Naghmeh Bayat-e Tork, Naghmeh Dashti |
9 4 9 9 6 12 4 | Naghmeh Esfahan |
9 6 7 9 6 7 9 | Dastgah-e Sehgah |
6 9 7 6 9 9 7 | Dastgah-e Sehgah |
9 4 9 9 6 9 7 | Dastgah-e Mokhalif, Bayat-e Esfahan |
6 12 4 9 6 12 4 | Dastgah-e Chahargah |
9 4 9 9 6 7 9 | Dastgah-e Nava |
54 tone equal modes: |
|
10 7 10 10 7 10 | Astrology-6 |
7 3 7 7 3 7 3 7 7 3 | Astrology-10 |
3 5 5 5 3 5 5 5 3 5 5 5 | August-12 |
5 11 11 5 11 11 | Decibel-6 |
5 6 5 6 5 5 6 5 6 5 | Decibel-10 |
5 7 7 7 7 7 7 7 | Greeley-8 |
5 5 2 5 2 5 2 5 2 5 2 5 2 5 2 | Greeley-15 |
5 4 5 4 5 4 5 4 5 4 5 4 | Hexe-12 |
3 3 8 3 3 3 8 3 3 3 3 8 3 | Muggles-13 |
5 5 5 7 5 5 5 5 7 5 | Pajara-10 |
5 5 5 2 5 5 5 5 5 2 5 5 | Pajara-12 |
7 7 4 7 7 4 7 7 4 | Triforce-9 |
3 4 3 4 4 3 4 3 4 4 3 4 3 4 4 | Triforce-15 |
7 5 5 5 7 5 5 5 5 5 | Pentachordal Decatonic |
55 tone equal modes: |
|
4 5 5 4 5 4 5 4 5 5 4 5 | Meantone Chromatic (3/17-comma) |
5 4 5 4 5 5 4 5 4 5 4 5 | Sauveur’s Musician’s System |
5 4 5 4 5 4 5 5 4 5 4 5 | Genus diatonico-chromaticum |
9 9 5 9 9 9 5 | Fifty-five tone Major |
9 5 9 9 5 9 9 | Fifty-five tone Natural Minor |
9 5 9 9 9 9 5 | Fifty-five tone Melodic Minor |
9 5 9 9 5 13 5 | Fifty-five tone Harmonic Minor |
9 9 5 9 5 13 5 | Fifty-five tone Harmonic Major |
7 4 7 4 7 4 7 4 7 4 | Archytas Clan-10 |
3 4 4 3 4 4 3 4 4 3 4 4 3 4 4 | Archytas Clan-15 |
7 10 7 7 7 10 7 | Armodue-7 |
7 7 7 3 7 7 7 7 3 | Armodue-9 |
4 7 4 7 4 7 4 7 4 7 | Blackwood-10 |
4 3 4 4 3 4 4 3 4 4 3 4 4 3 4 | Blackwood-15 |
3 23 3 3 23 | Liese-5 |
3 3 20 3 3 3 20 | Liese-7 |
3 3 3 17 3 3 3 3 17 | Liese-9 |
3 3 3 3 14 3 3 3 3 3 14 | Liese-11 |
7 10 7 7 10 7 7 | Mavila-7 |
7 3 7 7 7 3 7 7 7 | Mavila-9 |
2 7 7 2 7 7 2 7 7 7 | Migration-10 |
9 7 9 7 9 7 7 | Mohajira-7 |
2 7 7 2 7 7 7 2 7 7 | Mohajira-10 |
4 4 4 4 4 4 4 4 4 4 4 4 4 3 | Octacot-14 |
5 7 5 7 5 7 5 7 7 | Superpelog-9 |
5 5 2 5 5 2 5 5 2 5 5 2 5 2 | Superpelog-14 |
8 8 8 8 8 8 7 | Tetracot-7 |
1 7 1 7 1 7 1 7 7 1 7 1 7 | Tetracot-13 |
6 6 6 7 6 6 6 6 6 | Twothirdtonic-9 |
6 6 6 6 1 6 6 6 6 6 | Twothirdtonic-10 |
56 tone equal modes: |
|
9 5 9 5 9 5 9 5 | Diminished |
5 9 5 9 5 9 5 9 | Octatonic |
8 5 5 5 8 5 5 5 5 5 | Pentachordal Decatonic |
4 5 5 4 5 5 4 5 5 4 5 5 | Bidia-12 |
5 5 4 5 5 4 5 5 4 5 5 4 | Diminished-12 |
5 6 6 5 6 5 6 6 5 6 | Echidnic-10 |
5 3 5 3 5 3 5 3 5 3 5 3 5 3 | Greenwood-14 |
9 9 9 9 9 11 | Leantone-6, Hemithirds-6 |
9 9 9 9 9 9 2 | Leantone-7, Hemithirds-7 |
7 2 7 2 7 2 7 2 7 2 7 2 2 | Leantone-13, Hemithirds-13 |
5 5 5 8 5 5 5 5 8 5 | Pajara-10 |
5 5 5 3 5 5 5 5 5 3 5 5 | Pajara-12 |
11 4 11 4 11 4 11 | Superkleismic-7 |
4 7 4 7 4 4 7 4 4 7 4 | Superkleismic-11 |
3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 | Superkleismic-15 |
13 10 10 13 10 | Supra-5 |
10 3 10 10 10 3 10 | Supra-7 |
3 7 3 7 3 3 7 3 7 3 7 3 | Supra-12 |
57 tone equal modes: |
|
7 7 7 4 7 7 7 7 4 | Armodue-9 |
4 11 4 4 11 4 4 11 4 | Augene-9 |
4 4 7 4 4 4 7 4 4 4 7 4 | Augene-12 |
4 4 4 3 4 4 4 4 3 4 4 4 4 3 4 | Augene-15 |
8 11 8 11 8 11 | Augment-6 |
8 3 8 8 3 8 8 3 8 | Augment-9 |
3 5 3 5 3 3 5 3 5 3 3 5 3 5 3 | Augment-15 |
4 5 5 5 4 5 5 5 4 5 5 5 | August-12 |
3 3 3 11 3 3 3 11 3 3 11 | Bossier-11 |
3 3 3 8 3 3 3 3 8 3 3 3 8 3 | Bossier-14 |
4 4 5 4 4 5 4 5 4 4 5 4 5 | Gjaeck-13 |
11 11 13 11 11 | Quasi-equal Pentatonic, Mothra-5 |
11 11 11 11 11 2 | Mothra-6 |
9 2 9 2 9 2 9 2 9 2 2 | Mothra-11 |
5 4 5 4 4 5 4 5 4 4 5 4 4 | Semisept-13 |
11 6 11 6 11 6 6 | Sharp-7 |
5 6 6 6 5 6 6 5 6 6 | Sharp-10 |
6 6 6 5 6 6 5 6 6 5 | Silver-10 |
58 tone equal modes: |
|
5 5 5 4 5 5 5 5 4 5 5 5 | “Just” Chromatic |
5 5 7 5 7 5 5 7 5 7 | Anguirus-10 |
5 2 5 5 2 5 5 5 2 5 5 2 5 5 | Anguirus-14 |
3 7 14 10 3 7 14 | Archchro |
10 7 7 10 7 10 7 | Beatles-7, Dichotic-7 |
3 7 7 7 3 7 7 3 7 7 | Beatles-10, Dichotic-10 |
5 5 5 9 5 5 5 5 9 5 | Diaschismic-10 |
5 5 5 4 5 5 5 5 5 4 5 5 | Diaschismic-12 |
11 11 3 11 11 11 | Gorgo-6 |
3 8 3 8 3 8 3 8 3 8 3 | Gorgo-11 |
5 8 8 8 5 8 8 8 | Hedgehog-8 |
5 3 5 5 3 5 3 5 3 5 5 3 5 3 | Hedgehog-14 |
3 7 7 3 7 7 3 7 7 7 | Hemififths-10 |
6 1 6 6 1 6 6 1 6 6 6 1 6 | Laz-13 |
11 7 11 11 7 11 | Lemba-6 |
7 4 7 4 7 7 4 7 4 7 | Lemba-10 |
10 7 10 7 10 7 7 | Mohajira-7 |
3 7 7 3 7 7 7 3 7 7 | Mohajira-10 |
13 2 13 2 13 2 13 | Myna-7 |
2 11 2 2 11 2 11 2 2 11 2 | Myna-11 |
2 2 9 2 2 2 9 2 2 2 9 2 2 9 2 | Myna-15 |
5 5 5 3 5 5 5 5 5 5 5 5 | Ripple-12 |
7 2 7 2 7 2 2 7 2 7 2 7 2 2 | Secant-14 |
4 7 4 4 5 6 4 5 4 6 5 4 | Starling-12 |
7 4 4 4 4 4 7 4 4 4 4 4 4 | Thuja-13 |
3 4 4 4 4 4 4 3 4 4 4 4 4 4 4 | Thuja-15 |
5 5 3 5 3 5 3 5 5 3 5 3 5 3 | Urchin-14 |
59 tone equal modes: |
|
7 12 7 7 7 12 7 | Mabila-7 |
7 7 5 7 7 7 7 5 7 | Mabila-9 |
4 4 4 7 4 4 4 4 4 4 4 4 4 4 | Nautilus-14 |
3 3 5 3 5 3 5 3 5 3 5 3 5 3 5 | Opossum-15 |
5 5 1 5 5 5 1 5 5 1 5 5 5 1 5 | Oregon-15 |
8 8 8 11 8 8 8 | Porcupine-7 |
8 11 8 8 8 8 8 | Porcupine-7 Major |
8 8 8 8 8 8 8 3 | Porcupine-8 |
5 3 5 3 3 5 3 5 3 5 3 5 3 5 3 | Porcupine-15 |
11 11 1 11 1 11 1 11 1 | Pseudo-semaphore-9 |
5 5 5 4 5 5 5 5 5 5 5 5 | Ripple-12 |
3 3 8 3 3 8 3 3 8 3 3 3 8 | Subklei-13 |
60 tone equal modes: |
|
6 4 6 3 6 4 6 6 3 6 4 6 | “Just” Chromatic |
12 3 5 4 6 6 4 5 3 12 | First 5 equal temperaments mixed |
10 2 3 5 4 6 6 4 5 3 2 10 | First 6 equal temperaments mixed |
4 11 4 11 4 11 4 11 | Octatonic |
7 8 7 8 7 8 7 8 | Quasi-equal Octatonic |
9 8 9 8 9 9 8 | Amity-7 |
11 8 11 11 8 11 | Astrology-6 |
8 3 8 8 3 8 3 8 8 3 | Astrology-10 |
5 7 5 7 5 7 5 7 5 7 | Blacksmith-10 |
5 2 5 5 2 5 5 2 5 5 2 5 5 2 5 | Blacksmith-15 |
8 9 9 8 9 8 9 | Dicot-7 |
5 4 4 5 4 4 4 5 4 4 5 4 4 4 | Hemiamity-14 |
16 3 16 3 3 16 3 | Magic-7 |
13 3 3 3 13 3 3 13 3 3 | Magic-10 |
10 3 3 3 10 3 3 3 10 3 3 3 3 | Magic-13 |
7 7 7 7 7 7 7 7 4 | Progression-9 |
5 8 5 8 5 8 5 8 8 | Superpelog-9 |
5 5 3 5 5 3 5 5 3 5 5 3 5 3 | Superpelog-14 |
61 tone equal modes: |
|
8 3 3 8 3 8 3 8 3 3 8 3 | Twelve-tone Chromatic (7/24-comma positive), Suprapyth-12 |
11 7 7 11 7 11 7 | Dichotic-7 |
4 7 7 7 4 7 7 4 7 7 | Dichotic-10 |
8 5 5 5 5 8 5 5 5 5 5 | Freivald-11 |
3 5 5 5 5 5 3 5 5 5 5 5 5 | Freivald-13 |
9 2 9 2 2 9 2 9 2 2 9 2 2 | Laquadgu-13 |
11 11 6 11 11 11 | Machine-6 |
6 5 6 5 6 5 6 5 6 6 5 | Machine-11 |
6 6 6 6 6 6 6 6 6 7 | Miraculous-10 |
5 5 5 5 8 5 5 5 5 5 8 | Parizek-11 |
5 5 5 5 5 3 5 5 5 5 5 5 3 | Parizek-13 |
5 5 5 5 5 5 6 5 5 5 5 5 | Passion-12 |
7 7 7 7 7 7 7 7 5 | Progression-9 |
3 3 8 3 8 3 8 3 3 8 3 8 | Quasisuper-12 |
11 7 11 7 11 7 7 | Suhajira-7 |
7 4 7 7 4 7 7 7 4 7 | Suhajira-10 |
3 8 3 8 3 3 8 3 8 3 8 3 | Supra-12 |
9 9 9 9 9 9 7 | Tetracot-7 |
2 7 2 7 2 7 2 7 7 2 7 2 7 | Tetracot-13 |
11 11 7 7 11 11 3 | Screamapillar |
62 tone equal modes: |
|
8 8 8 3 8 8 8 8 3 | Armodue-9 |
5 8 5 8 5 5 8 5 8 5 | Decimal-10 |
10 13 13 13 13 | Godzilla-5 |
10 10 3 10 3 10 3 10 3 | Godzilla-9 |
7 3 7 3 3 7 3 3 7 3 3 7 3 3 | Godzilla-14 |
5 5 5 5 5 6 5 5 5 5 5 6 | Injera-12 |
5 5 5 5 5 5 1 5 5 5 5 5 5 1 | Injera-14 |
9 4 4 4 4 4 9 4 4 4 4 4 4 | Kangaroo-13 |
12 7 12 12 7 12 | Lemba-6 |
7 5 7 5 7 7 5 7 5 7 | Lemba-10 |
8 11 8 8 11 8 8 | Mavila-7 |
8 3 8 8 8 3 8 8 8 | Mavila-9 |
4 5 4 4 4 4 4 4 4 5 4 4 4 4 4 | Progress-15 |
6 6 6 1 6 6 6 6 6 1 6 6 | Semimiracle-12 |
63 tone equal modes: |
|
7 4 4 7 4 7 4 7 4 4 7 4 | Twelve-tone Chromatic (1/8-comma positive), Leapfrog-12 |
6 5 6 3 6 5 6 6 3 6 5 6 | “Just” Chromatic |
11 13 13 13 13 | Immunity-5 |
11 11 2 11 2 11 2 11 2 | Immunity-9 |
2 2 9 2 2 9 2 9 2 2 9 2 2 9 | Immunity-14 |
9 4 4 4 9 4 4 4 9 4 4 4 | Inflated-12 |
4 5 4 4 4 4 5 4 4 4 4 5 4 4 4 | Inflated-15 |
17 3 17 3 17 3 3 | Magic-7 |
14 3 3 3 14 3 3 14 3 3 | Magic-10 |
11 3 3 3 11 3 3 3 11 3 3 3 3 | Magic-13 |
5 12 12 5 12 5 12 | Orgone-7 |
5 5 7 5 7 5 5 7 5 5 7 | Orgone-11 |
5 5 5 2 5 5 2 5 5 5 2 5 5 5 2 | Orgone-15 |
5 4 5 4 5 4 5 4 5 4 5 4 5 4 | Septimal-14 |
10 10 10 10 10 10 3 | Spell-7 |
7 3 7 3 7 3 7 3 7 3 7 3 3 | Spell-13 |
7 6 6 7 6 6 7 6 6 6 | Submajor-10 |
8 8 5 8 8 5 8 8 5 | Triforce-9 |
3 5 3 5 5 3 5 3 5 5 3 5 3 5 5 | Triforce-15 |
64 tone equal modes: |
|
3 7 7 3 7 3 7 3 7 7 3 7 | Meantone Chromatic (8/21-comma) |
7 12 7 12 7 12 7 | Chrysanthos Soft Chromatic Byzantine mode |
11 5 11 5 11 5 11 5 | Diminished |
5 11 5 11 5 11 5 11 | Octatonic |
7 9 7 9 7 9 7 9 | Quasi-equal Octatonic |
6 7 6 7 6 6 7 6 7 6 | Decimal-10 |
12 7 7 12 7 12 7 | Beatles-7, Dichotic-7 |
5 7 7 7 5 7 7 5 7 7 | Beatles-10, Dichotic-10 |
3 7 7 3 7 3 7 7 3 7 3 7 | Flattone-12 |
5 5 5 5 5 7 5 5 5 5 5 7 | Injera-12 |
5 5 5 5 5 5 2 5 5 5 5 5 5 2 | Injera-14 |
4 13 4 13 4 13 13 | Kleismic-7 |
4 4 9 4 9 4 4 9 4 4 9 | Kleismic-11 |
12 12 1 12 1 12 1 12 1 | Pseudo-semaphore-9 |
12 7 12 7 12 7 7 | Sharp-7 |
5 7 7 7 5 7 7 5 7 7 | Sharp-10 |
65 tone equal modes: |
|
6 5 5 6 5 6 5 6 5 5 6 5 | Meantone Chromatic (1/52-comma) |
6 5 6 4 6 5 6 6 4 6 5 6 | “Just” Chromatic |
11 10 6 11 10 11 6 | Sixty-five tone “Just” Major |
11 6 10 11 6 11 10 | Sixty-five tone “Just” Minor |
8 11 8 11 8 11 8 | Maqamic-7 |
8 3 8 8 3 8 8 8 3 8 | Maqamic-10 |
11 8 11 8 11 8 8 | Mohajira-7 |
3 8 8 3 8 8 8 3 8 8 | Mohajira-10 |
11 9 9 9 9 9 9 | Porky-7 |
7 7 10 7 7 10 7 10 | Sensi-8 |
7 7 7 3 7 7 7 3 7 7 3 | Sensi-11 |
9 4 4 4 4 4 4 4 4 4 4 4 4 4 4 | Slurpee-15 |
4 9 4 4 6 7 4 6 4 7 6 4 | Starling-12 |
5 9 5 9 5 9 5 9 9 | Superpelog-9 |
5 5 4 5 5 4 5 5 4 5 5 4 5 4 | Superpelog-14 |
4 9 4 9 4 9 4 9 4 9 | Trisedodge-10 |
4 4 5 4 4 5 4 4 5 4 4 5 4 4 5 | Trisedodge-15 |
15 2 2 2 15 2 2 2 15 2 2 2 2 | Wurschmidt-13 |
66 tone equal modes: |
|
8 8 8 5 8 8 8 8 5 | Armodue-9 |
17 5 17 5 17 5 | Augene-6 |
5 12 5 5 12 5 5 12 5 | Augene-9 |
5 5 7 5 5 5 7 5 5 5 7 5 | Augene-12 |
5 5 5 2 5 5 5 5 2 5 5 5 5 2 5 | Augene-15 |
5 9 5 9 5 5 9 5 9 5 | Decimal-10 |
5 5 5 5 5 8 5 5 5 5 5 8 | Injera-12 |
5 5 5 5 5 5 3 5 5 5 5 5 5 3 | Injera-14 |
8 13 8 8 8 13 8 | Mabila-7 |
8 8 5 8 8 8 8 5 8 | Mabila-9 |
7 7 7 7 10 7 7 7 7 | Negri-9 |
7 7 7 7 7 7 7 7 7 3 | Negri-10 |
9 7 9 7 9 9 7 9 | Tridec-8 |
9 4 4 4 4 4 4 9 4 4 4 4 4 4 | Vishnu-14 |
67 tone equal modes: |
|
5 6 6 5 6 5 6 5 6 6 5 6 | Meantone Chromatic (4/25-comma) |
9 11 9 9 11 9 9 | Mavila-7 |
9 2 9 9 9 2 9 9 9 | Mavila-9 |
13 13 15 13 13 | Quasi-equal Pentatonic, Mosura-5 |
11 2 11 2 11 2 11 2 11 2 2 | Mosura-11 |
7 7 7 7 11 7 7 7 7 | Negri-9 |
7 7 7 7 7 7 7 7 7 4 | Negri-10 |
7 4 7 4 4 7 4 7 4 4 7 4 4 | Semisept-13 |
13 7 13 7 13 7 7 | Sharp-7 |
6 7 7 7 6 7 7 6 7 7 | Sharp-10 |
5 8 5 8 5 5 8 5 5 8 5 | Superkleismic-11 |
3 5 5 5 3 5 5 5 3 5 5 5 3 5 5 | Superkleismic-15 |
68 tone equal modes: |
|
9 7 12 12 9 7 12 | Chrysanthos 1st Byzantine Liturgical mode |
12 13 3 12 12 5 11 | Chrysanthos 3rd Byzantine Liturgical mode |
12 9 7 12 9 7 12 | Chrysanthos 4th Byzantine Liturgical mode |
7 18 3 12 7 18 3 | Chrysanthos Hard Chromatic 2nd plagal Byzantine mode |
7 18 3 12 9 7 12 | Chrysanthos Hard Chromatic/Diatonic Byzantine mode |
9 7 12 12 3 13 12 | Chrysanthos Diatonic-Enharmonic Byzantine mode |
13 12 3 12 9 7 12 | Chrysanthos Enharmonic-Diatonic Byzantine mode |
9 7 12 7 18 3 12 | Fokaeas 2nd plagal Byzantine Liturgical mode |
12 9 7 12 12 3 13 | Konstantinos 3rd Byzantine Liturgical mode |
12 4 12 9 7 12 12 | Konstantinos 4th plagal Byzantine Liturgical mode |
12 13 3 12 12 13 3 | Tiby 1st Byzantine Liturgical mode |
12 5 11 12 12 5 11 | Tiby 2nd Byzantine Liturgical mode |
9 12 7 12 9 12 7 | Tiby 4th Byzantine Liturgical mode |
7 14 7 12 7 14 7 | Tsiknopoulos 2nd Byzantine Liturgical mode |
7 12 12 9 7 12 9 | Tsiknopoulos 4th Byzantine Liturgical mode |
12 9 7 12 12 9 7 | Tsiknopoulos 4th plagal Byzantine Liturgical mode, Tiby 3rd Byzantine mode |
11 6 11 6 11 6 11 6 | Diminished |
6 11 6 11 6 11 6 11 | Octatonic |
5 6 6 5 6 6 5 6 6 5 6 6 | Bidia-12 |
3 11 3 3 11 3 3 11 3 3 11 3 | Blackbirds-12 |
6 6 5 6 6 5 6 6 5 6 6 5 | Diminished-12 |
4 5 4 5 4 5 4 5 4 5 4 5 4 5 5 | Hemikleismic-15 |
11 11 11 11 11 13 | Hemithirds-6 |
11 11 11 11 11 11 2 | Hemithirds-7 |
9 2 9 2 9 2 9 2 9 2 9 2 2 | Hemithirds-13 |
13 8 13 13 8 13 | Lemba-6 |
8 5 8 5 8 8 5 8 5 8 | Lemba-10 |
7 7 7 7 12 7 7 7 7 | Negri-9 |
7 7 7 7 7 7 7 7 7 5 | Negri-10 |
5 5 5 5 5 5 5 5 5 5 5 5 5 3 | Octacot-14 |
10 3 10 3 10 3 10 3 3 10 3 | Spartan-11 |
69 tone equal modes: |
|
4 7 7 4 7 4 7 4 7 7 4 7 | Meantone Chromatic (5/17-comma), Synch-Meantone-12 |
5 13 5 5 13 5 5 13 5 | Augene-9 |
5 5 8 5 5 5 8 5 5 5 8 5 | Augene-12 |
5 5 5 3 5 5 5 5 3 5 5 5 5 3 5 | Augene-15 |
5 6 6 6 5 6 6 6 5 6 6 6 | August-12 |
8 8 8 8 8 8 8 8 5 | Jerome-9, Progression-9 |
6 6 6 7 6 6 6 7 6 6 7 | Mavka-11 |
10 10 3 10 10 3 10 10 3 | Oodako-9 |
11 11 11 11 11 11 3 | Spell-7 |
8 3 8 3 8 3 8 3 8 3 8 3 3 | Spell-13 |
9 9 5 9 9 5 9 9 5 | Triforce-9 |
4 5 4 5 5 4 5 4 5 5 4 5 4 5 5 | Triforce-15 |
70 tone equal modes: |
|
7 5 5 7 5 7 5 7 5 5 7 5 | Twelve-tone Chromatic (1/24-comma positive), Dominant-12 |
3 7 7 3 10 1 9 5 5 9 1 10 | Jorgensen 5&7 |
9 5 9 5 9 5 9 5 9 5 | Archytas Clan-10 |
4 5 5 4 5 5 4 5 5 4 5 5 4 5 5 | Archytas Clan-15 |
6 6 6 11 6 6 6 6 11 6 | Diaschismic-10 |
6 6 6 5 6 6 6 6 6 5 6 6 | Diaschismic-12 |
3 13 3 13 3 3 13 3 13 3 | Doublewide-10 |
3 3 10 3 3 10 3 3 3 10 3 3 10 3 | Doublewide-14 |
5 5 8 5 8 5 8 5 8 5 8 | Kumonga-11 |
5 7 5 5 7 5 7 5 5 7 5 7 | Schismic-12 |
3 7 3 7 3 7 3 7 3 7 3 7 3 7 | Whitewood-14 |
71 tone equal modes: |
|
3 8 8 3 8 3 8 3 8 8 3 8 | Meantone Chromatic (5/13-comma) |
5 8 8 8 5 8 8 5 8 8 | Beatles-10 |
3 8 8 3 8 3 8 8 3 8 3 8 | Flattone-12 |
11 15 15 15 15 | Godzilla-5 |
11 11 4 11 4 11 4 11 4 | Godzilla-9 |
7 4 7 4 4 7 4 4 7 4 4 7 4 4 | Godzilla-14 |
7 7 12 7 7 12 7 12 | Mechanism-8 |
7 5 7 7 7 5 7 7 7 5 7 | Mechanism-11 |
6 6 6 5 6 6 6 6 6 6 6 6 | Ripple-12 |
7 5 7 7 7 5 7 7 5 7 7 | Stacks-11 |
3 10 3 3 10 3 10 3 3 10 3 10 | Superpyth-12 |
8 5 5 5 5 5 8 5 5 5 5 5 5 | Thuja-13 |
3 5 5 5 5 5 5 3 5 5 5 5 5 5 5 | Thuja-15 |
72 tone equal modes: |
|
7 5 7 4 7 5 7 7 4 7 5 7 | “Just” Chromatic |
5 5 20 5 5 20 12 | Parachromatic Mixolydian |
5 20 5 5 20 12 5 | Parachromatic Lydian |
20 5 5 20 12 5 5 | Parachromatic Phrygian |
5 5 20 12 5 5 20 | Parachromatic Dorian |
5 20 12 5 5 20 5 | Parachromatic Hypolydian |
20 12 5 5 20 5 5 | Parachromatic Hypophrygian |
12 5 5 20 5 5 20 | Parachromatic Hypodorian |
5 10 15 5 10 15 12 | Soft Diatonic Mixolydian |
10 15 5 10 15 12 5 | Soft Diatonic Lydian |
15 5 10 15 12 5 10 | Soft Diatonic Phrygian |
5 10 15 12 5 10 15 | Soft Diatonic Dorian |
10 15 12 5 10 15 5 | Soft Diatonic Hypolydian |
15 12 5 10 15 5 10 | Soft Diatonic Hypophrygian |
12 5 10 15 5 10 15 | Soft Diatonic Hypodorian |
9 10 11 9 10 11 12 | Equable Diatonic Mixolydian |
10 11 9 10 11 12 9 | Equable Diatonic Lydian |
11 9 10 11 12 9 10 | Equable Diatonic Phrygian |
9 10 11 12 9 10 11 | Equable Diatonic Dorian |
10 11 12 9 10 11 9 | Equable Diatonic Hypolydian |
11 12 9 10 11 9 10 | Equable Diatonic Hypophrygian |
12 9 10 11 9 10 11 | Equable Diatonic Hypodorian |
11 7 12 12 11 7 12 | Misaelides 1st Byzantine Liturgical mode |
12 12 11 7 12 11 7 | Misaelides 3rd Byzantine Liturgical mode |
7 12 12 11 7 12 11 | Misaelides 4th Byzantine Liturgical mode |
11 7 12 15 3 12 12 | Misaelides 1st plagal Byzantine Liturgical mode |
7 20 3 12 7 20 3 | Misaelides 2nd plagal Byzantine Liturgical mode |
5 19 6 12 5 19 6 | Xenakis Byzantine Liturgical Chromatic |
7 16 7 12 7 16 7 | Xenakis Byzantine Liturgical Soft Chromatic, Quasi-Miracle-7 |
12 11 7 12 12 11 7 | Xenakis Byzantine Liturgical Diatonic, Misaelides 4th plagal Byzantine |
6 20 4 12 9 10 11 | Byzantine Palace mode |
13 5 13 5 13 5 13 5 | Diminished |
7 5 7 4 7 5 7 7 4 8 4 7 | Genus diatonico-chromaticum |
16 7 12 7 16 7 7 | Keenanmarvel |
7 12 7 9 7 7 7 16 | Three Tetrads |
7 7 7 5 2 5 2 5 7 7 7 11 | Blackjack-12 |
5 7 4 7 7 5 7 7 4 5 7 7 | Hexy |
7 5 4 7 7 5 7 7 4 5 7 7 | Smith’s Prism |
13 10 13 13 10 13 | Astrology-6 |
10 3 10 10 3 10 3 10 10 3 | Astrology-10 |
5 14 5 5 14 5 5 14 5 | Augene-9 |
5 5 9 5 5 5 9 5 5 5 9 5 | Augene-12 |
5 5 5 4 5 5 5 5 4 5 5 5 5 4 5 | Augene-15 |
7 5 5 5 5 5 5 5 5 5 5 5 5 5 | Belauensis-14 |
2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 | Belauensis-15 |
7 5 7 5 7 5 7 5 7 5 7 5 | Hexe-12 |
4 15 4 15 4 15 15 | Kleismic-7 |
4 4 11 4 11 4 4 11 4 4 11 | Kleismic-11 |
4 4 4 7 4 4 4 7 4 4 4 7 4 4 7 | Kleismic-15 |
7 6 7 6 7 6 7 6 7 7 6 | Machine-11 |
7 5 7 4 7 5 7 7 7 2 7 7 | Marvel-12 |
3 20 3 20 3 3 20 | Marveltri-7 |
7 7 7 7 7 7 7 7 7 9 | Miracle-10 |
7 7 7 7 7 7 7 7 7 2 5 2 | Miracle-12 |
7 7 2 7 7 12 7 7 2 7 7 | Prodigy-11 |
7 9 7 7 5 7 7 9 7 7 | Quasi-Miracle-10 |
7 7 7 1 7 7 7 7 7 1 7 7 | Semimiracle-12 |
6 4 6 4 11 6 4 6 4 6 4 11 | A Carpenter’s Olive |
9 5 9 5 9 5 9 2 5 9 5 | Hopalong |
12 7 7 5 3 8 9 10 5 6 | JuneGloom |
12 4 7 3 4 3 9 11 5 5 2 7 | Rodgers Adams |
73 tone equal modes: |
|
9 9 9 5 9 9 9 9 5 | Armodue-9 |
5 7 7 7 7 5 7 7 7 7 7 | Joan-11 |
5 5 5 8 5 5 5 5 5 5 5 5 5 5 | Nautilus-14 |
6 6 6 6 6 6 7 6 6 6 6 6 | Passion-12 |
13 10 10 10 10 10 10 | Porky-7 |
8 8 11 8 8 11 8 11 | Sensis-8 |
8 8 8 3 8 8 8 3 8 8 3 | Sensis-11 |
11 3 11 3 11 3 11 3 3 11 3 | Spartan-11 |
4 9 4 9 4 4 9 4 9 4 9 4 | Supra-12 |
9 5 5 5 5 5 9 5 5 5 5 5 5 | Thuja-13 |
4 5 5 5 5 5 5 4 5 5 5 5 5 5 5 | Thuja-15 |
74 tone equal modes: |
|
5 7 7 5 7 5 7 5 7 7 5 7 | Meantone Chromatic (3/14-comma), Grosstone-12 |
5 5 5 7 5 5 5 5 5 5 7 5 5 5 | Bipelog-14 |
7 3 7 7 3 7 3 7 3 7 7 3 7 3 | Hedgehog-14 |
6 6 6 6 6 7 6 6 6 6 6 7 | Injera-12 |
6 6 6 6 6 6 1 6 6 6 6 6 6 1 | Injera-14 |
14 9 14 14 9 14 | Lemba-6 |
9 5 9 5 9 9 5 9 5 9 | Lemba-10 |
5 5 5 9 5 5 5 5 5 5 5 5 5 5 | Nautilus-14 |
7 7 7 2 7 7 7 7 7 2 7 7 | Pajaro-12 |
7 7 3 7 3 7 3 7 7 3 7 3 7 3 | Urchin-14 |
5 7 5 5 9 5 7 5 7 7 3 9 | Jones Igliashon |
75 tone equal modes: |
|
8 5 5 8 5 8 5 8 5 5 8 5 | Twelve-tone Chromatic (2/21-comma positive) |
7 6 7 4 7 6 7 7 4 7 6 7 | “Just” Chromatic |
16 3 3 3 16 3 3 3 16 3 3 3 | Hemiaug-12 |
6 7 7 7 7 6 7 7 7 7 7 | Joan-11 |
8 8 8 8 11 8 8 8 8 | Negri-9 |
8 8 8 8 8 8 8 8 8 3 | Negri-10 |
11 11 3 11 11 3 11 11 3 | Oodako-9 |
17 17 17 17 7 | Orwell-5 |
10 7 10 7 10 7 10 7 7 | Orwell-9 |
3 7 7 3 7 7 3 7 7 3 7 7 7 | Orwell-13 |
5 8 5 5 8 5 8 5 5 8 5 8 | Schism-12 |
7 5 7 5 5 7 5 7 5 5 7 5 5 | Semisept-13 |
11 11 11 11 11 11 9 | Tetracot-7 |
2 9 2 9 2 9 2 9 9 2 9 2 9 | Tetracot-13 |
76 tone equal modes: |
|
5 5 5 8 5 5 5 5 5 5 8 5 5 5 | Bipelog-14 |
10 13 10 10 13 10 10 | Mavila-7 |
10 3 10 10 10 3 10 10 10 | Mavila-9 |
7 7 7 10 7 7 7 7 10 7 | Pajara-10 |
7 7 7 3 7 7 7 7 7 3 7 7 | Pajara-12 |
12 5 5 12 5 5 5 12 5 5 5 | Squares-11 |
7 5 5 5 7 5 5 5 5 7 5 5 5 5 | Squares-14 |
3 11 3 3 11 3 11 3 3 11 3 11 | Superpyth-12 |
8 8 5 8 8 5 8 8 5 8 5 | Wilson Golden-11 |
77 tone equal modes: |
|
7 6 6 7 6 7 6 7 6 6 7 6 | Meantone Chromatic (18/59-comma), Grackle-12 |
7 6 7 5 7 6 7 7 5 7 6 7 | “Just” Chromatic |
1 10 1 10 1 10 1 10 1 10 1 10 1 10 | Absurdity-14 |
7 10 10 10 10 10 10 10 | Greeley-8 |
7 7 3 7 3 7 3 7 3 7 3 7 3 7 3 | Greeley-15 |
7 4 7 4 7 4 7 4 7 4 7 4 7 4 | Greenwood-14 |
9 16 9 9 9 16 9 | Mabila-7 |
9 9 7 9 9 9 9 7 9 | Mabila-9 |
8 8 8 8 13 8 8 8 8 | Negri-9 |
8 8 8 8 8 8 8 8 8 5 | Negri-10 |
9 9 9 9 9 9 9 9 5 | Progression-9 |
8 5 5 8 5 5 8 5 5 8 5 5 5 | Ragimetric-13 |
6 5 6 5 6 5 6 5 6 5 6 5 6 5 | Septimal-14 |
15 15 15 17 15 | Slendric-5 |
15 15 15 15 2 15 | Slendric-6 |
13 2 13 2 13 2 13 2 2 13 2 | Slendric-11 |
2 9 2 9 2 9 2 9 2 9 2 9 2 9 | Whitewood-14 |
5 15 5 15 5 12 8 12 | Smith’s Star |
8 12 5 15 5 12 8 12 | Smith’s Nova |
5 10 5 5 7 8 5 7 5 8 7 5 | Starling-12 |
5 5 5 5 5 5 5 5 5 5 5 7 5 5 5 | Valentine-15 |
78 tone equal modes: |
|
7 7 9 7 9 7 7 9 7 9 | Anguirus-10 |
7 2 7 7 2 7 7 7 2 7 7 2 7 7 | Anguirus-14 |
5 7 7 7 5 7 7 7 5 7 7 7 | August-12 |
16 16 15 16 15 | Father-5 |
8 5 8 5 8 5 8 5 8 5 8 5 | Hexe-12 |
11 5 5 5 11 5 5 5 11 5 5 5 | Inflated-12 |
5 6 5 5 5 5 6 5 5 5 5 6 5 5 5 | Inflated-15 |
7 7 7 11 7 7 7 7 11 7 | Pajara-10 |
7 7 7 4 7 7 7 7 7 4 7 7 | Pajara-12 |
14 9 14 9 14 9 9 | Suhajira-7 |
9 5 9 9 5 9 9 9 5 9 | Suhajira-10 |
5 5 5 5 5 5 5 5 5 5 5 8 5 5 5 | Tertiaseptal-15 |
79 tone equal modes: |
|
6 7 7 6 7 6 7 6 7 7 6 7 | Meantone Chromatic (3/20-comma) |
12 12 12 12 7 12 12 | Bluebirds-7 |
5 7 5 7 5 7 5 7 7 5 7 5 7 | Bluebirds-13 |
15 15 4 15 15 15 | Gorgo-6 |
4 11 4 11 4 11 4 11 4 11 4 | Gorgo-11 |
12 5 5 5 5 5 12 5 5 5 5 5 5 | Kangaroo-13 |
3 10 10 3 10 10 3 10 10 10 | Migration-10 |
13 10 13 10 13 10 10 | Mohajira-7 |
3 10 10 3 10 10 10 3 10 10 | Mohajira-10 |
5 7 5 5 5 5 5 5 5 7 5 5 5 5 5 | Progress-15 |
5 8 5 5 5 8 5 5 5 5 8 5 5 5 | Sentinel-14 |
13 5 5 13 5 5 5 13 5 5 5 | Squares-11 |
8 5 5 5 8 5 5 5 5 8 5 5 5 5 | Squares-14 |
80 tone equal modes: |
|
9 5 5 9 5 9 5 9 5 5 9 5 | Twelve-tone Chromatic (1/7-comma positive) |
6 7 7 6 7 7 6 7 7 6 7 7 | Bidia-12 |
4 13 4 13 13 4 13 4 12 | Canou-9 |
4 9 4 4 9 4 9 4 4 9 4 4 8 4 | Canou-14 |
6 11 6 11 6 6 11 6 11 6 | Decimal-10 |
7 7 7 12 7 7 7 7 12 7 | Diaschismic-10 |
7 7 7 5 7 7 7 7 7 5 7 7 | Diaschismic-12 |
7 9 7 9 7 9 7 9 7 9 | Ferrum-10 |
7 4 7 7 4 7 4 7 4 7 7 4 7 4 | Hedgehog-14 |
13 4 13 4 4 13 4 4 13 4 4 | Parakleismic-11 |
9 4 4 9 4 4 4 9 4 4 4 9 4 4 4 | Parakleismic-15 |
14 11 11 11 11 11 11 | Porky-7 |
8 5 8 5 5 8 5 8 5 5 8 5 5 | Semisept-13 |
5 11 5 11 5 11 5 11 5 11 | Trisedodge-10 |
5 5 6 5 5 6 5 5 6 5 5 6 5 5 6 | Trisedodge-15 |
81 tone equal modes: |
|
5 8 8 5 8 5 8 5 8 8 5 8 | Meantone Chromatic (5/19-comma), Aurus-12 |
6 7 7 7 6 7 7 7 6 7 7 7 | August-12 |
8 11 8 8 11 8 8 11 8 | Deflated-9 |
13 17 17 17 17 | Godzilla-5 |
13 13 4 13 4 13 4 13 4 | Godzilla-9 |
9 4 9 4 4 9 4 4 9 4 4 9 4 4 | Godzilla-14 |
13 13 13 13 13 16 | Leantone-6, Spell-6 |
13 13 13 13 13 13 3 | Leantone-7, Spell-7 |
10 3 3 10 3 10 3 10 3 10 3 10 3 | Leantone-13, Spell-13 |
11 11 11 15 11 11 11 | Porcupine-7 |
11 15 11 11 11 11 11 | Porcupine-7 Major |
11 11 11 11 11 11 11 4 | Porcupine-8 |
7 4 7 4 4 7 4 7 4 7 4 7 4 7 4 | Porcupine-15 |
82 tone equal modes: |
|
15 11 15 15 11 15 | Astrology-6 |
11 4 11 11 4 11 4 11 11 4 | Astrology-10 |
7 10 7 10 7 7 10 7 10 7 | Decimal-10 |
7 9 9 7 9 7 9 9 7 9 | Echidnic-10 |
7 7 13 7 7 7 7 13 7 7 | Pajaric-10 |
7 7 7 6 7 7 7 7 7 6 7 7 | Pajaric-12 |
7 7 7 5 7 7 7 7 7 7 7 7 | Ripple-12 |
8 8 8 1 8 8 8 8 8 1 8 8 | Semimiracle-12 |
13 13 13 13 13 13 4 | Spell-7 |
9 4 9 4 9 4 9 4 9 4 9 4 4 | Spell-13 |
83 tone equal modes: |
|
8 8 8 8 8 8 8 11 8 8 | Apparatus-10 |
8 8 8 8 8 8 8 8 3 8 8 | Apparatus-11 |
4 9 9 4 9 4 9 9 4 9 4 9 | Flattone-12 |
5 17 5 17 5 17 17 | Kleismic-7 |
5 5 12 5 12 5 5 12 5 5 12 | Kleismic-11 |
8 7 8 7 8 7 8 7 8 8 7 | Machine-11 |
13 3 13 3 13 3 13 3 13 3 3 | Mothra-11 |
13 11 13 11 13 11 11 | Ptolemy-7 |
4 4 11 4 11 4 11 4 4 11 4 11 | Quasisuper-12 |
7 7 7 6 7 7 7 7 7 7 7 7 | Ripple-12 |
13 5 5 5 5 5 5 5 5 5 5 5 5 5 5 | Slurpee-15 |
4 11 4 11 4 4 11 4 11 4 11 4 | Supra-12 |
84 tone equal modes: |
|
8 6 8 5 8 6 8 8 5 8 6 8 | “Just” Chromatic |
13 8 13 8 13 8 13 8 | Golden Diminished |
1 11 1 11 1 11 1 11 1 11 1 11 1 11 | Absurdity-14 |
4 4 11 4 4 4 11 4 4 11 4 4 4 11 | Fleetwood-14 |
10 10 7 10 10 10 10 7 10 | Mabila-9 |
8 6 8 5 8 6 8 8 8 3 8 8 | Marvel-12 |
11 8 11 8 11 8 11 8 8 | Orwell-9 |
3 8 8 3 8 8 3 8 8 3 8 8 8 | Orwell-13 |
10 3 10 3 10 3 3 10 3 10 3 10 3 3 | Secant-14 |
9 9 13 9 9 13 9 13 | Sensi-8 |
9 9 9 4 9 9 9 4 9 9 4 | Sensi-11 |
7 5 7 5 7 5 7 5 7 5 7 5 7 5 | Septimal-14 |
9 9 9 7 9 9 7 9 9 7 | Silver-10 |
11 11 6 11 11 6 11 11 6 | Triforce-9 |
5 6 5 6 6 5 6 5 6 6 5 6 5 6 6 | Triforce-15 |
12 5 5 5 5 5 5 12 5 5 5 5 5 5 | Vishnu-14 |
11 16 11 11 16 11 8 | Zeus7tri |
11 11 11 13 11 11 11 5 | Zeus8tri |
85 tone equal modes: |
|
13 11 13 11 13 13 11 | Amity-7 |
11 6 11 6 11 6 11 6 11 6 | Archytas Clan-10 |
5 6 6 5 6 6 5 6 6 5 6 6 5 6 6 | Archytas Clan-15 |
7 10 7 10 7 10 7 10 7 10 | Blacksmith-10 |
7 3 7 7 3 7 7 3 7 7 3 7 7 3 7 | Blacksmith-15 |
7 7 7 7 7 7 8 7 7 7 7 7 | Galilei-12 |
13 18 18 18 18 | Godzilla-5 |
13 13 5 13 5 13 5 13 5 | Godzilla-9 |
8 5 8 5 5 8 5 5 8 5 5 8 5 5 | Godzilla-14 |
7 12 7 7 12 7 7 12 7 7 | Golden-10 |
7 7 5 7 7 7 5 7 7 7 5 7 7 | Golden-13 |
8 11 11 11 11 11 11 11 | Greeley-8 |
8 8 3 8 3 8 3 8 3 8 3 8 3 8 3 | Greeley-15 |
23 4 23 4 23 4 4 | Magic-7 |
19 4 4 4 19 4 4 19 4 4 | Magic-10 |
15 4 4 4 15 4 4 4 15 4 4 4 4 | Magic-13 |
19 3 19 3 19 3 19 | Myna-7 |
3 16 3 3 16 3 16 3 3 16 3 | Myna-11 |
3 3 13 3 3 3 13 3 3 3 13 3 3 13 3 | Myna-15 |
9 9 9 9 13 9 9 9 9 | Negri-9 |
9 9 9 9 9 9 9 9 9 4 | Negri-10 |
5 12 5 12 5 12 5 12 5 12 | Trisedodge-10 |
5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 | Trisedodge-15 |
86 tone equal modes: |
|
7 11 7 11 7 7 11 7 11 7 | Decimal-10 |
7 7 7 7 7 8 7 7 7 7 7 8 | Injera-12 |
7 7 7 7 7 7 1 7 7 7 7 7 7 1 | Injera-14 |
3 11 11 3 11 11 3 11 11 11 | Migration-10 |
14 11 14 11 14 11 11 | Mohajira-7 |
3 11 11 3 11 11 11 3 11 11 | Mohajira-10 |
9 9 9 9 14 9 9 9 9 | Negri-9 |
9 9 9 9 9 9 9 9 9 5 | Negri-10 |
7 7 7 7 7 7 9 7 7 7 7 7 | Passion-12 |
7 7 5 7 5 7 5 7 7 5 7 5 7 5 | Urchin-14 |
87 tone equal modes: |
|
8 7 8 5 8 7 8 8 5 8 7 8 | “Just” Chromatic |
14 14 14 14 14 17 | Hemithirds-6 |
14 14 14 14 14 14 3 | Hemithirds-7 |
11 3 11 3 11 3 11 3 11 3 11 3 3 | Hemithirds-13 |
5 18 5 18 5 18 18 | Kleismic-7 |
5 5 13 5 13 5 5 13 5 5 13 | Kleismic-11 |
7 7 8 7 7 7 8 7 7 7 8 7 | Misty-12 |
7 7 7 7 12 7 7 7 7 7 12 | Parizek-11 |
7 7 7 7 7 5 7 7 7 7 7 7 5 | Parizek-13 |
10 10 10 10 10 10 10 10 7 | Progression-9 |
17 17 17 19 17 | Rodan-5 |
15 2 15 2 15 2 15 2 2 15 2 | Rodan-11 |
17 12 17 12 17 12 | Ternary-6 |
7 5 5 7 5 7 5 5 7 5 7 5 5 7 5 | Ternary-15 |
11 11 7 11 11 7 11 11 7 | Triforce-9 |
4 7 4 7 7 4 7 4 7 7 4 7 4 7 7 | Triforce-15 |
88 tone equal modes: |
|
5 9 9 5 9 5 9 5 9 9 5 9 | Meantone Chromatic (3/10-comma), Harrison-Lucy-12 |
7 7 7 7 7 9 7 7 7 7 7 9 | Injera-12 |
7 7 7 7 7 7 2 7 7 7 7 7 7 2 | Injera-14 |
17 10 17 17 10 17 | Lemba-6 |
10 7 10 7 10 10 7 10 7 10 | Lemba-10 |
14 3 14 3 14 3 14 3 14 3 3 | Mothra-11 |
13 13 13 13 13 13 10 | Tetracot-7 |
3 10 3 10 3 10 3 10 10 3 10 3 10 | Tetracot-13 |
11 6 6 6 6 6 11 6 6 6 6 6 6 | Thuja-13 |
5 6 6 6 6 6 6 5 6 6 6 6 6 6 6 | Thuja-15 |
89 tone equal modes: |
|
8 7 7 8 7 8 7 8 7 7 8 7 | Meantone Chromatic (1/26-comma), Quiretsim-12 |
8 7 8 6 8 7 8 8 6 8 7 8 | “Just” Chromatic |
4 11 11 4 11 11 11 4 11 11 | Mohajira-10 |
5 5 13 5 5 5 13 5 5 5 5 13 5 | Muggles-13 |
3 17 3 3 17 3 17 3 3 17 3 | Myna-11 |
3 3 14 3 3 3 14 3 3 3 14 3 3 14 3 | Myna-15 |
7 7 10 7 10 7 7 10 7 7 10 | Orgone-11 |
7 7 7 3 7 7 3 7 7 7 3 7 7 7 3 | Orgone-15 |
5 9 5 9 5 9 5 5 9 5 9 5 9 | Unsmate-13 |
90 tone equal modes: |
|
23 7 23 7 23 7 | Augmented-6 |
7 16 7 7 16 7 7 16 7 | Augmented-9 |
7 7 9 7 7 7 9 7 7 7 9 7 | Augmented-12 |
7 7 2 7 7 7 7 2 7 7 7 7 2 7 7 | Augmented-15 |
7 12 7 12 7 7 12 7 12 7 | Decimal-10 |
7 7 7 7 7 10 7 7 7 7 7 10 | Injera-12 |
7 7 7 7 7 7 3 7 7 7 7 7 7 3 | Injera-14 |
17 11 17 17 11 17 | Lemba-6 |
11 6 11 6 11 11 6 11 6 11 | Lemba-10 |
8 8 8 5 8 8 8 8 8 5 8 8 | Pajara-12 |
91 tone equal modes: |
|
7 8 8 7 8 7 8 7 8 8 7 8 | Meantone Chromatic (1/7-comma), Romieu-12 |
17 10 10 17 10 17 10 | Dichotic-7 |
7 10 10 10 7 10 10 7 10 10 | Dichotic-10 |
7 7 8 6 11 5 5 7 10 4 4 13 4 | HungarianNaiveOrwell-13 |
5 19 5 19 5 19 19 | Kleismic-7 |
5 5 14 5 14 5 5 14 5 5 14 | Kleismic-11 |
7 6 7 6 7 6 7 6 7 6 7 6 7 6 | Septimal-14 |
9 11 9 11 9 11 9 11 11 | Septimin-9 |
9 9 2 9 9 2 9 9 2 9 9 2 9 2 | Septimin-14 |
92 tone equal modes: |
|
3 11 11 3 11 3 11 3 11 11 3 11 | Meantone Chromatic (49/99-comma) |
8 8 11 8 11 8 8 11 8 11 | Anguirus-10 |
8 3 8 8 3 8 8 8 3 8 8 3 8 8 | Anguirus-14 |
9 9 9 9 9 9 9 9 9 11 | Miracle-10 |
9 9 9 9 9 9 9 9 9 2 7 2 | Miracle-12 |
93 tone equal modes: |
|
24 7 24 7 24 7 | Augmented-6 |
7 17 7 7 17 7 7 17 7 | Augmented-9 |
7 7 10 7 7 7 10 7 7 7 10 7 | Augmented-12 |
7 7 3 7 7 7 7 3 7 7 7 7 3 7 7 | Augmented-15 |
13 6 6 6 13 6 6 6 13 6 6 6 | Inflated-12 |
6 7 6 6 6 6 7 6 6 6 6 7 6 6 6 | Inflated-15 |
8 8 8 5 8 8 8 8 8 8 8 8 | Ripple-12 |
4 13 4 4 13 4 13 4 4 13 4 13 | Superpyth-12 |
12 12 7 12 12 7 12 12 7 | Triforce-9 |
5 7 5 7 7 5 7 5 7 7 5 7 5 7 7 | Triforce-15 |
94 tone equal modes: |
|
9 7 7 9 7 9 7 9 7 7 9 7 | Twelve-tone Chromatic (1/125-comma positive), Schismatic-12 |
9 7 9 5 9 7 9 9 5 9 7 9 | “Just” Chromatic |
12 17 12 12 12 17 12 | Armodue-7 |
12 12 12 5 12 12 12 12 5 | Armodue-9 |
8 5 8 8 5 8 5 8 5 8 8 5 8 5 | Hedgehog-14 |
18 11 18 18 11 18 | Lemba-6 |
11 7 11 7 11 11 7 11 7 11 | Lemba-10 |
9 7 9 5 9 7 9 9 9 3 9 9 | Marvel-12 |
11 11 11 11 11 11 11 11 6 | Progression-9 |
7 9 7 7 9 7 9 7 7 9 7 9 | Schismic-12 |
15 15 15 15 15 15 4 | Spell-7 |
11 4 4 11 4 11 4 11 4 11 4 11 4 | Spell-13 |
8 8 5 8 5 8 5 8 8 5 8 5 8 5 | Urchin-14 |
95 tone equal modes: |
|
8 11 8 11 8 11 8 11 8 11 | Blacksmith-10 |
8 3 8 8 3 8 8 3 8 8 3 8 8 3 8 | Blacksmith-15 |
7 7 7 7 7 7 7 7 7 7 7 7 7 4 | Octacot-14 |
17 13 13 13 13 13 13 | Porky-7 |
8 8 8 7 8 8 8 8 8 8 8 8 | Ripple-12 |
11 6 11 11 6 11 11 11 6 11 | Suhajira-10 |
6 13 6 13 6 13 6 13 6 13 | Trisedodge-10 |
6 6 7 6 6 7 6 6 7 6 6 7 6 6 7 | Trisedodge-15 |
96 tone equal modes: |
|
9 7 9 6 9 7 9 9 6 9 7 9 | “Just” Chromatic |
11 18 11 10 6 11 18 11 | Buzurg |
11 18 11 10 6 12 21 7 | Buzurg-Hijaz |
7 18 7 7 18 7 7 18 7 | Augene-9 |
7 7 11 7 7 7 11 7 7 7 11 7 | Augene-12 |
7 7 7 4 7 7 7 7 4 7 7 7 7 4 7 | Augene-15 |
9 4 9 9 4 9 4 9 4 9 9 4 9 4 | Hedgehog-14 |
7 7 7 7 7 7 7 7 7 7 7 7 7 5 | Octacot-14 |
11 9 9 11 9 9 11 9 9 9 | Submajor-10 |
22 3 3 3 22 3 3 3 22 3 3 3 3 | Wurschmidt-13 |
97 tone equal modes: |
|
11 6 6 11 6 11 6 11 6 6 11 6 | Twelve-tone Chromatic (3/20-comma positive) |
4 11 11 4 11 4 11 11 4 11 4 11 | Flattone-12 |
8 8 8 8 8 8 9 8 8 8 8 8 | Galilei-12 |
11 11 11 11 11 11 11 11 9 | Progression-9 |
7 12 7 12 7 7 12 7 7 12 7 | Superkleismic-11 |
5 7 7 7 5 7 7 7 5 7 7 7 5 7 7 | Superkleismic-15 |
98 tone equal modes: |
|
7 9 9 7 9 7 9 7 9 9 7 9 | Meantone Chromatic (5/27-comma) |
13 8 8 8 8 13 8 8 8 8 8 | Freivald-11 |
5 8 8 8 8 8 5 8 8 8 8 8 8 | Freivald-13 |
19 11 19 19 11 19 | Lemba-6 |
11 8 11 8 11 11 8 11 8 11 | Lemba-10 |
16 3 16 3 16 3 16 3 16 3 3 | Mothra-11 |
9 9 9 4 9 9 9 9 9 4 9 9 | Pajara-12 |
99 tone equal modes: |
|
10 7 7 10 7 10 7 10 7 7 10 7 | Twelve-tone Chromatic (1/20-comma positive) |
9 8 9 6 9 8 9 9 6 9 8 9 | “Just” Chromatic |
15 13 15 13 15 15 13 | Amity-7 |
8 13 13 13 13 13 13 13 | Greeley-8 |
8 8 5 8 5 8 5 8 5 8 5 8 5 8 5 | Greeley-15 |
5 12 12 5 12 12 5 12 12 12 | Hemififths-10 |
16 16 16 16 16 19 | Hemithirds-6, Tutone-6 |
16 16 16 16 16 16 3 | Hemithirds-7, Tutone-7 |
13 3 13 3 13 3 13 3 13 3 13 3 3 | Hemithirds-13, Tutone-13 |
8 8 9 8 8 8 9 8 8 8 9 8 | Misty-12 |
16 5 16 5 5 16 5 5 16 5 5 | Parakleismic-11 |
11 5 5 11 5 5 5 11 5 5 5 11 5 5 5 | Parakleismic-15 |
23 3 3 3 23 3 3 3 23 3 3 3 3 | Wurschmidt-13 |
13 19 13 13 19 13 9 | Zeus7tri |
13 13 13 15 13 13 13 6 | Zeus8tri |
100 tone equal modes: |
|
13 7 13 7 13 7 13 7 13 7 | Archytas Clan-10 |
6 7 7 6 7 7 6 7 7 6 7 7 6 7 7 | Archytas Clan-15 |
17 15 17 17 17 17 | Baldy-6 |
15 2 15 2 15 2 15 15 2 15 2 | Baldy-11 |
7 13 7 13 7 13 7 13 7 13 | Blackwood-10 |
7 6 7 7 6 7 7 6 7 7 6 7 7 6 7 | Blackwood-15 |
8 13 8 13 8 8 13 8 13 8 | Decimal-10 |
9 13 13 13 13 13 13 13 | Greeley-8 |
9 9 4 9 4 9 4 9 4 9 4 9 4 9 4 | Greeley-15 |
19 12 19 19 12 19 | Lemba-6 |
12 7 12 7 12 12 7 12 7 12 | Lemba-10 |
9 9 9 5 9 9 9 9 9 5 9 9 | Pajara-12 |
11 11 11 4 11 11 11 4 11 11 4 | Sensis-11 |
101 tone equal modes: |
|
9 8 8 9 8 9 8 9 8 8 9 8 | Meantone Chromatic (1/22-comma) |
9 8 9 7 9 8 9 9 7 10 7 9 | Genus diatonico-chromaticum |
10 7 7 7 7 7 7 7 7 7 7 7 7 7 | Belauensis-14 |
3 7 7 7 7 7 7 7 7 7 7 7 7 7 7 | Belauensis-15 |
27 5 27 5 5 27 5 | Magic-7, Witchcraft-7 |
22 5 5 5 22 5 5 22 5 5 | Magic-10, Witchcraft-10 |
17 5 5 5 17 5 5 5 17 5 5 5 5 | Magic-13, Witchcraft-13 |
16 16 16 16 16 16 5 | Spell-7 |
11 5 11 5 11 5 11 5 11 5 11 5 5 | Spell-13 |
12 7 7 7 7 7 12 7 7 7 7 7 7 | Thuja-13 |
5 7 7 7 7 7 7 5 7 7 7 7 7 7 7 | Thuja-15 |
102 tone equal modes: |
|
9 11 11 9 11 9 11 11 9 11 | Echidnic-10 |
9 5 9 9 5 9 5 9 5 9 9 5 9 5 | Hedgehog-14 |
10 7 10 7 10 7 10 7 10 7 10 7 | Hexe-12 |
7 7 12 7 12 7 12 7 12 7 12 | Kumonga-11 |
7 7 7 11 7 7 7 7 7 7 7 7 7 7 | Nautilus-14 |
15 15 4 15 15 4 15 15 4 | Oodako-9 |
103 tone equal modes: |
|
8 9 9 8 9 8 9 8 9 9 8 9 | Meantone Chromatic (3/22-comma) |
10 10 10 10 10 10 10 10 10 13 | Miracle-10 |
10 10 10 10 10 10 10 10 10 3 7 3 | Miracle-12 |
7 7 7 12 7 7 7 7 7 7 7 7 7 7 | Nautilus-14 |
11 11 11 5 11 11 11 5 11 11 5 | Sensi-11 |
4 15 4 4 15 4 15 4 4 15 4 15 | Superpyth-12 |
104 tone equal modes: |
|
11 7 7 11 7 11 7 11 7 7 11 7 | Twelve-tone Chromatic (2/23-comma positive) |
9 9 9 16 9 9 9 9 16 9 | Diaschismic-10 |
9 9 9 7 9 9 9 9 9 7 9 9 | Diaschismic-12 |
28 5 28 5 28 5 5 | Magic-7 |
23 5 5 5 23 5 5 23 5 5 | Magic-10 |
18 5 5 5 18 5 5 5 18 5 5 5 5 | Magic-13 |
105 tone equal modes: |
|
7 10 10 7 10 7 10 7 10 10 7 10 | Meantone Chromatic (2/9-comma), Rossi-12 |
17 17 5 17 5 17 5 17 5 | Godzilla-9 |
12 5 12 5 5 12 5 5 12 5 5 12 5 5 | Godzilla-14 |
106 tone equal modes: |
|
9 8 9 9 9 9 9 8 9 9 9 9 | Bischismic-12 |
5 5 14 5 5 5 14 5 5 14 5 5 5 14 | Fleetwood-14 |
9 7 7 9 7 7 7 9 7 7 9 7 7 7 | Hemiamity-14 |
8 8 8 8 8 5 8 8 8 8 8 8 5 8 | Injerous-14 |
9 9 9 7 9 9 9 9 9 9 9 9 | Ripple-12 |
11 23 10 18 11 23 10 | Makam Suzinak II |
18 11 26 7 18 8 8 10 | Makam Nikriz |
11 23 10 18 11 23 10 | Makam Hicazkar I-Kadim |
11 23 10 18 11 26 7 | Makam Hicazkar |
14 5 7 11 7 18 8 8 10 18 | Makam Isfahan II |
14 2 10 18 11 23 10 18 | Makam Karcigar |
14 2 10 18 11 5 10 8 10 18 | Makam Araban |
14 2 10 3 15 11 7 8 3 15 11 7 | Makam Hisar |
11 15 18 18 8 18 18 | Makam Kurdi |
11 26 7 18 8 8 10 18 | Makam Hicaz |
11 26 7 18 8 18 18 | Makam Humayun |
11 26 7 18 8 3 15 11 7 | Makam Sahnaz |
19 7 18 18 8 3 15 11 7 | Makam Buselik |
19 15 10 18 16 10 8 10 | Makam Nisaburek |
10 18 11 23 10 18 8 8 | Makam Huzzam |
18 7 18 8 11 7 18 11 8 | Makam Nisabur |
107 tone equal modes: |
|
6 11 11 6 11 6 11 6 11 11 6 11 | Meantone Chromatic (4/13-comma) |
11 2 11 11 2 11 11 2 11 11 11 2 11 | Laz-13 |
9 9 9 8 9 9 9 9 9 9 9 9 | Ripple-12 |
17 17 17 17 17 17 5 | Spell-7 |
12 5 12 5 12 5 12 5 12 5 12 5 5 | Spell-13 |
17 7 7 17 7 7 7 17 7 7 7 | Squares-11 |
10 7 7 7 10 7 7 7 7 10 7 7 7 7 | Squares-14 |
108 tone equal modes: |
|
10 8 10 7 10 8 10 10 7 10 8 10 | “Just” Chromatic |
4 8 33 4 8 33 18 | Ratio 1:2 Soft Chromatic Mixolydian |
8 33 4 8 33 18 4 | Ratio 1:2 Soft Chromatic Lydian |
33 4 8 33 18 4 8 | Ratio 1:2 Soft Chromatic Phrygian |
4 8 33 18 4 8 33 | Ratio 1:2 Soft Chromatic Dorian |
8 33 18 4 8 33 4 | Ratio 1:2 Soft Chromatic Hypolydian |
33 18 4 8 33 4 8 | Ratio 1:2 Soft Chromatic Hypophrygian |
18 4 8 33 4 8 33 | Ratio 1:2 Soft Chromatic Hypodorian |
11 17 7 21 7 17 11 17 | Smith’s Nova |
7 21 7 21 7 17 11 17 | Smith’s Star |
7 7 7 7 7 7 7 7 7 7 7 10 7 7 7 | Valentine-15 |
109 tone equal modes: |
|
5 12 12 5 12 5 12 5 12 12 5 12 | Meantone Chromatic (7/18-comma) |
12 7 7 12 7 12 7 12 7 7 12 7 | Twelve-tone Chromatic (1/8-comma positive), Leapweek-12 |
10 9 10 6 10 9 10 10 6 10 9 10 | “Just” Chromatic |
8 8 8 8 8 8 8 8 8 8 8 8 8 5 | Octacot-14 |
7 7 7 7 7 7 7 7 7 7 7 11 7 7 7 | Tertiaseptal-15 |
16 16 16 16 16 16 13 | Tetracot-7 |
3 13 3 13 3 13 3 13 13 3 13 3 13 | Tetracot-13 |
110 tone equal modes: |
|
21 13 21 21 13 21 | Lemba-6 |
13 8 13 8 13 13 8 13 8 13 | Lemba-10 |
13 4 13 4 13 4 4 13 4 13 4 13 4 4 | Secant-14 |
7 11 7 7 7 11 7 7 7 7 11 7 7 7 | Sentinel-14 |
18 7 7 18 7 7 7 18 7 7 7 | Squares-11 |
11 7 7 7 11 7 7 7 7 11 7 7 7 7 | Squares-14 |
111 tone equal modes: |
|
11 8 8 11 8 11 8 11 8 8 11 8 | Twelve-tone Chromatic (1/29-comma positive), Shrirag-12 |
10 9 10 7 10 9 10 10 7 10 9 10 | “Just” Chromatic |
13 13 10 13 13 13 13 10 13 | Mabila-9 |
11 9 11 9 11 9 11 9 11 11 9 | Machine-11 |
9 9 10 9 9 9 10 9 9 9 10 9 | Misty-12 |
11 7 11 7 7 11 7 11 7 7 11 7 7 | Semisept-13 |
12 12 12 5 12 12 12 5 12 12 5 | Sensi-11 |
112 tone equal modes: |
|
7 11 11 7 11 7 11 7 11 11 7 11 | Meantone Chromatic (7/27-comma), Meanpop-12 |
5 18 5 5 18 5 5 18 5 5 18 5 | Blackbirds-12 |
9 9 9 9 9 11 9 9 9 9 9 11 | Injera-12 |
9 9 9 9 9 9 2 9 9 9 9 9 9 2 | Injera-14 |
9 7 9 7 9 7 9 7 9 7 9 7 9 7 | Septimal-14 |
11 8 11 11 11 8 11 11 8 11 11 | Stacks-11 |
13 7 13 13 7 13 13 13 7 13 | Suhajira-10 |
113 tone equal modes: |
|
10 9 9 10 9 10 9 10 9 9 10 9 | Meantone Chromatic (1/20-comma), Melkis-12 |
17 15 17 15 17 17 15 | Amity-7 |
8 8 13 8 13 8 13 8 13 8 13 | Kumonga-11 |
11 11 11 11 11 11 11 11 11 14 | Miracle-10 |
11 11 11 11 11 11 11 11 11 3 8 3 | Miracle-12 |
5 14 14 5 14 14 14 5 14 14 | Mohajira-10 |
18 18 18 18 18 18 5 | Spell-7 |
13 5 13 5 13 5 13 5 13 5 13 5 5 | Spell-13 |
114 tone equal modes: |
|
13 7 7 13 7 13 7 13 7 7 13 7 | Twelve-tone Chromatic (2/13-comma positive) |
10 10 10 7 10 10 10 10 10 7 10 10 | Diaschismic-12 |
11 8 11 8 11 8 11 8 11 8 11 8 | Hexe-12 |
115 tone equal modes: |
|
9 10 10 9 10 9 10 9 10 10 9 10 | Meantone Chromatic (3/23-comma), Preston-12 |
15 11 15 11 15 11 15 11 11 | Orwell-9 |
4 11 11 4 11 11 4 11 11 4 11 11 11 | Orwell-13 |
17 7 7 7 7 7 7 7 7 7 7 7 7 7 7 | Slurpee-15 |
7 16 7 16 7 16 7 16 7 16 | Trisedodge-10 |
7 7 9 7 7 9 7 7 9 7 7 9 7 7 9 | Trisedodge-15 |
116 tone equal modes: |
|
5 13 13 5 13 5 13 5 13 13 5 13 | Meantone Chromatic (7/17-comma) |
11 9 11 6 11 9 11 11 6 11 9 11 | “Just” Chromatic |
13 11 11 13 11 11 13 11 11 11 | Submajor-10 |
17 17 17 17 17 17 14 | Tetracot-7 |
3 14 3 14 3 14 3 14 14 3 14 3 14 | Tetracot-13 |
117 tone equal modes: |
|
8 11 11 8 11 8 11 8 11 11 8 11 | Meantone Chromatic (4/19-comma), Meridetone-12 |
4 15 15 4 15 15 4 15 15 15 | Migration-10 |
4 15 15 4 15 15 15 4 15 15 | Mohajira-10 |
118 tone equal modes: |
|
11 9 9 11 9 11 9 11 9 9 11 9 | Meantone Chromatic (1/83-comma), Helmholtz-12 |
11 9 11 7 11 9 11 11 7 11 9 11 | “Just” Chromatic |
10 9 10 10 10 10 10 9 10 10 10 10 | Bischismic-12 |
5 22 5 22 5 5 22 5 22 5 | Doublewide-10 |
5 5 17 5 5 17 5 5 5 17 5 5 17 5 | Doublewide-14 |
11 5 11 11 5 11 5 11 5 11 11 5 11 5 | Hedgehog-14 |
19 19 19 19 19 23 | Hemithirds-6 |
19 19 19 19 19 19 4 | Hemithirds-7 |
15 4 15 4 15 4 15 4 15 4 15 4 4 | Hemithirds-13 |
23 23 23 26 23 | Rodan-5 |
20 3 20 3 20 3 20 3 3 20 3 | Rodan-11 |
9 11 9 9 11 9 11 9 9 11 9 11 | Schismic-12 |
17 7 7 7 7 7 7 17 7 7 7 7 7 7 | Vishnu-14 |
119 tone equal modes: |
|
7 12 12 7 12 7 12 7 12 12 7 12 | Meantone Chromatic (2/7-comma), Zarlino |
10 10 10 9 10 10 10 10 10 10 10 10 | Ripple-12 |
13 13 13 5 13 13 13 5 13 13 5 | Sensi-11 |
120 tone equal modes: |
|
4 23 4 4 23 4 23 4 4 23 4 | Myna-11 |
4 4 19 4 4 4 19 4 4 4 19 4 4 19 4 | Myna-15 |
11 11 11 5 11 11 11 11 11 5 11 11 | Pajara-12 |
5 17 5 5 17 5 17 5 5 17 5 17 | Superpyth-12 |
121 tone equal modes: |
|
13 8 8 13 8 13 8 13 8 8 13 8 | Twelve-tone Chromatic (1/10-comma positive), Leapday-12 |
11 10 11 7 11 10 11 11 7 11 10 11 | “Just” Chromatic |
10 17 10 10 17 10 10 17 10 10 | Golden-10 |
10 10 7 10 10 10 7 10 10 10 7 10 10 | Golden-13 |
7 9 7 9 7 9 7 9 7 9 7 9 7 9 9 | Hemikleismic-15 |
7 25 7 25 7 25 25 | Kleismic-7 |
7 7 18 7 18 7 7 18 7 7 18 | Kleismic-11 |
7 7 7 11 7 7 7 11 7 7 7 11 7 7 11 | Kleismic-15 |
19 16 19 16 19 16 16 | Ptolemy-7 |
122 tone equal modes: |
|
9 11 11 9 11 9 11 9 11 11 9 11 | Meantone Chromatic (1/6-comma), Evelyne-12 |
17 5 17 17 5 17 5 17 17 5 | Astrology-10 |
5 34 5 34 5 5 34 | Marveltri-7 |
11 11 11 6 11 11 11 11 11 6 11 11 | Pajara-12 |
123 tone equal modes: |
|
18 18 5 18 18 5 18 18 5 | Oodako-9 |
10 7 7 10 7 10 7 7 10 7 10 7 7 10 7 | Ternary-15 |
8 8 8 8 8 8 8 8 8 8 8 11 8 8 8 | Valentine-15 |
13 13 8 13 13 8 13 13 8 13 8 | Wilson Golden-11 |
124 tone equal modes: |
|
15 7 7 15 7 15 7 15 7 7 15 7 | Twelve-tone Chromatic (5/24-comma positive) |
11 6 11 11 6 11 6 11 6 11 11 6 11 6 | Hedgehog-14 |
9 9 9 9 9 8 9 9 9 9 9 9 8 9 | Injerous-14 |
125 tone equal modes: |
|
11 10 10 11 10 11 10 11 10 10 11 10 | Meantone Chromatic (1/19-comma) |
4 15 15 4 15 4 15 4 15 15 4 15 | Meantone Chromatic (1/2-comma) |
12 9 12 7 12 9 12 12 7 12 9 12 | “Just” Chromatic |
23 23 5 23 23 5 23 | Iranian Diatonic |
7 7 7 12 7 7 7 12 7 7 7 12 7 7 12 | Catakleismic-15 |
12 9 12 7 12 9 12 12 12 4 12 12 | Marvel-12 |
126 tone equal modes: |
|
7 13 13 7 13 7 13 7 13 13 7 13 | Meantone Chromatic (5/16-comma) |
11 4 11 11 4 11 11 11 4 11 11 4 11 11 | Anguirus-14 |
17 6 17 17 6 17 6 17 17 6 | Astrology-10 |
11 11 11 8 11 11 11 11 11 8 11 11 | Diaschismic-12 |
17 17 17 24 17 17 17 | Porcupine-7 |
17 17 17 17 17 17 17 7 | Porcupine-8 |
127 tone equal modes: |
|
10 11 11 10 11 10 11 10 11 11 10 11 | Meantone Chromatic (1/8-comma) |
8 13 8 8 8 13 8 8 8 8 13 8 8 8 | Sentinel-14 |
128 tone equal modes: |
|
13 9 9 13 9 13 9 13 9 9 13 9 | Twelve-tone Chromatic (1/18-comma positive) |
12 10 12 7 12 10 12 12 7 12 10 12 | “Just” Chromatic |
20 17 20 17 20 17 17 | Ptolemy-7 |
25 25 25 28 25 | Rodan-5 |
22 3 22 3 22 3 22 3 3 22 3 | Rodan-11 |
129 tone equal mode: |
|
19 19 5 19 19 5 19 19 5 | Oodako-9 |
130 tone equal modes: |
|
13 9 9 9 9 9 9 9 9 9 9 9 9 9 | Belauensis-14 |
4 9 9 9 9 9 9 9 9 9 9 9 9 9 9 | Belauensis-15 |
11 10 11 11 11 11 11 10 11 11 11 11 | Bischismic-12 |
131 tone equal modes: |
|
8 13 13 8 13 8 13 8 13 13 8 13 | Golden Meantone Chromatic |
21 17 21 17 21 17 17 | Mohaha-7 |
9 9 9 14 9 9 9 9 9 9 9 9 9 9 | Nautilus-14 |
133 tone equal modes: |
|
14 9 9 14 9 14 9 14 9 9 14 9 | Twelve-tone Chromatic (1/12-comma positive), Wustaf-12 |
13 13 13 13 13 13 13 13 13 16 | Miracle-10 |
13 13 13 13 13 13 13 13 13 3 10 3 | Miracle-12 |
134 tone equal mode: |
|
13 13 13 2 13 13 13 13 13 2 13 13 | Semimiracle-12 |
135 tone equal modes: |
|
13 10 10 13 10 13 10 13 10 10 13 10 | Twelve-tone Chromatic (1/80-comma positive), Batteuse-12 |
13 10 13 7 13 10 13 13 7 13 10 13 | “Just” Chromatic |
10 13 10 10 13 10 13 10 10 13 10 13 | Schismic-12 |
136 tone equal mode: |
|
9 13 13 9 13 9 13 9 13 13 9 13 | Meantone Chromatic (5/22-comma), Wallaby-12 |
137 tone equal modes: |
|
12 11 11 12 11 12 11 12 11 11 12 11 | Meantone Chromatic (1/18-comma) |
13 10 13 8 13 10 13 13 8 13 10 13 | “Just” Chromatic |
18 13 18 13 18 13 18 13 13 | Orwell-9 |
5 13 13 5 13 13 5 13 13 5 13 13 13 | Orwell-13 |
138 tone equal modes: |
|
4 21 21 4 21 21 4 21 21 | Terrain-9 |
4 17 4 17 4 4 17 4 17 4 4 17 4 17 4 | Terrain-15 |
139 tone equal modes: |
|
11 12 12 11 12 11 12 11 12 12 11 12 | Meantone Chromatic (1/8-comma), Lalagu-12 |
9 9 9 9 9 9 9 9 9 9 9 13 9 9 9 | Valentine-15 |
140 tone equal modes: |
|
13 11 13 8 13 11 13 13 8 13 11 13 | “Just” Chromatic |
7 17 17 7 17 17 7 17 17 17 | Hemififths-10 |
8 29 8 29 8 29 29 | Kleismic-7 |
8 8 21 8 21 8 8 21 8 8 21 | Kleismic-11 |
8 8 8 13 8 8 8 13 8 8 8 13 8 8 13 | Kleismic-15 |
9 9 9 9 9 9 9 9 9 9 9 14 9 9 9 | Tertiaseptal-15 |
12 12 11 12 12 11 12 12 11 12 12 11 | Undim-12 |
141 tone equal modes: |
|
10 13 13 10 13 10 13 10 13 13 10 13 | Meantone Chromatic (4/21-comma) |
5 18 18 5 18 18 18 5 18 18 | Mohajira-10 |
9 14 9 9 9 14 9 9 9 9 14 9 9 9 | Sentinel-14 |
142 tone equal mode: |
|
13 11 11 13 11 13 11 13 11 11 13 11 | Meantone Chromatic (1/39-comma), Photia-12 |
143 tone equal mode: |
|
9 14 14 9 14 9 14 9 14 14 9 14 | Meantone Chromatic (19/75-comma) |
144 tone equal modes: |
|
13 13 13 7 13 13 13 13 13 7 13 13 | Pajara-12 |
8 13 13 8 13 8 13 13 8 13 13 8 13 | Phi-12 |
7 7 19 7 19 7 19 7 7 19 7 19 | Quasisuper-12 |
145 tone equal modes: |
|
8 15 15 8 15 8 15 8 15 15 8 15 | Meantone Chromatic (6/19-comma), Meanenneadecal-12 |
22 19 22 19 22 22 19 | Amity-7 |
39 7 39 7 39 7 7 | Magic-7 |
32 7 7 7 32 7 7 32 7 7 | Magic-10 |
25 7 7 7 25 7 7 7 25 7 7 7 7 | Magic-13 |
146 tone equal mode: |
|
11 13 13 11 13 11 13 11 13 13 11 13 | Meantone Chromatic (2/13-comma) |
147 tone equal modes: |
|
14 11 11 14 11 14 11 14 11 11 14 11 | Twelve-tone Chromatic (1/251-comma positive), Schism-12 |
14 11 14 8 14 11 14 14 8 14 11 14 | “Just” Chromatic |
25 22 25 25 25 25 | Baldy-6 |
22 3 22 3 22 3 22 22 3 22 3 | Baldy-11 |
148 tone equal modes: |
|
11 13 13 11 13 13 11 13 13 11 13 13 | Bidia-12 |
13 16 16 13 16 13 16 16 13 16 | Echidnic-10 |
5 19 19 5 19 19 5 19 19 19 | Migration-10 |
5 19 19 5 19 19 19 5 19 19 | Mohajira-10 |
149 tone equal modes: |
|
13 12 12 13 12 13 12 13 12 12 13 12 | Meantone Chromatic (1/17-comma), Garibaldy-12 |
14 11 14 9 14 11 14 14 9 14 11 14 | “Just” Chromatic |
150 tone equal mode: |
|
11 11 11 11 11 11 11 11 11 11 11 11 11 7 | Morrison Octacot-14 |
151 tone equal modes: |
|
12 13 13 12 13 12 13 12 13 13 12 13 | Meantone Chromatic (1/9-Pythagorean comma) |
19 8 8 19 8 19 8 19 8 8 19 8 | Twelve-tone Chromatic (1/4-comma positive), Reverse Meantone-12 |
152 tone equal modes: |
|
15 11 11 15 11 15 11 15 11 11 15 11 | Twelve-tone Chromatic (1/32-comma positive), Kwai-12 |
14 12 14 9 14 12 14 14 9 14 12 14 | “Just” Chromatic |
23 20 23 20 23 23 20 | Amity-7 |
13 10 10 13 10 10 10 13 10 10 13 10 10 10 | Hemiamity-14 |
11 15 11 11 15 11 15 11 11 15 11 15 | Schismic-12 |
13 13 12 13 13 12 13 13 12 13 13 12 | Undim-12 |
22 9 9 9 9 9 9 22 9 9 9 9 9 9 | Vishnu-14 |
153 tone equal mode: |
|
11 14 14 11 14 11 14 11 14 14 11 14 | Meantone Chromatic (2/11-comma), Silbermann-12 |
155 tone equal mode: |
|
17 10 10 17 10 17 10 17 10 10 17 10 | Twelve-tone Chromatic (3/25-comma positive), Algebraic Leapfrog-12 |
159 tone equal mode: |
|
13 13 16 9 16 11 14 15 11 16 9 16 | Yarman-12 |
160 tone equal mode: |
|
11 15 15 11 15 11 15 11 15 15 11 15 | Meantone Chromatic (6/29-comma) |
161 tone equal modes: |
|
14 13 13 14 13 14 13 14 13 13 14 13 | Meantone Chromatic (1/16-comma) |
15 12 15 10 15 12 15 15 10 15 12 15 | “Just” Chromatic |
162 tone equal mode: |
|
15 13 15 9 15 13 15 15 9 15 13 15 | “Just” Chromatic |
163 tone equal mode: |
|
13 14 14 13 14 13 14 13 14 14 13 14 | Meantone Chromatic (3/25-comma) |
164 tone equal modes: |
|
9 17 17 9 17 9 17 9 17 17 9 17 | Meantone Chromatic (7/22-comma) |
15 13 15 10 15 13 15 15 10 15 13 15 | “Just” Chromatic |
166 tone equal modes: |
|
15 13 13 15 13 15 13 15 13 13 15 13 | Meantone Chromatic (1/29-comma) |
16 12 16 9 16 12 16 16 16 5 16 16 | Marvel-12 |
28 25 28 25 28 32 | Hecatehex |
167 tone equal mode: |
|
18 11 11 18 11 18 11 18 11 11 18 11 | Twelve-tone Chromatic (3/29-comma positive) |
169 tone equal mode: |
|
17 12 12 17 12 17 12 17 12 12 17 12 | Twelve-tone Chromatic (1/21-comma positive), Argent-12 |
171 tone equal modes: |
|
16 13 13 16 13 16 13 16 13 13 16 13 | Meantone Chromatic (1/107-comma), Pontiac-12 |
16 13 16 10 16 13 16 16 10 16 13 16 | “Just” Chromatic |
13 16 13 13 16 13 16 13 13 16 13 16 | Schismic-12 |
14 14 15 14 14 14 15 14 14 14 15 14 | Term-12 |
5 26 26 5 26 26 5 26 26 | Terrain-9 |
5 21 5 21 5 5 21 5 21 5 5 21 5 21 5 | Terrain-15 |
11 11 11 11 11 11 11 11 11 11 11 17 11 11 11 | Tertiaseptal-15 |
20 20 20 20 20 20 20 20 11 | Tsaharuk-9 |
174 tone equal modes: |
|
11 17 17 11 17 11 17 11 17 17 11 17 | Meantone Chromatic (1/4-comma), Milliet de Chales-12 |
14 14 14 14 14 17 14 14 14 14 14 17 | Injera-12 |
14 14 14 14 14 14 3 14 14 14 14 14 14 3 | Injera-14 |
13 13 13 13 13 9 13 13 13 13 13 13 9 13 | Injerous-14 |
175 tone equal modes: |
|
14 15 15 14 15 14 15 14 15 15 14 15 | Meantone Chromatic (2/17-comma) |
17 17 17 17 17 17 17 17 17 22 | Miracle-10 |
17 17 17 17 17 17 17 17 17 5 12 5 | Miracle-12 |
176 tone equal modes: |
|
17 13 13 17 13 17 13 17 13 13 17 13 | Twelve-tone Chromatic (1/68-comma positive) |
16 14 16 11 16 14 16 16 11 16 14 16 | “Just” Chromatic |
177 tone equal modes: |
|
13 16 16 13 16 13 16 13 16 16 13 16 | Meantone Chromatic (9/53-comma) |
20 11 11 20 11 20 11 20 11 11 20 11 | Twelve-tone Chromatic (1/7-comma positive) |
13 13 13 13 13 13 13 13 13 13 13 13 13 8 | Octacot-14 |
180 tone equal mode: |
|
8 29 8 8 29 8 8 29 8 8 29 8 | Blackbirds-12 |
181 tone equal mode: |
|
17 14 17 10 17 14 17 17 10 17 14 17 | “Just” Chromatic |
183 tone equal modes: |
|
17 14 14 17 14 17 14 17 14 14 17 14 | Meantone Chromatic (1/68-comma), Countermeantone-12 |
17 14 17 11 17 14 17 17 11 17 14 17 | “Just” Chromatic |
15 15 16 15 15 15 16 15 15 15 16 15 | Term-12 |
185 tone equal modes: |
|
19 10 19 12 17 19 12 17 12 19 17 12 | Novadene |
19 29 12 36 12 29 19 29 | Smith’s Nova |
12 24 12 12 17 19 12 17 12 19 17 12 | Starling-12 |
187 tone equal mode: |
|
15 16 16 15 16 15 16 15 16 16 15 16 | Meantone Chromatic (3/26-comma) |
190 tone equal modes: |
|
17 15 15 17 15 17 15 17 15 15 17 15 | Meantone Chromatic (1/24-comma) |
18 14 18 11 18 14 18 18 11 18 14 18 | “Just” Chromatic |
37 24 37 13 37 5 37 | Maxx |
24 13 24 13 5 32 5 24 13 24 13 | Septicyc |
13 24 13 24 18 24 13 24 13 24 | Suzz |
196 tone equal mode: |
|
21 13 21 13 21 13 13 21 13 21 13 13 | Twelve-tone Chromatic (1/10-comma positive) |
197 tone equal modes: |
|
17 16 16 17 16 17 16 17 16 16 17 16 | Meantone Chromatic (1/15-comma), Minsys-12 |
19 44 19 33 19 44 19 | Double Harmonic Major, Major Gipsy |
11 11 11 19 11 11 11 19 11 11 11 19 11 11 19 | Catakleismic-15 |
44 19 19 33 11 33 19 19 | Alpharab |
19 14 19 11 19 14 19 19 11 22 11 19 | BlueJI |
14 19 11 19 19 14 19 19 11 14 19 19 | Hexy |
198 tone equal mode: |
|
17 10 15 10 17 15 15 17 10 15 10 17 15 15 | Semicanou-14 |
200 tone equal modes: |
|
19 15 15 19 15 19 15 19 15 15 19 15 | Twelve-tone Chromatic (1/478-comma positive) |
19 15 19 11 19 15 19 19 11 19 15 19 | “Just” Chromatic |
17 17 16 17 17 16 17 17 16 17 17 16 | Undim-12 |
13 13 13 13 13 13 13 13 13 13 13 18 13 13 13 | Valentine-15 |
202 tone equal modes: |
|
19 15 19 12 19 15 19 19 12 19 15 19 | “Just” Chromatic |
20 39 6 39 14 39 6 39 | Oktone |
13 13 13 13 13 13 13 13 13 13 13 20 13 13 13 | Tertiaseptal-15 |
205 tone equal modes: |
|
13 20 13 20 13 20 20 13 20 13 20 20 | Meantone Chromatic (1/4-comma) |
19 16 19 12 19 16 19 19 12 19 16 19 | “Just” Chromatic |
31 27 31 27 31 31 27 | Amity-7 |